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Adewale Bankole Ajayi deposited gothic_volume_3_issue_1.pdf in the group
GS Drama and Performance on Humanities Commons 5 years, 2 months agoBurial rites are social affairs, and in Africa, political actors are cultural agents whose existence, decisions and rites have been inscribed into the social fabric, history and life of the society. Their life rites, death rites and burial rites are factors of social change and factors for the renewal of life’s affirmative essences, which if…[Read more]
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Adewale Bankole Ajayi deposited Ritualization as pragmatic deployment of revolutionary consciousness in the drama of Femi Osofisan in the group
LLC African to 1990 on MLA Commons 5 years, 2 months agoEarly works of dramatic criticism seeking to draw parallels between ritual and drama in Africa concentrated on examining the dramatic characteristics of ritual to see how drama evolved from ritual. However, a closer application of the theories of Girard, Schechner, Smith, Hubert Mauss and Turner reveal new perspectives on the interaction between…[Read more]
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Adewale Bankole Ajayi deposited Ritualization as pragmatic deployment of revolutionary consciousness in the drama of Femi Osofisan in the group
LLC African American Forum on MLA Commons 5 years, 2 months agoEarly works of dramatic criticism seeking to draw parallels between ritual and drama in Africa concentrated on examining the dramatic characteristics of ritual to see how drama evolved from ritual. However, a closer application of the theories of Girard, Schechner, Smith, Hubert Mauss and Turner reveal new perspectives on the interaction between…[Read more]
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Adewale Bankole Ajayi deposited Ritualization as pragmatic deployment of revolutionary consciousness in the drama of Femi Osofisan in the group
Interdisciplinary Approaches to Culture and Society on MLA Commons 5 years, 2 months agoEarly works of dramatic criticism seeking to draw parallels between ritual and drama in Africa concentrated on examining the dramatic characteristics of ritual to see how drama evolved from ritual. However, a closer application of the theories of Girard, Schechner, Smith, Hubert Mauss and Turner reveal new perspectives on the interaction between…[Read more]
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Adewale Bankole Ajayi deposited Ritualization as pragmatic deployment of revolutionary consciousness in the drama of Femi Osofisan in the group
GS Folklore, Myth, and Fairy Tale on MLA Commons 5 years, 2 months agoEarly works of dramatic criticism seeking to draw parallels between ritual and drama in Africa concentrated on examining the dramatic characteristics of ritual to see how drama evolved from ritual. However, a closer application of the theories of Girard, Schechner, Smith, Hubert Mauss and Turner reveal new perspectives on the interaction between…[Read more]
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Adewale Bankole Ajayi deposited Ritualization as pragmatic deployment of revolutionary consciousness in the drama of Femi Osofisan in the group
GS Drama and Performance on MLA Commons 5 years, 2 months agoEarly works of dramatic criticism seeking to draw parallels between ritual and drama in Africa concentrated on examining the dramatic characteristics of ritual to see how drama evolved from ritual. However, a closer application of the theories of Girard, Schechner, Smith, Hubert Mauss and Turner reveal new perspectives on the interaction between…[Read more]
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Adewale Bankole Ajayi deposited Ritual Structure and Rites of Passage in Wole Soyinka’s Death and the King’s Horseman on Humanities Commons 5 years, 2 months ago
Burial rites are social affairs, and in Africa, political actors are cultural agents whose existence, decisions and rites have been inscribed into the social fabric, history and life of the society. Their life rites, death rites and burial rites are factors of social change and factors for the renewal of life’s affirmative essences, which if…[Read more]
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Adewale Bankole Ajayi deposited Ritualization as pragmatic deployment of revolutionary consciousness in the drama of Femi Osofisan on Humanities Commons 5 years, 2 months ago
Early works of dramatic criticism seeking to draw parallels between ritual and drama in Africa concentrated on examining the dramatic characteristics of ritual to see how drama evolved from ritual. However, a closer application of the theories of Girard, Schechner, Smith, Hubert Mauss and Turner reveal new perspectives on the interaction between…[Read more]
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Adewale Bankole Ajayi deposited Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice in the group
TC Postcolonial Studies on MLA Commons 5 years, 9 months agoColoniality is a complex heritage encapsulating complex cultural challenges confronting the performance artist. Nigerian musical production appears to have been operating in a world without borders since the advent of colonialism. There have been non-indigenous forms brought into the cultural landscape which have challenged the performers. The…[Read more]
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Adewale Bankole Ajayi deposited Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice in the group
TC Popular Culture on MLA Commons 5 years, 9 months agoColoniality is a complex heritage encapsulating complex cultural challenges confronting the performance artist. Nigerian musical production appears to have been operating in a world without borders since the advent of colonialism. There have been non-indigenous forms brought into the cultural landscape which have challenged the performers. The…[Read more]
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Adewale Bankole Ajayi deposited Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice in the group
MS Opera and Musical Performance on MLA Commons 5 years, 9 months agoColoniality is a complex heritage encapsulating complex cultural challenges confronting the performance artist. Nigerian musical production appears to have been operating in a world without borders since the advent of colonialism. There have been non-indigenous forms brought into the cultural landscape which have challenged the performers. The…[Read more]
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Adewale Bankole Ajayi deposited Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice in the group
Interdisciplinary Approaches to Culture and Society on MLA Commons 5 years, 9 months agoColoniality is a complex heritage encapsulating complex cultural challenges confronting the performance artist. Nigerian musical production appears to have been operating in a world without borders since the advent of colonialism. There have been non-indigenous forms brought into the cultural landscape which have challenged the performers. The…[Read more]
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Adewale Bankole Ajayi deposited Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice in the group
GS Drama and Performance on MLA Commons 5 years, 9 months agoColoniality is a complex heritage encapsulating complex cultural challenges confronting the performance artist. Nigerian musical production appears to have been operating in a world without borders since the advent of colonialism. There have been non-indigenous forms brought into the cultural landscape which have challenged the performers. The…[Read more]
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Adewale Bankole Ajayi deposited Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice on MLA Commons 5 years, 9 months ago
Coloniality is a complex heritage encapsulating complex cultural challenges confronting the performance artist. Nigerian musical production appears to have been operating in a world without borders since the advent of colonialism. There have been non-indigenous forms brought into the cultural landscape which have challenged the performers. The…[Read more]
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