MLA Commons | John Covach | Activity https://mla.hcommons.org/members/johncovach/activity/ Activity feed for John Covach. Sat, 04 Apr 2026 07:10:57 -0400 https://buddypress.org/?v=10.6.0 en-US 30 hourly 2 43b5e04970a5f38646f4909fda7d3c5a John Covach deposited “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68. in the group Society for Music Theory – Popular Music Interest Group (SMT PMIG) https://hcommons.org/activity/p/1704613/ Fri, 07 Aug 2020 02:32:14 -0400 This chapter presents an approach to musical listening and analysis that privileges the individual perspectives of performers in a rock ensemble. Using passages from Yes’s “And You And I,” this study examines how each musician hears the texture in different ways while each of these “positions” differs from the Ideal Listening Position, which is…[Read more]

]]> 0 98314e282a0cb21b8fddea9f82e3ddaa John Covach deposited “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1704612/ Fri, 07 Aug 2020 02:32:04 -0400 This chapter presents an approach to musical listening and analysis that privileges the individual perspectives of performers in a rock ensemble. Using passages from Yes’s “And You And I,” this study examines how each musician hears the texture in different ways while each of these “positions” differs from the Ideal Listening Position, which is…[Read more]

]]> 0 a2914e9079383cbe18e3d2554c1e00c8 John Covach deposited "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339. in the group Society for Music Theory – Popular Music Interest Group (SMT PMIG) https://hcommons.org/activity/p/1704609/ Fri, 07 Aug 2020 02:30:56 -0400 This chapter considers the role of popular music in the undergraduate music theory curriculum, proposing three models for integrating pop into theory teaching.

]]> 0 004035b357ccea813769de18815c804d John Covach deposited "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1704608/ Fri, 07 Aug 2020 02:30:46 -0400 This chapter considers the role of popular music in the undergraduate music theory curriculum, proposing three models for integrating pop into theory teaching.

]]> 0 ae54164a1c26d37087bd2f5b382679b7 John Covach deposited “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25. in the group Society for Music Theory – Popular Music Interest Group (SMT PMIG) https://hcommons.org/activity/p/1704602/ Fri, 07 Aug 2020 02:24:56 -0400 This paper surveys the career of Jimmy Miller and explores his role as producer for the Rolling Stones, with particular emphasis on Beggars Banquet.

]]> 0 50cea10df84db7598c9f0804a22e7769 John Covach deposited “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1704601/ Fri, 07 Aug 2020 02:24:44 -0400 This paper surveys the career of Jimmy Miller and explores his role as producer for the Rolling Stones, with particular emphasis on Beggars Banquet.

]]> 0 ebceaf2629d097e5684a930285832bee John Covach deposited “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68. https://hcommons.org/activity/p/1704578/ Thu, 06 Aug 2020 22:11:30 -0400 This chapter presents an approach to musical listening and analysis that privileges the individual perspectives of performers in a rock ensemble. Using passages from Yes’s “And You And I,” this study examines how each musician hears the texture in different ways while each of these “positions” differs from the Ideal Listening Position, which is…[Read more]

]]> 0 720a02058e3b305c8c04d12a455af68c John Covach deposited "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339. https://hcommons.org/activity/p/1704574/ Thu, 06 Aug 2020 21:40:30 -0400 This chapter considers the role of popular music in the undergraduate music theory curriculum, proposing three models for integrating pop into theory teaching.

]]> 0 9678eed2b43cb145d43f2bcba2ce4423 John Covach deposited “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25. https://hcommons.org/activity/p/1704572/ Thu, 06 Aug 2020 21:30:22 -0400 This paper explored the role of Jimmy Miller in his role as producer for the Rolling Stones, with particular emphasis on Beggars Banquet.

]]> 0 eff98c9bb7bd0b5b7ce383e34fa55c0b John Covach deposited "The Schönberg Analytical Legacy: Rudolph Reti and Thematic Transformation," Journal of the Arnold Schönberg Center 16 (2019): 99-111. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1673077/ Fri, 20 Dec 2019 16:26:48 -0500 This paper considers Rudolf Reti’s The Thematic Process in Music in the context of Arnold Schoenberg theoretical writing.

]]> 0 b69113451b1c4988e31b50af84ad5ed6 John Covach deposited "The Schönberg Analytical Legacy: Rudolph Reti and Thematic Transformation," Journal of the Arnold Schönberg Center 16 (2019): 99-111. https://hcommons.org/activity/p/1673050/ Fri, 20 Dec 2019 13:03:24 -0500 This paper considers Rudolf Reti’s The Thematic Process in Music in the context of Arnold Schoenberg theoretical writing.

]]> 0 aa0bc4d6008a1ba44fb35e4f099d379c John Covach deposited Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1670674/ Thu, 21 Nov 2019 16:32:33 -0500 Review of a collection of essays by Carl Dahlhaus, translated by Derrick Puffett and Alfred Clayton and entitled Schoenberg and the New Music.

]]> 0 341f0da33dff601af855d00dc2607406 John Covach deposited Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82. in the group Society for Music Theory – Popular Music Interest Group (SMT PMIG) https://hcommons.org/activity/p/1670669/ Thu, 21 Nov 2019 16:31:25 -0500 Review of the Lippman and Rahn books, both devoted to music aeathetics.

]]> 0 5be4cd22dd1b9c249cd91ebd2d09a9fe John Covach deposited Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1670668/ Thu, 21 Nov 2019 16:31:18 -0500 Review of the Lippman and Rahn books, both devoted to music aeathetics.

]]> 0 cfb5dbbd315daa3adc232cdb9350a4cb John Covach deposited Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72. in the group Society for Music Theory – Popular Music Interest Group (SMT PMIG) https://hcommons.org/activity/p/1670666/ Thu, 21 Nov 2019 16:30:15 -0500 Review of Forte’s book devoted to the analysis of Tin Pan Alley popular music.

]]> 0 f97881cfcd7c93b4c751dfb05b11440d John Covach deposited Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1670665/ Thu, 21 Nov 2019 16:30:08 -0500 Review of Forte’s book devoted to the analysis of Tin Pan Alley popular music.

]]> 0 63893c98c5a4c9556a11adf8ce8954b1 John Covach deposited Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998). in the group Society for Music Theory – Popular Music Interest Group (SMT PMIG) https://hcommons.org/activity/p/1670663/ Thu, 21 Nov 2019 16:29:06 -0500 Review of three books devoted to progressive rock snd its history.

]]> 0 c69fcc7c3cd7050f9201975294ee5c85 John Covach deposited Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998). in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1670662/ Thu, 21 Nov 2019 16:29:00 -0500 Review of three books devoted to progressive rock snd its history.

]]> 0 7e2a7d499a4b9515f2433d2c14704b34 John Covach deposited Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015). in the group Society for Music Theory – Popular Music Interest Group (SMT PMIG) https://hcommons.org/activity/p/1670660/ Thu, 21 Nov 2019 16:27:59 -0500 Reviews Freeman/s book with special attention paid to the development of music school curricula.

]]> 0 070dbab3ea5dc4c218b2995c1e191099 John Covach deposited Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015). in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1670659/ Thu, 21 Nov 2019 16:27:51 -0500 Reviews Freeman/s book with special attention paid to the development of music school curricula.

]]> 0 54923701a9e53349eb91518d0b568ea0 John Covach deposited Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94. in the group Society for Music Theory – Popular Music Interest Group (SMT PMIG) https://hcommons.org/activity/p/1670654/ Thu, 21 Nov 2019 16:26:46 -0500 Review of Borthwick’s book, which approaches music theory from a point of view informed by philosophy.

]]> 0 38271a0ec1b2a48e3ccfe6c09686bb87 John Covach deposited Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1670653/ Thu, 21 Nov 2019 16:26:39 -0500 Review of Borthwick’s book, which approaches music theory from a point of view informed by philosophy.

]]> 0 e6e7846621fc6bbb1fce6c6cf1b9e91a John Covach deposited Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42. https://hcommons.org/activity/p/1670619/ Wed, 20 Nov 2019 23:04:50 -0500 Review of a collection of essays by Carl Dahlhaus, translated by Derrick Puffett and Alfred Clayton and entitled Schoenberg and the New Music.

]]> 0 0dd83d3aef41121dd714f48e9f5f1a50 John Covach deposited Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82. https://hcommons.org/activity/p/1670617/ Wed, 20 Nov 2019 22:58:59 -0500 Review of the Lippman and Rahn books, both devoted to music aeathetics.

]]> 0 8e3c728c074b8194069e538d1c6f42a6 John Covach deposited Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94. https://hcommons.org/activity/p/1670616/ Wed, 20 Nov 2019 22:55:08 -0500 Review of Borthwick’s book, which approaches music theory from a point of view informed by philosophy.

]]> 0 ac70687ff9a54dace813acbf557d2c74 John Covach deposited Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72. https://hcommons.org/activity/p/1670615/ Wed, 20 Nov 2019 22:51:26 -0500 Review of Forte’s book devoted to the analysis of Tin Pan Alley popular music.

]]> 0 fbda972b399390e60e4cb1a6750c69bb John Covach deposited Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998). https://hcommons.org/activity/p/1670614/ Wed, 20 Nov 2019 22:48:04 -0500 Review of three books devoted to progressive rock snd its history.

]]> 0 03c90d77397527fede16d9f96f4bdccc John Covach deposited Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015). https://hcommons.org/activity/p/1670613/ Wed, 20 Nov 2019 22:43:57 -0500 Reviews Freeman/s book with special attention paid to the development of music school curricula.

]]> 0 666a38b5a38081194dce06aeda9b5ad2 John Covach deposited “The Zwölftonspiel of Josef Matthias Hauer,” Journal of Music Theory 36.1 (1992): 149-84. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1670297/ Sun, 17 Nov 2019 16:31:20 -0500 This article provides a detailed examination of Hauer’s late 12-tone compositions, identifying the practices and procedures employed across a body of more than 100 pieces.

]]> 0 3aaf0007d7b6e21dabe3a4554597fc22 John Covach deposited “Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1670295/ Sun, 17 Nov 2019 16:30:26 -0500 This article explores the influence of sources outside the institutional framework of organized religion (“occult” sources) on Schoenberg’s aesthetic thinking and writing, especially with regard to the musical idea..

]]> 0 ec9d9dc710e6e4853f3e84556ebee1e0 John Covach deposited “The Quest of the Absolute: Schoenberg, Hauer, and the Twelve-Tone Idea,” in Jon Michael Spencer, ed., Theomusicology, special issue of Black Sacred Music: A Journal of Theomusicology 8/1 (Duke University Press, 1994): 158-77. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1670293/ Sun, 17 Nov 2019 16:29:31 -0500 This article examines the spiritual dimension of early twelve-tone theoretical writing, with a focus on the writing and music of Arnold Schoenberg and Josef Matthias Hauer.

]]> 0 c1503d92a86b1d1a8ea164fa30a099cf John Covach deposited “Balzacian Mysticism, Palindromic Design, and Heavenly Time in Berg’s Music,” in Encryted Messages in Alban Berg’s Music, ed. Siglind Bruhn (Garland Publishing, 1998), 5-29. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1670291/ Sun, 17 Nov 2019 16:28:33 -0500 This article explores the influence of mysticism in early 20th-century Vienna on the palindromic designs that can found n Berg’s music.

]]> 0 6f7284cc217f92de29ec197af64ef400 John Covach deposited “The Sources of Schoenberg’s ‘Aesthetic Theology,’” 19th-Century Music 19/3 (1996): 252-62. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1670282/ Sun, 17 Nov 2019 16:26:11 -0500 This article explores the sources of what Dahlhaus calls Schoenberg’s “aesthetic theology” in the philosophical, literary, and mystical writings of late 19th- and early 20th-century Europe.

]]> 0 c1de5339a7dedb16391f539ae6515c0e John Covach deposited “The Zwölftonspiel of Josef Matthias Hauer,” Journal of Music Theory 36.1 (1992): 149-84. https://hcommons.org/activity/p/1670252/ Sat, 16 Nov 2019 16:41:43 -0500 This article provides a detailed examination of Hauer’s late 12-tone compositions, identifying the practices and procedures employed across a body of more than 100 pieces.

]]> 0 404a043f3cf8075d5ef5250ce7f1e6fc John Covach deposited “Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18. https://hcommons.org/activity/p/1670251/ Sat, 16 Nov 2019 16:36:38 -0500 This article explores the influence of sources outside the institutional framework of organized religion (“occult” sources) on Schoenberg’s aesthetic thinking and writing, especially with regard to the musical idea..

]]> 0 568e662ec8e8df5fc5dcc9008cd2d585 John Covach deposited “The Quest of the Absolute: Schoenberg, Hauer, and the Twelve-Tone Idea,” in Jon Michael Spencer, ed., Theomusicology, special issue of Black Sacred Music: A Journal of Theomusicology 8/1 (Duke University Press, 1994): 158-77. https://hcommons.org/activity/p/1670250/ Sat, 16 Nov 2019 16:29:06 -0500 This article examines the spiritual dimension of early twelve-tone theoretical writing, with a focus on the writing and music of Arnold Schoenberg and Josef Matthias Hauer.

]]> 0 ee574e0e9b9022f0f807541c675c5f37 John Covach deposited “The Sources of Schoenberg’s ‘Aesthetic Theology,’” ¬19th-Century Music 19/3 (1996): 252-62. https://hcommons.org/activity/p/1670247/ Sat, 16 Nov 2019 16:23:46 -0500 This article explores the sources of what Dahlhaus calls Schoenberg’s “aesthetic theology” in the philosophical, literary, and mystical writings of late 19th- and early 20th-century Europe.

]]> 0 ce3cbc4fa73be07eb0d151af1a60bc98 John Covach deposited “Balzacian Mysticism, Palindromic Design, and Heavenly Time in Berg’s Music,” in Encryted Messages in Alban Berg’s Music, ed. Siglind Bruhn (Garland Publishing, 1998), 5-29. https://hcommons.org/activity/p/1670246/ Sat, 16 Nov 2019 16:18:26 -0500 This article explores the influence of mysticism in early 20th-century Vienna on the palindromic designs that can found n Berg’s music.

]]> 0 b21e3ff323a159dd0c8a389340e34f2b John Covach deposited “Schoenberg’s ‘Poetics of Music’ and the Twelve-Tone Idea,” in Schoenberg and Words, ed. R. Berman and C. Cross (Garland Publishing, 2000), 309-46. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1670203/ Fri, 15 Nov 2019 16:29:55 -0500 This chapter examines Schoenberg’s theoretical ideas on musical structure with particular emphasis on his Variations for Orchestra, op 31.

]]> 0 326bb9bfc0e19da34313b2787740ab99 John Covach deposited “Twelve-Tone Theory,” in The Cambridge History of Western Music Theory, ed. Thomas Christensen, (Cambridge University Press, 2002), 603-627. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1670201/ Fri, 15 Nov 2019 16:29:02 -0500 This chapter traces the development of the twelve-tone idea in twentieth-century music theory.

]]> 0 124d6ab2fa3b04322b83e2de346cfb34 John Covach deposited "Schoenberg's (Analytical) Gaze: Musical Time, The Organic Ideal, and Analytical Perspectivism," Theory and Practice 42 (2017): 141-59. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1670199/ Fri, 15 Nov 2019 16:28:10 -0500 This article explores Schoenberg’s engagement with organicism, casting it as an aesthetic ideal.

]]> 0 72d35d75a024f61fc1bc3629dfdd3a0f John Covach deposited “Josef Matthias Hauer,” in Music of the Twentieth Century Avant-Garde, ed. Larry Sitsky (Greenwood Publishing, 2003), 197-202. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1670197/ Fri, 15 Nov 2019 16:27:15 -0500 This chapter provides a biographical sketch of Hauer’s life and music.

]]> 0 13c92661dbca1e1e5ed3fb59be19b313 John Covach deposited "The Americanization of Arnold Schoenberg? Theory, Analysis, and Reception," Zeitschrift der Gesellschaft für Musiktheorie 15/2 (2018): 155-75. in the group Society for Music Theory (SMT) https://hcommons.org/activity/p/1670195/ Fri, 15 Nov 2019 16:26:17 -0500 This article traces the reception of Schoenberg’s theoretical ideas in the English-language music theory community.

]]> 0 8211fc2508a8df417c264ed1ed69ddc1 John Covach deposited “Schoenberg’s ‘Poetics of Music’ and the Twelve-Tone Idea,” in Schoenberg and Words, ed. R. Berman and C. Cross (Garland Publishing, 2000), 309-46. https://hcommons.org/activity/p/1670153/ Fri, 15 Nov 2019 03:59:17 -0500 This chapter examines Schoenberg’s theoretical ideas on musical structure with particular emphasis on his Variations for Orchestra, op 31.

]]> 0 2f6e5d0613c8159b5945b322f9aca729 John Covach deposited “Twelve-Tone Theory,” in The Cambridge History of Western Music Theory, ed. Thomas Christensen, (Cambridge University Press, 2002), 603-627. https://hcommons.org/activity/p/1670152/ Fri, 15 Nov 2019 03:53:22 -0500 This chapter traces the development of the twelve-tone idea in twentieth-century music theory.

]]> 0 c2c74dedb32655d68d7dea654445f65d John Covach deposited “Josef Matthias Hauer,” in Music of the Twentieth Century Avant-Garde, ed. Larry Sitsky (Greenwood Publishing, 2003), 197-202. https://hcommons.org/activity/p/1670151/ Fri, 15 Nov 2019 03:48:18 -0500 This chapter provides a biographical sketch of Hauer’s life and music.

]]> 0 80b76f2b27e7e31f0e092de0d84c7e37 John Covach deposited "Schoenberg's (Analytical) Gaze: Musical Time, The Organic Ideal, and Analytical Perspectivism," Theory and Practice 42 (2017): 141-59. https://hcommons.org/activity/p/1670150/ Fri, 15 Nov 2019 03:39:45 -0500 This article explores Schoenberg’s engagement with organicism, casting it as an aesthetic ideal.

]]> 0 bc2eec9f652730a9179d66bb70b000db John Covach deposited "The Americanization of Arnold Schoenberg? Theory, Analysis, and Reception," Zeitschrift der Gesellschaft für Musiktheorie 15/2 (2018): 155-75. https://hcommons.org/activity/p/1670149/ Fri, 15 Nov 2019 03:34:44 -0500 This article traces the reception of Schoenberg’s theoretical ideas in the English-language music theory community.

]]> 0 91e00326fc9f72d453010a221b1c42bb John Covach deposited “George Harrison, Songwriter,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 177-96. in the group Society for Music Theory – Popular Music Interest Group (SMT PMIG) https://hcommons.org/activity/p/1669981/ Wed, 13 Nov 2019 16:29:31 -0500 This chapter chronicles George Harrison’s songwriting during the Beatles years.

]]> 0 330c5375b47b285eedc809d3d40b9e55 John Covach deposited “Afterword,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 263-69. in the group Society for Music Theory – Popular Music Interest Group (SMT PMIG) https://hcommons.org/activity/p/1669980/ Wed, 13 Nov 2019 16:29:17 -0500 This afterword discusses the Beatles White Album and the essays contained in this volume.

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