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	<title>MLA Commons | Shaun Huston | Activity</title>
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				<title>Shaun Huston deposited Kat &#38; Jane in the group Feminist Humanities</title>
				<link>https://hcommons.org/activity/p/1578600/</link>
				<pubDate>Sat, 12 Aug 2017 01:00:15 -0400</pubDate>

									<content:encoded><![CDATA[<p>Short story</p>
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				<title>Shaun Huston deposited Kat &#38; Jane in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1578599/</link>
				<pubDate>Sat, 12 Aug 2017 01:00:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>Short story</p>
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				<title>Shaun Huston deposited Kat &#38; Jane</title>
				<link>https://hcommons.org/activity/p/1578412/</link>
				<pubDate>Thu, 10 Aug 2017 17:31:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>Short story</p>
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				<title>Shaun Huston deposited American road narratives: reimagining mobility in literature and film in the group Place Studies</title>
				<link>https://hcommons.org/activity/p/1578341/</link>
				<pubDate>Thu, 10 Aug 2017 01:01:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of American Road Narratives: Reimagining Mobility in Literature and Film by Ann Brigham (University of Virginia Press, 2015)</p>
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				<title>Shaun Huston deposited American road narratives: reimagining mobility in literature and film in the group Film Studies</title>
				<link>https://hcommons.org/activity/p/1578340/</link>
				<pubDate>Thu, 10 Aug 2017 01:01:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of American Road Narratives: Reimagining Mobility in Literature and Film by Ann Brigham (University of Virginia Press, 2015)</p>
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				<title>Shaun Huston deposited American road narratives: reimagining mobility in literature and film in the group Feminist Humanities</title>
				<link>https://hcommons.org/activity/p/1578339/</link>
				<pubDate>Thu, 10 Aug 2017 01:01:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of American Road Narratives: Reimagining Mobility in Literature and Film by Ann Brigham (University of Virginia Press, 2015)</p>
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				<title>Shaun Huston deposited American road narratives: reimagining mobility in literature and film in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1578338/</link>
				<pubDate>Thu, 10 Aug 2017 01:00:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of American Road Narratives: Reimagining Mobility in Literature and Film by Ann Brigham (University of Virginia Press, 2015)</p>
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				<title>Shaun Huston deposited Live/Work: Portland, Oregon as a Place for Comics Creation in the group Place Studies</title>
				<link>https://hcommons.org/activity/p/1578323/</link>
				<pubDate>Thu, 10 Aug 2017 01:00:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>In the documentary, Comic Book City, Portland, Oregon USA, I construct a representation of the city as a place for comics creation. In this paper, I distill key insights from my interviews with writers, artists, and publishers regarding the decision to live and work in Portland. My documentary research suggests that creators are attracted by&hellip;<span class="activity-read-more" id="activity-read-more-1578323"><a href="https://hcommons.org/activity/p/1578323/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Shaun Huston deposited Live/Work: Portland, Oregon as a Place for Comics Creation in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1578322/</link>
				<pubDate>Thu, 10 Aug 2017 01:00:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>In the documentary, Comic Book City, Portland, Oregon USA, I construct a representation of the city as a place for comics creation. In this paper, I distill key insights from my interviews with writers, artists, and publishers regarding the decision to live and work in Portland. My documentary research suggests that creators are attracted by&hellip;<span class="activity-read-more" id="activity-read-more-1578322"><a href="https://hcommons.org/activity/p/1578322/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Shaun Huston deposited Live/Work: Portland, Oregon as a Place for Comics Creation in the group Comics Scholarship/Comics Studies</title>
				<link>https://hcommons.org/activity/p/1578321/</link>
				<pubDate>Thu, 10 Aug 2017 01:00:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>In the documentary, Comic Book City, Portland, Oregon USA, I construct a representation of the city as a place for comics creation. In this paper, I distill key insights from my interviews with writers, artists, and publishers regarding the decision to live and work in Portland. My documentary research suggests that creators are attracted by&hellip;<span class="activity-read-more" id="activity-read-more-1578321"><a href="https://hcommons.org/activity/p/1578321/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Shaun Huston deposited Digital Cinema, Montage and Other Visualities in the group Film Studies</title>
				<link>https://hcommons.org/activity/p/1578310/</link>
				<pubDate>Thu, 10 Aug 2017 01:00:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>Digital technology is enabling a reconceptualization of film and cinema. The pliability of digital media opens up, particularly, the theory and practice of montage to revision. This pliability allows for cheap and easy copying and combining of images, and, relatedly, the transition from film frame to digital screen provides a less precious and&hellip;<span class="activity-read-more" id="activity-read-more-1578310"><a href="https://hcommons.org/activity/p/1578310/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Shaun Huston deposited Digital Cinema, Montage and Other Visualities in the group Comics Scholarship/Comics Studies</title>
				<link>https://hcommons.org/activity/p/1578309/</link>
				<pubDate>Thu, 10 Aug 2017 01:00:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>Digital technology is enabling a reconceptualization of film and cinema. The pliability of digital media opens up, particularly, the theory and practice of montage to revision. This pliability allows for cheap and easy copying and combining of images, and, relatedly, the transition from film frame to digital screen provides a less precious and&hellip;<span class="activity-read-more" id="activity-read-more-1578309"><a href="https://hcommons.org/activity/p/1578309/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Shaun Huston deposited Filming Postbourgeois Suburbia:Office Spaceand the New American Suburb in the group Film Studies</title>
				<link>https://hcommons.org/activity/p/1578174/</link>
				<pubDate>Wed, 09 Aug 2017 01:00:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>The article examines how the depiction of American suburbia in motion pictures illustrates the physical, cultural, and demographic changes in modern suburban society. Particular attention is paid to the portrayal of the suburban landscape in the 1999 film &#8220;Office Space,&#8221; written and directed by Mike Judge. The &#8220;polymorphous&#8221; landscape of &#8220;Office&hellip;<span class="activity-read-more" id="activity-read-more-1578174"><a href="https://hcommons.org/activity/p/1578174/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Shaun Huston deposited Filming Postbourgeois Suburbia:Office Spaceand the New American Suburb in the group Feminist Humanities</title>
				<link>https://hcommons.org/activity/p/1578173/</link>
				<pubDate>Wed, 09 Aug 2017 01:00:27 -0400</pubDate>

									<content:encoded><![CDATA[<p>The article examines how the depiction of American suburbia in motion pictures illustrates the physical, cultural, and demographic changes in modern suburban society. Particular attention is paid to the portrayal of the suburban landscape in the 1999 film &#8220;Office Space,&#8221; written and directed by Mike Judge. The &#8220;polymorphous&#8221; landscape of &#8220;Office&hellip;<span class="activity-read-more" id="activity-read-more-1578173"><a href="https://hcommons.org/activity/p/1578173/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Shaun Huston deposited Filming Postbourgeois Suburbia:Office Spaceand the New American Suburb in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1578172/</link>
				<pubDate>Wed, 09 Aug 2017 01:00:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>The article examines how the depiction of American suburbia in motion pictures illustrates the physical, cultural, and demographic changes in modern suburban society. Particular attention is paid to the portrayal of the suburban landscape in the 1999 film &#8220;Office Space,&#8221; written and directed by Mike Judge. The &#8220;polymorphous&#8221; landscape of &#8220;Office&hellip;<span class="activity-read-more" id="activity-read-more-1578172"><a href="https://hcommons.org/activity/p/1578172/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Shaun Huston deposited American road narratives: reimagining mobility in literature and film</title>
				<link>https://hcommons.org/activity/p/1578149/</link>
				<pubDate>Tue, 08 Aug 2017 23:54:33 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of American Road Narratives: Reimagining Mobility in Literature and Film by Ann Brigham (University of Virginia Press, 2015)</p>
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				<title>Shaun Huston&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1578147/</link>
				<pubDate>Tue, 08 Aug 2017 23:02:57 -0400</pubDate>

				
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				<title>Shaun Huston deposited Digital Cinema, Montage and Other Visualities</title>
				<link>https://hcommons.org/activity/p/1577438/</link>
				<pubDate>Thu, 03 Aug 2017 23:26:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>Digital technology is enabling a reconceptualization of film and cinema. The pliability of digital media opens up, particularly, the theory and practice of montage to revision. This pliability allows for cheap and easy copying and combining of images, and, relatedly, the transition from film frame to digital screen provides a less precious and&hellip;<span class="activity-read-more" id="activity-read-more-1577438"><a href="https://hcommons.org/activity/p/1577438/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Shaun Huston deposited Live/Work: Portland, Oregon as a Place for Comics Creation</title>
				<link>https://hcommons.org/activity/p/1577430/</link>
				<pubDate>Thu, 03 Aug 2017 23:11:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>In the documentary, Comic Book City, Portland, Oregon USA, I construct a representation of the city as a place for comics creation. In this paper, I distill key insights from my interviews with writers, artists, and publishers regarding the decision to live and work in Portland. My documentary research suggests that creators are attracted by&hellip;<span class="activity-read-more" id="activity-read-more-1577430"><a href="https://hcommons.org/activity/p/1577430/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Shaun Huston deposited Filming Postbourgeois Suburbia:Office Spaceand the New American Suburb</title>
				<link>https://hcommons.org/activity/p/1577423/</link>
				<pubDate>Thu, 03 Aug 2017 22:52:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>The article examines how the depiction of American suburbia in motion pictures illustrates the physical, cultural, and demographic changes in modern suburban society. Particular attention is paid to the portrayal of the suburban landscape in the 1999 film &#8220;Office Space,&#8221; written and directed by Mike Judge. The &#8220;polymorphous&#8221; landscape of &#8220;Office&hellip;<span class="activity-read-more" id="activity-read-more-1577423"><a href="https://hcommons.org/activity/p/1577423/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Shaun Huston&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1577048/</link>
				<pubDate>Mon, 31 Jul 2017 22:48:22 -0400</pubDate>

				
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				<guid isPermaLink="false">77c7591a8f8d6d2cfb284c010340b173</guid>
				<title>Shaun Huston changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1577047/</link>
				<pubDate>Mon, 31 Jul 2017 22:40:06 -0400</pubDate>

				
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