Melle Jan Kromhout
,@mellekromhout
0000-0003-4119-30673
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Melle Jan Kromhout deposited ‘Antennas Have Long Since Invaded Our Brains.’ Listening to the ‘Other Music’ in Friedrich Kittler. in the group
Open Music on Humanities Commons 4 months, 1 week agoThis chapter examines the revolutin in media within music based on Friedrich Kittler’s work. It highlights Kittler’s musical preferences, from Richard Wagner to Jimi Hendrix and Pink Floyd. For Kittler this music exemplified an “other music” that was based on a cutout from the totality of “worldwide noise” as it was theorized after Arthur Schopen…[Read more]
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Melle Jan Kromhout deposited ‘Antennas Have Long Since Invaded Our Brains.’ Listening to the ‘Other Music’ in Friedrich Kittler. in the group
Music and Sound on Humanities Commons 4 months, 1 week agoThis chapter examines the revolutin in media within music based on Friedrich Kittler’s work. It highlights Kittler’s musical preferences, from Richard Wagner to Jimi Hendrix and Pink Floyd. For Kittler this music exemplified an “other music” that was based on a cutout from the totality of “worldwide noise” as it was theorized after Arthur Schopen…[Read more]
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Melle Jan Kromhout deposited ‘Antennas Have Long Since Invaded Our Brains.’ Listening to the ‘Other Music’ in Friedrich Kittler. in the group
International Musicological Society (IMS) on Humanities Commons 4 months, 1 week agoThis chapter examines the revolutin in media within music based on Friedrich Kittler’s work. It highlights Kittler’s musical preferences, from Richard Wagner to Jimi Hendrix and Pink Floyd. For Kittler this music exemplified an “other music” that was based on a cutout from the totality of “worldwide noise” as it was theorized after Arthur Schopen…[Read more]
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Melle Jan Kromhout deposited ‘Antennas Have Long Since Invaded Our Brains.’ Listening to the ‘Other Music’ in Friedrich Kittler. on Humanities Commons 4 months, 1 week ago
This chapter examines the revolutin in media within music based on Friedrich Kittler’s work. It highlights Kittler’s musical preferences, from Richard Wagner to Jimi Hendrix and Pink Floyd. For Kittler this music exemplified an “other music” that was based on a cutout from the totality of “worldwide noise” as it was theorized after Arthur Schopen…[Read more]
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Melle Jan Kromhout's profile was updated on Humanities Commons 7 months, 3 weeks ago
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Melle Jan Kromhout deposited “Over the Ruined Factory There’s a Funny Noise”: Throbbing Gristle and the Mediatized Roots of Noise in/as Music on Humanities Commons 7 months, 3 weeks ago
Britain’s Throbbing Gristle used a kind of aural and conceptual violence to pursue specific ideological goals. The concept of noise is crucial to the understanding of this use, but is often explained in a limiting discourse. Friedrich Kittler offers an alternative approach by showing how the introduction of media technology initially formed this…[Read more]
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Melle Jan Kromhout's profile was updated on Humanities Commons 7 months, 3 weeks ago
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Melle Jan Kromhout's profile was updated on Humanities Commons 7 months, 3 weeks ago
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Melle Jan Kromhout changed their profile picture on Humanities Commons 7 months, 3 weeks ago
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Melle Jan Kromhout's profile was updated on Humanities Commons 7 months, 3 weeks ago
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Melle Jan Kromhout's profile was updated on Humanities Commons 4 years, 6 months ago