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	<title>MLA Commons | GS Comics and Graphic Narratives | Activity</title>
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				<title>Fatma Fulya Tepe started the topic New Article: Banal misogynism in Turkish media in the discussion GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/new-article-banal-misogynism-in-turkish-media-4/</link>
				<pubDate>Wed, 27 Mar 2024 14:32:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>I , Assoc. Prof. Dr. Fatma Fulya Tepe, from Istanbul Aydin University, Faculty of Education, published a new article titled “Banal misogynism in Turkish media at the beginning of the multi-party era: the case of Boşboğaz” in the Journal of Graphic Novels and Comics which is a Q1 journal. You can find the abstract and the link&hellip;<span class="activity-read-more" id="activity-read-more-1880910"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/new-article-banal-misogynism-in-turkish-media-4/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fatma Fulya Tepe started the topic New creative feminist work: A Misogynist Triptych from 1945 in the discussion GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/new-creative-feminist-work-a-misogynist-triptych-from-1945-18/</link>
				<pubDate>Tue, 05 Dec 2023 16:14:15 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>I , <strong>Assoc. Prof. Dr. Fatma Fulya Tepe</strong>, from Istanbul Aydin University, Faculty of Education and <strong>Emeritus Prof. Dr. Per Bauhn</strong> from Sweden’s Linnaeus University prepared “<strong>A Misogynist Triptych from 1945” </strong>based on cartoon material coming from the Turkish Boşboğaz (Bigmouth) Humor Gazette from 1945. This project was supported by&hellip;<span class="activity-read-more" id="activity-read-more-1866858"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/new-creative-feminist-work-a-misogynist-triptych-from-1945-18/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Janine M. Utell started the topic MLA Sit and Writes Announced for Fall 2023! in the discussion GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/mla-sit-and-writes-announced-for-fall-2023-2/</link>
				<pubDate>Tue, 19 Sep 2023 19:44:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Please join us for our first MLA Sit and Write of Fall 2023!  Katherine Fusco will offer a Snack on &#8220;How to Write a Book Proposal in Five Easy Steps,&#8221; Thursday, 21 September.</p>
<p>Learn more about this fall&#8217;s Sit and Write sessions, and last year&#8217;s recordings, here: <a href="https://www.mla.org/Resources/Career/MLA-Sit-and-Write-Sessions" rel="nofollow ugc">https://www.mla.org/Resources/Career/MLA-Sit-and-Write-Sessions</a></p>
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				<title>Janine M. Utell started the topic CFP: Making Queer Comics in the discussion GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-making-queer-comics/</link>
				<pubDate>Tue, 17 Aug 2021 14:27:25 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong>Call for Papers</strong></p>
<p><strong>Making Queer Comics: Foundations and Touchstones</strong></p>
<p><strong>NEW EXTENDED DEADLINE: SEPTEMBER 15, 2021</strong></p>
<p>“Making Queer Comics: Foundations and Touchstones” is a proposed volume in the series <em>Critical Approaches to Comics Artists</em> at the University Press of Mississippi (advance contract).  This volume will survey the work of foundational figu&hellip;<span class="activity-read-more" id="activity-read-more-1749438"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-making-queer-comics/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Janine M. Utell started the topic Call for Abstracts: Making Queer Comics (edited collection, UP Mississippi, 7/1) in the discussion GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/call-for-abstracts-making-queer-comics-edited-collection-up-mississippi-7-1-2/</link>
				<pubDate>Tue, 27 Apr 2021 14:25:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>Call for Papers (please share)</p>
<p>Making Queer Comics: Foundations and Touchstones</p>
<p>“Making Queer Comics: Foundations and Touchstones” is a proposed volume in the series <em>Critical Approaches to Comics Artists</em> at the University Press of Mississippi (advance contract).  This volume will survey the work of foundational figures in LGBTQ+ comics art and&hellip;<span class="activity-read-more" id="activity-read-more-1736669"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/call-for-abstracts-making-queer-comics-edited-collection-up-mississippi-7-1-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anastasia Salter deposited Syllabus: Comics and ImageText in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/1733369/</link>
				<pubDate>Wed, 31 Mar 2021 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Graduate seminar syllabus: In this seminar, we will explore the contemporary comic, considering literary and cultural works across a range of platforms and markets. Comics are still frequently (and historically) associated with popular culture, and linked to children&#8217;s literature and mass media, even as they loom large through big and small screen&hellip;<span class="activity-read-more" id="activity-read-more-1733369"><a href="https://mla.hcommons.org/activity/p/1733369/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Janine M. Utell started the topic CELJ professional development/mentoring opportunity: Chat with an Editor in the discussion GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/celj-professional-development-mentoring-opportunity-chat-with-an-editor-2/</link>
				<pubDate>Sun, 20 Dec 2020 19:32:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>Sharing in my role of Secretary of CELJ&#8230;please disseminate widely to graduate students and ECRs&#8230; ~ Janine Utell</p>
<p>&nbsp;</p>
<p>The Council of Editors of Learned Journals is hosting its annual Chat with an Editor program, in an expanded edition and in conjunction with the virtual Modern Language Association Convention. The Chat provides 20-minute time&hellip;<span class="activity-read-more" id="activity-read-more-1720465"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/celj-professional-development-mentoring-opportunity-chat-with-an-editor-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabelle Hesse started the topic Family and Conflict in Graphic Narratives, Special Issue for Studies in Comics   in the discussion GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/family-and-conflict-in-graphic-narratives-special-issue-for-studies-in-comics/</link>
				<pubDate>Wed, 04 Nov 2020 09:05:36 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>Family and Conflict in Graphic Narratives, Special Issue for <em>Studies in Comics</em>  </strong></p>
<p>Call for Articles, Interviews, and Comics</p>
<p>Even though family relationships are at the heart of many graphic narratives, particularly relationships between parents and children (one can think of examples like Alison Bechdel’s <em>Fun Home</em> and Art Spiegelman’s <em>Maus</em>), few s&hellip;<span class="activity-read-more" id="activity-read-more-1715518"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/family-and-conflict-in-graphic-narratives-special-issue-for-studies-in-comics/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Janine M. Utell started the topic CFP:  College Teaching (with) Unflattening (edited volume) in the discussion GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-college-teaching-with-unflattening-edited-volume/</link>
				<pubDate>Tue, 15 Sep 2020 15:58:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>Unfurling Unflattening: Tracing Pedagogical Possibilities within Higher Education (Round Two)<br />
Link here:  <a href="https://call-for-papers.sas.upenn.edu/cfp/2020/09/08/unfurling-unflattening-tracing-pedagogical-possibilities-within-higher-education" rel="nofollow ugc">https://call-for-papers.sas.upenn.edu/cfp/2020/09/08/unfurling-unflattening-tracing-pedagogical-possibilities-within-higher-education</a></p>
<p>deadline for submissions: October 30, 2020</p>
<p>full name / name of organization: Janine Utell</p>
<p>contact em&hellip;<span class="activity-read-more" id="activity-read-more-1708478"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-college-teaching-with-unflattening-edited-volume/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>A. David Lewis deposited CFP - Graphic Medicine at PCA 2021 in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/1708095/</link>
				<pubDate>Fri, 11 Sep 2020 02:29:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>In conjunction with the Popular Culture Association (PCA) holding their 2021 conference in Boston, contributors and attendees of the New England Graphic Medicine (NEGM) Virtual Summit are proposing a slate of programming that now is welcoming additional participants.</p>
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				<title>A. David Lewis deposited Graphic Medicine Quantified: An Annotated Bibliography in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/1704744/</link>
				<pubDate>Sun, 09 Aug 2020 02:23:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>A challenge for Graphic Medicine is its being juxtaposed alongside biomedical and scientific fields of work that operate largely in the realm of statistics and quantifiable analytics. Often, the scholarship in Graphic Medicine comes without numbers. It is anecdotal, experiential, aesthetic/literary, or theoretical, customarily, and only&hellip;<span class="activity-read-more" id="activity-read-more-1704744"><a href="https://mla.hcommons.org/activity/p/1704744/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Isabelle Hesse started the topic CFP: Family and Conflict in Graphic Narratives in the discussion GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-family-and-conflict-in-graphic-narratives/</link>
				<pubDate>Fri, 08 May 2020 03:35:53 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong>Family and Conflict in Graphic Narratives, Special Issue for <em>Studies in Comics</em>  </strong></p>
<p>Call for Articles, Interviews, and Comics</p>
<p>Even though family relationships are at the heart of many graphic narratives, particularly relationships between parents and children (one can think of examples like Alison Bechdel’s <em>Fun Home</em> and Art Spiegelman’s <em>Maus</em>), few s&hellip;<span class="activity-read-more" id="activity-read-more-1686614"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-family-and-conflict-in-graphic-narratives/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anastasia Salter deposited Theory and Practice of Interactive Storytelling Syllabus in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/1673665/</link>
				<pubDate>Sun, 29 Dec 2019 16:25:59 -0500</pubDate>

									<content:encoded><![CDATA[<p>Part of the Digital Media MA / Texts &amp; Technology PhD Digital Media track at the University of Central Florida. In this graduate course, we&#8217;ll engage with the making and critique of interactive works ranging from &#8220;Choose Your Own Adventure&#8221; comics to electronic literature and interactive fiction. Drawing on readings including Janet Murray&#8217;s Hamlet&hellip;<span class="activity-read-more" id="activity-read-more-1673665"><a href="https://mla.hcommons.org/activity/p/1673665/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>A. David Lewis deposited 2020 New England Graphic Medicine Conference Call for Papers (CFP) in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/1671898/</link>
				<pubDate>Thu, 12 Dec 2019 16:25:22 -0500</pubDate>

									<content:encoded><![CDATA[<p>2020 New England Graphic Medicine Conference<br />
Call for Papers<br />
MARCH 26-28, 2020<br />
[Deadline: January 10, 2020]</p>
<p>Graphic Medicine is a genre, a field, a tool, a community, and a cause. It is large enough to accommodate all health and medical experiences, from that of the doctor to that of the patient – from that of a microbe to that of a p&hellip;<span class="activity-read-more" id="activity-read-more-1671898"><a href="https://mla.hcommons.org/activity/p/1671898/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Roger Whitson deposited ENGL 494: English Capstone — Comics and Graphic Novels in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/1660886/</link>
				<pubDate>Thu, 22 Aug 2019 03:53:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>This section of 494 provides students with an introduction to the reading, history, and making of comics and graphic novels. Comics have often been associated with popular culture, pulp fiction, and ephemerality. Yet comics merge image and text to create a unique form of sequential art that is becoming ever more visible and influential in our&hellip;<span class="activity-read-more" id="activity-read-more-1660886"><a href="https://mla.hcommons.org/activity/p/1660886/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Janine M. Utell started the topic CFP: Unfurling Unflattening (edited collection) in the discussion GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-unfurling-unflattening-edited-collection/</link>
				<pubDate>Wed, 03 Jul 2019 16:38:01 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong>Call for Chapters—Edited Volume</strong></p>
<p><strong>Unfurling Unflattening: Tracing Theoretical, Methodological, and Pedagogical Possibilities</strong></p>
<p>&nbsp;</p>
<p><strong>Janine Utell, Widener University, Amanda O. Latz, Ball State University, Andrea Kantrowitz, SUNY at New Paltz, Editors</strong></p>
<p>&nbsp;</p>
<p>The publication of Nick Sousanis’s <em>Unflattening</em> (2015) created an unprecedented stir among schol&hellip;<span class="activity-read-more" id="activity-read-more-1643919"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-unfurling-unflattening-edited-collection/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kay Sohini deposited On the Crisis of Creation: A Short Comic in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/1642495/</link>
				<pubDate>Thu, 13 Jun 2019 16:26:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>On the Crisis of Creation is a short comic about the comic artists&#8217; equivalent of a writer&#8217;s block.</p>
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				<title>A. David Lewis deposited Cancer and Comic Books: Distinguishing the Subgenre [Poster] in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/1639302/</link>
				<pubDate>Tue, 30 Apr 2019 16:25:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>For at least the last twenty years, scholarly attention has been drawn to the numerous depictions of cancer in comic books as well as oncology’s use of the comics medium (Rhode and Connor, 2012). However, little in the way of comprehensive analysis has been attempted, especially in terms of the various genres addressed. In this presentation, a ca&hellip;<span class="activity-read-more" id="activity-read-more-1639302"><a href="https://mla.hcommons.org/activity/p/1639302/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>A. David Lewis deposited Graphic Medicine (HUM450AJ.O) syllabus in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/1627994/</link>
				<pubDate>Sat, 05 Jan 2019 16:26:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>At the intersection of comics and medicine is the rise of the Graphic Medicine scholarship field. This course examines the ways in which the sequentialized hybrid of word and image is bringing new insights to patient, healthcare, and clinical experiences. </p>
<p>In any manner of ways, the comics medium (whether known as comic books, graphic novels,&hellip;<span class="activity-read-more" id="activity-read-more-1627994"><a href="https://mla.hcommons.org/activity/p/1627994/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>religioncomics deposited Distinguishing the Comic Book Subgenre of Cancer Narratives in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/1615877/</link>
				<pubDate>Sun, 19 Aug 2018 16:25:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>An overview of proposed categories for the growing graphic medicine genre of cancer comics (i.e. cancer narratives in comic book form) and an initial theory on the significant linkage between this illness and particular medium.</p>
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				<title>religioncomics deposited It's Time for LISSA in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/1611353/</link>
				<pubDate>Thu, 21 Jun 2018 04:12:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of LISSA: A STORY ABOUT MEDICAL PROMISE, FRIENDSHIP, AND REVOLUTION (University of Toronto Press) by Sherine Hamdy, Coleman Nye, Sarula Bao, and Caroline Brewer</p>
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				<title>A. Lewis deposited A Talk about Religion in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/1599886/</link>
				<pubDate>Wed, 07 Feb 2018 04:13:12 -0500</pubDate>

									<content:encoded><![CDATA[<p>And interview between Julian Darius and A. David Lewis in LAZARUS, THE FOREVER MAN #0 (Martian Lit).</p>
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				<title>Margaret Galvan started the topic Vote in 2017 MLA Forum Executive Committee Elections in the discussion Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/vote-for-me-in-2017-mla-forum-executive-committee-elections/</link>
				<pubDate>Mon, 13 Nov 2017 22:31:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>Hi all,</p>
<p>I am one of the candidates in the 2017 MLA Forum Executive Committee Elections for Comics and Graphic Narratives. I&#8217;m asking you to vote (by December 10) and to consider voting for me when you fill out your ballot.</p>
<p>I look forward to the possibility of serving in this position as it would allow me to continue proposing cutting-edge comi&hellip;<span class="activity-read-more" id="activity-read-more-1588353"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/vote-for-me-in-2017-mla-forum-executive-committee-elections/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>David Wacks deposited SPAN 150: Introduction to cultures of the Spanish-speaking world in Comics in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/1582530/</link>
				<pubDate>Fri, 22 Sep 2017 01:00:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>Description: This course is an introduction to cultures of the Spanish-speaking world with an emphasis on comics and graphic novels. In this course we will learn about the graphic novel as an artistic vehicle for studying the history and cultures of Spain and Latin America (including the Latino US). There will be a series of guest appearances from&hellip;<span class="activity-read-more" id="activity-read-more-1582530"><a href="https://mla.hcommons.org/activity/p/1582530/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anastasia Salter deposited Principles of Visual Language Syllabus in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/1579220/</link>
				<pubDate>Sat, 19 Aug 2017 01:19:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>This course focuses on developing visual language literacy and theoretical frameworks through analyzing and creating a range of narrative media. We will examine a range of visual scholarly and creative works, starting with sequential art and moving into time-based and interactive media. </p>
<p>Students will:<br />
1.	Learn “close reading” strategies for&hellip;<span class="activity-read-more" id="activity-read-more-1579220"><a href="https://mla.hcommons.org/activity/p/1579220/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Marina Della Putta Johnston posted an update in the group GS Comics and Graphic Narratives: Cfp: Gothic States, 29-31 March 2018

An international [&#133;]</title>
				<link>https://mla.hcommons.org/activity/p/1574856/</link>
				<pubDate>Tue, 27 Jun 2017 15:50:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>Cfp: Gothic States, 29-31 March 2018</p>
<p>An international interdisciplinary conference on &#8220;Gothic States&#8221; in literature, cinema, and across the arts, will be hosted by the Center for Italian Studies and the Department of English at the University of Pennsylvania 29-31 March 2018. See conference page at&hellip;<span class="activity-read-more" id="activity-read-more-1574856"><a href="https://mla.hcommons.org/activity/p/1574856/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>David Wacks started the topic Graphic novels in English on Hispanic/Latino world in the discussion Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/graphic-novels-in-english-on-hispaniclatino-world/</link>
				<pubDate>Sun, 26 Feb 2017 08:34:27 -0500</pubDate>

									<content:encoded><![CDATA[<blockquote><p>This fall I am piloting a gen Ed 100-level course on Cultures of the Spanish-Speaking world in comics. Can anyone recommend good teachable graphic novels on the pre-Columbian world and/or discovery, and also on topics in 18th/19th c.? I&#8217;m planning on using Fuentes&#8217; _Buried Mirror_ to frame it and bring short primary documents interspersed with the&hellip;</p></blockquote>
<p><span class="activity-read-more" id="activity-read-more-1563291"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/graphic-novels-in-english-on-hispaniclatino-world/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Nhora Lucia Serrano started the topic MLA 2018 CFP: Connecting the Dots: Museums and Comics (12 March 2017) in the discussion Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/mla-2018-cfp-connecting-the-dots-museums-and-comics-12-march-2017/</link>
				<pubDate>Sun, 12 Feb 2017 15:00:35 -0500</pubDate>

									<content:encoded><![CDATA[<p>Connecting the Dots: Museums and Comics</p>
<p>&nbsp;</p>
<p>Drawing from art theorist André Malraux—“The museum invites comparison of each of the expressions of the world it brings together, and forces us to question what it is that brings them together,”­ what indeed brings comics and museums into dialogue and/or dispute over exhibitionary spaces and praxis?&hellip;<span class="activity-read-more" id="activity-read-more-1562072"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/mla-2018-cfp-connecting-the-dots-museums-and-comics-12-march-2017/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Nhora Lucia Serrano posted an update in the group GS Comics and Graphic Narratives: CFP: Connecting the Dots: Museums and Comics (MLA [&#133;]</title>
				<link>https://mla.hcommons.org/activity/p/1562071/</link>
				<pubDate>Sun, 12 Feb 2017 14:56:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>CFP: Connecting the Dots: Museums and Comics (MLA 2018)</p>
<p>Drawing from art theorist André Malraux—“The museum invites comparison of each of the expressions of the world it brings together, and forces us to question what it is that brings them together,”¬ what indeed brings comics and museums into dialogue and/or dispute over exhibitionary spaces&hellip;<span class="activity-read-more" id="activity-read-more-1562071"><a href="https://mla.hcommons.org/activity/p/1562071/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Janine M. Utell started the topic REMINDER: The Comics of Alison Bechdel (12/1/16) in the discussion Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/reminder-the-comics-of-alison-bechdel-12116-4/</link>
				<pubDate>Thu, 03 Nov 2016 15:34:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>The deadline for abstracts looms!</p>
<p><strong>The Comics of Alison Bechdel: From the Outside In</strong></p>
<p>“The Comics of Alison Bechdel: From the Outside In” is a proposed volume in the series <em>Critical Approaches to Comics Artists</em> at the University Press of Mississippi. This volume will contain an array of critical essays on the comics of Alison Bechdel, offer&hellip;<span class="activity-read-more" id="activity-read-more-553216"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/reminder-the-comics-of-alison-bechdel-12116-4/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juan Meneses started the topic CFP ASLE 2017: Comics, Graphic Novels, and the Environment (June 20-24 2017) in the discussion Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-asle-2017-comics-graphic-novels-and-the-environment-june-20-24-2017/</link>
				<pubDate>Mon, 03 Oct 2016 02:26:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>This panel for the next ASLE Conference seeks to offer a range of explorations of environmental and ecological themes in comics and graphic novels. Whereas the conference’s <a href="http://www.asle.org/wp-content/uploads/ASLE-2017-CFP.pdf" rel="nofollow ugc">“Rust/Resistance”</a> special topic should provide cohesion to the panel, papers that expand the study of comics and graphic novels from any environmental lens are also welco&hellip;<span class="activity-read-more" id="activity-read-more-551605"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-asle-2017-comics-graphic-novels-and-the-environment-june-20-24-2017/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anastasia Salter deposited Syllabus: Digital Cultures &#38; Narrative in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/549966/</link>
				<pubDate>Thu, 11 Aug 2016 14:01:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>Undergraduate syllabus for a course combining media studies with creative production practices in digital narratives and culture. Designed for delivery online, with an emphasis on individual projects.</p>
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				<title>Janine M. Utell started the topic CFP: The Comics of Alison Bechdel in the discussion Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-the-comics-of-alison-bechdel/</link>
				<pubDate>Mon, 27 Jun 2016 13:36:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>Call for Papers</p>
<p>The Comics of Alison Bechdel: From the Outside In</p>
<p>&nbsp;</p>
<p>“The Comics of Alison Bechdel: From the Outside In” is a proposed volume in the series <em>Critical Approaches to Comics Artists</em> at the University Press of Mississippi. This volume will contain an array of critical essays on the comics of Alison Bechdel, offering new exa&hellip;<span class="activity-read-more" id="activity-read-more-548884"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-the-comics-of-alison-bechdel/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Janine M. Utell uploaded the file: CFP: The Comics of Alison Bechdel (edited collection, DEADLINE 12/1/16) to GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/548883/</link>
				<pubDate>Mon, 27 Jun 2016 13:35:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>Abstracts are sought for an edited collection on the comics of Alison Bechdel for the Critical Approaches to Comics Artists series at UP of Mississippi.  Interdisciplinary approaches welcome; deadline 12/1/16</p>
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				<title>Sean Guynes deposited Fatal Attractions: AIDS and American Superhero Comics, 1988-1994 in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/546775/</link>
				<pubDate>Wed, 06 Apr 2016 00:19:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>Between 1988 and 1994 American comic books engaged the politics, problematics, and crises of the AIDS epidemic by injecting the virus and its social, cultural, and epidemiological effects on gay men into the four-color fantasies of the superhero genre. As the comic-book industry was undergoing major internal changes that allowed for more mature,&hellip;<span class="activity-read-more" id="activity-read-more-546775"><a href="https://mla.hcommons.org/activity/p/546775/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Nhora Lucia Serrano started the topic CFP for MLA 2017: Alien Lines in the discussion Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-for-mla-2017-alien-lines/</link>
				<pubDate>Wed, 17 Feb 2016 23:32:02 -0500</pubDate>

									<content:encoded><![CDATA[<p>Alien Lines: Science Fiction Comics</p>
<p>The medium of comics—often dominated by genres bound to contemporary concerns or enduring conventions—remains marginal in the study of science fiction. Likewise, the oldest questions driving science fiction scholarship—identity and difference, self and other, chance and futurity—have not been central to comics&hellip;<span class="activity-read-more" id="activity-read-more-544503"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-for-mla-2017-alien-lines/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Nhora Lucia Serrano started the topic CFP for MLA 2017: Adaptation in the discussion Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-for-mla-2017-adaptation/</link>
				<pubDate>Wed, 17 Feb 2016 23:30:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>Drawing the Line: Comics and Adaptation</p>
<p>While comics adaptations have frequently been derided for “dumbing down” great works of literature through adaptation, recent movie adaptations of comics have conquered the box office and brought new attention to the medium. These intriguing developments beg the questions—How might comics be trans&hellip;<span class="activity-read-more" id="activity-read-more-544502"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-for-mla-2017-adaptation/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Nhora Lucia Serrano started the topic CFP for MLA 2017: Temporality in the discussion Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-for-mla-2017-temporality/</link>
				<pubDate>Wed, 17 Feb 2016 23:29:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>Graphic Narrative, Comics, and Temporality</p>
<p>Whether we consider the fragmentation of time in the Dr. Manhattan chapter of Alan Moore and Dave Gibbons’ <em>Watchmen</em>, or Art Spiegleman’s intermingling of his father’s WWII past with his present as narrator in Maus, rendering time as space has been one of the most unique and commented upon formal aspect&hellip;<span class="activity-read-more" id="activity-read-more-544501"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-for-mla-2017-temporality/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lissette Lopez Szwydky started the topic CFP2017: Adaptation, Transmediation in the discussion Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp2017-adaptation-transmediation/</link>
				<pubDate>Sun, 14 Feb 2016 01:52:51 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>CFP: MLA2017 Adaptation, Transmediation: The Narrative Boundaries of Genre, Medium, and Time</strong><br />
<b>Special Session</b><br />
How do adaptation and transmediation push the boundaries and possibilities of literature? Transnational and transhistorical perspectives especially welcome. CV and 500-word abstracts by 11 March 2016; Lissette Lopez Szwydky (lissette@uark.edu).</p>
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				<title>Cesar Braga-Pinto started the topic CFP 2017: Luso Brazilian Graphic Narratives in the discussion Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-2017-luso-brazilian-graphic-narratives/</link>
				<pubDate>Wed, 10 Feb 2016 18:50:14 -0500</pubDate>

									<content:encoded><![CDATA[<p>Luso Brazilian<strong> Graphic Narratives</strong><br />
Description: <strong>This panel explores different forms of graphic narrative from the Luso-Brazilian world, including, but not limited to political cartoons, graphic novels, comic strips and graffiti.</strong><br />
Deadline for submissions: 14 March 2016</p>
<p>Submission requirements:<br />
250 word abstractsContact person information<br />
Cesar&hellip;<span class="activity-read-more" id="activity-read-more-544154"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-2017-luso-brazilian-graphic-narratives/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martha B. Kuhlman started the topic CFP 2017 Graphic Narrative, Comics, and Temporality in the discussion Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-2017-graphic-narrative-comics-and-temporality/</link>
				<pubDate>Mon, 08 Feb 2016 19:38:32 -0500</pubDate>

									<content:encoded><![CDATA[<p>Comics and Graphic Narrative Forum Modern Language Association Panel 2017:</p>
<p>&nbsp;</p>
<p>Graphic Narrative, Comics, and Temporality</p>
<p>&nbsp;</p>
<p>Whether we consider the fragmentation of time in the Dr. Manhattan chapter of Alan Moore and Dave Gibbons’ Watchmen, or Art Spiegleman’s intermingling of his father’s WWII past with his present as narrator in Maus, rende&hellip;<span class="activity-read-more" id="activity-read-more-544046"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/cfp-2017-graphic-narrative-comics-and-temporality/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eileen McGinnis deposited The Anachronistic Ada: Inventing a Twenty-First-Century Public for a Nineteenth-Century Programmer in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/539592/</link>
				<pubDate>Tue, 26 Jan 2016 19:45:14 -0500</pubDate>

									<content:encoded><![CDATA[<p>Today, Lady Lovelace is recognized as the first computer programmer – for an algorithm she co-authored with inventor Charles Babbage in 1843. She has also become, per biographer Betty Toole, a “modern myth,” whose very ambiguity and otherness encourage readers’ self-invention around gender and tech, human-machine interactions, and female sexuali&hellip;<span class="activity-read-more" id="activity-read-more-539592"><a href="https://mla.hcommons.org/activity/p/539592/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Philip Smith replied to the topic Discuss Philip Smith&#039;s CORE uploads in the discussion Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/discuss-philip-smiths-core-uploads/#post-10174</link>
				<pubDate>Fri, 22 Jan 2016 14:44:12 -0500</pubDate>

									<content:encoded><![CDATA[<p>Thanks Nicky,</p>
<p>I only just joined MLA Commons and didn&#8217;t realise notice of my uploads would be emailed directly to the group. Sorry if it seemed like spam &#8211; quite unintentional.</p>
<p>If anyone does have any thoughts on my papers I would love to hear your feedback.</p>
<p>Best wishes,</p>
<p>Phil</p>
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				<title>Nicky Agate started the topic Discuss Philip Smith&#039;s CORE uploads in the discussion Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/discuss-philip-smiths-core-uploads/</link>
				<pubDate>Fri, 22 Jan 2016 14:33:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>As you may have seen, Philip Smith uploaded several comics-related articles to <em>CORE</em>, the MLA repository, yesterday. Should the group wish to respond or comment on the articles—or any others—please feel free to use this thread to do so.</p>
<p>To view the articles, either click on CORE at the top of the page, or on Deposits in the left-hand menu.</p>
<p>Thanks!</p>
<p>Nicky</p>
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				<title>Philip Smith deposited Spiegelman Studies Part 2 of 2: Breakdowns, No Towers and the Rest of the Canon in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/539254/</link>
				<pubDate>Fri, 22 Jan 2016 07:49:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>Art Spiegelman is one of the most-discussed creators in Comic Book Studies. His Pulitzer-winning work Maus (1980 and 1991) was, alongside The Dark Knight Returns (1986) and Watchmen (1987), the catalyst to a sea change in the commercial and critical fortunes of the alternative comic book during the mid-1980s. It has been a landmark text in&hellip;<span class="activity-read-more" id="activity-read-more-539254"><a href="https://mla.hcommons.org/activity/p/539254/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Philip Smith deposited Spiegelman Studies Part 1 of 2: Maus in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/539250/</link>
				<pubDate>Fri, 22 Jan 2016 07:45:07 -0500</pubDate>

									<content:encoded><![CDATA[<p>Art Spiegelman is one of the most-discussed creators in Comic Book Studies. His Pulitzer-winning work Maus (1980 and 1991) was, alongside The Dark Knight Returns (1986) and Watchmen (1987), the catalyst to a sea change in the commercial and critical fortunes of the alternative comic book during the mid-1980s. It has been a landmark text in&hellip;<span class="activity-read-more" id="activity-read-more-539250"><a href="https://mla.hcommons.org/activity/p/539250/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Philip Smith deposited Postmodern Chinoiserie in Gene Luen Yang’s American Born Chinese in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/539239/</link>
				<pubDate>Fri, 22 Jan 2016 07:29:01 -0500</pubDate>

									<content:encoded><![CDATA[<p>This paper offers a synthesis and critique of the existing academic literature on Gene Luen Yang’s American Born Chinese and an overview of Asian American alternative comics. It examines the range of literary and linguistic sources which Yang draws upon in his collage of Chinoiserie and Japonism. It presents the argument that existing criticism h&hellip;<span class="activity-read-more" id="activity-read-more-539239"><a href="https://mla.hcommons.org/activity/p/539239/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Philip Smith deposited &#039;We have experienced a tragedy which words cannot properly describe’: Representations of Trauma in Post-9⁄11 Superhero Comics in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/539236/</link>
				<pubDate>Fri, 22 Jan 2016 07:25:02 -0500</pubDate>

									<content:encoded><![CDATA[<p>This paper explores the manifestation of trauma in superhero comics following the terrorist attacks on the World Trade Center on September 11. These texts are considered from the perspectives of clinical psychology and Silverman’s concept of historical trauma. The paper first examines the genre as a whole, followed by an exploration of elements c&hellip;<span class="activity-read-more" id="activity-read-more-539236"><a href="https://mla.hcommons.org/activity/p/539236/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Philip Smith deposited Wiz Kids, nuclear bombs, and Marvel’s Hazmat in the group GS Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/activity/p/539233/</link>
				<pubDate>Fri, 22 Jan 2016 07:18:47 -0500</pubDate>

									<content:encoded><![CDATA[<p>In my paper ‘Postmodern Chinoiserie in Gene Luen Yang’s American Born Chinese’ (2014, Literature Compass 11 (1): 1–14), I propose that existing scholarship on the portrayal of Asians and Asian Americans in American comics has largely focused upon racist newspaper cartoons from the nineteenth and early twentieth centuries and modern Asian-A&hellip;<span class="activity-read-more" id="activity-read-more-539233"><a href="https://mla.hcommons.org/activity/p/539233/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Nicky Agate started the topic Member News? in the discussion Comics and Graphic Narratives</title>
				<link>https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/member-news-7/</link>
				<pubDate>Mon, 21 Sep 2015 20:15:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>Members of the Comics and Graphic Narratives Forum:</p>
<p>In October, the <a href="https://thewire.mla.hcommons.org/" rel="nofollow ugc">Commons <em>Wire</em></a> will return with a new section, Member Report. If you have recently published a book or an article, won a fellowship or award, accepted a new position, or received a promotion, please let us know <a href="mailto:commons@mla.org" rel="nofollow ugc">by e-mail</a> or private message (to <a href="https://mla.hcommons.org/members/terrainsvagues/" rel="nofollow ugc">@terrainvagues</a>) by 25 Septemb&hellip;<span class="activity-read-more" id="activity-read-more-466440"><a href="https://mla.hcommons.org/groups/comics-and-graphic-narratives/forum/topic/member-news-7/" rel="nofollow ugc">[Read more]</a></span></p>
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