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	<title>MLA Commons | Roberta Mock | Activity</title>
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				<title>Roberta Mock&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1776152/</link>
				<pubDate>Mon, 28 Mar 2022 21:38:27 -0400</pubDate>

				
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				<title>Roberta Mock deposited Book of Abstracts: TaPRA (Theatre &#38; Performance Research Association) Conference 2009 in the group Performance Studies</title>
				<link>https://hcommons.org/activity/p/1582445/</link>
				<pubDate>Thu, 21 Sep 2017 01:04:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is the book of abstracts for the 2009 Theatre &amp; Performance Research Association (TaPRA) conference, held at the University of Plymouth, UK. Over 200 delegates were welcomed at this conference, which took place from 7-9 September 2009 in the Roland Levinsky Building. International Guests: Professor Susan Bennett (University of Calgary) and&hellip;<span class="activity-read-more" id="activity-read-more-1582445"><a href="https://hcommons.org/activity/p/1582445/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Roberta Mock deposited Our Carnal Hearts (interview with Rachel Mars) in the group Performance Studies</title>
				<link>https://hcommons.org/activity/p/1580387/</link>
				<pubDate>Sun, 03 Sep 2017 01:00:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>This interview with Rachel Mars was originally published by The Lark on 19 April 2017 as part of a blog salon, curated by Caridad Svich, called &#8220;Stages of Resistance.&#8221; The series reflected on themes related to political and aesthetic resistance in the making work for live performance. <a href="http://www.larktheatre.org/blog/our-carnal-hearts/" rel="nofollow ugc">http://www.larktheatre.org/blog/our-carnal-hearts/</a></p>
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				<title>Roberta Mock deposited Our Carnal Hearts (interview with Rachel Mars)</title>
				<link>https://hcommons.org/activity/p/1580364/</link>
				<pubDate>Sat, 02 Sep 2017 15:11:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>This interview with Rachel Mars was originally published by The Lark on 19 April 2017 as part of a blog salon, curated by Caridad Svich, called &#8220;Stages of Resistance.&#8221; The series reflected on themes related to political and aesthetic resistance in the making work for live performance. <a href="http://www.larktheatre.org/blog/our-carnal-hearts/" rel="nofollow ugc">http://www.larktheatre.org/blog/our-carnal-hearts/</a></p>
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				<title>Roberta Mock deposited Memories, Hauntings &#38; Exorcisms in Brad Fraser's Snake in Fridge</title>
				<link>https://hcommons.org/activity/p/1580363/</link>
				<pubDate>Sat, 02 Sep 2017 14:48:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is the final manuscript version of a book chapter that analyses the play, Snake in Fridge (2000), by Canadian playwright Brad Fraser. It was published in Marc Maufort &amp; Caroline de Wagter (eds.), Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama (Peter Lang, 2008).</p>
<p>Keywords: Theatre Studies, Drama,&hellip;<span class="activity-read-more" id="activity-read-more-1580363"><a href="https://hcommons.org/activity/p/1580363/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Roberta Mock&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1580362/</link>
				<pubDate>Sat, 02 Sep 2017 14:34:06 -0400</pubDate>

				
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				<title>Roberta Mock deposited Visions of Xs: Experiencing La Fura dels Baus's XXX and Ron Athey’s Solar Anus in the group Performance Studies</title>
				<link>https://hcommons.org/activity/p/1580357/</link>
				<pubDate>Sat, 02 Sep 2017 01:00:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>This book chapter analyses the experience of seeing two performances &#8211; La Fura dels Baus&#8217;s production of XXX and Ron Athey&#8217;s Solar Anus &#8211; during the first half of 2003, through the lenses of eroticism, death and visual theatricality.</p>
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				<title>Roberta Mock deposited Visions of Xs: Experiencing La Fura dels Baus's XXX and Ron Athey’s Solar Anus in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1580356/</link>
				<pubDate>Sat, 02 Sep 2017 01:00:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>This book chapter analyses the experience of seeing two performances &#8211; La Fura dels Baus&#8217;s production of XXX and Ron Athey&#8217;s Solar Anus &#8211; during the first half of 2003, through the lenses of eroticism, death and visual theatricality.</p>
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				<title>Roberta Mock deposited Introduction to screening of ‘Stories We Tell’ (2012) in the group Performance Studies</title>
				<link>https://hcommons.org/activity/p/1580355/</link>
				<pubDate>Sat, 02 Sep 2017 01:00:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>This text was written and presented to introduce a screening of Sarah Polley&#8217;s 2012 film, &#8216;Stories We Tell&#8217; on 22 February 2016 as part of the Peninsula Arts Women &amp; Cinema season. It was published as a blog by The Arts Institute at the University of Plymouth on 25 February 2016:&hellip;<span class="activity-read-more" id="activity-read-more-1580355"><a href="https://hcommons.org/activity/p/1580355/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Roberta Mock deposited Reflections on the Arts and Humanities Doctoral Thesis and Training in the group Doctoral Research in the Arts</title>
				<link>https://hcommons.org/activity/p/1580354/</link>
				<pubDate>Sat, 02 Sep 2017 01:00:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>This text was originally presented at the UKCGE (UK Council for Graduate Education) event &#8216;Opportunities &amp; Challenges in the Development of Doctoral Education in the Arts &amp; Humanities&#8217;, held in Glasgow on 1 February 2016. It was published on the University of Plymouth&#8217;s Arts Institute blog on 25 March 2016:&hellip;<span class="activity-read-more" id="activity-read-more-1580354"><a href="https://hcommons.org/activity/p/1580354/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Roberta Mock deposited Performing the Toxic Body in the group Performance Studies</title>
				<link>https://hcommons.org/activity/p/1580353/</link>
				<pubDate>Sat, 02 Sep 2017 01:00:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>A blog post on the performing body, presence and toxicity, reflecting on the deaths of Prince, Amy Winehouse, G.G. Allin and Whitney Houston. Published on the University of Plymouth&#8217;s Arts Institute blog, 6 May 2016: <a href="http://blogs.plymouth.ac.uk/artsinstitute/2016/05/06/feature-performing-the-toxic-body/" rel="nofollow ugc">http://blogs.plymouth.ac.uk/artsinstitute/2016/05/06/feature-performing-the-toxic-body/</a></p>
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				<title>Roberta Mock deposited Performing the Toxic Body in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1580352/</link>
				<pubDate>Sat, 02 Sep 2017 01:00:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>A blog post on the performing body, presence and toxicity, reflecting on the deaths of Prince, Amy Winehouse, G.G. Allin and Whitney Houston. Published on the University of Plymouth&#8217;s Arts Institute blog, 6 May 2016: <a href="http://blogs.plymouth.ac.uk/artsinstitute/2016/05/06/feature-performing-the-toxic-body/" rel="nofollow ugc">http://blogs.plymouth.ac.uk/artsinstitute/2016/05/06/feature-performing-the-toxic-body/</a></p>
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				<title>Roberta Mock deposited Remembering Archaos: Circus with Attitude in the group Performance Studies</title>
				<link>https://hcommons.org/activity/p/1580351/</link>
				<pubDate>Sat, 02 Sep 2017 01:00:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>A blog post for the University of Plymouth&#8217;s Arts Institute on the French circus company, Archaos (published 9 July 2016): <a href="http://blogs.plymouth.ac.uk/artsinstitute/2016/07/09/feature-remembering-archaos-circus-with-attitude/" rel="nofollow ugc">http://blogs.plymouth.ac.uk/artsinstitute/2016/07/09/feature-remembering-archaos-circus-with-attitude/</a></p>
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				<title>Roberta Mock deposited Lynn Hershman and the Creation of Multiple Robertas in the group Performance Studies</title>
				<link>https://hcommons.org/activity/p/1580350/</link>
				<pubDate>Sat, 02 Sep 2017 01:00:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is the final manuscript version of a chapter about Lynn Hershman&#8217;s Roberta Breitmore project, published in Susan Broadhurst &amp; Josephine Machon (eds.), Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity (Palgrave Macmillan, 2012), pp. 126-141.</p>
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				<title>Roberta Mock deposited Visions of Xs: Experiencing La Fura dels Baus's XXX and Ron Athey’s Solar Anus</title>
				<link>https://hcommons.org/activity/p/1580206/</link>
				<pubDate>Thu, 31 Aug 2017 10:53:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>This book chapter analyses the experience of seeing two performances &#8211; La Fura dels Baus&#8217;s production of XXX and Ron Athey&#8217;s Solar Anus &#8211; during the first half of 2003, through the lenses of eroticism, death and visual theatricality.</p>
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				<title>Roberta Mock deposited Introduction to screening of ‘Stories We Tell’ (2012)</title>
				<link>https://hcommons.org/activity/p/1580205/</link>
				<pubDate>Thu, 31 Aug 2017 10:26:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>This text was written and presented to introduce a screening of Sarah Polley&#8217;s 2012 film, &#8216;Stories We Tell&#8217; on 22 February 2016 as part of the Peninsula Arts Women &amp; Cinema season. It was published as a blog by The Arts Institute at the University of Plymouth on 25 February 2016:&hellip;<span class="activity-read-more" id="activity-read-more-1580205"><a href="https://hcommons.org/activity/p/1580205/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">542dc58de73a8cbb58a063b81365e07f</guid>
				<title>Roberta Mock deposited Reflections on the Arts and Humanities Doctoral Thesis and Training</title>
				<link>https://hcommons.org/activity/p/1580204/</link>
				<pubDate>Thu, 31 Aug 2017 10:06:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>This text was originally presented at the UKCGE (UK Council for Graduate Education) event &#8216;Opportunities &amp; Challenges in the Development of Doctoral Education in the Arts &amp; Humanities&#8217;, held in Glasgow on 1 February 2016. It was published on the University of Plymouth&#8217;s Arts Institute blog on 25 March 2016:&hellip;<span class="activity-read-more" id="activity-read-more-1580204"><a href="https://hcommons.org/activity/p/1580204/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Roberta Mock deposited Performing the Toxic Body</title>
				<link>https://hcommons.org/activity/p/1580202/</link>
				<pubDate>Thu, 31 Aug 2017 09:50:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>A blog post on the performing body, presence and toxicity, reflecting on the deaths of Prince, Amy Winehouse, G.G. Allin and Whitney Houston. Published on the University of Plymouth&#8217;s Arts Institute blog, 6 May 2016: <a href="http://blogs.plymouth.ac.uk/artsinstitute/2016/05/06/feature-performing-the-toxic-body/" rel="nofollow ugc">http://blogs.plymouth.ac.uk/artsinstitute/2016/05/06/feature-performing-the-toxic-body/</a></p>
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				<title>Roberta Mock deposited Remembering Archaos: Circus with Attitude</title>
				<link>https://hcommons.org/activity/p/1580201/</link>
				<pubDate>Thu, 31 Aug 2017 09:38:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>A blog post for the University of Plymouth&#8217;s Arts Institute on the French circus company, Archaos (published 9 July 2016): <a href="http://blogs.plymouth.ac.uk/artsinstitute/2016/07/09/feature-remembering-archaos-circus-with-attitude/" rel="nofollow ugc">http://blogs.plymouth.ac.uk/artsinstitute/2016/07/09/feature-remembering-archaos-circus-with-attitude/</a></p>
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				<title>Roberta Mock deposited Lynn Hershman and the Creation of Multiple Robertas</title>
				<link>https://hcommons.org/activity/p/1580140/</link>
				<pubDate>Wed, 30 Aug 2017 18:43:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is the final manuscript version of a chapter about Lynn Hershman&#8217;s Roberta Breitmore project, published in Susan Broadhurst &amp; Josephine Machon (eds.),<br />
Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity (Palgrave Macmillan, 2012), pp. 126-141.</p>
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				<title>Roberta Mock deposited Schedule: TaPRA (Theatre &#38; Performance Research Association) Annual Conference, 2009</title>
				<link>https://hcommons.org/activity/p/1580135/</link>
				<pubDate>Wed, 30 Aug 2017 18:03:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is the schedule of the 2009 Theatre &amp; Performance Research Association Conference, held at the University of Plymouth, UK from 7-9 September 2009. The TaPRA2009 Conference Organisers were:  Roberta Mock, Lee Miller &amp; Victor Ramirez Ladron de Guevara</p>
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				<title>Roberta Mock deposited Book of Abstracts: TaPRA (Theatre &#38; Performance Research Association) Conference 2009</title>
				<link>https://hcommons.org/activity/p/1580133/</link>
				<pubDate>Wed, 30 Aug 2017 17:51:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is the book of abstracts for the 2009 Theatre &amp; Performance Research Association (TaPRA) conference, held at the University of Plymouth, UK.</p>
<p>Over 200 delegates were welcomed at this conference, which took place from 7-9 September 2009 in the Roland Levinsky Building. </p>
<p>International Guests: Professor Susan Bennett (University of Calgary)&hellip;<span class="activity-read-more" id="activity-read-more-1580133"><a href="https://hcommons.org/activity/p/1580133/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Roberta Mock changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1580126/</link>
				<pubDate>Wed, 30 Aug 2017 16:09:25 -0400</pubDate>

				
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				<guid isPermaLink="false">b420228e3d6bb2c4ac02f871881e1295</guid>
				<title>Roberta Mock&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1580123/</link>
				<pubDate>Wed, 30 Aug 2017 15:37:53 -0400</pubDate>

				
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