• Though already famous, wealthy, and squarely established as a popular chronicler of the early
    twentieth century, humorist Ring Lardner’s foray into a serious literary career with Charles Scribner’s
    Sons Publishing Company is best characterized as an act of authorial resistance. Rather than evolve into
    the “serious” author the firm had hoped for, Lardner chose to lampoon himself, authorship, publishing,
    and serious writers with a series of prefaces written for his Scribner’s titles. In the prefaces to How to
    Write Short Stories (with Samples) (1924) and The Love Nest and Other Stories (1926), Lardner resisted
    overtures to rebrand and remarket himself by reminding the public of his strengths: satire, comedy, and
    manipulation. The result: pieces as textually nonsensical and arbitrary as many of his writings on the
    surface, yet carefully constructed to expose the underside of socio-cultural mores, the publishing industry,
    and the fraternity of serious writers he never intended to join.