The 53rd Annual IASA Pittsburgh Conference November 5-7, 2020

Mining the Diaspora: Italian-American Materialities, Archaeologies, and Intersections

Submission Deadline: Friday, May 1, 2020

The Italian American Studies Association (IASA formerly the American Italian Historical Association AIHA) celebrates its fifty-third year of academic inquiry into all things Italian and Italian American. We welcome independent thinkers, scholars, and academics, past and present, to participate in its annual conference.The conference will focus on the intersections of local, glocal (characterized by both local and global considerations), and transnational settings, with particular emphasis on the connections, collaborations, and contestations that exist between and among Italians, Italian Americans, and other multi-ethnic and -racial groups. The conference aims to draw attention in equal measure to small cities, suburban areas, and rural enclaves, a broadened focus that will complement and enrich a field that has long trained its lens on the Italian-American experience in larger urban settings. Addressing this diverse demographic landscape, conference participants are invited to explore questions of materiality; belonging; the processes and products of oral and written family and community histories; labor communities, trajectories, and archaeologies of all kinds; material and digital expressions of these histories, communities, trajectories, and archives. Interventions may see these themes as interpreted through collections housed in historical societies, museums, universities, libraries, archives, homes, private collections, etc., or in virtual or digital forms.All presenters, respondents, and discussants must be members in good standing of the Italian American Studies Association by September 1, 2020.IASA encourages proposals in diverse formats, including round tables, debates, workshops, teaching sessions, and performances. In addition to individual paper proposals, we encourage the submission of abstracts and/or fully-formed sessions; we also encourage submission of individuals who would prefer to moderate or to comment. If this is your interest, please submit a CV and statement of areas of interest and expertise. We especially encourage interdisciplinary panels and roundtables that provide a structure for creating dialogue at the intersection of creative, social, and humanistic thought, and across diverse disciplinary fields and methodologies. The conference committee will consider proposals that do not specifically address but may complement this year’s conference theme.Organized panels should feature no more than three presenters, (or creative writers or artists, as the case may be) not including the chair and respondent. All presentations are limited to 15-20 minutes based upon the number of people on the panel. If you are willing to serve as chair, please indicate that willingness in your cover letter. This is separate from your presentation(s).Guidelines for Proposals:Sessions will be 75 minutes, and we will ask the presenter to limit her or his remarks to 15-20 minutes each, so there is ample time for Q&A and discussion. Proposals may be for one of three forms:

• Individual presentation, paper, or talk.
• Panel session or workshop, featuring multiple presenters.
• Performance, reading, or screening of creative work.

Proposals should include:

• Proposal title and a brief (250-word description)
• Suggested topic category (see list above)
• Brief biographical statement, affiliation, and e-mail
• Technology needs, if any.

The conference interventions will gravitate around three main groups of keywords/phrases and their associated questions or problems:

1. Materiality of diaspora

• archives: material, visual, digital-born, conceptual
• artifacts, cultural production (broadly understood), and folk materiality
• images: photographic, cinematic, and otherwise
• oral histories, written personal histories, family histories
• spaces and places, including structures, infrastructures, and negative spaces
• community and institutional structures
• commodities, marketplaces, and other transactional spaces
• tools of the trade/s
• philanthropy: its products, its structures, and its intersections with labor, cultural production, power structures, inter-ethnic dynamics

<li value=”2″>Archeology of labor

• tools of the trade/s
• infrastructure
• labor narratives
• labor activism
• industry growth and decline
• migrant/itinerant labor/ers
• structures of labor power, internal and external to the community
• science and technology
• narratives of Italian-American identity as embedded and differentiated in urban, suburban, or rural landscapes

<li value=”3″>Ethnic intersections

• Inter-ethnic marriage and other familial configurations
• Labor sites (e.g., coal mines, steel mills) as sites of multi-ethnic and multi-racial collaboration and community
• Structures of labor power, internal and external to the community
• Cosmopolitanism and philanthropy that works across (elite?) ethnic and national groups
• Multi-cultural neighborhoods
• Commemorations and mappings of “little Italys” and other spaces identified with diasporic communities, whether currently visible or not
• Italian-American flight (and white) in the aftermath of the Civil Rights movement