About

Sarah is the Postdoctoral Researcher for the Society’s of Architectural Historian’s SAH Data Project. Her charge is to gather both quantitative and qualitative data about the status of architectural history as a discipline in higher education. The project is supported by The Andrew W. Mellon Foundation and is scheduled to be completed in December 2020.

As a historian and educator, Sarah has focused on the connections between architecture and modernity since the industrial and scientific revolutions of the late-18th century. Her next project will study Sigfried Giedion’s appropriation of Einstein’s theory of relativity for Space, Time, and Architecture.

She is also a digital humanist; her latest project is Contingent Talk, a limited-run podcast series about precarious academic labor that she produced for the College Art Association’s CAA Conversations initiative. Two of Sarah’s other digital humanities projects can also be viewed online right now. One is The Vanishing Porch in Perspective, a #MeToo/#TimesUp-inspired website she developed as a companion for an academic article she wrote about the Farnsworth House. The other is Afterimages, an online exhibition about the intersection of democratic free expression and historic preservation in Chile that Sarah developed in collaboration with Dr. Catherine Burdick.

Humanities Commons administrators highlighted The Vanishing Porch in Perspective and Afterimages during their session at CAA’s 2018 annual conference (see slides 28 & 29 here for more details). You can also listen to Sarah talk about her project site design in this Platypus blog post: HC User Spotlight: Sarah M. Dreller.

Sarah is a member of the Women Also Know History network. Here is her individual scholar page.

Sarah was a part-time professor and mentor from 1996 until 2017. She also had an award-wining predoctoral career was a historic preservation project manager. She is a qualified Architectural Historian under the United States Secretary of the Interior’s Professional Qualification Standards 36 CFR Appendix A to Part 61(c).

Read more about Sarah in this July 2017 interview by Design Feast.

Sarah is a runner and enjoys following tennis and Formula 1. She also loves anything having to do with space—especially sci-fi films of all kinds–and is determined to attend NASA Space Camp one day.

Education

Degrees
PhD – Department of Art History, University of Illinois at Chicago
MArchHist – Department of Architectural History, University of Virginia
BA – International Affairs (history & economics), Florida State University

Certificates
Editing Certificate – Graham School of Continuing Liberal and Professional Studies, University of Chicago
International Certificate of Spanish Language – Department of Philology, Universidad Complutense de Madrid

Additional Coursework
architectural design studio, design theory, and materials & methods – School of Architecture & Community Design, University of South Florida
studio art photography – School of Art & Art History, University of South Florida

Other Publications

Selected scholarship authored individually
Review of Building the Skyline: The Birth and Growth of Manhattan’s Skyscrapers, by Jason M. Barr. Journal of the Society of Architectural Historians 76, no.4 (December 2017): 562-64.
http://jsah.ucpress.edu/content/76/4/562

“Curtained Walls: Architectural Photography, the Farnsworth House and the Opaque Discourse of Transparency.” ARRIS: The Journal of the Southeast Chapter of the Society of Architectural Historians 26 (2015): 22-39.
— CORE persistent link: https://hcommons.org/deposits/item/hc:18089
— #MeToo/#TimesUp-inspired companion website: The Vanishing Porch in Perspective

Architectural Forum, 1932-64: A Time Inc. Experiment in American Architecture and Journalism,” Ph.D. diss. University of Illinois at Chicago, 2015. CORE persistent link: https://hcommons.org/deposits/item/hc:18087

“Henry R. Luce: The Personal and the Professional.” Review of The Publisher: Henry Luce and His American Century, by Alan Brinkley. Jhistory, H-Net Reviews. February, 2011. CORE persistent link: https://hcommons.org/deposits/item/hc:18097

“Architectural Photography.” In The Encyclopedia of 20th Century Architecture Vol. 1, edited by R. Stephen Sennot, 59-61. New York: Fitzroy Dearborn Publishers, 2004. http://bit.ly/2DOYv4r

“Bertram G. Goodhue’s ‘Alexandrian’ Style: The National Academy of Sciences Building, 1919-24,” Master’s thesis. University of Virginia, 1999.

[contact Sarah for complete list]

Selected preservation planning documents authored collaboratively
Primary author/architectural historian for “IBM/Hitachi Campus Historic Resource Evaluation” Vol 1 & 2. Carey & Co. Architecture, Preservation & Planning, San Francisco: 2003-04.

Primary author/architectural historian for award-winning “San Jose Japantown Historic Context and Reconnaissance Survey” Vol 1 & 2. Carey & Co. Architecture, Preservation & Planning, San Francisco: 2003-04.

Architectural historian for award-winning rehabilitation and adaptive reuse project, including a National Register of Historic Places nomination, a Federal Historic Preservation Tax Credit application and a California Mills Act Property Tax Abatement Program application. “Old Engine Co. No. 2.” Carey & Co. Architecture, Preservation & Planning, San Francisco: 2002-03.

Dreller, Sarah M. “West Grounds.” In “Evolution of the University of Virginia Grounds, 1917-31” University of Virginia Historic Cultural Landscape Survey. Office of the University Architect, Charlottesville: 1999.

Dreller, Sarah M., Fiona Robertson and Martha Teall. “Meriwether House, Keswick, Albemarle County, VA” (a.k.a. Cloverfields). Historic American Building Survey, Number: HABS VA-1358. Prints and Photographs Division, Library of Congress, Washington, D.C.: 1998. http://www.loc.gov/pictures/item/va1821/

[contact Sarah for complete list]

Projects

Current
Contingent Talk, a limited-run podcast series about precarious academic labor produced for the College Art Association’s CAA Conversations initiative [launched February 2019, project role: producer, web site designer, author]

The Vanishing Porch in Perspective, a #MeToo/#TimesUp-inspired companion website for “Curtained Walls” hosted by Humanities Commons [launched February 2018, project role: author]

Afterimages, an online exhibition about the intersection of democratic free expression and historic preservation in Chile, hosted by Humanities Commons [launched November 2017, project role: digital humanities advising & editing]
— Sarah’s Platypus blog post about Afterimages

In Development
FONDEF Built Heritage Reference Collection, an online presentation of historical information about four Chilean national monuments, hosted by Humanities Commons [launch anticipated May 2019, project role: web site designer and editor]

Sarah M. Dreller

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@smdreller

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