• Whatever your theory and whatever your fandom, you don’t have to abandon it to do affect theory. This is because affect theory isn’t about telling you which side to pick in an agonistic contest; it’s about finding out what a body can do as it moves with other bodies in entangled states, whether or not we notice them. Affect theory offers more fluid notions of subjectivity, more flexible ways of reading, and the opportunity for research to surprise us in ways that science fiction and fantasy surprise us. These entangled states are like what happens in Star Wars when a pilot jumps from realspace to hyperspace, or in Star Trek when the captain switches from impulse power to warp speed. In those moments everything, including survival, is at stake.

    I’ve been exploring how affect theory works with speculative fiction, and part of my work includes collecting terminologies and finding ways to describe what affect theory does, in academic writing and in the university classroom. The best ways to describe what happens when we do affect theory come from science fiction and fantasy. So SFF is totally cannon for affect theory. Deleuze and Guattari collide bad B-movies with Virginia Woolf, folk music and bird song, math and literature, physics and art, geology and psychoanalysis, philosophy and speculative fiction, including witches, zombies, werewolves, and vampires. So the sentient spaceships in Nnedi Okorafor and Ann Leckie are right at home. It’s not that anything goes; it’s that affect theory notices things that academics aren’t usually in the habit of noticing.