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	<title>MLA Commons | Wolfram Keller | Activity</title>
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				<title>Wolfram Keller&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1627365/</link>
				<pubDate>Fri, 28 Dec 2018 20:14:51 -0500</pubDate>

				
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				<title>Wolfram Keller deposited Re-Novating Troy: Chrematistics, Imagination, and Hybrid Temporalities in Chaucer's Troy stories in the group Medieval Studies</title>
				<link>https://hcommons.org/activity/p/1599772/</link>
				<pubDate>Tue, 06 Feb 2018 04:13:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>It is the purpose of this essay to show how, in Geoffrey Chaucer’s Troy stories (The House of Fame, Troilus and Criseyde), literary innovation figures as temporal and categorical purification and hybridization. I aim to show that Chaucer’s Troilus and Criseyde implicitly stages literary innovation in terms of the textual strategies that are exp&hellip;<span class="activity-read-more" id="activity-read-more-1599772"><a href="https://hcommons.org/activity/p/1599772/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Wolfram Keller deposited Arrogant Authorial Performances: Criseyde to Cressida</title>
				<link>https://hcommons.org/activity/p/1599701/</link>
				<pubDate>Mon, 05 Feb 2018 16:42:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this essay, I trace the poetological and literary-historical dimension of arrogance in Chaucer’s and Shakespeare’s treatments of the story of Troilus and Criseyde/Cressida. Both authors, I argue, utilize arrogance in their Troy stories to test notions of ‘counter-authorship’ by means of poet-playwright characters who self-consciously, albeit&hellip;<span class="activity-read-more" id="activity-read-more-1599701"><a href="https://hcommons.org/activity/p/1599701/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Wolfram Keller deposited Re-Novating Troy: Chrematistics, Imagination, and Hybrid Temporalities in Chaucer's Troy stories</title>
				<link>https://hcommons.org/activity/p/1599699/</link>
				<pubDate>Mon, 05 Feb 2018 16:31:00 -0500</pubDate>

									<content:encoded><![CDATA[<p>It is the purpose of this essay to show how, in Geoffrey Chaucer’s Troy stories (The House of Fame, Troilus and Criseyde), literary innovation figures as temporal and categorical purification and hybridization. I aim to show that Chaucer’s Troilus and Criseyde implicitly stages literary innovation in terms of the textual strategies that are exp&hellip;<span class="activity-read-more" id="activity-read-more-1599699"><a href="https://hcommons.org/activity/p/1599699/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Wolfram Keller&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1580640/</link>
				<pubDate>Wed, 06 Sep 2017 13:48:13 -0400</pubDate>

				
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				<title>Wolfram Keller changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1580639/</link>
				<pubDate>Wed, 06 Sep 2017 13:30:26 -0400</pubDate>

				
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