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	<title>MLA Commons | Laurence Hooper | Activity</title>
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				<title>Laurence Hooper deposited Realisms and idealisms in Italian culture, 1300–2017 in the group LLC Medieval and Renaissance Italian</title>
				<link>https://mla.hcommons.org/activity/p/1604659/</link>
				<pubDate>Wed, 28 Mar 2018 04:07:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>This special issue of the Italianist collects ten essays that consider the multiple manifestations of realism and idealism in Italy from the Trecento to the present day. Notions of the ‘real Italy’ (and of ‘Italian realism’) remain fundamental for scholars working in various disciplines, while the exploration of the ideal Italies constru&hellip;<span class="activity-read-more" id="activity-read-more-1604659"><a href="https://mla.hcommons.org/activity/p/1604659/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laurence Hooper deposited Realisms and idealisms in Italian culture, 1300–2017 in the group LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/activity/p/1604658/</link>
				<pubDate>Wed, 28 Mar 2018 04:05:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>This special issue of the Italianist collects ten essays that consider the multiple manifestations of realism and idealism in Italy from the Trecento to the present day. Notions of the ‘real Italy’ (and of ‘Italian realism’) remain fundamental for scholars working in various disciplines, while the exploration of the ideal Italies constru&hellip;<span class="activity-read-more" id="activity-read-more-1604658"><a href="https://mla.hcommons.org/activity/p/1604658/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laurence Hooper deposited Realisms and idealisms in Italian culture, 1300–2017 in the group Literary Geography</title>
				<link>https://mla.hcommons.org/activity/p/1604657/</link>
				<pubDate>Wed, 28 Mar 2018 04:05:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>This special issue of the Italianist collects ten essays that consider the multiple manifestations of realism and idealism in Italy from the Trecento to the present day. Notions of the ‘real Italy’ (and of ‘Italian realism’) remain fundamental for scholars working in various disciplines, while the exploration of the ideal Italies constru&hellip;<span class="activity-read-more" id="activity-read-more-1604657"><a href="https://mla.hcommons.org/activity/p/1604657/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laurence Hooper deposited Realisms and idealisms in Italian culture, 1300–2017 in the group CLCS Renaissance and Early Modern</title>
				<link>https://mla.hcommons.org/activity/p/1604656/</link>
				<pubDate>Wed, 28 Mar 2018 04:02:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>This special issue of the Italianist collects ten essays that consider the multiple manifestations of realism and idealism in Italy from the Trecento to the present day. Notions of the ‘real Italy’ (and of ‘Italian realism’) remain fundamental for scholars working in various disciplines, while the exploration of the ideal Italies constru&hellip;<span class="activity-read-more" id="activity-read-more-1604656"><a href="https://mla.hcommons.org/activity/p/1604656/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laurence Hooper deposited Realisms and idealisms in Italian culture, 1300–2017 in the group CLCS Medieval</title>
				<link>https://mla.hcommons.org/activity/p/1604655/</link>
				<pubDate>Wed, 28 Mar 2018 03:59:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>This special issue of the Italianist collects ten essays that consider the multiple manifestations of realism and idealism in Italy from the Trecento to the present day. Notions of the ‘real Italy’ (and of ‘Italian realism’) remain fundamental for scholars working in various disciplines, while the exploration of the ideal Italies constru&hellip;<span class="activity-read-more" id="activity-read-more-1604655"><a href="https://mla.hcommons.org/activity/p/1604655/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laurence Hooper deposited Characterization and eschatological realism from Dante to Petrarch</title>
				<link>https://mla.hcommons.org/activity/p/1604634/</link>
				<pubDate>Tue, 27 Mar 2018 22:38:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article considers the characterization of blessed souls in Dante’s Commedia (1307–21) and Petrarch’s Canzoniere (c. 1356–74) and Triumphi (c. 1352–74). It argues that eschatological realism – the detailed representation of souls in the afterlife – lies at the heart of these three works, each of which depicts a deceased beloved who now resid&hellip;<span class="activity-read-more" id="activity-read-more-1604634"><a href="https://mla.hcommons.org/activity/p/1604634/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laurence Hooper deposited Realisms and idealisms in Italian culture, 1300–2017</title>
				<link>https://mla.hcommons.org/activity/p/1604572/</link>
				<pubDate>Tue, 27 Mar 2018 16:27:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>This special issue of the Italianist collects ten essays that consider the multiple manifestations of realism and idealism in Italy from the Trecento to the present day. Notions of the ‘real Italy’ (and of ‘Italian realism’) remain fundamental for scholars working in various disciplines, while the exploration of the ideal Italies constru&hellip;<span class="activity-read-more" id="activity-read-more-1604572"><a href="https://mla.hcommons.org/activity/p/1604572/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laurence E. Hooper deposited Exile and Petrarch’s Reinvention of Authorship</title>
				<link>https://mla.hcommons.org/activity/p/1561619/</link>
				<pubDate>Wed, 08 Feb 2017 02:11:31 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article demonstrates a systematic connection between the novelty of Petrarch’s authorship and his self-definition as an exile. Petrarch employs the unusual term exilium/esilio to substantiate his unprecedented claim that literature is a legally valid officium (civic role). Following Dante, Petrarch grounds his exilic authorship in the C&hellip;<span class="activity-read-more" id="activity-read-more-1561619"><a href="https://mla.hcommons.org/activity/p/1561619/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laurence E. Hooper deposited "Un estraneo in una terra ostile": Exile and Engagement in Pasolini's Verse Dramas</title>
				<link>https://mla.hcommons.org/activity/p/1561511/</link>
				<pubDate>Tue, 07 Feb 2017 10:34:18 -0500</pubDate>

									<content:encoded><![CDATA[<p>Concentrates on the brief period of Pier Paolo Pasolini’s career between 1966 and 1969 when he dedicated a significant portion of his energy to the theater. Argues that these years contain Pasolini’s most direct engagement with bourgeois Italian culture: he largely drops his use of dialect in favor of Standard Italian, he sets his plays in mod&hellip;<span class="activity-read-more" id="activity-read-more-1561511"><a href="https://mla.hcommons.org/activity/p/1561511/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laurence E. Hooper deposited ‘Riacquistare la Casarsa buona’: Exile, Realism, and Authorship in Pasolini’s Atti impuri and Amado mio</title>
				<link>https://mla.hcommons.org/activity/p/1561507/</link>
				<pubDate>Tue, 07 Feb 2017 10:23:12 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article challenges the established reading of Atti impuri and Amado mio, Pasolini’s early unfinished novels about young homosexual love, as diaristic. Previous accounts of the Friulan novels have largely ignored the fact that their final redactions were drawn up in Rome, where the author had fled from Friuli in January 1950 in the wake of a s&hellip;<span class="activity-read-more" id="activity-read-more-1561507"><a href="https://mla.hcommons.org/activity/p/1561507/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laurence E. Hooper deposited Dante’s Convivio, Book 1: Metaphor, Exile, Epochē</title>
				<link>https://mla.hcommons.org/activity/p/1561485/</link>
				<pubDate>Tue, 07 Feb 2017 02:42:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>The essay examines closely the many and varied metaphors of Convivio 1 in relation to its &#8220;content.&#8221; This approach contrasts with most prior work on the Convivio, which views it as a philosophical work, and pays little attention its form or rhetoric. Instead, the article shows that the Convivio draws on a variety of disciplines in orer to&hellip;<span class="activity-read-more" id="activity-read-more-1561485"><a href="https://mla.hcommons.org/activity/p/1561485/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laurence E. Hooper deposited Exile and Rhetorical Order in the Vita nova</title>
				<link>https://mla.hcommons.org/activity/p/1561484/</link>
				<pubDate>Tue, 07 Feb 2017 02:31:39 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article identifies the Augustinian motive of peregrinatio (pilgrimage/exile) as fundamental to the Vita nova, both thematically and at the level of narrative structure. Although Dante himself would not experience banishment from Florence in 1302, this early work establishes him as a vernacular poet whose authority stems from a marginal and&hellip;<span class="activity-read-more" id="activity-read-more-1561484"><a href="https://mla.hcommons.org/activity/p/1561484/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laurence Hooper&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1560661/</link>
				<pubDate>Thu, 02 Feb 2017 06:36:27 -0500</pubDate>

				
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				<title>Laurence Hooper changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1560660/</link>
				<pubDate>Thu, 02 Feb 2017 06:21:34 -0500</pubDate>

				
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				<title>Laurence Hooper became a registered member</title>
				<link>https://mla.hcommons.org/activity/p/1560658/</link>
				<pubDate>Thu, 02 Feb 2017 06:12:56 -0500</pubDate>

				
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