Other Publications
Book chapters
‘
British Experimental Music after Nyman’. In
Tomorrow is the Question: New Approaches to Experimental Music, ed. Benjamin Piekut. Ann Arbor: University of Michigan Press, 2014 (978-0-472-11926-4).
‘The Beginning of Happiness: Approaching Scores in Graphic and Text Notation’. In
Sound and Score: Essays on Sound, Score, and Notation, ed. Kathleen Coessens, William Brooks and Paolo de Assis. Leuven: Leuven University Press, 2013 (978-9-0586-7976-5), pp. 130– 142.
‘Whatever remains, however improbable: British experimental music and experimental systems’. In
Experimental Systems: Future Knowledge in Artistic Research, ed. Michael Schwab. Leuven: Leuven University Press, 2013 (978-9-0586-7973-4), pp. 55–67.
‘1968 and the Experimental Revolution in Britain’. In
Music and Protest in 1968, ed. Beate Kutschke and Barley Norton. Cambridge: CUP, 2013 (978-1-1070-0732-1), pp. 171– 187.
‘
Systems and other minimalism in Britain’. In
Ashgate Companion to Minimalist and Postminimalist Music, ed. Pwyll ap Siôn and Keith Potter. Farnham, Surrey: Ashgate Publishing, 2013 (978-1-4094-3549-5), pp. 87–106.
Articles in journals
‘
The EMC: Past, Present, Future.’
Journal of Experimental Music Studies <
http:// http://www.experimentalmusic.co.uk/emc/Jems_files/andersonkeynote.pdf>, 1 December 2017. Expanded version of EMC2 Festival keynote, for special JEMS forum.
‘John White and the alternative British experimental aesthetic’.
New Sound, 38/2 (2011), 40– 50.
‘(Re)Marking Time in the Audition of Experimental Music’.
Performance Research, 15/3 (2010), 27–35.
‘Comfy Cushions and Golden Grandiosi: Instruments of British Experimentalism’.
Galpin Society Journal, 62 (2009), 273–286.
‘“Well, it’s a vertebrate”: Performer choice in Cardew’s Treatise’.
Journal of Musicological Research, 25/3-4 (2006), 291–317.
‘Chinese Characters and Experimental Structure in Cardew’s The Great Learning’.
Journal of Experimental Music Studies <
http://www.experimentalmusic.co.uk/emc/Jems.html>, 17 March 2004.
‘An Informal Interview with Ian Mitchell’.
ClariNetwork (Holiday 1987; Winter 1988).
Conference papers
“
Christian Wolff in Interview.” Paper given for “Christian Wolff at Orpheus”, Orpheus Research Centre, Ghent, Belgium, 28–29 September 2015.
Interviews
Michael Nyman, London, 23 March 1983.
