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Lukas Fuchsgruber's profile was updated on Humanities Commons 3 months, 1 week ago
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Lukas Fuchsgruber deposited Digitale Vermittlung ohne Facebook und Co in the group
Digital Art History on Humanities Commons 3 months, 3 weeks ago
Im Zeitalter von Smartphones und Social Media sind digitale Netze ein allgegenwärtiger und zentraler gesellschaftlicher Raum geworden. Kulturvermittlung arbeitet oft in diesem neuen digitalen Kontext, trotz zahlreicher Enthüllungen über das skandalöse Geschäftsmodell der kostenlosen Social Media Plattformen. Darum müssen wir über Datenethik in der…[Read more]
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Lukas Fuchsgruber deposited Digitale Vermittlung ohne Facebook und Co on Humanities Commons 3 months, 3 weeks ago
Im Zeitalter von Smartphones und Social Media sind digitale Netze ein allgegenwärtiger und zentraler gesellschaftlicher Raum geworden. Kulturvermittlung arbeitet oft in diesem neuen digitalen Kontext, trotz zahlreicher Enthüllungen über das skandalöse Geschäftsmodell der kostenlosen Social Media Plattformen. Darum müssen wir über Datenethik in der…[Read more]
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Lukas Fuchsgruber deposited From Auction Catalog to Museum Archive. The Role of Photographs in the Fight against Forgeries in the Early Twentieth Century on Humanities Commons 3 months, 3 weeks ago
The status of photo archives in art history and museum history has – for many years now – captured the attention of interdisciplinary researchers resulting, for example, in the re-evaluation of photographs as material objects and working tools. The scope of this paper is to connect this approach to the question of the use of photographs in the art…[Read more]
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Lukas Fuchsgruber's profile was updated on Humanities Commons 3 months, 3 weeks ago
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Lukas Fuchsgruber deposited Berlin – Paris: Transnational Aspects of French Art Auctions in the Middle of the Nineteenth Century in the group
Victorian Studies on Humanities Commons 3 years, 7 months ago
In the valuation of works of art, the setting of a price is the last step, the result of a discursive attribution of quality; in this regard, aesthetic and commercial evaluations merge. The structure of this mediation is characterised by the concept of the “knowledge market;” knowledge that is ordered and able to spread is essential in order to…[Read more]
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Lukas Fuchsgruber deposited Berlin – Paris: Transnational Aspects of French Art Auctions in the Middle of the Nineteenth Century in the group
Urban Studies on Humanities Commons 3 years, 7 months ago
In the valuation of works of art, the setting of a price is the last step, the result of a discursive attribution of quality; in this regard, aesthetic and commercial evaluations merge. The structure of this mediation is characterised by the concept of the “knowledge market;” knowledge that is ordered and able to spread is essential in order to…[Read more]
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Lukas Fuchsgruber deposited Berlin – Paris: Transnational Aspects of French Art Auctions in the Middle of the Nineteenth Century in the group
History of Art on Humanities Commons 3 years, 7 months ago
In the valuation of works of art, the setting of a price is the last step, the result of a discursive attribution of quality; in this regard, aesthetic and commercial evaluations merge. The structure of this mediation is characterised by the concept of the “knowledge market;” knowledge that is ordered and able to spread is essential in order to…[Read more]
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Lukas Fuchsgruber deposited Museum Photo Archives and the History of the Art Market: A Digital Approach in the group
History of Art on Humanities Commons 3 years, 7 months ago
Digital images with metadata contain unique potential for research into the history of the art market. The embedding of digital images in a database allows for the possibility of an association with their historical context due to the presence of metadata, which includes economic data, such as the provenance chain, as well as information about…[Read more]
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Lukas Fuchsgruber deposited Museum Photo Archives and the History of the Art Market: A Digital Approach in the group
Digital Humanists on Humanities Commons 3 years, 7 months ago
Digital images with metadata contain unique potential for research into the history of the art market. The embedding of digital images in a database allows for the possibility of an association with their historical context due to the presence of metadata, which includes economic data, such as the provenance chain, as well as information about…[Read more]
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Lukas Fuchsgruber deposited Museum Photo Archives and the History of the Art Market: A Digital Approach in the group
Digital Art History on Humanities Commons 3 years, 7 months ago
Digital images with metadata contain unique potential for research into the history of the art market. The embedding of digital images in a database allows for the possibility of an association with their historical context due to the presence of metadata, which includes economic data, such as the provenance chain, as well as information about…[Read more]
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Lukas Fuchsgruber's profile was updated on Humanities Commons 3 years, 7 months ago
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Lukas Fuchsgruber deposited Berlin – Paris: Transnational Aspects of French Art Auctions in the Middle of the Nineteenth Century on Humanities Commons 3 years, 7 months ago
In the valuation of works of art, the setting of a price is the last step, the result of a discursive attribution of quality; in this regard, aesthetic and commercial evaluations merge. The structure of this mediation is characterised by the concept of the “knowledge market;” knowledge that is ordered and able to spread is essential in order to…[Read more]
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Lukas Fuchsgruber deposited Museum Photo Archives and the History of the Art Market: A Digital Approach on Humanities Commons 3 years, 7 months ago
Digital images with metadata contain unique potential for research into the history of the art market. The embedding of digital images in a database allows for the possibility of an association with their historical context due to the presence of metadata, which includes economic data, such as the provenance chain, as well as information about…[Read more]
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Lukas Fuchsgruber deposited Experts and Auctioneers in Paris Art Auctions 1852-1862 in the group
Victorian Studies on Humanities Commons 4 years, 10 months ago
From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]
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Lukas Fuchsgruber deposited Experts and Auctioneers in Paris Art Auctions 1852-1862 in the group
Linked Open Data on Humanities Commons 4 years, 10 months ago
From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]
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Lukas Fuchsgruber deposited Experts and Auctioneers in Paris Art Auctions 1852-1862 in the group
History of Art on Humanities Commons 4 years, 10 months ago
From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]
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Lukas Fuchsgruber deposited Experts and Auctioneers in Paris Art Auctions 1852-1862 in the group
Digital Art History on Humanities Commons 4 years, 10 months ago
From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]
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Lukas Fuchsgruber deposited Experts and Auctioneers in Paris Art Auctions 1852-1862 on Humanities Commons 4 years, 10 months ago
From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]
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Lukas Fuchsgruber deposited Virtualität und Ökonomie Ästhetische Potentiale der vernetzten Hypergraphik in the group
History of Art on Humanities Commons 4 years, 10 months ago
Drei digitale Kunstprojekte aus den Jahren 2015 und 2016 werden in diesem Text vorgestellt und verglichen, Game Over Facebook, WrongGrid und Curating Money. Ihnen ist gemeinsam, dass sie in Konfrontation zu ihrem jeweiligen technischen und ästhetischem Kontext stehen, beispielsweise zu den digitalen Plattformen, auf denen sie gespeichert sind,…[Read more]
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