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	<title>MLA Commons | Louise Bethlehem | Activity</title>
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				<title>Louise Bethlehem deposited The Anthropocene and the Environmental Humanities in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/1887208/</link>
				<pubDate>Sun, 26 May 2024 04:13:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>Interim bibliography on the Anthropocene and the Environmental Humanities  generated in conjunction with the Rift Futurism Project supported by a grant from the ISRAEL SCIENCE FOUNDATION (grant No. 3011006089), May 2024</p>
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				<title>Louise Bethlehem deposited The Anthropocene and the Environmental Humanities in the group TC Ecocriticism and Environmental Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1887207/</link>
				<pubDate>Sun, 26 May 2024 04:12:50 -0400</pubDate>

									<content:encoded><![CDATA[<p>Interim bibliography on the Anthropocene and the Environmental Humanities  generated in conjunction with the Rift Futurism Project supported by a grant from the ISRAEL SCIENCE FOUNDATION (grant No. 3011006089), May 2024</p>
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				<title>Louise Bethlehem deposited The Anthropocene and the Environmental Humanities in the group LLC African since 1990</title>
				<link>https://mla.hcommons.org/activity/p/1887206/</link>
				<pubDate>Sun, 26 May 2024 04:12:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>Interim bibliography on the Anthropocene and the Environmental Humanities  generated in conjunction with the Rift Futurism Project supported by a grant from the ISRAEL SCIENCE FOUNDATION (grant No. 3011006089), May 2024</p>
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				<title>Louise Bethlehem deposited The Anthropocene and the Environmental Humanities in the group GS Speculative Fiction</title>
				<link>https://mla.hcommons.org/activity/p/1887205/</link>
				<pubDate>Sun, 26 May 2024 04:10:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>Interim bibliography on the Anthropocene and the Environmental Humanities  generated in conjunction with the Rift Futurism Project supported by a grant from the ISRAEL SCIENCE FOUNDATION (grant No. 3011006089), May 2024</p>
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				<title>Louise Bethlehem deposited The Anthropocene and the Environmental Humanities in the group CLCS Global South</title>
				<link>https://mla.hcommons.org/activity/p/1887204/</link>
				<pubDate>Sun, 26 May 2024 04:09:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>Interim bibliography on the Anthropocene and the Environmental Humanities  generated in conjunction with the Rift Futurism Project supported by a grant from the ISRAEL SCIENCE FOUNDATION (grant No. 3011006089), May 2024</p>
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				<title>Louise Bethlehem deposited Speculative Fiction from the Global South--Anthropocene Intersections, Interim Bibliography in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/1887203/</link>
				<pubDate>Sun, 26 May 2024 04:05:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>Interim bibliography on science fiction and speculative fiction with an emphasis on the global South and on Anthropocene-related perspectives generated in conjunction with the Rift Futurism Project supported by a grant from the ISRAEL SCIENCE FOUNDATION (grant No. 3011006089)<br />
Louise Bethlehem, PI, English and Cultural Studies, The Hebrew&hellip;<span class="activity-read-more" id="activity-read-more-1887203"><a href="https://mla.hcommons.org/activity/p/1887203/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Speculative Fiction from the Global South--Anthropocene Intersections, Interim Bibliography in the group TC Ecocriticism and Environmental Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1887202/</link>
				<pubDate>Sun, 26 May 2024 04:04:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>Interim bibliography on science fiction and speculative fiction with an emphasis on the global South and on Anthropocene-related perspectives generated in conjunction with the Rift Futurism Project supported by a grant from the ISRAEL SCIENCE FOUNDATION (grant No. 3011006089)<br />
Louise Bethlehem, PI, English and Cultural Studies, The Hebrew&hellip;<span class="activity-read-more" id="activity-read-more-1887202"><a href="https://mla.hcommons.org/activity/p/1887202/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Speculative Fiction from the Global South--Anthropocene Intersections, Interim Bibliography in the group LLC African since 1990</title>
				<link>https://mla.hcommons.org/activity/p/1887201/</link>
				<pubDate>Sun, 26 May 2024 04:04:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>Interim bibliography on science fiction and speculative fiction with an emphasis on the global South and on Anthropocene-related perspectives generated in conjunction with the Rift Futurism Project supported by a grant from the ISRAEL SCIENCE FOUNDATION (grant No. 3011006089)<br />
Louise Bethlehem, PI, English and Cultural Studies, The Hebrew&hellip;<span class="activity-read-more" id="activity-read-more-1887201"><a href="https://mla.hcommons.org/activity/p/1887201/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Speculative Fiction from the Global South--Anthropocene Intersections, Interim Bibliography in the group GS Speculative Fiction</title>
				<link>https://mla.hcommons.org/activity/p/1887200/</link>
				<pubDate>Sun, 26 May 2024 04:02:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>Interim bibliography on science fiction and speculative fiction with an emphasis on the global South and on Anthropocene-related perspectives generated in conjunction with the Rift Futurism Project supported by a grant from the ISRAEL SCIENCE FOUNDATION (grant No. 3011006089)<br />
Louise Bethlehem, PI, English and Cultural Studies, The Hebrew&hellip;<span class="activity-read-more" id="activity-read-more-1887200"><a href="https://mla.hcommons.org/activity/p/1887200/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Speculative Fiction from the Global South--Anthropocene Intersections, Interim Bibliography in the group CLCS Global Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1887199/</link>
				<pubDate>Sun, 26 May 2024 04:00:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>Interim bibliography on science fiction and speculative fiction with an emphasis on the global South and on Anthropocene-related perspectives generated in conjunction with the Rift Futurism Project supported by a grant from the ISRAEL SCIENCE FOUNDATION (grant No. 3011006089)<br />
Louise Bethlehem, PI, English and Cultural Studies, The Hebrew&hellip;<span class="activity-read-more" id="activity-read-more-1887199"><a href="https://mla.hcommons.org/activity/p/1887199/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited The Anthropocene and the Environmental Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1887131/</link>
				<pubDate>Sat, 25 May 2024 11:35:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>Interim bibliography on the Anthropocene and the Environmental Humanities  generated in conjunction with the Rift Futurism Project supported by a grant from the ISRAEL SCIENCE FOUNDATION (grant No. 3011006089), May 2024</p>
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				<title>Louise Bethlehem deposited Speculative Fiction from the Global South--Anthropocene Intersections, Interim Bibliography</title>
				<link>https://mla.hcommons.org/activity/p/1887130/</link>
				<pubDate>Sat, 25 May 2024 11:27:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>Interim bibliography on science fiction and speculative fiction with an emphasis on the global South and on Anthropocene-related perspectives generated in conjunction with the Rift Futurism Project supported by a grant from the ISRAEL SCIENCE FOUNDATION (grant No. 3011006089)<br />
Louise Bethlehem, PI, English and Cultural Studies, The Hebrew&hellip;<span class="activity-read-more" id="activity-read-more-1887130"><a href="https://mla.hcommons.org/activity/p/1887130/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Lauren Beukes and African Futurism Interim Bibliography in the group LLC African since 1990</title>
				<link>https://mla.hcommons.org/activity/p/1887045/</link>
				<pubDate>Fri, 24 May 2024 04:06:50 -0400</pubDate>

									<content:encoded><![CDATA[<p>Research at the intersection between the African Futurism and the work of post-apartheid writer, Lauren Beukes.</p>
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				<title>Louise Bethlehem deposited Lauren Beukes and African Futurism Interim Bibliography in the group GS Speculative Fiction</title>
				<link>https://mla.hcommons.org/activity/p/1887044/</link>
				<pubDate>Fri, 24 May 2024 04:05:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>Research at the intersection between the African Futurism and the work of post-apartheid writer, Lauren Beukes.</p>
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				<title>Louise Bethlehem deposited Lauren Beukes and African Futurism Interim Bibliography in the group CLCS Global South</title>
				<link>https://mla.hcommons.org/activity/p/1887043/</link>
				<pubDate>Fri, 24 May 2024 04:04:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>Research at the intersection between the African Futurism and the work of post-apartheid writer, Lauren Beukes.</p>
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				<title>Louise Bethlehem deposited African Futurism Interim Bibliography in the group GS Speculative Fiction</title>
				<link>https://mla.hcommons.org/activity/p/1887042/</link>
				<pubDate>Fri, 24 May 2024 04:02:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>A compilation of articles on African Futurism generated in conjunction with the Rift Futurism research project supported by THE ISRAEL SCIENCE FOUNDATION (grant No. 3011006089), updated May 2024.</p>
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				<title>Louise Bethlehem deposited African Futurism Interim Bibliography in the group CLCS Global Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1887041/</link>
				<pubDate>Fri, 24 May 2024 04:00:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>A compilation of articles on African Futurism generated in conjunction with the Rift Futurism research project supported by THE ISRAEL SCIENCE FOUNDATION (grant No. 3011006089), updated May 2024.</p>
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				<title>Louise Bethlehem deposited Lauren Beukes and African Futurism Interim Bibliography</title>
				<link>https://mla.hcommons.org/activity/p/1886970/</link>
				<pubDate>Thu, 23 May 2024 18:34:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>Research at the intersection between the African Futurism and the work of post-apartheid writer, Lauren Beukes.</p>
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				<title>Louise Bethlehem deposited Hydrocolonial Johannesburg in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/1783370/</link>
				<pubDate>Tue, 07 Jun 2022 03:55:50 -0400</pubDate>

									<content:encoded><![CDATA[<p>Johannesburg is a landlocked city, famously the largest human concentration in the southern hemisphere not located on a river. What opportunities does it afford for hydrocolonial analysis, given Isabel Hofmeyr&#8217;s anchoring of that term in oceanic studies? How might a hydrocolonial orientation defamiliarize the relations between surface and depths&hellip;<span class="activity-read-more" id="activity-read-more-1783370"><a href="https://mla.hcommons.org/activity/p/1783370/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Hydrocolonial Johannesburg in the group TC Ecocriticism and Environmental Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1783369/</link>
				<pubDate>Tue, 07 Jun 2022 03:55:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>Johannesburg is a landlocked city, famously the largest human concentration in the southern hemisphere not located on a river. What opportunities does it afford for hydrocolonial analysis, given Isabel Hofmeyr&#8217;s anchoring of that term in oceanic studies? How might a hydrocolonial orientation defamiliarize the relations between surface and depths&hellip;<span class="activity-read-more" id="activity-read-more-1783369"><a href="https://mla.hcommons.org/activity/p/1783369/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Hydrocolonial Johannesburg in the group Interdisciplinary Approaches to Culture and Society</title>
				<link>https://mla.hcommons.org/activity/p/1783368/</link>
				<pubDate>Tue, 07 Jun 2022 03:51:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>Johannesburg is a landlocked city, famously the largest human concentration in the southern hemisphere not located on a river. What opportunities does it afford for hydrocolonial analysis, given Isabel Hofmeyr&#8217;s anchoring of that term in oceanic studies? How might a hydrocolonial orientation defamiliarize the relations between surface and depths&hellip;<span class="activity-read-more" id="activity-read-more-1783368"><a href="https://mla.hcommons.org/activity/p/1783368/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Hydrocolonial Johannesburg in the group GS Speculative Fiction</title>
				<link>https://mla.hcommons.org/activity/p/1783367/</link>
				<pubDate>Tue, 07 Jun 2022 03:49:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>Johannesburg is a landlocked city, famously the largest human concentration in the southern hemisphere not located on a river. What opportunities does it afford for hydrocolonial analysis, given Isabel Hofmeyr&#8217;s anchoring of that term in oceanic studies? How might a hydrocolonial orientation defamiliarize the relations between surface and depths&hellip;<span class="activity-read-more" id="activity-read-more-1783367"><a href="https://mla.hcommons.org/activity/p/1783367/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Hydrocolonial Johannesburg in the group CLCS Global South</title>
				<link>https://mla.hcommons.org/activity/p/1783366/</link>
				<pubDate>Tue, 07 Jun 2022 03:48:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>Johannesburg is a landlocked city, famously the largest human concentration in the southern hemisphere not located on a river. What opportunities does it afford for hydrocolonial analysis, given Isabel Hofmeyr&#8217;s anchoring of that term in oceanic studies? How might a hydrocolonial orientation defamiliarize the relations between surface and depths&hellip;<span class="activity-read-more" id="activity-read-more-1783366"><a href="https://mla.hcommons.org/activity/p/1783366/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Hydrocolonial Johannesburg</title>
				<link>https://mla.hcommons.org/activity/p/1783317/</link>
				<pubDate>Mon, 06 Jun 2022 19:40:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>Johannesburg is a landlocked city, famously the largest human concentration in the southern hemisphere not located on a river. What opportunities does it afford for hydrocolonial analysis, given Isabel Hofmeyr&#8217;s anchoring of that term in oceanic studies? How might a hydrocolonial orientation defamiliarize the relations between surface and depths&hellip;<span class="activity-read-more" id="activity-read-more-1783317"><a href="https://mla.hcommons.org/activity/p/1783317/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Stenographic fictions: Mary Benson’s At the Still Point and the South African political trial in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1640469/</link>
				<pubDate>Sat, 18 May 2019 03:59:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>From the mid-1960s onward, compilations of the speeches and trial addresses of South African opponents of apartheid focused attention on the apartheid regime despite intensified repression in the wake of the Rivonia Trial. Mary Benson’s novel, At the Still Point, transposes the political trial into fiction. Its “stenographic” codes of repre&hellip;<span class="activity-read-more" id="activity-read-more-1640469"><a href="https://mla.hcommons.org/activity/p/1640469/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Stenographic fictions: Mary Benson’s At the Still Point and the South African political trial in the group TC Race and Ethnicity Studies</title>
				<link>https://mla.hcommons.org/activity/p/1640468/</link>
				<pubDate>Sat, 18 May 2019 03:55:24 -0400</pubDate>

									<content:encoded><![CDATA[<p>From the mid-1960s onward, compilations of the speeches and trial addresses of South African opponents of apartheid focused attention on the apartheid regime despite intensified repression in the wake of the Rivonia Trial. Mary Benson’s novel, At the Still Point, transposes the political trial into fiction. Its “stenographic” codes of repre&hellip;<span class="activity-read-more" id="activity-read-more-1640468"><a href="https://mla.hcommons.org/activity/p/1640468/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Stenographic fictions: Mary Benson’s At the Still Point and the South African political trial in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/1640467/</link>
				<pubDate>Sat, 18 May 2019 03:50:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>From the mid-1960s onward, compilations of the speeches and trial addresses of South African opponents of apartheid focused attention on the apartheid regime despite intensified repression in the wake of the Rivonia Trial. Mary Benson’s novel, At the Still Point, transposes the political trial into fiction. Its “stenographic” codes of repre&hellip;<span class="activity-read-more" id="activity-read-more-1640467"><a href="https://mla.hcommons.org/activity/p/1640467/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Stenographic fictions: Mary Benson’s At the Still Point and the South African political trial in the group LLC African to 1990</title>
				<link>https://mla.hcommons.org/activity/p/1640466/</link>
				<pubDate>Sat, 18 May 2019 03:48:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>From the mid-1960s onward, compilations of the speeches and trial addresses of South African opponents of apartheid focused attention on the apartheid regime despite intensified repression in the wake of the Rivonia Trial. Mary Benson’s novel, At the Still Point, transposes the political trial into fiction. Its “stenographic” codes of repre&hellip;<span class="activity-read-more" id="activity-read-more-1640466"><a href="https://mla.hcommons.org/activity/p/1640466/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Stenographic fictions: Mary Benson’s At the Still Point and the South African political trial</title>
				<link>https://mla.hcommons.org/activity/p/1640407/</link>
				<pubDate>Fri, 17 May 2019 15:37:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>From the mid-1960s onward, compilations of the speeches and trial addresses of South African opponents of apartheid focused attention on the apartheid regime despite intensified repression in the wake of the Rivonia Trial. Mary Benson’s novel, At the Still Point, transposes the political trial into fiction. Its “stenographic” codes of repre&hellip;<span class="activity-read-more" id="activity-read-more-1640407"><a href="https://mla.hcommons.org/activity/p/1640407/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Restless Itineraries in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/1621023/</link>
				<pubDate>Sun, 14 Oct 2018 16:41:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article sets the itineracy of antiapartheid expressive culture to work in relation to exiled South African jazz singer Miriam Makeba. It revisits accounts of transnational cultural circulation on the part of Rob Nixon, Paul Gilroy, and others to argue that the diffusion of South African cultural formations outward from South Africa offers&hellip;<span class="activity-read-more" id="activity-read-more-1621023"><a href="https://mla.hcommons.org/activity/p/1621023/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f107a6758cb0d6eb6c7dcf084586d981</guid>
				<title>Louise Bethlehem deposited Restless Itineraries in the group LLC African to 1990</title>
				<link>https://mla.hcommons.org/activity/p/1621022/</link>
				<pubDate>Sun, 14 Oct 2018 16:39:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article sets the itineracy of antiapartheid expressive culture to work in relation to exiled South African jazz singer Miriam Makeba. It revisits accounts of transnational cultural circulation on the part of Rob Nixon, Paul Gilroy, and others to argue that the diffusion of South African cultural formations outward from South Africa offers&hellip;<span class="activity-read-more" id="activity-read-more-1621022"><a href="https://mla.hcommons.org/activity/p/1621022/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Restless Itineraries in the group Interdisciplinary Approaches to Culture and Society</title>
				<link>https://mla.hcommons.org/activity/p/1621018/</link>
				<pubDate>Sun, 14 Oct 2018 16:29:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article sets the itineracy of antiapartheid expressive culture to work in relation to exiled South African jazz singer Miriam Makeba. It revisits accounts of transnational cultural circulation on the part of Rob Nixon, Paul Gilroy, and others to argue that the diffusion of South African cultural formations outward from South Africa offers&hellip;<span class="activity-read-more" id="activity-read-more-1621018"><a href="https://mla.hcommons.org/activity/p/1621018/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">dd93e5daa554f14dfe5459b6eb00db53</guid>
				<title>Louise Bethlehem deposited Restless Itineraries in the group CLCS Global South</title>
				<link>https://mla.hcommons.org/activity/p/1621017/</link>
				<pubDate>Sun, 14 Oct 2018 16:28:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article sets the itineracy of antiapartheid expressive culture to work in relation to exiled South African jazz singer Miriam Makeba. It revisits accounts of transnational cultural circulation on the part of Rob Nixon, Paul Gilroy, and others to argue that the diffusion of South African cultural formations outward from South Africa offers&hellip;<span class="activity-read-more" id="activity-read-more-1621017"><a href="https://mla.hcommons.org/activity/p/1621017/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c4d64534bf9c8bfd6950c59e158acb30</guid>
				<title>Louise Bethlehem deposited Restless Itineraries in the group CLCS Global Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1621016/</link>
				<pubDate>Sun, 14 Oct 2018 16:25:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article sets the itineracy of antiapartheid expressive culture to work in relation to exiled South African jazz singer Miriam Makeba. It revisits accounts of transnational cultural circulation on the part of Rob Nixon, Paul Gilroy, and others to argue that the diffusion of South African cultural formations outward from South Africa offers&hellip;<span class="activity-read-more" id="activity-read-more-1621016"><a href="https://mla.hcommons.org/activity/p/1621016/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Restless Itineraries: Antiapartheid Expressive Culture and Transnational Historiographies</title>
				<link>https://hcommons.org/activity/p/1620972/</link>
				<pubDate>Sat, 13 Oct 2018 16:50:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article sets the itineracy of antiapartheid expressive culture to work in relation to exiled South African jazz singer Miriam Makeba. It revisits accounts of transnational cultural circulation on the part of Rob Nixon, Paul Gilroy, and others to argue that the diffusion of South African cultural formations outward from South Africa offers&hellip;<span class="activity-read-more" id="activity-read-more-1620972"><a href="https://hcommons.org/activity/p/1620972/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1562060/</link>
				<pubDate>Sun, 12 Feb 2017 11:46:42 -0500</pubDate>

				
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				<title>Louise Bethlehem posted a new activity comment</title>
				<link>https://mla.hcommons.org/activity/p/552950/#acomment-1553056</link>
				<pubDate>Sun, 27 Nov 2016 08:08:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>Thank you Gloria, and apologies for my belated response!</p>
				<strong>In reply to</strong> -
				<a href="https://mla.hcommons.org/members/gloriamla/" rel="nofollow ugc">Gloria Lee McMillan</a> posted an update <a href='https://mla.hcommons.org/members/louise_bethlehem/' rel="nofollow ugc">@louise_bethlehem</a> Well put about the witnessing needed and post-colonialism.  Glo McMillan&#8211;who is witnessing for Rust Belt Literature
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				<title>Louise Bethlehem deposited “Genres of Identification: Holocaust Testimony and Postcolonial Witness,” in _Marking Evil: Holocaust Memory in the Global Age_, edited by Amos Goldberg and Haim Hazan, 171 – 192. Berghahn Books: New York and Oxford. in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/552943/</link>
				<pubDate>Sat, 29 Oct 2016 12:18:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter explores the strange intimacies of dis/avowal that obtain between Holocaust studies and postcolonial theory, with particular reference to writing by Aimé Césaire and Gayatri Chakravorty Spivak. For all that the Jewish body remains, by and large, unmourned in the canonical texts of postcolonial theory, the Holocaust has, I seek to a&hellip;<span class="activity-read-more" id="activity-read-more-552943"><a href="https://mla.hcommons.org/activity/p/552943/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a493095acfb13a5eea410b6d4a374824</guid>
				<title>Louise Bethlehem deposited “Genres of Identification: Holocaust Testimony and Postcolonial Witness,” in _Marking Evil: Holocaust Memory in the Global Age_, edited by Amos Goldberg and Haim Hazan, 171 – 192. Berghahn Books: New York and Oxford. in the group TC Race and Ethnicity Studies</title>
				<link>https://mla.hcommons.org/activity/p/552942/</link>
				<pubDate>Sat, 29 Oct 2016 12:18:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter explores the strange intimacies of dis/avowal that obtain between Holocaust studies and postcolonial theory, with particular reference to writing by Aimé Césaire and Gayatri Chakravorty Spivak. For all that the Jewish body remains, by and large, unmourned in the canonical texts of postcolonial theory, the Holocaust has, I seek to a&hellip;<span class="activity-read-more" id="activity-read-more-552942"><a href="https://mla.hcommons.org/activity/p/552942/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a86d580498e04bdd4af72d0470f45ba8</guid>
				<title>Louise Bethlehem deposited “Genres of Identification: Holocaust Testimony and Postcolonial Witness,” in _Marking Evil: Holocaust Memory in the Global Age_, edited by Amos Goldberg and Haim Hazan, 171 – 192. Berghahn Books: New York and Oxford. in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/552941/</link>
				<pubDate>Sat, 29 Oct 2016 12:17:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter explores the strange intimacies of dis/avowal that obtain between Holocaust studies and postcolonial theory, with particular reference to writing by Aimé Césaire and Gayatri Chakravorty Spivak. For all that the Jewish body remains, by and large, unmourned in the canonical texts of postcolonial theory, the Holocaust has, I seek to a&hellip;<span class="activity-read-more" id="activity-read-more-552941"><a href="https://mla.hcommons.org/activity/p/552941/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">74b3a21c386df5b87d254758b53e20fa</guid>
				<title>Louise Bethlehem deposited “Genres of Identification: Holocaust Testimony and Postcolonial Witness,” in _Marking Evil: Holocaust Memory in the Global Age_, edited by Amos Goldberg and Haim Hazan, 171 – 192. Berghahn Books: New York and Oxford. in the group TC Memory Studies</title>
				<link>https://mla.hcommons.org/activity/p/552940/</link>
				<pubDate>Sat, 29 Oct 2016 12:17:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter explores the strange intimacies of dis/avowal that obtain between Holocaust studies and postcolonial theory, with particular reference to writing by Aimé Césaire and Gayatri Chakravorty Spivak. For all that the Jewish body remains, by and large, unmourned in the canonical texts of postcolonial theory, the Holocaust has, I seek to a&hellip;<span class="activity-read-more" id="activity-read-more-552940"><a href="https://mla.hcommons.org/activity/p/552940/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">1359eda47d89714eac3ae31bb8de4775</guid>
				<title>Louise Bethlehem deposited “Genres of Identification: Holocaust Testimony and Postcolonial Witness,” in _Marking Evil: Holocaust Memory in the Global Age_, edited by Amos Goldberg and Haim Hazan, 171 – 192. Berghahn Books: New York and Oxford. in the group CLCS Global Jewish</title>
				<link>https://mla.hcommons.org/activity/p/552939/</link>
				<pubDate>Sat, 29 Oct 2016 12:17:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter explores the strange intimacies of dis/avowal that obtain between Holocaust studies and postcolonial theory, with particular reference to writing by Aimé Césaire and Gayatri Chakravorty Spivak. For all that the Jewish body remains, by and large, unmourned in the canonical texts of postcolonial theory, the Holocaust has, I seek to a&hellip;<span class="activity-read-more" id="activity-read-more-552939"><a href="https://mla.hcommons.org/activity/p/552939/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">1359eda47d89714eac3ae31bb8de4775</guid>
				<title>Louise Bethlehem deposited “Genres of Identification: Holocaust Testimony and Postcolonial Witness,” in _Marking Evil: Holocaust Memory in the Global Age_, edited by Amos Goldberg and Haim Hazan, 171 – 192. Berghahn Books: New York and Oxford.</title>
				<link>https://mla.hcommons.org/activity/p/552938/</link>
				<pubDate>Sat, 29 Oct 2016 12:17:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter explores the strange intimacies of dis/avowal that obtain between Holocaust studies and postcolonial theory, with particular reference to writing by Aimé Césaire and Gayatri Chakravorty Spivak. For all that the Jewish body remains, by and large, unmourned in the canonical texts of postcolonial theory, the Holocaust has, I seek to a&hellip;<span class="activity-read-more" id="activity-read-more-552938"><a href="https://mla.hcommons.org/activity/p/552938/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">5a2137d91509462ec0fe58c38ba3fb15</guid>
				<title>Louise Bethlehem changed their profile picture</title>
				<link>https://mla.hcommons.org/activity/p/532180/</link>
				<pubDate>Thu, 22 Oct 2015 09:36:08 -0400</pubDate>

				
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				<guid isPermaLink="false">3d06fd01553ede4867012b84020991c8</guid>
				<title>Louise Bethlehem&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/532179/</link>
				<pubDate>Thu, 22 Oct 2015 09:27:05 -0400</pubDate>

				
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				<title>Louise Bethlehem deposited Lauren Beukes’s post-apartheid dystopia: inhabiting Moxyland in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/532177/</link>
				<pubDate>Thu, 22 Oct 2015 08:37:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article reads South African science-fiction writer Lauren Beukes’s first novel, Moxyland (2008) set in a futuristic Cape Town, from the perspective of Lindsay Bremner’s notion of “citiness”&#8211; or how cities produce the modernity of the subjects who inhabit them. The novel is remarkable for its dependence on the social geography of the South A&hellip;<span class="activity-read-more" id="activity-read-more-532177"><a href="https://mla.hcommons.org/activity/p/532177/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">1a8981be3af29df5de2fa589729b58e6</guid>
				<title>Louise Bethlehem deposited Lauren Beukes’s post-apartheid dystopia: inhabiting Moxyland in the group LLC African since 1990</title>
				<link>https://mla.hcommons.org/activity/p/532176/</link>
				<pubDate>Thu, 22 Oct 2015 08:37:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article reads South African science-fiction writer Lauren Beukes’s first novel, Moxyland (2008) set in a futuristic Cape Town, from the perspective of Lindsay Bremner’s notion of “citiness”&#8211; or how cities produce the modernity of the subjects who inhabit them. The novel is remarkable for its dependence on the social geography of the South A&hellip;<span class="activity-read-more" id="activity-read-more-532176"><a href="https://mla.hcommons.org/activity/p/532176/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b3a7f49664b2e4f03e860381a38fc08e</guid>
				<title>Louise Bethlehem deposited Lauren Beukes’s post-apartheid dystopia: inhabiting Moxyland in the group GS Speculative Fiction</title>
				<link>https://mla.hcommons.org/activity/p/532175/</link>
				<pubDate>Thu, 22 Oct 2015 08:37:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article reads South African science-fiction writer Lauren Beukes’s first novel, Moxyland (2008) set in a futuristic Cape Town, from the perspective of Lindsay Bremner’s notion of “citiness”&#8211; or how cities produce the modernity of the subjects who inhabit them. The novel is remarkable for its dependence on the social geography of the South A&hellip;<span class="activity-read-more" id="activity-read-more-532175"><a href="https://mla.hcommons.org/activity/p/532175/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b3a7f49664b2e4f03e860381a38fc08e</guid>
				<title>Louise Bethlehem deposited Lauren Beukes’s post-apartheid dystopia: inhabiting Moxyland in the group CLCS Global South</title>
				<link>https://mla.hcommons.org/activity/p/532174/</link>
				<pubDate>Thu, 22 Oct 2015 08:37:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article reads South African science-fiction writer Lauren Beukes’s first novel, Moxyland (2008) set in a futuristic Cape Town, from the perspective of Lindsay Bremner’s notion of “citiness”&#8211; or how cities produce the modernity of the subjects who inhabit them. The novel is remarkable for its dependence on the social geography of the South A&hellip;<span class="activity-read-more" id="activity-read-more-532174"><a href="https://mla.hcommons.org/activity/p/532174/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">8b21c9b89b09bf067ebe4102ef38c805</guid>
				<title>Louise Bethlehem deposited Lauren Beukes’s post-apartheid dystopia: inhabiting Moxyland in the group CLCS Global Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/532173/</link>
				<pubDate>Thu, 22 Oct 2015 08:37:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article reads South African science-fiction writer Lauren Beukes’s first novel, Moxyland (2008) set in a futuristic Cape Town, from the perspective of Lindsay Bremner’s notion of “citiness”&#8211; or how cities produce the modernity of the subjects who inhabit them. The novel is remarkable for its dependence on the social geography of the South A&hellip;<span class="activity-read-more" id="activity-read-more-532173"><a href="https://mla.hcommons.org/activity/p/532173/" rel="nofollow ugc">[Read more]</a></span></p>
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