Publications
Journal Special Issues
Anna Blackwell and
Marina Gerzic, eds. “
Royal Bodies in Shakespearean Adaptations on Screen“, special issue of
Shakespeare Bulletin 39.1 (2021).
Edited Collections
Marina Gerzic and Aidan Norrie, eds.
From Medievalism to Early-Modernism: Adapting the English Past. Paperback edition (Routledge, 2020).
https://www.routledge.com/From-Medievalism-to-Early-Modernism-Adapting-the-English-Past/Gerzic-Norrie/p/book/9780367664725
Marina Gerzic and Aidan Norrie, eds.
Playfulness in Shakespeare Adaptations (Routledge, 2020).
https://www.routledge.com/Playfulness-in-Shakespearean-Adaptations-1st-Edition/Gerzic-Norrie/p/book/9780367256463
Marina Gerzic and Aidan Norrie, eds.
From Medievalism to Early-Modernism: Adapting the English Past (Routledge, 2019):
https://www.routledge.com/From-Medievalism-to-Early-Modernism-Adapting-the-English-Past/Gerzic-Norrie/p/book/9781138366572
Peer Reviewed Journal Articles
Anna Blackwell and
Marina Gerzic. “
Royal Bodies in Shakespearean Adaptations on Screen.” “Royal Bodies in Shakespearean Adaptations on Screen”, special issue of
Shakespeare Bulletin 39.1 (2021): 1-7.
Marina Gerzic. “
Broadcasting the Political Body: Richard III, #Brexit and #Libspill.” “Royal Bodies in Shakespearean Adaptations on Screen”, special issue of
Shakespeare Bulletin 39.1 (2021): 109-29.
Marina Gerzic and Duc Dau. “‘I love her and, as to different, well, she’s a lizard’: Queer and Interspecies Relationships in
Doctor Who.”
Neo-Victorian Studies 11.1 (2018): 111–40.
http://www.neovictorianstudies.com/issues/NVS%2011-1-5%20M-Gerzic%20and%20D-Dau.pdf
Marina Gerzic. “When Dylan met the Bard: Fragments of screen (sound) in Michael Almereyda’s
Hamlet.”
Cerae 2 (2015),
http://openjournals.arts.uwa.edu.au/index.php/cerae/article/view/46
Marina Gerzic and Helen Balfour. “Haunting Emotions: Visualizing Hamlet’s melancholy for students in two recent graphic novel adaptations.”
Borrowers and Lenders 9.2 (Fall/Winter, 2015),
http://www.borrowers.uga.edu/1611/show
Peer Reviewed Book Chapters
Marina Gerzic and Anna Quercia-Thomas. ‘Whose Shakespeare? #MAGA, social media, and the Alt-Right’.
Shakespeare and anti-fandom. Eds. Kavita Mudan Finn and Jonathan Pope. In preparation.
Laura Collier and Marina Gerzic. “It’s [still] alive! Re-imagining
Frankenstein on page and screen.”
Routledge Companion to Global Literary Adaptation in the Twenty-First Century. Eds. Elizabeth Ho and Brandon Chua. (Routledge, forthcoming).
Marina Gerzic. ““I wish the bastards dead”: Adapting
Richard III in Children’s Literature.”
Playfulness in Shakespearean Adaptations. Eds. Marina Gerzic and Aidan Norrie. (Routledge, 2020): 56–74.
Marina Gerzic and Aidan Norrie. “Adapting the Man.”
Playfulness in Shakespearean Adaptations. Eds. Marina Gerzic and Aidan Norrie. (Routledge, 2020): 157–59.
Marina Gerzic and Aidan Norrie. “Adapting the Plays.”
Playfulness in Shakespearean Adaptations. Eds. Marina Gerzic and Aidan Norrie. (Routledge, 2020): 201–2.
Marina Gerzic and Aidan Norrie. ““Did Shakespeare really write this racy stuff?”: Irreverence and Play in Shakespearean Adaptations.”
Playfulness in Shakespearean Adaptations. Eds. Marina Gerzic and Aidan Norrie. (Routledge, 2020): 1–16.
Marina Gerzic and Aidan Norrie. “Page to Stage / Stage to Page.”
Playfulness in Shakespearean Adaptations. Eds. Marina Gerzic and Aidan Norrie. (Routledge, 2020): 17–20.
Marina Gerzic and Aidan Norrie. “Practising Shakespeare On Stage and Screen.”
Playfulness in Shakespearean Adaptations. Eds. Marina Gerzic and Aidan Norrie. (Routledge, 2020): 111–12.
Marina Gerzic. “Determined to prove a villain? Appropriating Richard III’s Disability in Recent Graphic Novels and Comics.”
Shakespeare and Global Appropriation. Eds. Christy Desmet, Sujata Iyengar, and Miriam Jacobson. (Routledge, 2020): 409–19.
Marina Gerzic. “Re-fashioning Richard III: Intertextuality, fandom, and the (mobile) body in
The Hollow Crown: The Wars of the Roses.”
From Medievalism to Early-Modernism: Adapting the English Past. Eds. Marina Gerzic and Aidan Norrie (Routledge, 2019): 188–206.
Marina Gerzic and Aidan Norrie. “Adapting the English Past: Medievalism and Early-Modernism.”
From Medievalism to Early-Modernism: Adapting the English Past. Eds. Marina Gerzic and Aidan Norrie. (Routledge, 2019): 1–18.
Marina Gerzic. “From Cabaret to Gladiator: Refiguring masculinity in Julie Taymor’s
Titus.”
From Medievalism to Early-Modernism: Adapting the English Past. Eds. Marina Gerzic and Aidan Norrie (Routledge, 2019): 82–98.
Marina Gerzic. “Just Shakespeare! Adapting
Macbeth for children’s literature.
” Locating Shakespeare in the Twenty-First Century. Eds. Gabrielle Malcolm and Kelli Marshall. (Cambridge Scholars Publishing, 2012): 64–80.
Marina Gerzic. “Reel life: Representing the human in Michael Almereyda’s
Hamlet”.
What is the Human? Australian Voices From the Humanities. Eds. Bob Hodge, Philippa Kelly, and Liam Semler. (Australian Scholarly Publishing, 2012): 237–52.
Invited Contributions to Special Publications
Marina Gerzic. “Adaptation and Interpretation: Shakespeare and Teen Film in the Classroom”.
Interpretations: Journal of the English Teachers Association Western Australia 50 (2016): 15–29.
Blog Posts
Marina Gerzic. “‘Richard III’ in Children’s Literature.”
Histories Of Emotion: From Medieval Europe to Contemporary Australia, 6 April 2018,
https://historiesofemotion.com/2018/04/06/richard-iii-in-childrens-literature
Book Reviews
Marina Gerzic. “Michael Hicks.
Richard III: The Self-Made King (New Haven: Yale University Press, 2019).”
Royal Studies Journal 7.2 (2020): 151–53.
Marina Gerzic. “Kathleen Forni,
Beowulf’s Popular Afterlife in Literature, Comic Books, and Film (Routledge, 2018).”
Parergon 37.1 (2020): 246–47.
Marina Gerzic. “Shiloh Carrol,
Medievalism in A Song of Ice & Fire & Game of Thrones (D. S. Brewer, 2018).”
Parergon 36.2 (2019): 204–5.
Marina Gerzic. “Bettina Bildhauer and Chris Jones,
The Middle Ages in the Modern World: Twenty-First Century Perspectives (Oxford University Press, 2017).”
Parergon 35.2 (2018): 194–96.
Marina Gerzic. “Chris Bishop,
Medievalist Comics and the American Century (University Press of Mississippi, 2017).”
Parergon 35.1 (2018): 149–50.
Marina Gerzic. “Mirko Ilić and Steven Heller,
Presenting Shakespeare: 1,100 Posters from around the World (Princeton Architectural Press, 2015).”
Parergon 33.2 (2016): 152–54.
Marina Gerzic. “Ken Jackson,
Shakespeare & Abraham (University of Notre Dame Press, 2015).”
Parergon 33.1 (2016): 214–16.
Marina Gerzic. “Piero Boitani,
The Gospel According to Shakespeare (University of Notre Dame Press, 2013).”
Parergon 33.1 (2016): 262.
Marina Gerzic. “Peter Cochran,
Small-Screen Shakespeare (Cambridge Scholars Publishing, 2013).”
Ceræ: an Australasian Journal of Medieval and Early Modern Studies 2 (2015): 1–3.
Marina Gerzic. “Richard Burt and Julian Yates,
What’s the Worst You Can Do to Shakespeare? (Palgrave Macmillan, 2013).”
Parergon 31.2 (2015): 148–49.
Marina Gerzic. “Michael A. LaCombe,
Political Gastronomy: Food and Authority in the English Atlantic World (University of Pennsylvania Press 2012).”
Parergon 31.1 (2014): 266–67.
Marina Gerzic. “Abigail Rokison,
Shakespeare For Young People: Productions, Versions and Adaptations (Bloomsbury 2013).”
Parergon 30.2 (2013): 227–28.
Marina Gerzic. “Erin Minear,
Reverberating Song in Shakespeare and Milton: Language, Memory, and Musical Representation (Ashgate 2011).”
Parergon 29.2 (2012): 289–90.
Marina Gerzic. “My Favourite Book.”
Le Project D’Amour. August 30, 2012.
https://web.archive.org/web/20170324042746/http://hila-lumiere.blogspot.com/2012/08/my-favourite-book-marina-gerzic.html.
Marina Gerzic. “Andreas Höfele,
Stage, Stake, & Scaffold (Oxford University Press, 2011).”
Parergon 29.1 (2012): 216–18.
Marina Gerzic. “Richard Burt,
Medieval and Early Modern Film and Media (Palgrave, 2008).”
Parergon 26.2 (2009): 166–68.