Title | Author | Created | Last Edited | Group | Tags | |
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‘The look that gropes the objects’: Derrida’s Photographs
‘The look that gropes the objects’: Derrida’s Photographs Permit me to begin with a few snapshots; allow these to […] |
Julian Wolfreys | 3 August 2016 | 3 August 2016 | death, Derrida, memory, photography, trace | ||
“‘Her poor dog was howling’: Zoonotic Illness and Cross-Species Suffering in Mrs. Dlalloway”
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Caylee Weintraub | 8 January 2023 | 8 January 2023 | |||
“Imagining, that Ganimed displeas’d, Had left the heavens, therefore on him hee seaz’d.”
Christopher Marlowe writes the above line when writing his tragic spin on Ganymede in “Dido Queen of Carthage”, circa 1586-7, […] |
Richard Willis | 19 May 2025 | 19 May 2025 | |||
“New Document”
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Katherine Kim | 23 October 2014 | 23 October 2014 | |||
“Part-Object”: Response to MLA 15 Panel on Aging and the Posthuman
Jen Boyle: Response to Panel, Aging and the Posthuman |
Jen Boyle | 10 January 2015 | 10 January 2015 | |||
“‘What Country, Friends, Is This?’: Touring Shakespeares, Agency, and Efficacy in Theatre Historiography,” Theatre Survey 54.1 (January 2013): pp. 51-85.
Full text: http://www.gwu.edu/~acyhuang/Publications/HuangTS2013.pdf Abstract: http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8802827&fulltextType=RA&fileId=S0040557412000415 Touring theatre is a place where theatre studies and globalization come into contact. In this second […] |
Alexa Alice Joubin | 4 January 2013 | 28 January 2014 | artistic and moral agency, Coriolanus, cultural translation, Edinburgh Festival, efficacy, globalization, Globe-to-Globe, Hamlet, Richard III, Romeo and Juliet, Shakespeare, The Tempest, theatre historiography, touring theatre, Twelfth Night | ||
“Back to Shame: A Talk About Reproduction, Violated Rights, and the ‘Traditional Family’ ”
Today at New York University: https://gendertransformationeurope.wordpress.com/ |
Catalina Florina Florescu | 16 February 2018 | 16 February 2018 | |||
“Caviar or Marmalade? Reassessing Nöel Coward” Special Session #MLA16 7 Jan 12:00-1:15 PM
“Caviar or Marmalade? Reassessing Nöel Coward” considers anew a central figure of twentieth-century popular culture, reading as literature and appreciating […] |
Samuel Lyndon Gladden | 22 July 2015 | 23 July 2015 | identity, marginality, mla16, Noël Coward, Special Session, theatre, Wilde | ||
“Chapter 3: Yukio Ninagawa.” Brook, Hall, Ninagawa, Lepage: Great Shakespeareans 18 vols. Vol. 18. Edited by Peter Holland. London: Bloomsbury, 2013. pp. 79-112.
Full Text: http://www.gwu.edu/~acyhuang/Publications/Huang_Ninagawa_Holland.pdf EXCERPT from the chapter. Full text available on my website Chapter 3 Yukio Ninagawa […] |
Alexa Alice Joubin | 22 September 2013 | 22 September 2013 | adaptation, Asia, global Shakespeare, Japan, Kabuki, Kyogen, Noh, performance, Shingeki, translation, Yukio Ninagawa | ||
“Hans Scholz’s Am grünen Strand der Spree. Witnessing and Representing the Holocaust.”
“Hans Scholz’s Am grünen Strand der Spree. Witnessing and Representing the Holocaust.” Neophilologus 93 (2009): 311-324. You can read this […] |
Norbert Puszkar | 5 December 2016 | 5 December 2016 |