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	<title>MLA Commons | Lorelei Caraman | Activity</title>
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				<title>Lorelei Caraman deposited Between Anthropocentrism and Anthropomorphism: A corpus-based analysis of animal comparisons in Shakespeare’s plays in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1601675/</link>
				<pubDate>Sat, 24 Feb 2018 04:16:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>The assertion of the centrality and supremacy of man, or rather, of the idea(l) of humanity, during the Renaissance period, inevitably entailed the repudiation of the animal and the beginning of the great human-animal divide. What was seen, at the time, as the rebirth of man, was also the birth of a rampant anthropocentrism which, until the recent&hellip;<span class="activity-read-more" id="activity-read-more-1601675"><a href="https://mla.hcommons.org/activity/p/1601675/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lorelei Caraman deposited Between Anthropocentrism and Anthropomorphism: A corpus-based analysis of animal comparisons in Shakespeare’s plays in the group LLC Shakespeare</title>
				<link>https://mla.hcommons.org/activity/p/1601674/</link>
				<pubDate>Sat, 24 Feb 2018 04:12:25 -0500</pubDate>

									<content:encoded><![CDATA[<p>The assertion of the centrality and supremacy of man, or rather, of the idea(l) of humanity, during the Renaissance period, inevitably entailed the repudiation of the animal and the beginning of the great human-animal divide. What was seen, at the time, as the rebirth of man, was also the birth of a rampant anthropocentrism which, until the recent&hellip;<span class="activity-read-more" id="activity-read-more-1601674"><a href="https://mla.hcommons.org/activity/p/1601674/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lorelei Caraman deposited Between Anthropocentrism and Anthropomorphism: A corpus-based analysis of animal comparisons in Shakespeare’s plays</title>
				<link>https://hcommons.org/activity/p/1601578/</link>
				<pubDate>Fri, 23 Feb 2018 07:36:46 -0500</pubDate>

									<content:encoded><![CDATA[<p>The assertion of the centrality and supremacy of man, or rather, of the idea(l) of humanity, during the Renaissance period, inevitably entailed the repudiation of the animal and the beginning of the great human-animal divide. What was seen, at the time, as the rebirth of man, was also the birth of a rampant anthropocentrism which, until the recent&hellip;<span class="activity-read-more" id="activity-read-more-1601578"><a href="https://hcommons.org/activity/p/1601578/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lorelei Caraman deposited Literature and Psychoanalysis: Whose Madness is it anyway? in the group TC Psychology, Psychoanalysis, and Literature</title>
				<link>https://mla.hcommons.org/activity/p/545722/</link>
				<pubDate>Sun, 13 Mar 2016 07:59:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Examiner/examined, analyst/analysand, subject/object, sane/mad, science/art: the relationship between psychoanalysis and literature appears to conform to this binary logic, with the first term in each set clearly privileged over the second. The realm of the literary is populated with an impressive assortment of mad characters and mad authors:&hellip;<span class="activity-read-more" id="activity-read-more-545722"><a href="https://mla.hcommons.org/activity/p/545722/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lorelei Caraman deposited Literature and Psychoanalysis: Whose Madness is it anyway?</title>
				<link>https://mla.hcommons.org/activity/p/545721/</link>
				<pubDate>Sun, 13 Mar 2016 07:59:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>Examiner/examined, analyst/analysand, subject/object, sane/mad, science/art: the relationship between psychoanalysis and literature appears to conform to this binary logic, with the first term in each set clearly privileged over the second. The realm of the literary is populated with an impressive assortment of mad characters and mad authors:&hellip;<span class="activity-read-more" id="activity-read-more-545721"><a href="https://mla.hcommons.org/activity/p/545721/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lorelei Caraman&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/545720/</link>
				<pubDate>Sun, 13 Mar 2016 07:47:39 -0400</pubDate>

				
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				<title>Lorelei Caraman&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/537880/</link>
				<pubDate>Thu, 07 Jan 2016 17:33:38 -0500</pubDate>

				
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				<title>Lorelei Caraman&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/535646/</link>
				<pubDate>Wed, 02 Dec 2015 15:37:15 -0500</pubDate>

				
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				<title>Lorelei Caraman deposited The Urge to Tell vs. the Need to Conceal: Confession as Narrative Desire in Poe’s “The Black Cat,” “The Tell-Tale Heart” and “The Imp of the Perverse”</title>
				<link>https://mla.hcommons.org/activity/p/532120/</link>
				<pubDate>Wed, 21 Oct 2015 18:18:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>Relying on Peter Brooks’ concept of “narrative desire,&#8221; the paper seeks to identify and explore its applicability and manifestations in three of Edgar Allan Poe’s short stories: namely, “The Black Cat,” “The Tell-Tale Heart” and “The Imp of the Perverse.” Focusing on the role and nature of the narrators’ confessions in these three tales, this a&hellip;<span class="activity-read-more" id="activity-read-more-532120"><a href="https://mla.hcommons.org/activity/p/532120/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lorelei Caraman&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/339324/</link>
				<pubDate>Thu, 13 Aug 2015 07:04:53 -0400</pubDate>

				
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				<title>Lorelei Caraman&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/201467/</link>
				<pubDate>Thu, 18 Jun 2015 07:58:25 -0400</pubDate>

				
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