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	<title>MLA Commons | Martin Paul Eve | Activity</title>
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				<title>Martin Paul Eve&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1945335/</link>
				<pubDate>Thu, 05 Mar 2026 14:16:37 -0500</pubDate>

				
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				<title>Martin Paul Eve&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1942709/</link>
				<pubDate>Sat, 31 Jan 2026 15:45:53 -0500</pubDate>

				
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				<title>Martin Paul Eve wrote a new post, Downtime, Profiles Data Bug, and a Round of More Positive Technical Updates, on the site Knowledge Commons</title>
				<link>https://about.hcommons.org/?p=1584</link>
				<pubDate>Tue, 14 Oct 2025 13:55:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>tl;dr: We&#8217;ve had some downtime due to AI bots hammering us. We&#8217;re working on it. We had another bug where profile fields disappeared. We fixed it (duplicate metadata in the wp_bp_xprofile_field table). We&#8217;re [&hellip;] <img loading="lazy" src="https://hcommons.org/app/uploads/sites/1003997/2025/10/image.png" /></p>
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				<title>Martin Paul Eve wrote a new post, This is a test post, on the site A test site</title>
				<link>https://martinevetest.commons.msu.edu/?p=4</link>
				<pubDate>Mon, 10 Mar 2025 16:00:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>Testing, 1 2 3</p>
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				<title>Martin Paul Eve wrote a new post, Swimming upstream, on the site Knowledge Commons</title>
				<link>https://about.hcommons.org/?p=1466</link>
				<pubDate>Fri, 21 Feb 2025 08:43:50 -0500</pubDate>

									<content:encoded><![CDATA[<p>Reposted from: Martin Paul Eve, &#8220;Swimming upstream&#8221;, <a href="https://eve.gd" rel="nofollow ugc">https://eve.gd</a>, February 21, 2025, <a href="https://doi.org/10.59348/3e3vq-jf273" rel="nofollow ugc">https://doi.org/10.59348/3e3vq-jf273</a>.</p>
<p>Open source projects like InvenioRDM – on which we rely for our repository s [&hellip;]</p>
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				<title>Martin Paul Eve wrote a new post, Getting external access to BuddyPress&#039;s notifications (or: distributing Knowledge Commons), on the site Knowledge Commons</title>
				<link>https://about.hcommons.org/?p=1460</link>
				<pubDate>Tue, 18 Feb 2025 14:13:51 -0500</pubDate>

									<content:encoded><![CDATA[<p>Crossposted from Martin Paul Eve, &#8220;Getting external access to BuddyPress&#8217;s notifications (for Knowledge Commons)&#8221;, <a href="https://eve.gd" rel="nofollow ugc">https://eve.gd</a>, February 18, 2025, <a href="https://doi.org/10.59348/gpbaz-kx09" rel="nofollow ugc">https://doi.org/10.59348/gpbaz-kx09</a>.</p>
<p>As part of my work on [&hellip;]</p>
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				<title>Martin Paul Eve&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1908340/</link>
				<pubDate>Thu, 09 Jan 2025 13:54:26 -0500</pubDate>

				
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				<title>Martin Paul Eve changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1908003/</link>
				<pubDate>Mon, 06 Jan 2025 09:49:46 -0500</pubDate>

				
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				<title>Martin Paul Eve&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1908002/</link>
				<pubDate>Mon, 06 Jan 2025 09:45:55 -0500</pubDate>

				
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				<title>Martin Paul Eve deposited Warez: The Infrastructure and Aesthetics of Piracy</title>
				<link>https://hcommons.org/activity/p/1761699/</link>
				<pubDate>Thu, 16 Dec 2021 14:54:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>When most people think of piracy, they think of Bittorrent and The Pirate Bay. These public manifestations of piracy, though, conceal an elite worldwide, underground, organized network of pirate groups who specialize in obtaining media – music, videos, games, and software – before their official sale date and then racing against one another to rel&hellip;<span class="activity-read-more" id="activity-read-more-1761699"><a href="https://hcommons.org/activity/p/1761699/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve wrote a new post, Guest Post: Martin Paul Eve on Humanities Commons&#039; Fifth Birthday, on the site Platypus</title>
				<link>https://team.hcommons.org/?p=585</link>
				<pubDate>Mon, 13 Dec 2021 14:00:59 -0500</pubDate>

									<content:encoded><![CDATA[<p>What is the world coming to? In general terms, things don’t look good. Pandemics, climate change, ongoing global conflicts, the state of higher education as a whole. It can be a worrying time.</p>
<p>The situation for h [&hellip;]</p>
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				<title>Martin Paul Eve deposited Close Reading with Computers: Textual Scholarship, Computational Formalism, and David Mitchell's Cloud Atlas in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1685170/</link>
				<pubDate>Fri, 24 Apr 2020 16:34:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>This book is the first full-length monograph to bring a range of computational methods to bear in a sustained fashion, on a single novel, at the micro-level. While most contemporary digital studies are interested in distant-reading paradigms for large-scale literary history – using their digital methods as a telescope – following calls by Alan Liu&hellip;<span class="activity-read-more" id="activity-read-more-1685170"><a href="https://mla.hcommons.org/activity/p/1685170/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Close Reading with Computers: Textual Scholarship, Computational Formalism, and David Mitchell's Cloud Atlas in the group TM Book History, Print Cultures, Lexicography</title>
				<link>https://mla.hcommons.org/activity/p/1685169/</link>
				<pubDate>Fri, 24 Apr 2020 16:32:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>This book is the first full-length monograph to bring a range of computational methods to bear in a sustained fashion, on a single novel, at the micro-level. While most contemporary digital studies are interested in distant-reading paradigms for large-scale literary history – using their digital methods as a telescope – following calls by Alan Liu&hellip;<span class="activity-read-more" id="activity-read-more-1685169"><a href="https://mla.hcommons.org/activity/p/1685169/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Close Reading with Computers: Textual Scholarship, Computational Formalism, and David Mitchell's Cloud Atlas in the group TC Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1685167/</link>
				<pubDate>Fri, 24 Apr 2020 16:28:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>This book is the first full-length monograph to bring a range of computational methods to bear in a sustained fashion, on a single novel, at the micro-level. While most contemporary digital studies are interested in distant-reading paradigms for large-scale literary history – using their digital methods as a telescope – following calls by Alan Liu&hellip;<span class="activity-read-more" id="activity-read-more-1685167"><a href="https://mla.hcommons.org/activity/p/1685167/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Close Reading with Computers: Textual Scholarship, Computational Formalism, and David Mitchell's Cloud Atlas in the group LLC 20th- and 21st-Century English and Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1685166/</link>
				<pubDate>Fri, 24 Apr 2020 16:25:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>This book is the first full-length monograph to bring a range of computational methods to bear in a sustained fashion, on a single novel, at the micro-level. While most contemporary digital studies are interested in distant-reading paradigms for large-scale literary history – using their digital methods as a telescope – following calls by Alan Liu&hellip;<span class="activity-read-more" id="activity-read-more-1685166"><a href="https://mla.hcommons.org/activity/p/1685166/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Close Reading with Computers: Textual Scholarship, Computational Formalism, and David Mitchell's Cloud Atlas</title>
				<link>https://hcommons.org/activity/p/1685049/</link>
				<pubDate>Thu, 23 Apr 2020 14:55:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>This book is the first full-length monograph to bring a range of computational methods to bear in a sustained fashion, on a single novel, at the micro-level. While most contemporary digital studies are interested in distant-reading paradigms for large-scale literary history – using their digital methods as a telescope – following calls by Alan Liu&hellip;<span class="activity-read-more" id="activity-read-more-1685049"><a href="https://hcommons.org/activity/p/1685049/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Textual Scholarship and Contemporary Literary Studies: Jennifer Egan’s Editorial Processes and the Archival Edition of Emerald City in the group LLC 20th- and 21st-Century English and Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1676376/</link>
				<pubDate>Sun, 26 Jan 2020 16:33:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>Despite a strong pedigree of textual scholarship in literary studies, the study of contemporary literature often eschews such methods on the grounds that there is an insufficient archive to fully comprehend the production of just-published work. In this article I argue for a turn to textual scholarship in the field of contemporary literary studies&hellip;<span class="activity-read-more" id="activity-read-more-1676376"><a href="https://mla.hcommons.org/activity/p/1676376/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Textual Scholarship and Contemporary Literary Studies: Jennifer Egan’s Editorial Processes and the Archival Edition of Emerald City in the group LLC 20th- and 21st-Century American</title>
				<link>https://mla.hcommons.org/activity/p/1676375/</link>
				<pubDate>Sun, 26 Jan 2020 16:27:47 -0500</pubDate>

									<content:encoded><![CDATA[<p>Despite a strong pedigree of textual scholarship in literary studies, the study of contemporary literature often eschews such methods on the grounds that there is an insufficient archive to fully comprehend the production of just-published work. In this article I argue for a turn to textual scholarship in the field of contemporary literary studies&hellip;<span class="activity-read-more" id="activity-read-more-1676375"><a href="https://mla.hcommons.org/activity/p/1676375/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Textual Scholarship and Contemporary Literary Studies: Jennifer Egan’s Editorial Processes and the Archival Edition of Emerald City</title>
				<link>https://hcommons.org/activity/p/1676346/</link>
				<pubDate>Sun, 26 Jan 2020 10:14:33 -0500</pubDate>

									<content:encoded><![CDATA[<p>Despite a strong pedigree of textual scholarship in literary studies, the study of contemporary literature often eschews such methods on the grounds that there is an insufficient archive to fully comprehend the production of just-published work. In this article I argue for a turn to textual scholarship in the field of contemporary literary studies&hellip;<span class="activity-read-more" id="activity-read-more-1676346"><a href="https://hcommons.org/activity/p/1676346/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Information Labour and Shame in Farmer and Chevli’s Abortion Eve in the group LLC 20th- and 21st-Century American</title>
				<link>https://mla.hcommons.org/activity/p/1675077/</link>
				<pubDate>Mon, 13 Jan 2020 03:48:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article conducts the first in-depth political-aesthetic analysis of Joyce Farmer and Lyn Chevli’s Abortion Eve. In this article we argue that Abortion Eve uses its visual form in a way that cuts between the contexts of later forms of graphic medicine and feminist comix, and in so doing contributed to a political culture of feminist i&hellip;<span class="activity-read-more" id="activity-read-more-1675077"><a href="https://mla.hcommons.org/activity/p/1675077/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Information Labour and Shame in Farmer and Chevli’s Abortion Eve</title>
				<link>https://mla.hcommons.org/activity/p/1674908/</link>
				<pubDate>Sat, 11 Jan 2020 07:21:47 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article conducts the first in-depth political-aesthetic analysis of Joyce Farmer and Lyn Chevli’s Abortion Eve. In this article we argue that Abortion Eve uses its visual form in a way that cuts between the contexts of later forms of graphic medicine and feminist comix, and in so doing contributed to a political culture of feminist i&hellip;<span class="activity-read-more" id="activity-read-more-1674908"><a href="https://mla.hcommons.org/activity/p/1674908/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Reading Redaction: Symptomatic Metadata, Erasure Poetry, and Mark Blacklock’s I’m Jack in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1633859/</link>
				<pubDate>Sat, 02 Mar 2019 16:31:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this article, through a reading of Mark Blacklock’s 2015 novel, I’m Jack, alongside the history of erasure poetry, I suggest that an apt literary-critical metaphor for reading redaction in contemporary literature comes from the term “metadata.” This article schematizes the ways in which redaction can work in literary contexts and points to the&hellip;<span class="activity-read-more" id="activity-read-more-1633859"><a href="https://mla.hcommons.org/activity/p/1633859/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Reading Redaction: Symptomatic Metadata, Erasure Poetry, and Mark Blacklock’s I’m Jack in the group TM Book History, Print Cultures, Lexicography</title>
				<link>https://mla.hcommons.org/activity/p/1633858/</link>
				<pubDate>Sat, 02 Mar 2019 16:29:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this article, through a reading of Mark Blacklock’s 2015 novel, I’m Jack, alongside the history of erasure poetry, I suggest that an apt literary-critical metaphor for reading redaction in contemporary literature comes from the term “metadata.” This article schematizes the ways in which redaction can work in literary contexts and points to the&hellip;<span class="activity-read-more" id="activity-read-more-1633858"><a href="https://mla.hcommons.org/activity/p/1633858/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Reading Redaction: Symptomatic Metadata, Erasure Poetry, and Mark Blacklock’s I’m Jack in the group LLC 20th- and 21st-Century English and Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1633857/</link>
				<pubDate>Sat, 02 Mar 2019 16:25:46 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this article, through a reading of Mark Blacklock’s 2015 novel, I’m Jack, alongside the history of erasure poetry, I suggest that an apt literary-critical metaphor for reading redaction in contemporary literature comes from the term “metadata.” This article schematizes the ways in which redaction can work in literary contexts and points to the&hellip;<span class="activity-read-more" id="activity-read-more-1633857"><a href="https://mla.hcommons.org/activity/p/1633857/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Reading Redaction: Symptomatic Metadata, Erasure Poetry, and Mark Blacklock’s I’m Jack</title>
				<link>https://hcommons.org/activity/p/1633841/</link>
				<pubDate>Sat, 02 Mar 2019 09:25:39 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this article, through a reading of Mark Blacklock’s 2015 novel, I’m Jack, alongside the history of erasure poetry, I suggest that an apt literary-critical metaphor for reading redaction in contemporary literature comes from the term “metadata.” This article schematizes the ways in which redaction can work in literary contexts and points to the&hellip;<span class="activity-read-more" id="activity-read-more-1633841"><a href="https://hcommons.org/activity/p/1633841/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited The Historical Imaginary of Nineteenth-Century Style in David Mitchell’s Cloud Atlas in the group TC Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1621257/</link>
				<pubDate>Tue, 16 Oct 2018 16:31:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first section of David Mitchell’s genre-bending novel, Cloud Atlas (2004), purports to be set in 1850. Narrative clues approximately date the intra-diegetic diary object of this chapter to the period 1851–1910. This article argues for the construction of a stylistic historical imaginary of this period’s language that is not based on mimet&hellip;<span class="activity-read-more" id="activity-read-more-1621257"><a href="https://mla.hcommons.org/activity/p/1621257/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">58d398a5adb6475e8bd4d62c6a409f57</guid>
				<title>Martin Paul Eve deposited The Historical Imaginary of Nineteenth-Century Style in David Mitchell’s Cloud Atlas in the group LLC 20th- and 21st-Century English and Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1621256/</link>
				<pubDate>Tue, 16 Oct 2018 16:26:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first section of David Mitchell’s genre-bending novel, Cloud Atlas (2004), purports to be set in 1850. Narrative clues approximately date the intra-diegetic diary object of this chapter to the period 1851–1910. This article argues for the construction of a stylistic historical imaginary of this period’s language that is not based on mimet&hellip;<span class="activity-read-more" id="activity-read-more-1621256"><a href="https://mla.hcommons.org/activity/p/1621256/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited The Historical Imaginary of Nineteenth-Century Style in David Mitchell’s Cloud Atlas</title>
				<link>https://hcommons.org/activity/p/1621219/</link>
				<pubDate>Tue, 16 Oct 2018 11:31:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first section of David Mitchell’s genre-bending novel, Cloud Atlas (2004), purports to be set in 1850. Narrative clues approximately date the intra-diegetic diary object of this chapter to the period 1851–1910. This article argues for the construction of a stylistic historical imaginary of this period’s language that is not based on mimet&hellip;<span class="activity-read-more" id="activity-read-more-1621219"><a href="https://hcommons.org/activity/p/1621219/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Technologies, Subjectivities, Culture, and Power in the group TC Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1611268/</link>
				<pubDate>Wed, 20 Jun 2018 04:12:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>The block that I am teaching on Birkbeck, University of London&#8217;s MA in Critical and Cultural Studies in 2018-2019.</p>
<p>This wide-ranging block focuses on a series of important topics examining the convergence of technology, subjectivity and cultural theory. By examining technological, political, and cultural change, we will consider how 20th and&hellip;<span class="activity-read-more" id="activity-read-more-1611268"><a href="https://mla.hcommons.org/activity/p/1611268/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Technologies, Subjectivities, Culture, and Power</title>
				<link>https://hcommons.org/activity/p/1611224/</link>
				<pubDate>Tue, 19 Jun 2018 13:09:04 -0400</pubDate>

									<content:encoded><![CDATA[<p>The block that I am teaching on Birkbeck, University of London&#8217;s MA in Critical and Cultural Studies in 2018-2019.</p>
<p>This wide-ranging block focuses on a series of important topics examining the convergence of technology, subjectivity and cultural theory. By examining technological, political, and cultural change, we will consider how 20th and&hellip;<span class="activity-read-more" id="activity-read-more-1611224"><a href="https://hcommons.org/activity/p/1611224/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Reading Very Well for Our Age: Hyperobject Metadata and Global Warming in Emily St. John Mandel’s Station Eleven in the group LLC 20th- and 21st-Century English and Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1601871/</link>
				<pubDate>Mon, 26 Feb 2018 04:12:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>In recent years, the practices of symptomatic reading have been called into question by scholars such as Stephen Best, Sharon Marcus, Cathy N. Davidson, David Theo Goldberg, Rita Felski and Bruno Latour. It is claimed that such reading has become either formulaic or politically inefficacious. This article argues, against such thinking, that Emily&hellip;<span class="activity-read-more" id="activity-read-more-1601871"><a href="https://mla.hcommons.org/activity/p/1601871/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Reading Very Well for Our Age: Hyperobject Metadata and Global Warming in Emily St. John Mandel’s Station Eleven</title>
				<link>https://hcommons.org/activity/p/1601816/</link>
				<pubDate>Sun, 25 Feb 2018 11:53:53 -0500</pubDate>

									<content:encoded><![CDATA[<p>In recent years, the practices of symptomatic reading have been called into question by scholars such as Stephen Best, Sharon Marcus, Cathy N. Davidson, David Theo Goldberg, Rita Felski and Bruno Latour. It is claimed that such reading has become either formulaic or politically inefficacious. This article argues, against such thinking, that Emily&hellip;<span class="activity-read-more" id="activity-read-more-1601816"><a href="https://hcommons.org/activity/p/1601816/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">ffe3ac4e2d40366f90a8579d3a03bf21</guid>
				<title>Martin Paul Eve wrote a new post, (no title), on the site Platypus</title>
				<link>http://team.hcommons.org/?p=53</link>
				<pubDate>Mon, 04 Dec 2017 17:34:59 -0500</pubDate>

									<content:encoded><![CDATA[<p>What does it mean for the humanities to be invisible in the digital age? We often bemoan the fact that our disciplines are under-valued, under-funded, and downtrodden. Yet do we not, as academics, ourselves hold [&hellip;] <img loading="lazy" src="https://hcommons.org/app/uploads/sites/1000824/2017/12/sky-690293_1920.jpg" /></p>
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				<title>Martin Paul Eve deposited The Great Automatic Grammatizator: writing, labour, computers in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1586607/</link>
				<pubDate>Fri, 03 Nov 2017 01:51:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>What does it mean when we say that computers can ‘write’ and how are recent developments in neural networks and machine learning changing this capacity? This article examines the long-standing literary fear of authorship being replaced by machines while also interrogating the labour and credit implications that sit behind widely used str&hellip;<span class="activity-read-more" id="activity-read-more-1586607"><a href="https://mla.hcommons.org/activity/p/1586607/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c4c4e15fc1c1f2bbd8d1e4614687953f</guid>
				<title>Martin Paul Eve deposited The Great Automatic Grammatizator: writing, labour, computers in the group TC Philosophy and Literature</title>
				<link>https://mla.hcommons.org/activity/p/1586606/</link>
				<pubDate>Fri, 03 Nov 2017 01:43:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>What does it mean when we say that computers can ‘write’ and how are recent developments in neural networks and machine learning changing this capacity? This article examines the long-standing literary fear of authorship being replaced by machines while also interrogating the labour and credit implications that sit behind widely used str&hellip;<span class="activity-read-more" id="activity-read-more-1586606"><a href="https://mla.hcommons.org/activity/p/1586606/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">8e401ccf7c950f0c49d5c7228932a260</guid>
				<title>Martin Paul Eve deposited The Great Automatic Grammatizator: writing, labour, computers in the group TC Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1586605/</link>
				<pubDate>Fri, 03 Nov 2017 01:37:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>What does it mean when we say that computers can ‘write’ and how are recent developments in neural networks and machine learning changing this capacity? This article examines the long-standing literary fear of authorship being replaced by machines while also interrogating the labour and credit implications that sit behind widely used str&hellip;<span class="activity-read-more" id="activity-read-more-1586605"><a href="https://mla.hcommons.org/activity/p/1586605/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Who is Actually Harmed by Predatory Publishers? in the group TM Literary and Cultural Theory</title>
				<link>https://hcommons.org/activity/p/1586604/</link>
				<pubDate>Fri, 03 Nov 2017 01:34:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>“Predatory publishing” refers to conditions under which gold open-access academic publishers claim to conduct peer review and charge for their publishing services but do not, in fact, actually perform such reviews. Most prominently exposed in recent years by Jeffrey Beall, the phenomenon garners much media attention. In this article, we ack&hellip;<span class="activity-read-more" id="activity-read-more-1586604"><a href="https://hcommons.org/activity/p/1586604/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Close Reading with Computers: Genre Signals, Parts of Speech, and David Mitchell’s Cloud Atlas in the group TC Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1586603/</link>
				<pubDate>Fri, 03 Nov 2017 01:28:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>David Mitchell’s Cloud Atlas (2004) contains six different generic registers. This article is the first to explore computationally the linguistic mechanisms that create these genre effects. Authorship attribution techniques incorrectly cluster the chapters of Cloud Atlas as distinct ‘authors’ using anything above the nineteen most-common words&hellip;<span class="activity-read-more" id="activity-read-more-1586603"><a href="https://mla.hcommons.org/activity/p/1586603/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">3d769cb6d02aae022f4b872874031fdb</guid>
				<title>Martin Paul Eve deposited Close Reading with Computers: Genre Signals, Parts of Speech, and David Mitchell’s Cloud Atlas in the group LLC 20th- and 21st-Century American</title>
				<link>https://mla.hcommons.org/activity/p/1586594/</link>
				<pubDate>Fri, 03 Nov 2017 01:18:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>David Mitchell’s Cloud Atlas (2004) contains six different generic registers. This article is the first to explore computationally the linguistic mechanisms that create these genre effects. Authorship attribution techniques incorrectly cluster the chapters of Cloud Atlas as distinct ‘authors’ using anything above the nineteen most-common words&hellip;<span class="activity-read-more" id="activity-read-more-1586594"><a href="https://mla.hcommons.org/activity/p/1586594/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f9120906bed900cf6e2bc232f378b9e3</guid>
				<title>Martin Paul Eve deposited The Great Automatic Grammatizator: writing, labour, computers</title>
				<link>https://hcommons.org/activity/p/1586152/</link>
				<pubDate>Tue, 31 Oct 2017 09:47:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>What does it mean when we say that computers can ‘write’ and how are recent developments in neural networks and machine learning changing this capacity? This article examines the long-standing literary fear of authorship being replaced by machines while also interrogating the labour and credit implications that sit behind widely used str&hellip;<span class="activity-read-more" id="activity-read-more-1586152"><a href="https://hcommons.org/activity/p/1586152/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">cffb829603f90e1503476610bf05f10f</guid>
				<title>Martin Paul Eve&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1586151/</link>
				<pubDate>Tue, 31 Oct 2017 09:40:54 -0400</pubDate>

				
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				<guid isPermaLink="false">a1109f8a818679cca204aa8e5b1d9dcf</guid>
				<title>Martin Paul Eve deposited Who is Actually Harmed by Predatory Publishers?</title>
				<link>https://hcommons.org/activity/p/1586150/</link>
				<pubDate>Tue, 31 Oct 2017 09:38:49 -0400</pubDate>

									<content:encoded><![CDATA[<p>“Predatory publishing” refers to conditions under which gold open-access academic publishers claim to conduct peer review and charge for their publishing services but do not, in fact, actually perform such reviews. Most prominently exposed in recent years by Jeffrey Beall, the phenomenon garners much media attention. In this article, we ack&hellip;<span class="activity-read-more" id="activity-read-more-1586150"><a href="https://hcommons.org/activity/p/1586150/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">cb37ed4e63dc0bed8046c6aaf40fc0a0</guid>
				<title>Martin Paul Eve deposited Close Reading with Computers: Genre Signals, Parts of Speech, and David Mitchell’s Cloud Atlas</title>
				<link>https://hcommons.org/activity/p/1586149/</link>
				<pubDate>Tue, 31 Oct 2017 09:34:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>David Mitchell’s Cloud Atlas (2004) contains six different generic registers. This article is the first to explore computationally the linguistic mechanisms that create these genre effects. Authorship attribution techniques incorrectly cluster the chapters of Cloud Atlas as distinct ‘authors’ using anything above the nineteen most-common words&hellip;<span class="activity-read-more" id="activity-read-more-1586149"><a href="https://hcommons.org/activity/p/1586149/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">12201cacb29a37fa7df1f808f7f69535</guid>
				<title>Martin Paul Eve deposited “Excellence R Us”: university research and the fetishisation of excellence in the group TC Philosophy and Literature</title>
				<link>https://hcommons.org/activity/p/1557777/</link>
				<pubDate>Sun, 22 Jan 2017 01:12:24 -0500</pubDate>

									<content:encoded><![CDATA[<p>The rhetoric of “excellence” is pervasive across the academy. It is used to refer to research outputs as well as researchers, theory and education, individuals and organizations, from art history to zoology. But does “excellence” actually mean anything? Does this pervasive narrative of “excellence” do any good? Drawing on a range of sources we&hellip;<span class="activity-read-more" id="activity-read-more-1557777"><a href="https://hcommons.org/activity/p/1557777/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">956737b6c5ec8d24e9d97af856e23feb</guid>
				<title>Martin Paul Eve deposited “Excellence R Us”: university research and the fetishisation of excellence in the group TC Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1557776/</link>
				<pubDate>Sun, 22 Jan 2017 01:07:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>The rhetoric of “excellence” is pervasive across the academy. It is used to refer to research outputs as well as researchers, theory and education, individuals and organizations, from art history to zoology. But does “excellence” actually mean anything? Does this pervasive narrative of “excellence” do any good? Drawing on a range of sources we&hellip;<span class="activity-read-more" id="activity-read-more-1557776"><a href="https://mla.hcommons.org/activity/p/1557776/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b79d6472b07b7dea130dde78aa347d1a</guid>
				<title>Martin Paul Eve deposited “Excellence R Us”: university research and the fetishisation of excellence in the group LLC 20th- and 21st-Century American</title>
				<link>https://mla.hcommons.org/activity/p/1557775/</link>
				<pubDate>Sun, 22 Jan 2017 01:00:00 -0500</pubDate>

									<content:encoded><![CDATA[<p>The rhetoric of “excellence” is pervasive across the academy. It is used to refer to research outputs as well as researchers, theory and education, individuals and organizations, from art history to zoology. But does “excellence” actually mean anything? Does this pervasive narrative of “excellence” do any good? Drawing on a range of sources we&hellip;<span class="activity-read-more" id="activity-read-more-1557775"><a href="https://mla.hcommons.org/activity/p/1557775/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">684f3cef713eaccfbd300585a0634faf</guid>
				<title>Martin Paul Eve deposited “Excellence R Us”: university research and the fetishisation of excellence</title>
				<link>https://hcommons.org/activity/p/1557747/</link>
				<pubDate>Sat, 21 Jan 2017 09:35:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>The rhetoric of “excellence” is pervasive across the academy. It is used to refer to research outputs as well as researchers, theory and education, individuals and organizations, from art history to zoology. But does “excellence” actually mean anything? Does this pervasive narrative of “excellence” do any good? Drawing on a range of sources we&hellip;<span class="activity-read-more" id="activity-read-more-1557747"><a href="https://hcommons.org/activity/p/1557747/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">37e2787806d29a0530d8835725eb1ac4</guid>
				<title>Martin Paul Eve&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1552990/</link>
				<pubDate>Thu, 24 Nov 2016 08:43:09 -0500</pubDate>

				
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				<guid isPermaLink="false">4f99bdf663def76e1fec9697b6a0d3df</guid>
				<title>Martin Paul Eve&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1552947/</link>
				<pubDate>Wed, 23 Nov 2016 17:31:28 -0500</pubDate>

				
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				<guid isPermaLink="false">28fb598e6ec3f3a3c8e7ecc618ac7def</guid>
				<title>Martin Paul Eve&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1552946/</link>
				<pubDate>Wed, 23 Nov 2016 17:31:00 -0500</pubDate>

				
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