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Steven Barnard's profile was updated on Humanities Commons 2 years, 5 months ago
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Steven Barnard deposited Power and Authenticity: Tradition and Transgression in Extreme Metal Music in the group
Music Encoding Initiative on Humanities Commons 2 years, 8 months ago
Underground ‘extreme’ styles of heavy metal are marked apart by other sub-genres of metal by their adoption of a punk rock ethos and overt rejection of commercialism. In metal culture being ‘true’ is a by-word for a perceived authenticity of the artist(s) in their commitment to the culture and integrity as composers/performers. Authenticity is a…[Read more]
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Steven Barnard deposited Power and Authenticity: Tradition and Transgression in Extreme Metal Music in the group
Cultural Studies on Humanities Commons 2 years, 8 months ago
Underground ‘extreme’ styles of heavy metal are marked apart by other sub-genres of metal by their adoption of a punk rock ethos and overt rejection of commercialism. In metal culture being ‘true’ is a by-word for a perceived authenticity of the artist(s) in their commitment to the culture and integrity as composers/performers. Authenticity is a…[Read more]
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Steven Barnard deposited Encoding Emotional Turbulence in the Music of Soundgarden: An Analysis of ‘Outshined’ in the group
Music Encoding Initiative on Humanities Commons 2 years, 8 months ago
The music of Soundgarden represents a unique blend of heavy metal power and and art-rock sensitivity, this is clearly displayed in the song ‘Outshined’. The unorthodox harmony, use of odd time time signatures and sectional variation seem to blur genre boundaries within rock music and also lend the music a sense of emotional instability that runs…[Read more]
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Steven Barnard deposited Encoding Emotional Turbulence in the Music of Soundgarden: An Analysis of ‘Outshined’ in the group
Cultural Studies on Humanities Commons 2 years, 8 months ago
The music of Soundgarden represents a unique blend of heavy metal power and and art-rock sensitivity, this is clearly displayed in the song ‘Outshined’. The unorthodox harmony, use of odd time time signatures and sectional variation seem to blur genre boundaries within rock music and also lend the music a sense of emotional instability that runs…[Read more]
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Steven Barnard deposited Ritchie Blackmore: Divergence From the Blues Roots in the group
Music Encoding Initiative on Humanities Commons 2 years, 8 months ago
Guitar solos were a defining foundational aspects in the early formative years of what would become known as heavy metal music. Though Tony Iommi of Black Sabbath has been largely credited as the most influential guitarist on the wider genre, this essay argues that it is the style of Ritchie Blackmore that has been of greater importance and…[Read more]
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Steven Barnard deposited Ritchie Blackmore: Divergence From the Blues Roots in the group
Cultural Studies on Humanities Commons 2 years, 8 months ago
Guitar solos were a defining foundational aspects in the early formative years of what would become known as heavy metal music. Though Tony Iommi of Black Sabbath has been largely credited as the most influential guitarist on the wider genre, this essay argues that it is the style of Ritchie Blackmore that has been of greater importance and…[Read more]
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Steven Barnard deposited Power and Authenticity: Tradition and Transgression in Extreme Metal Music on Humanities Commons 2 years, 8 months ago
Underground ‘extreme’ styles of heavy metal are marked apart by other sub-genres of metal by their adoption of a punk rock ethos and overt rejection of commercialism. In metal culture being ‘true’ is a by-word for a perceived authenticity of the artist(s) in their commitment to the culture and integrity as composers/performers. Authenticity is a…[Read more]
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Steven Barnard deposited Encoding Emotional Turbulence in the Music of Soundgarden: An Analysis of ‘Outshined’ on Humanities Commons 2 years, 8 months ago
The music of Soundgarden represents a unique blend of heavy metal power and and art-rock sensitivity, this is clearly displayed in the song ‘Outshined’. The unorthodox harmony, use of odd time time signatures and sectional variation seem to blur genre boundaries within rock music and also lend the music a sense of emotional instability that runs…[Read more]
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Steven Barnard deposited Ritchie Blackmore: Divergence From the Blues Roots on Humanities Commons 2 years, 8 months ago
Guitar solos were a defining foundational aspects in the early formative years of what would become known as heavy metal music. Though Tony Iommi of Black Sabbath has been largely credited as the most influential guitarist on the wider genre, this essay argues that it is the style of Ritchie Blackmore that has been of greater importance and…[Read more]
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Steven Barnard's profile was updated on Humanities Commons 2 years, 10 months ago
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Steven Barnard's profile was updated on Humanities Commons 2 years, 10 months ago
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Steven Barnard's profile was updated on Humanities Commons 2 years, 10 months ago