Words on Edge
(Black Square Editions, 2018).
Who Unfolded My Origami Brain?
(Fence Digital, 2017).
Cutting Time with a Knife
(Black Square Editions, 2012).
(Silenced Press, 2009).
I, the Worst of All
by Estela Lamat (BlazeVOX [books], 2009). Translation from Spanish.
Selected Poetry Chapbooks
Li Po Meets Oulipo
Fruits and Flowers and Animals and Seas and Lands Do Open
(Burnside Review Press, 2015). Winner of the 2014 Burnside Review Chapbook Contest (Judge: Hannah Gamble).
Words on Edge
(Plan B Press, 2012). Winner of the 2012 Plan B Press Poetry Contest (Judge: Robert Fitterman).
“Conceptualisms in Crisis: The Fate of Late Conceptual Poetry.” Forthcoming in Journal of Modern Literature
“How Who Unfolded My Origami Brain? Unfolded.” Hyperrhiz: New Media Cultures
18 (Winter 2018).
“Towards a Disorientalist Poetics.” ARCADE: Literature, the Humanities, & the World
. November 21, 2017.
“‘Poetry Homework’: Pedagogy, Memory, and Politics in the Visual Poetry of Juan Luis Martínez.” A Contracorriente: A Journal on Social History and Literature in Latin America
14.2 (Spring 2017).
“‘Work itself is given a voice’: Labor, Deskilling, and Archival Capability in the Poetry of Kenneth Goldsmith and Mark Nowak.” Reconstruction: Studies in Contemporary Culture
14.4 (Winter 2015).
“Neo-Surrealism’s Forked Tongue: Reflections on the Dramatic Monologue, Politics, and Community in the Recent Poetry of Will Alexander and John Yau.” Contemporary Literature
55.3 (Fall 2014).
“Notes toward an Interventionalist Conceptualism.” Modern Language Studies
41.2 (Winter 2012).
“Oulipo, Foulipo, Noulipo: The Gendered Politics of Literary Constraints.” The Oulipo
, eds. G. N. Forester and M. J. Nicholls (Verbivoracious Press, 2017).
Selected Book Reviews
“Forms of Asian Americanness in Contemporary Poetry.” Review of Dorothy J. Wang’s Thinking Its Presence: Form, Race, and Subjectivity in Contemporary Asian American Poetry
. Contemporary Literature
57.1 (May 2016).
“Poetry for the Apocalypse.”
Review of Christian Bök’s The Xenotext
. American Scientist
104.4 (July/August 2016).
Review of Nathaniel Mackey’s Blue Fasa
. Boston Review
. August 4, 2015.
“Rats Build Their Labyrinth: Oulipo in the 21st Century.” Omnibus review of Daniel Levin Becker’s Many Subtle Channels: In Praise of Potential Literature
, Lauren Elkin and Scott Esposito’s The End of Oulipo? An Attempt to Exhaust a Movement
, and Louis Bury’s Exercises in Criticism: The Theory and Practice of Literary Constraint
. Hyperallergic Weekend
. May 17, 2015.
“After Translation.” Los Angeles Review of Books
. Review of Ignacio Infante’s After Translation: The Transfer and Circulation of Modern Poetics Across the Atlantic
. February 5, 2015.
“Stephanie Strickland and Cynthia Lawson Jaramillo’s V: Vniverse
.” Hyperrhiz: New Media Cultures
10 (Fall 2013).
“Geography Lesson: Lytle Shaw’s Fieldworks: From Place to Site in Postwar Poetics
.” Hyperallergic Weekend
. October 13, 2013.
“Reading the ‘Nothings that Are’: Craig Dworkin’s No Medium
.” Hyperallergic Weekend
. June 8, 2013.
“Archive and Appropriation.” Review of Laura Mullen’s Dark Archive
9.1 (Spring 2012).
Selected Literary Translations
“Excerpts from Sky-Quake: Tremor of Heaven
” by Vicente Huidobro. Co-translated from the Spanish and French with Ignacio Infante. Boston Review
. April 20, 2016.
“From Sky-Quake: Tremor of Heave
n” by Vicente Huidobro. Co-translated from the Spanish and French with Ignacio Infante. Asymptote
“Selections from Pulverized Canine
” by Estela Lamat. Translated from the Spanish. Mandorla: New Writing from the Americas/Neuva escriture de las Américas
“Three Prose Poems” by Estela Lamat. Translated from the Spanish. Action, Yes: Online Quarterly
15.1 (Winter 2011).
“How to Make a Corner” and “La Llorona, I Endure for the Purpose of Crying” by Estela Lamat. Translated from the Spanish. Metamorphoses: A Journal of Literary Translation