Christopher Swithinbank
,@swithinbank
0000-0002-4481-89770
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On the music of Carolyn Chen and how New Materialist theories of vibration, vibrancy, and animation intersect with histories of race and subjecthood.
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Christopher Swithinbank's profile was updated on Humanities Commons 5 years, 2 months ago
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Christopher Swithinbank deposited Two Pietàs: William-Adolphe Bouguereau & Lisa Streich in the group
Music and Sound on Humanities Commons 6 years, 3 months agoTwo Pietàs in different media, the first by French painter William-Adolphe Bouguereau (1825–1905) and the second by Swedish composer Lisa Streich (1985-), permit an examination of the Pietà trope itself by laying open a range of its symbolic aspects. Bouguereau’s Pietà (1876) is discussed in terms of the grief and joy that are both presen…[Read more]
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Christopher Swithinbank deposited Two Pietàs: William-Adolphe Bouguereau & Lisa Streich in the group
History of Art on Humanities Commons 6 years, 3 months agoTwo Pietàs in different media, the first by French painter William-Adolphe Bouguereau (1825–1905) and the second by Swedish composer Lisa Streich (1985-), permit an examination of the Pietà trope itself by laying open a range of its symbolic aspects. Bouguereau’s Pietà (1876) is discussed in terms of the grief and joy that are both presen…[Read more]
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Christopher Swithinbank deposited Into the Lion’s Den: Helmut Lachenmann at 75 in the group
Music and Sound on Humanities Commons 6 years, 3 months agoIn April 2010, the Guildhall School of Music recognized German composer Helmut Lachenmann’s expertise in extended instrumental techniques, inviting him to give the keynote speech at a research day dedicated to contemporary performance practice; in May, he had a Fellowship of the Royal College of Music conferred upon him for his achievements as a…[Read more]
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Christopher Swithinbank deposited Two Pietàs: William-Adolphe Bouguereau & Lisa Streich on Humanities Commons 6 years, 3 months ago
Two Pietàs in different media, the first by French painter William-Adolphe Bouguereau (1825–1905) and the second by Swedish composer Lisa Streich (1985-), permit an examination of the Pietà trope itself by laying open a range of its symbolic aspects. Bouguereau’s Pietà (1876) is discussed in terms of the grief and joy that are both presen…[Read more]
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Christopher Swithinbank deposited Into the Lion’s Den: Helmut Lachenmann at 75 on Humanities Commons 6 years, 3 months ago
In April 2010, the Guildhall School of Music recognized German composer Helmut Lachenmann’s expertise in extended instrumental techniques, inviting him to give the keynote speech at a research day dedicated to contemporary performance practice; in May, he had a Fellowship of the Royal College of Music conferred upon him for his achievements as a…[Read more]
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Christopher Swithinbank's profile was updated on Humanities Commons 6 years, 3 months ago