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Thomas Mazanec deposited Of Admonition and Address: Right-Hand Inscriptions (Zuoyouming) from Cui Yuan to Guanxiu in the group
Poetics and Poetry on Humanities Commons 1 year, 7 months ago
This essay traces the development of the right-hand inscription (zuoyouming 座右銘) from its birth in the second century CE through its culmination as a complex literary subgenre in the tenth. Over the course of these eight centuries, right-hand inscriptions were used by some of the most prominent poets of their respective eras, including Cui Yuan…[Read more]
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Thomas Mazanec deposited Of Admonition and Address: Right-Hand Inscriptions (Zuoyouming) from Cui Yuan to Guanxiu in the group
LLC East Asian on MLA Commons 1 year, 7 months ago
This essay traces the development of the right-hand inscription (zuoyouming 座右銘) from its birth in the second century CE through its culmination as a complex literary subgenre in the tenth. Over the course of these eight centuries, right-hand inscriptions were used by some of the most prominent poets of their respective eras, including Cui Yuan…[Read more]
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Thomas Mazanec deposited Of Admonition and Address: Right-Hand Inscriptions (Zuoyouming) from Cui Yuan to Guanxiu in the group
GS Poetry and Poetics on MLA Commons 1 year, 7 months ago
This essay traces the development of the right-hand inscription (zuoyouming 座右銘) from its birth in the second century CE through its culmination as a complex literary subgenre in the tenth. Over the course of these eight centuries, right-hand inscriptions were used by some of the most prominent poets of their respective eras, including Cui Yuan…[Read more]
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Thomas Mazanec deposited Of Admonition and Address: Right-Hand Inscriptions (Zuoyouming) from Cui Yuan to Guanxiu on Humanities Commons 1 year, 7 months ago
This essay traces the development of the right-hand inscription (zuoyouming 座右銘) from its birth in the second century CE through its culmination as a complex literary subgenre in the tenth. Over the course of these eight centuries, right-hand inscriptions were used by some of the most prominent poets of their respective eras, including Cui Yuan…[Read more]
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Thomas Mazanec deposited Review: The Halberd at Red Cliff: Jian’an and the Three Kingdoms, by Xiaofei Tian in the group
Poetics and Poetry on Humanities Commons 2 years, 5 months ago
Review of The Halberd at Red Cliff: Jian’an and the Three Kingdoms, by Xiaofei Tian (Cambridge, Mass.: Harvard University Asia Center, 2018)
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Thomas Mazanec deposited Review: The Halberd at Red Cliff: Jian’an and the Three Kingdoms, by Xiaofei Tian in the group
LLC Ming and Qing Chinese on MLA Commons 2 years, 5 months ago
Review of The Halberd at Red Cliff: Jian’an and the Three Kingdoms, by Xiaofei Tian (Cambridge, Mass.: Harvard University Asia Center, 2018)
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Thomas Mazanec deposited Review: The Halberd at Red Cliff: Jian’an and the Three Kingdoms, by Xiaofei Tian in the group
LLC East Asian on MLA Commons 2 years, 5 months ago
Review of The Halberd at Red Cliff: Jian’an and the Three Kingdoms, by Xiaofei Tian (Cambridge, Mass.: Harvard University Asia Center, 2018)
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Thomas Mazanec deposited Review: The Halberd at Red Cliff: Jian’an and the Three Kingdoms, by Xiaofei Tian in the group
GS Poetry and Poetics on MLA Commons 2 years, 5 months ago
Review of The Halberd at Red Cliff: Jian’an and the Three Kingdoms, by Xiaofei Tian (Cambridge, Mass.: Harvard University Asia Center, 2018)
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Thomas Mazanec deposited Review: The Halberd at Red Cliff: Jian’an and the Three Kingdoms, by Xiaofei Tian on Humanities Commons 2 years, 5 months ago
Review of The Halberd at Red Cliff: Jian’an and the Three Kingdoms, by Xiaofei Tian (Cambridge, Mass.: Harvard University Asia Center, 2018)
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Thomas Mazanec deposited How Poetry Became Meditation in Late-Ninth-Century China in the group
TC Religion and Literature on MLA Commons 3 years, 1 month ago
In late-ninth-century China, poetry and meditation became equated — not just metaphorically, but as two equally valid means of achieving stillness and insight. This article discusses how several strands in literary and Buddhist discourses fed into an assertion about such a unity by the poet-monk Qiji 齊己 (864–937?). One strand was the aesthet…[Read more]
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Thomas Mazanec deposited How Poetry Became Meditation in Late-Ninth-Century China in the group
Religious Studies on Humanities Commons 3 years, 1 month ago
In late-ninth-century China, poetry and meditation became equated — not just metaphorically, but as two equally valid means of achieving stillness and insight. This article discusses how several strands in literary and Buddhist discourses fed into an assertion about such a unity by the poet-monk Qiji 齊己 (864–937?). One strand was the aesthet…[Read more]
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Thomas Mazanec deposited How Poetry Became Meditation in Late-Ninth-Century China in the group
Poetics and Poetry on Humanities Commons 3 years, 1 month ago
In late-ninth-century China, poetry and meditation became equated — not just metaphorically, but as two equally valid means of achieving stillness and insight. This article discusses how several strands in literary and Buddhist discourses fed into an assertion about such a unity by the poet-monk Qiji 齊己 (864–937?). One strand was the aesthet…[Read more]
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Thomas Mazanec deposited How Poetry Became Meditation in Late-Ninth-Century China in the group
LLC East Asian on MLA Commons 3 years, 1 month ago
In late-ninth-century China, poetry and meditation became equated — not just metaphorically, but as two equally valid means of achieving stillness and insight. This article discusses how several strands in literary and Buddhist discourses fed into an assertion about such a unity by the poet-monk Qiji 齊己 (864–937?). One strand was the aesthet…[Read more]
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Thomas Mazanec deposited How Poetry Became Meditation in Late-Ninth-Century China in the group
GS Poetry and Poetics on MLA Commons 3 years, 1 month ago
In late-ninth-century China, poetry and meditation became equated — not just metaphorically, but as two equally valid means of achieving stillness and insight. This article discusses how several strands in literary and Buddhist discourses fed into an assertion about such a unity by the poet-monk Qiji 齊己 (864–937?). One strand was the aesthet…[Read more]
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Thomas Mazanec deposited How Poetry Became Meditation in Late-Ninth-Century China on Humanities Commons 3 years, 1 month ago
In late-ninth-century China, poetry and meditation became equated — not just metaphorically, but as two equally valid means of achieving stillness and insight. This article discusses how several strands in literary and Buddhist discourses fed into an assertion about such a unity by the poet-monk Qiji 齊己 (864–937?). One strand was the aesthet…[Read more]
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Thomas Mazanec deposited Righting, Riting, and Rewriting the Book of Odes (Shijing): On “Filling out the MIssing Odes” by Shu Xi in the group
TM Literary Criticism on MLA Commons 3 years, 7 months ago
A series of derivative verses from the late-third century has pride of place in one of the foundational collections of Chinese poetry. These verses, “Filling out the Missing Odes” by Shu Xi, can be found at the beginning of the lyric-poetry (shi 詩) section of the Wenxuan. This essay seeks to understand why such blatantly imitative pieces may have…[Read more]
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Thomas Mazanec deposited Righting, Riting, and Rewriting the Book of Odes (Shijing): On “Filling out the MIssing Odes” by Shu Xi in the group
LLC East Asian on MLA Commons 3 years, 7 months ago
A series of derivative verses from the late-third century has pride of place in one of the foundational collections of Chinese poetry. These verses, “Filling out the Missing Odes” by Shu Xi, can be found at the beginning of the lyric-poetry (shi 詩) section of the Wenxuan. This essay seeks to understand why such blatantly imitative pieces may have…[Read more]
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Thomas Mazanec deposited Righting, Riting, and Rewriting the Book of Odes (Shijing): On “Filling out the MIssing Odes” by Shu Xi in the group
GS Poetry and Poetics on MLA Commons 3 years, 7 months ago
A series of derivative verses from the late-third century has pride of place in one of the foundational collections of Chinese poetry. These verses, “Filling out the Missing Odes” by Shu Xi, can be found at the beginning of the lyric-poetry (shi 詩) section of the Wenxuan. This essay seeks to understand why such blatantly imitative pieces may have…[Read more]
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Thomas Mazanec deposited Righting, Riting, and Rewriting the Book of Odes (Shijing): On “Filling out the MIssing Odes” by Shu Xi on Humanities Commons 3 years, 7 months ago
A series of derivative verses from the late-third century has pride of place in one of the foundational collections of Chinese poetry. These verses, “Filling out the Missing Odes” by Shu Xi, can be found at the beginning of the lyric-poetry (shi 詩) section of the Wenxuan. This essay seeks to understand why such blatantly imitative pieces may have…[Read more]
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Thomas Mazanec's profile was updated on Humanities Commons 3 years, 7 months ago
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