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	<title>MLA Commons | Zachary Kendal | Activity</title>
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				<title>Zachary Kendal changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1828478/</link>
				<pubDate>Thu, 05 Jan 2023 22:27:34 -0500</pubDate>

				
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				<title>Zachary Kendal&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1828477/</link>
				<pubDate>Thu, 05 Jan 2023 22:26:21 -0500</pubDate>

				
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				<title>Zachary Kendal deposited Science Fiction's Ethical Modes: Totality and Infinity in Isaac Asimov's Foundation Trilogy and Yevgeny Zamyatin's Мы (We) in the group Utopian Studies</title>
				<link>https://hcommons.org/activity/p/1768474/</link>
				<pubDate>Thu, 20 Jan 2022 02:24:18 -0500</pubDate>

									<content:encoded><![CDATA[<p>This chapter asks whether science fiction (SF) has a predisposition to a particular ethical orientation. Rather than seek a single answer to this question of SF’s ethics, Kendal examines two classic SF texts and the traditions they represent: Isaac Asimov’s Foundation trilogy (1951–1953), one of the most iconic series of SF’s American “golden&hellip;<span class="activity-read-more" id="activity-read-more-1768474"><a href="https://hcommons.org/activity/p/1768474/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Zachary Kendal deposited Science Fiction's Ethical Modes: Totality and Infinity in Isaac Asimov's Foundation Trilogy and Yevgeny Zamyatin's Мы (We) in the group Speculative and Science Fiction</title>
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				<pubDate>Thu, 20 Jan 2022 02:24:12 -0500</pubDate>

									<content:encoded><![CDATA[<p>This chapter asks whether science fiction (SF) has a predisposition to a particular ethical orientation. Rather than seek a single answer to this question of SF’s ethics, Kendal examines two classic SF texts and the traditions they represent: Isaac Asimov’s Foundation trilogy (1951–1953), one of the most iconic series of SF’s American “golden&hellip;<span class="activity-read-more" id="activity-read-more-1768473"><a href="https://hcommons.org/activity/p/1768473/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Zachary Kendal deposited Science Fiction's Ethical Modes: Totality and Infinity in Isaac Asimov's Foundation Trilogy and Yevgeny Zamyatin's Мы (We)</title>
				<link>https://hcommons.org/activity/p/1768331/</link>
				<pubDate>Wed, 19 Jan 2022 04:53:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>This chapter asks whether science fiction (SF) has a predisposition to a particular ethical orientation. Rather than seek a single answer to this question of SF’s ethics, Kendal examines two classic SF texts and the traditions they represent: Isaac Asimov’s Foundation trilogy (1951–1953), one of the most iconic series of SF’s American “golden&hellip;<span class="activity-read-more" id="activity-read-more-1768331"><a href="https://hcommons.org/activity/p/1768331/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Zachary Kendal&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1768324/</link>
				<pubDate>Wed, 19 Jan 2022 03:21:16 -0500</pubDate>

				
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				<title>Zachary Kendal changed their profile picture</title>
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				<pubDate>Wed, 19 Jan 2022 03:10:46 -0500</pubDate>

				
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