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	<title>MLA Commons | George Phillips | Activity</title>
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				<title>George Phillips deposited Are trees forms? On formalism, material feminism, and historical literature in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1721973/</link>
				<pubDate>Thu, 07 Jan 2021 03:50:59 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay draws on formalist cultural studies and material feminism to argue for a new approach in modernist studies, which I call formalist materialism, an approach that reads ecological forms alongside aesthetic forms. Such an approach may have distinct advantages. Formalist materialism illuminates a new direction for formalists by connecting&hellip;<span class="activity-read-more" id="activity-read-more-1721973"><a href="https://mla.hcommons.org/activity/p/1721973/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>George Phillips deposited Are trees forms? On formalism, material feminism, and historical literature in the group Late-Nineteenth- and Early-Twentieth-Century English Literature</title>
				<link>https://mla.hcommons.org/activity/p/1721972/</link>
				<pubDate>Thu, 07 Jan 2021 03:49:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay draws on formalist cultural studies and material feminism to argue for a new approach in modernist studies, which I call formalist materialism, an approach that reads ecological forms alongside aesthetic forms. Such an approach may have distinct advantages. Formalist materialism illuminates a new direction for formalists by connecting&hellip;<span class="activity-read-more" id="activity-read-more-1721972"><a href="https://mla.hcommons.org/activity/p/1721972/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>George Phillips deposited Are trees forms? On formalism, material feminism, and historical literature in the group Ecocriticism</title>
				<link>https://mla.hcommons.org/activity/p/1721971/</link>
				<pubDate>Thu, 07 Jan 2021 03:49:12 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay draws on formalist cultural studies and material feminism to argue for a new approach in modernist studies, which I call formalist materialism, an approach that reads ecological forms alongside aesthetic forms. Such an approach may have distinct advantages. Formalist materialism illuminates a new direction for formalists by connecting&hellip;<span class="activity-read-more" id="activity-read-more-1721971"><a href="https://mla.hcommons.org/activity/p/1721971/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>George Phillips deposited Are trees forms? On formalism, material feminism, and historical literature</title>
				<link>https://mla.hcommons.org/activity/p/1721897/</link>
				<pubDate>Wed, 06 Jan 2021 19:37:35 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay draws on formalist cultural studies and material feminism to argue for a new approach in modernist studies, which I call formalist materialism, an approach that reads ecological forms alongside aesthetic forms. Such an approach may have distinct advantages. Formalist materialism illuminates a new direction for formalists by connecting&hellip;<span class="activity-read-more" id="activity-read-more-1721897"><a href="https://mla.hcommons.org/activity/p/1721897/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>George Phillips&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1721893/</link>
				<pubDate>Wed, 06 Jan 2021 19:21:46 -0500</pubDate>

				
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				<title>George Phillips deposited CFP: Global Modernisms and the Graphic in the group LLC 20th- and 21st-Century English and Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1601061/</link>
				<pubDate>Sat, 17 Feb 2018 04:05:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>Douglas Mao and Rebecca Walkowitz&#8217;s field-defining article, &#8220;The New Modernist Studies,&#8221; turns ten in 2018. Despite the fact that the article takes up new media as a key topic-and although it was published just after ground-breaking work in the &#8220;visual turn&#8221; of literary studies by Mary Lou Emery (Modernism, the Visual, and Caribbean Literature,&hellip;<span class="activity-read-more" id="activity-read-more-1601061"><a href="https://mla.hcommons.org/activity/p/1601061/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>George Phillips deposited CFP: Global Modernisms and the Graphic in the group Late-Nineteenth- and Early-Twentieth-Century English Literature</title>
				<link>https://mla.hcommons.org/activity/p/1601060/</link>
				<pubDate>Sat, 17 Feb 2018 04:00:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>Douglas Mao and Rebecca Walkowitz&#8217;s field-defining article, &#8220;The New Modernist Studies,&#8221; turns ten in 2018. Despite the fact that the article takes up new media as a key topic-and although it was published just after ground-breaking work in the &#8220;visual turn&#8221; of literary studies by Mary Lou Emery (Modernism, the Visual, and Caribbean Literature,&hellip;<span class="activity-read-more" id="activity-read-more-1601060"><a href="https://mla.hcommons.org/activity/p/1601060/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>George Phillips deposited CFP: Global Modernisms and the Graphic in the group CLCS Global Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1601059/</link>
				<pubDate>Sat, 17 Feb 2018 03:57:39 -0500</pubDate>

									<content:encoded><![CDATA[<p>Douglas Mao and Rebecca Walkowitz&#8217;s field-defining article, &#8220;The New Modernist Studies,&#8221; turns ten in 2018. Despite the fact that the article takes up new media as a key topic-and although it was published just after ground-breaking work in the &#8220;visual turn&#8221; of literary studies by Mary Lou Emery (Modernism, the Visual, and Caribbean Literature,&hellip;<span class="activity-read-more" id="activity-read-more-1601059"><a href="https://mla.hcommons.org/activity/p/1601059/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>George Phillips deposited CFP: Global Modernisms and the Graphic in the group CLCS 20th- and 21st-Century</title>
				<link>https://mla.hcommons.org/activity/p/1601058/</link>
				<pubDate>Sat, 17 Feb 2018 03:48:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>Douglas Mao and Rebecca Walkowitz&#8217;s field-defining article, &#8220;The New Modernist Studies,&#8221; turns ten in 2018. Despite the fact that the article takes up new media as a key topic-and although it was published just after ground-breaking work in the &#8220;visual turn&#8221; of literary studies by Mary Lou Emery (Modernism, the Visual, and Caribbean Literature,&hellip;<span class="activity-read-more" id="activity-read-more-1601058"><a href="https://mla.hcommons.org/activity/p/1601058/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>George Phillips deposited CFP: Global Modernisms and the Graphic</title>
				<link>https://mla.hcommons.org/activity/p/1601043/</link>
				<pubDate>Fri, 16 Feb 2018 22:11:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>Douglas Mao and Rebecca Walkowitz&#8217;s field-defining article, &#8220;The New Modernist Studies,&#8221; turns ten in 2018. Despite the fact that the article takes up new media as a key topic-and although it was published just after ground-breaking work in the &#8220;visual turn&#8221; of literary studies by Mary Lou Emery (Modernism, the Visual, and Caribbean Literature,&hellip;<span class="activity-read-more" id="activity-read-more-1601043"><a href="https://mla.hcommons.org/activity/p/1601043/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>George Phillips&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1601041/</link>
				<pubDate>Fri, 16 Feb 2018 22:04:01 -0500</pubDate>

				
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				<title>George Phillips changed their profile picture</title>
				<link>https://mla.hcommons.org/activity/p/1574376/</link>
				<pubDate>Mon, 19 Jun 2017 15:57:51 -0400</pubDate>

				
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				<title>George Phillips&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1562241/</link>
				<pubDate>Tue, 14 Feb 2017 15:37:32 -0500</pubDate>

				
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				<title>George Phillips deposited “Structures of Irony: Curiosity and Fetishism in Late Imperial London” in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1557724/</link>
				<pubDate>Fri, 20 Jan 2017 20:24:53 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay argues that curiosity can work as irony&#8217;s shadow dialectic in modernist responses to imperialism and metropolitan culture, and suggests that curiosity deserves further exploration as a modernist device. Attentive to the settings and visual metaphors of space and structure that abet irony&#8217;s role, this essay finds that curiosity&#8217;s&hellip;<span class="activity-read-more" id="activity-read-more-1557724"><a href="https://mla.hcommons.org/activity/p/1557724/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>George Phillips deposited “Structures of Irony: Curiosity and Fetishism in Late Imperial London” in the group Late-Nineteenth- and Early-Twentieth-Century English Literature</title>
				<link>https://mla.hcommons.org/activity/p/1557723/</link>
				<pubDate>Fri, 20 Jan 2017 20:20:31 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay argues that curiosity can work as irony&#8217;s shadow dialectic in modernist responses to imperialism and metropolitan culture, and suggests that curiosity deserves further exploration as a modernist device. Attentive to the settings and visual metaphors of space and structure that abet irony&#8217;s role, this essay finds that curiosity&#8217;s&hellip;<span class="activity-read-more" id="activity-read-more-1557723"><a href="https://mla.hcommons.org/activity/p/1557723/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>George Phillips&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1557582/</link>
				<pubDate>Thu, 19 Jan 2017 17:22:14 -0500</pubDate>

				
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				<title>George Phillips&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1557581/</link>
				<pubDate>Thu, 19 Jan 2017 17:21:04 -0500</pubDate>

				
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				<title>George Phillips&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1557580/</link>
				<pubDate>Thu, 19 Jan 2017 17:20:36 -0500</pubDate>

				
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				<title>George Phillips&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1557579/</link>
				<pubDate>Thu, 19 Jan 2017 17:19:44 -0500</pubDate>

				
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				<title>George Phillips&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1557578/</link>
				<pubDate>Thu, 19 Jan 2017 17:18:45 -0500</pubDate>

				
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				<title>George Phillips deposited “Structures of Irony: Curiosity and Fetishism in Late Imperial London”</title>
				<link>https://mla.hcommons.org/activity/p/1557576/</link>
				<pubDate>Thu, 19 Jan 2017 17:11:23 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay argues that curiosity can work as irony&#8217;s shadow dialectic in modernist responses to imperialism and metropolitan culture, and suggests that curiosity deserves further exploration as a modernist device. Attentive to the settings and visual metaphors of space and structure that abet irony&#8217;s role, this essay finds that curiosity&#8217;s&hellip;<span class="activity-read-more" id="activity-read-more-1557576"><a href="https://mla.hcommons.org/activity/p/1557576/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>George Phillips&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1557575/</link>
				<pubDate>Thu, 19 Jan 2017 16:45:39 -0500</pubDate>

				
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				<title>George Phillips changed their profile picture</title>
				<link>https://mla.hcommons.org/activity/p/1557574/</link>
				<pubDate>Thu, 19 Jan 2017 16:42:47 -0500</pubDate>

				
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				<title>George Phillips&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/552758/</link>
				<pubDate>Wed, 26 Oct 2016 22:48:57 -0400</pubDate>

				
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				<title>George Phillips&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/551651/</link>
				<pubDate>Mon, 03 Oct 2016 18:30:39 -0400</pubDate>

				
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				<title>George Phillips&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/548540/</link>
				<pubDate>Wed, 08 Jun 2016 17:51:37 -0400</pubDate>

				
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				<title>George Phillips&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/548515/</link>
				<pubDate>Wed, 08 Jun 2016 04:39:29 -0400</pubDate>

				
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				<title>George Phillips changed their profile picture</title>
				<link>https://mla.hcommons.org/activity/p/548514/</link>
				<pubDate>Tue, 07 Jun 2016 23:29:44 -0400</pubDate>

				
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				<title>George Phillips&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/548508/</link>
				<pubDate>Tue, 07 Jun 2016 22:16:48 -0400</pubDate>

				
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				<title>George Phillips became a registered member</title>
				<link>https://mla.hcommons.org/activity/p/548451/</link>
				<pubDate>Tue, 07 Jun 2016 13:54:03 -0400</pubDate>

				
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