THE ZUBER PATRIARCHY
Spring: Jean Zuber, fl.1790-1835; Summer: Jean Zuber-Karth, fl. 1836-1853; Autumn: Ivan (Jean) Zuber, fl. 1854-1907

This is the first of a multi-part series telling how the Zuber family made wallpaper over a 117-year period (1790-1907). It is closely based on the thesis “From the Workshop to the Wall” by Dr. Bernard Jac…[Read more]

THE ZUBER PATRIARCHY
Spring: Jean Zuber, fl.1790-1835; Summer: Jean Zuber-Karth, fl. 1836-1853; Autumn: Ivan (Jean) Zuber, fl. 1854-1907

This is the first of a multi-part series telling how the Zuber family made wallpaper over a 117-year period (1790-1907). It is closely based on the thesis “From the Workshop to the Wall” by Dr. Bernard Jac…[Read more]

V. 1, N. 3 (March 15, 2020) is titled “Wallpaper Values” and compares and contrasts the values of wallpaper as decorative art, as avatar of social values, and as material culture.

V. 1, N. 3 (March 15, 2020) is titled “Wallpaper Values” and compares and contrasts the values of wallpaper as decorative art, as avatar of social values, and as material culture.

V. 1, N. 3 (March 15, 2020) is titled “Wallpaper Values” and compares and contrasts the values of wallpaper as decorative art, as avatar of social values, and as material culture.

V. 1, N. 4 (April 15, 2020) is titled “Bernard Jacqué, His Thesis, and His Methods.” It shows how Jacqué’s work relates to that of Jules David Prown, an art historian credited with formulating an influential approach to material culture in the pages of the Winterthur Portfolio in the early 1980s.

V. 1, N. 4 (April 15, 2020) is titled “Bernard Jacqué, His Thesis, and His Methods.” It shows how Jacqué’s work relates to that of Jules David Prown, an art historian credited with formulating an influential approach to material culture in the pages of the Winterthur Portfolio in the early 1980s.

V. 1, N. 4 (April 15, 2020) is titled “Bernard Jacqué, His Thesis, and His Methods.” It shows how Jacqué’s work relates to that of Jules David Prown, an art historian credited with formulating an influential approach to material culture in the pages of the Winterthur Portfolio in the early 1980s.

V. 1, N. 5 (May 15, 2020) is titled “Is Wallpaper Essential?,” answers in the affirmative, and argues for a new definition: “Wallpaper is affordable and flexible, modular in form and design, ordinarily covered with a printed pattern, and made for decorating domestic walls.”

V. 1, N. 5 (May 15, 2020) is titled “Is Wallpaper Essential?,” answers in the affirmative, and argues for a new definition: “Wallpaper is affordable and flexible, modular in form and design, ordinarily covered with a printed pattern, and made for decorating domestic walls.”

V. 1, N. 5 (May 15, 2020) is titled “Is Wallpaper Essential?,” answers in the affirmative, and argues for a new definition: “Wallpaper is affordable and flexible, modular in form and design, ordinarily covered with a printed pattern, and made for decorating domestic walls.”

V. 1, N. 2 (February 15, 2020) is titled “Wallpaper and America” and critiques Catherine Lynn’s standard text from 1980, “Wallpaper In America.”

V. 1, N. 2 (February 15, 2020) is titled “Wallpaper and America” and critiques Catherine Lynn’s standard text from 1980, “Wallpaper In America.”

V. 1, N. 2 (February 15, 2020) is titled “Wallpaper and America” and critiques Catherine Lynn’s standard text from 1980, “Wallpaper In America.”