Lécio Leal
,@lxl
https://orcid.org/0000-0002-0162-25600
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Lécio Leal deposited A Identidade Mariana nas Mãos de Domingos Teixeira Barreto. in the group
History of Art on Humanities Commons 4 years, 9 months ago(…)
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Lécio Leal deposited Tem o Céu Santos. O tecto em caixotões da igreja de Nossa Senhora dos Réis de Lamalonga. in the group
History of Art on Humanities Commons 4 years, 9 months agoThe coffered ceiling of Nossa Senhora dos Réis de Lamalonga church is one of the largest and most important nucleus of painting in the northeastern region of Portugal. Given the ambitious programme of interceding saints it appears that the work was largelly triggered by the human tragedy in Lisbon earthquake of 1 November 1755. Joaquim Manuel da…[Read more]
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Lécio Leal deposited Vieira Lusitano Ex Machina. Os desenhos guarnecidos do Museu de Évora. in the group
History of Art on Humanities Commons 4 years, 9 months agoThe different sensations resulted from Vieira Lusitano garnish and ungarnish drawings observation, registered in a few museums in our country, led us to consider other reasons beyond the painter intentions to promote this creative step in art itself. Painters ennoblement was more dependent in social origins rather in artistic merits, besides they…[Read more]
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Lécio Leal deposited Nossa Senhora da Imaculada Conceição, Padroeira e Rainha de Portugal. Pintura de Francisco Xavier Lobo na Igreja de Santa Maria da Devesa de Castelo de Vide. in the group
History of Art on Humanities Commons 4 years, 9 months agoFirst known and signed work of Francisco Xavier Lobo, translator, playwright, poet and painter from Lisbon during the eighteenth century for the collegial-church of Espírito Santo (Castelo de Vide), heavily marked by decency concerns as response to a progressively more sensual painting.
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Lécio Leal deposited O Retrato pouco Consentido de Francisco Pérez Bayer, por Manuel José Pinheiro, na Pinacoteca de D. Frei Manuel do Cenáculo in the group
History of Art on Humanities Commons 4 years, 9 months agoEfforts had been made to portrait Francisco Pérez Bayer in his visit to Portugal in 1782, but with a «shadowing memory» result as we seen today at Évora Museum reserves and originally from D. Frei Manuel do Cenáculo’s pinacotheca. Portraits of edifying figures of society had been included in his collection reinforcing the position of this genr…[Read more]
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Lécio Leal's profile was updated on Humanities Commons 4 years, 10 months ago
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Lécio Leal deposited A Identidade Mariana nas Mãos de Domingos Teixeira Barreto. on Humanities Commons 4 years, 10 months ago
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Lécio Leal deposited Tem o Céu Santos. O tecto em caixotões da igreja de Nossa Senhora dos Réis de Lamalonga. on Humanities Commons 4 years, 10 months ago
The coffered ceiling of Nossa Senhora dos Réis de Lamalonga church is one of the largest and most important nucleus of painting in the northeastern region of Portugal. Given the ambitious programme of interceding saints it appears that the work was largelly triggered by the human tragedy in Lisbon earthquake of 1 November 1755. Joaquim Manuel da…[Read more]
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Lécio Leal deposited Vieira Lusitano Ex Machina. Os desenhos guarnecidos do Museu de Évora. on Humanities Commons 4 years, 10 months ago
The different sensations resulted from Vieira Lusitano garnish and ungarnish drawings observation, registered in a few museums in our country, led us to consider other reasons beyond the painter intentions to promote this creative step in art itself. Painters ennoblement was more dependent in social origins rather in artistic merits, besides they…[Read more]
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Lécio Leal deposited Nossa Senhora da Imaculada Conceição, Padroeira e Rainha de Portugal. Pintura de Francisco Xavier Lobo na Igreja de Santa Maria da Devesa de Castelo de Vide. on Humanities Commons 4 years, 10 months ago
First known and signed work of Francisco Xavier Lobo, translator, playwright, poet and painter from Lisbon during the eighteenth century for the collegial-church of Espírito Santo (Castelo de Vide), heavily marked by decency concerns as response to a progressively more sensual painting.
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Lécio Leal deposited O Retrato pouco Consentido de Francisco Pérez Bayer, por Manuel José Pinheiro, na Pinacoteca de D. Frei Manuel do Cenáculo on Humanities Commons 4 years, 10 months ago
Efforts had been made to portrait Francisco Pérez Bayer in his visit to Portugal in 1782, but with a «shadowing memory» result as we seen today at Évora Museum reserves and originally from D. Frei Manuel do Cenáculo’s pinacotheca. Portraits of edifying figures of society had been included in his collection reinforcing the position of this genr…[Read more]