Indian music genres between folk and classical

World Music and Activism Since the End of History

The Saga of a Song: Authorship and Ownership in the Case of ‘Guantanamera’

Composition, Authorship, and Ownership in Flamenco, Past and Present

From Scarlatti to ‘Guantanamera’: Dual tonicity in Spanish and Latin American Musics

The Evolution of Modern Thumri

Flamenco Jazz: an Analytical Study

Puerto Rican Music and Cultural Identity: Creative Appropriation of Cuban Sources from Danza to Salsa

The Fandango Complex in the Spanish Atlantic: A Panoramic View

Ethnomusicological perspectives on the aesthetics of music

Indo-Caribbean ‘Local-Classical Music’: A Unique Variant of Hindustani Music

Ethnic Identity, National Identity, and Music in Indo-Caribbean Culture

Democratizing Indian Popular Music: From Cassette Culture to the Digital Era

Retention and Invention in Bhojpuri diasporic Music Culture: Perspectives from the Caribbean, India, and Fiji

Flamenco in Focus: An Analysis of a Performance of Soleares

Gender politics in Caribbean Popular Music: Consumer Perspectives and Academic Interpretation

Music Cultures of Mechanical Reproduction; a world history of the emergence of commercial popular musics

Modal Harmony in Andalusian, Eastern European, and Turkish Syncretic Musics

Syncretism and Adaptation in Rasiya, a Braj Folksong Genre

Legitimate and Illegitimate Variation in Rag Interpretations