About

Michael Allan is editor of Comparative Literature and associate professor of Comparative Literature at the University of Oregon. He is affiliated with Cinema Studies, Arabic, Middle East Studies, New Media and Culture, African Studies, and Comics Studies.

His research focuses on debates in world literature, postcolonial studies, literary theory, as well as film and visual culture, primarily in Africa and the Middle East. In both his research and teaching, he bridges textual analysis with social theory, and draws from methods in anthropology, religion, queer theory and area studies. He is the author of In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton 2016, Co-Winner of the MLA Prize for a First Book), and is at work on a second book, Picturing the World: The Global Routes of Early Cinema, 1896-1903, which traces the transnational history of camera operators working for the Lumière Brothers film company.

He serves on the editorial board of the Journal of World Literature, Philological Encounters, Syndicate Lit, and Middle East Topics & Arguments. He was elected a member of the executive committee for LLC Arabic (2017-2021) and a delegate of Twentieth and Twenty-First Century Comparative Literature (2019-2021) for the Modern Language Association. He was a EUME Fellow at the Forum for Transregional Studies in Berlin (2011-12, 2017-2018), a Townsend Fellow at the Townsend Center for the Humanities in Berkeley (2006-7), and a Presidential Intern at the American University in Cairo, where he worked with its Institute of Gender and Women’s Studies (2000-1). For two summers (2011-12), he was the site director for the CLS Arabic Program in Tangier, Morocco.

Education

Ph.D. in Comparative Literature from the University of California, Berkeley

A.B. (Magna cum laude) in History and Modern Culture and Media from Brown University

 

Blog Posts

    Publications

    A list of downloadable articles can be found here: https://uoregon.academia.edu/MichaelAllan

    Book:

    In the Shadow of World Literature: Sites of Reading in Colonial Egypt(Princeton 2016)
    https://tif.ssrc.org/category/exchanges/book-blog/book-forums/shadow-world-literature/
    https://syndicate.network/symposia/literature/in-the-shadow-of-world-literature/

    Edited Volumes:

    Lingua Franca: Toward a Philology of the Sea Special Issue of Philological Encounters, co-edited with Elisabetta Benigni, (Leiden: Brill, 2017)

    Reading Secularism: Religion, Literature, Aesthetics. Special Issue ofComparative Literature. Vol. 65, No. 3, Summer 2013.

    Articles:

    “Old Media/New Futures: Revolutionary Reverberations of Fanon’s Radio,” PMLA, 134.1, Spring 2019.

    “Youssef Chahine’s Iksandariyya…Leh?,” in the Global Encyclopedia of Lesbian, Gay, Bisexual, Transexual and Queer History, (New York: Charles Scribner’s Sons, 2019).

    “Re-Reading the Arab Darwin: The Lewis Affair and Naguib Mahfouz’s Palace of Desire” Modernism/Modernity, Volume 23, Number 2, 2016. 319-340

    “Scattered Letters: Translingual Poetics in Assia Djebar’s L’Amour, La Fantasia,” Philological Encounters, Volume 2, Issue 1. 2015.

    “You, The Sacrificial Reader: Poetics and Pronouns in Mahmoud Darwish’s ‘al-Qurban'” Friederike Pannewick and Georges Khalil (eds.), Commitment and Beyond: Reflections on/of the Political in Arabic Literature since the 1940s, (Wiesbaden: Reichert-Verlag, 2015).

    “The Hermeneutics of the Other: Intersubjectivity and the Limits of Narration in Rashid al-Daif’s How the German Came to His Senses” in Ken Seigneurie (ed.), What Makes a Man?, (Austin: University of Texas Press, 2015), 214-227.

    “Queer Couplings: Formations of Religion and Sexuality in The Yacoubian Building” The International Journal of Middle East Studies, 44:4, 2013. (http://journals.cambridge.org/abstract_S0020743812001614)

    “How Adab Became Literary: Formalism, Orientalism and the Institutions of World Literature” Journal of Arabic Literature (43), Issues 2-3, 2012, pp172-96.

    “Deserted Histories: The Great Pyramid and Early Film Form” Special Issue of Early Popular Visual Culture, 6:2, 159-170, July 2008.

    “ Reading With One Eye, Speaking With One Tongue: The Problem of Address in World Literature” Comparative Literature Studies, Volume 44, no. 1-2, Fall 2007

    “The Limits of Secular Criticism: Reflections on Literary Reading in a Colonial Frame” Townsend Center for the Humanities Newsletter, February 2007 http://townsendcenter.berkeley.edu/pubs/feb_07_nl.pdf

    “Fanon and the Flesh of Language: Towards a Material Linguistics of Colonial Subjection” Equinoxes , Number 4, Winter 2004

    “The Location of Lebanon: Portraits and Places in the Videography of Jayce Salloum” Parachute , Volume 108 Beyrouth_Beirut, Fall 2002, Simultaneously published as “Le Lieu Liban: Portraits et Sites dans L’Art Vidéo de Jayce Salloum” translated by Denis Lessard

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