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	<title>MLA Commons | John E. Drabinski | Group Activity</title>
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	<description>Public group activity feed of which John E. Drabinski is a member.</description>
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				<title>Alexa Alice Joubin started the topic CFP: Virtuality, Embodiment, and Meaning-Making in AI in the forum MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/cfp-virtuality-embodiment-and-meaning-making-in-ai/</link>
				<pubDate>Sun, 22 Feb 2026 05:48:02 -0500</pubDate>

									<content:encoded><![CDATA[<p>&lt;p style=&#8221;text-align: center;&#8221;&gt;Call for Papers&lt;/p&gt;<br />
&lt;p style=&#8221;text-align: center;&#8221;&gt;<em>Critical AI</em> (Duke University Press)&lt;/p&gt;<br />
&lt;p style=&#8221;text-align: center;&#8221;&gt;Virtuality, Embodiment, and Meaning-Making in AI Technologies&lt;/p&gt;<br />
&lt;p style=&#8221;text-align: center;&#8221;&gt;Special cluster edited by Alexa Alice Joubin&lt;/p&gt;<br />
&nbsp;</p>
<p>This special issue cluster calls on&hellip;<span class="activity-read-more" id="activity-read-more-1944517"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/cfp-virtuality-embodiment-and-meaning-making-in-ai/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Julia Frengs started the topic CFP for MLA 2027: Queer Emancipatory Narratives of the Francosphere in the forum LLC Francophone</title>
				<link>https://mla.hcommons.org/groups/francophone/forum/topic/cfp-for-mla-2027-queer-emancipatory-narratives-of-the-francosphere/</link>
				<pubDate>Thu, 19 Feb 2026 14:39:00 -0500</pubDate>

									<content:encoded><![CDATA[<p>This panel seeks proposals engaging with the articulation of queer emancipatory narratives from throughout the &#8220;francosphere.&#8221; We aim to consider how queer discourses of emancipation are constructed throughout the French-speaking world, taking into account a variety of cultural norms that might restrict queer voices. We would be delighted to see&hellip;<span class="activity-read-more" id="activity-read-more-1944362"><a href="https://mla.hcommons.org/groups/francophone/forum/topic/cfp-for-mla-2027-queer-emancipatory-narratives-of-the-francosphere/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>William J. Spurlin started the topic CfP for MLA 2027 in Los Angeles: Queer Nations: Remembering Jarrod Hayes in the forum LLC Francophone</title>
				<link>https://mla.hcommons.org/groups/francophone/forum/topic/cfp-for-mla-2027-in-los-angeles-queer-nations-remembering-jarrod-hayes-2/</link>
				<pubDate>Tue, 17 Feb 2026 03:36:22 -0500</pubDate>

									<content:encoded><![CDATA[<p>This guaranteed session, sponsored by LLC Francophone, celebrates the work of the late Jarrod Hayes, Professor of French Studies in the School of Languages, Literatures, Cultures, and Linguistics at the University of Monash in Melbourne, Australia, at the time of his untimely passing in 2025, and previously Professor of French and Francophone&hellip;<span class="activity-read-more" id="activity-read-more-1944153"><a href="https://mla.hcommons.org/groups/francophone/forum/topic/cfp-for-mla-2027-in-los-angeles-queer-nations-remembering-jarrod-hayes-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>William J. Spurlin created the doc Call for Papers: African Literature Association 2026 Conference in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/1936463/</link>
				<pubDate>Thu, 11 Dec 2025 21:27:18 -0500</pubDate>

				
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				<title>Peter Leman started the topic CFP: World Literature and Disappearance (Special Issue of ARIEL) in the forum TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/groups/postcolonial-studies/forum/topic/cfp-world-literature-and-disappearance-special-issue-of-ariel-3/</link>
				<pubDate>Tue, 02 Dec 2025 22:34:57 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>Call For Papers: “World Literature and Disappearance” </strong><br />
<strong>Special Issue of </strong><em>&lt;b&gt;ARIEL: A Review of International English Literature&lt;/b&gt;</em></p>
<p>Enforced disappearance is widely recognized as a crime in international law, with legislation that reflects the experiences of Latin America dictatorships and focuses on arbitrary detention and torture or extr&hellip;<span class="activity-read-more" id="activity-read-more-1935691"><a href="https://mla.hcommons.org/groups/postcolonial-studies/forum/topic/cfp-world-literature-and-disappearance-special-issue-of-ariel-3/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Berna Gueneli started the topic CF Applicants: Assistant Professor of Film Studies, UGA, Athens, due 1/15/26 in the forum MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/cf-applicants-assistant-professor-of-film-studies-uga-athens-due-1-15-26/</link>
				<pubDate>Thu, 20 Nov 2025 16:47:57 -0500</pubDate>

									<content:encoded><![CDATA[<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;The Department of Theatre and Film at the University of Georgia welcomes applications for the position of Assistant Professor of Film Studies. &lt;/span&gt;</p>
<p>&nbsp;</p>
<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;Area of specialization is open. Desired areas of specialization include, but are not limited to, one or more of the following:&hellip;<span class="activity-read-more" id="activity-read-more-1934957"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/cf-applicants-assistant-professor-of-film-studies-uga-athens-due-1-15-26/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Rhone Fraser started the topic A Panel on Hurston's "Herod the Great" in the forum LLC African American Forum</title>
				<link>https://mla.hcommons.org/groups/african-american/forum/topic/a-panel-on-hurstons-herod-the-great/</link>
				<pubDate>Wed, 17 Sep 2025 23:34:15 -0400</pubDate>

									<content:encoded><![CDATA[<p>Greetings LLC Forum! I am looking for one presenter and one presider for a panel on Hurston&#8217;s latest novel &#8220;The Life of Herod the Great.&#8221;  I have until tomorrow to finalize the panel. -RF.</p>
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				<title>Robert Nguyen started the topic MLA 2026 CFPs, TC Adaptation Studies forum in the forum MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/mla-2026-cfps-tc-adaptation-studies-forum/</link>
				<pubDate>Mon, 10 Mar 2025 15:39:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>Good morning,</p>
<p>Good morning,</p>
<p>As I thought they may be of interest to folks working in Screen Arts and Culture, I am posting here info on the panels that the TC Adaptation Studies forum will be sponsoring for the 2026 MLA convention. Also included is further detail on the panel we are co-sponsoring with the GS Comics and Graphic Narratives&hellip;<span class="activity-read-more" id="activity-read-more-1913593"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/mla-2026-cfps-tc-adaptation-studies-forum/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Shashi Bhusan Nayak started the topic Call for Chapters – Scripting Selves: New Directions in Life Writing in the forum TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/groups/postcolonial-studies/forum/topic/call-for-chapters-scripting-selves-new-directions-in-life-writing-4/</link>
				<pubDate>Tue, 04 Mar 2025 19:26:51 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>Scripting Selves: New Directions in Life Writing</strong><br />
<strong>Editors: P. Muralidhar Sharma &amp; Shashibhusan Nayak</strong></p>
<p>Until recently, Life Writing has emerged as a loose critical label encompassing a variety of genres, including biographies, autobiographies, memoirs, letters, and dairies. The later decades of the 20th century, in particular, have witnessed a surge&hellip;<span class="activity-read-more" id="activity-read-more-1913201"><a href="https://mla.hcommons.org/groups/postcolonial-studies/forum/topic/call-for-chapters-scripting-selves-new-directions-in-life-writing-4/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Stefania Irene Sini started the topic CFP: Limits of Narrative. 8th ENN International Conference in the forum TC Philosophy and Literature</title>
				<link>https://mla.hcommons.org/groups/philosophy-and-literature/forum/topic/cfp-limits-of-narrative-8th-enn-international-conference-3/</link>
				<pubDate>Tue, 25 Feb 2025 15:48:46 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>CFP: Limits of Narrative. </strong><strong>8th International Conference of the European Narratology Network (ENN)</strong></p>
<p>Date: September 29 &#8211; October 2, 2025</p>
<p>Deadline for submissions: March 10, 2025</p>
<p>Location: Wuppertal, Germany</p>
<p>Subject Field: Narratology</p>
<p>Since Roland Barthes&#8217; formula “international, transhistorical, transcultural, narration is there, like life i&hellip;<span class="activity-read-more" id="activity-read-more-1912548"><a href="https://mla.hcommons.org/groups/philosophy-and-literature/forum/topic/cfp-limits-of-narrative-8th-enn-international-conference-3/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Stefania Irene Sini started the topic CFP: Limits of Narrative. 8th ENN International Conference in the forum TC Philosophy and Literature</title>
				<link>https://mla.hcommons.org/groups/philosophy-and-literature/forum/topic/cfp-limits-of-narrative-8th-enn-international-conference-2/</link>
				<pubDate>Tue, 25 Feb 2025 15:45:48 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>CFP: Limits of Narrative. </strong><strong>8th International Conference of the European Narratology Network (ENN)</strong></p>
<p>September 29 &#8211; October 2, 2025, Wuppertal, Germany</p>
<p>&nbsp;</p>
<p>In view of the rampant use of the term ‘narrative’, which often enough lacks a precise meaning, it is time to take a critical look at its limits. The 8th ENN conference in Wuppertal (Germany) is&hellip;<span class="activity-read-more" id="activity-read-more-1912547"><a href="https://mla.hcommons.org/groups/philosophy-and-literature/forum/topic/cfp-limits-of-narrative-8th-enn-international-conference-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Stefania Irene Sini started the topic CFP: Limits of Narrative. 8th ENN International Conference in the forum TC Philosophy and Literature</title>
				<link>https://mla.hcommons.org/groups/philosophy-and-literature/forum/topic/cfp-limits-of-narrative-8th-enn-international-conference/</link>
				<pubDate>Tue, 25 Feb 2025 15:41:11 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>CFP: Limits of Narrative. </strong><strong>8th International Conference of the European Narratology Network (ENN), </strong>Wuppertal, Germany, September 29 &#8211; October 2, 2025</p>
<p>In view of the rampant use of the term ‘narrative’, which often enough lacks a precise meaning, it is time to take a critical look at its limits. The 8th ENN conference in Wuppertal (Germany) is ded&hellip;<span class="activity-read-more" id="activity-read-more-1912535"><a href="https://mla.hcommons.org/groups/philosophy-and-literature/forum/topic/cfp-limits-of-narrative-8th-enn-international-conference/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Tanya Shilina-Conte started the topic New Book: Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine in the forum MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/new-book-black-screens-white-frames-gilles-deleuze-and-the-filmmaking-machine-4/</link>
				<pubDate>Sun, 16 Feb 2025 03:38:23 -0500</pubDate>

									<content:encoded><![CDATA[<p><em><strong>Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine</strong></em><strong> by Tanya Shilina-Conte is now available from Oxford University Press&lt;u&gt;: &lt;/u&gt;</strong><a href="https://global.oup.com/academic/product/black-screens-white-frames-9780197511336?cc=us&amp;lang=en&amp;" rel="nofollow ugc">&lt;u&gt;</a><a href="https://global.oup.com/academic/product/black-screens-white-frames-9780197511336?cc=us&#038;lang=en&#038;#&lt;/u&#038;gt" rel="nofollow ugc">https://global.oup.com/academic/product/black-screens-white-frames-9780197511336?cc=us&#038;lang=en&#038;#&lt;/u&#038;gt</a>;<br />
&lt;div class=&#8221;clearfix text-formatted field field&#8211;name-body field&#8211;type-text-with-summary&hellip;<span class="activity-read-more" id="activity-read-more-1911692"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/new-book-black-screens-white-frames-gilles-deleuze-and-the-filmmaking-machine-4/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ian Balfour started the topic Self-nomination for this committee in the forum TC Philosophy and Literature</title>
				<link>https://mla.hcommons.org/groups/philosophy-and-literature/forum/topic/self-nomination-for-this-committee/</link>
				<pubDate>Thu, 30 Jan 2025 20:43:01 -0500</pubDate>

									<content:encoded><![CDATA[<p>&lt;div&gt;</p>
<p>The Philosophy and Literature Forum Executive Committee solicits self-nominations to join the committee for a five-year term, starting in 2026. The committee typically meets during the convention to discuss and organize roundtables and panels for the following year’s convention, as well to nominate delegates to the MLA Delegate Assembly e&hellip;<span class="activity-read-more" id="activity-read-more-1910312"><a href="https://mla.hcommons.org/groups/philosophy-and-literature/forum/topic/self-nomination-for-this-committee/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Katharine Lemessy started the topic CFP: Open Educational Resources in Caribbean Studies in the forum Latin America and the Caribbean</title>
				<link>https://hcommons.org/groups/latin-america-and-the-caribbean/forum/topic/cfp-open-educational-resources-in-caribbean-studies-9/</link>
				<pubDate>Tue, 10 Dec 2024 19:54:45 -0500</pubDate>

									<content:encoded><![CDATA[<p><a href="https://dloc.domains.uflib.ufl.edu/2024/news/fall-2024-call-for-participation-open-educational-resources-in-caribbean-studies/" rel="nofollow noopener" rel="nofollow ugc">Call for Proposals Fall 2024 (English) </a></p>
<p><a href="https://dloc.domains.uflib.ufl.edu/2024/news/convocatoria-rea/" rel="nofollow noopener" rel="nofollow ugc">Convocatoria Otoño 2024 (Español) </a></p>
<p>Submit proposals by April 14, 2025 at 11:59PM EST via <a href="https://docs.google.com/forms/d/e/1FAIpQLSfSVXr_oCPdRQ5cavGceSNy4mCrdSYLxV4YfxUQq1j9tG0oLQ/viewform" rel="nofollow noopener" rel="nofollow ugc">Application Form</a></p>
<p>The Digital Library of the Caribbean (dLOC) is pleased to announce its third call for open educational resources (OER) in Caribbean studies. Please see the <a href="https://dloc.domains.uflib.ufl.edu/2024/news/oer-in-caribbean-studies-stipend-recipients-2024/" rel="nofollow noopener" rel="nofollow ugc">2024</a> and <a href="https://dloc.domains.uflib.ufl.edu/2023/news/oer-in-caribbean-studies-stipend-recipients-2023/" rel="nofollow noopener" rel="nofollow ugc">2023</a> stipend recipients and read&hellip;<span class="activity-read-more" id="activity-read-more-1906621"><a href="https://hcommons.org/groups/latin-america-and-the-caribbean/forum/topic/cfp-open-educational-resources-in-caribbean-studies-9/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juliane Braun deposited Modes of Recovery, Performative Commons, and Identity Formation in Early American Theater in the group LLC Francophone</title>
				<link>https://mla.hcommons.org/activity/p/1902704/</link>
				<pubDate>Sat, 26 Oct 2024 03:04:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of </p>
<p>Bloody Tyrants and Little Pickles: Stage Roles of Anglo-American Girls in the Nineteenth Century. By Marlis Schweitzer.<br />
University of Iowa Press, 2020. 276 pp.</p>
<p>The Politics of Gender in Early American Theater: Revolutionary Dramatists and Theatrical Practices. Edited by Leopold Lippert and Ralph J. Poole. Transcript, 2021. 214&hellip;<span class="activity-read-more" id="activity-read-more-1902704"><a href="https://mla.hcommons.org/activity/p/1902704/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juliane Braun deposited Recovering Virginie Gireaudeau: Race, Language, and Representation on the American Stage in the group LLC Francophone</title>
				<link>https://mla.hcommons.org/activity/p/1902285/</link>
				<pubDate>Tue, 22 Oct 2024 04:05:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article recovers the life and career of Virginie Gireaudeau, one of the first African American actresses to appear in a major North American theater. Performing in New Orleans in 1826, she played the female lead in two tragedies, supported by a group of white professional actors and actresses from France. But despite Gireaudeau’s obvious s&hellip;<span class="activity-read-more" id="activity-read-more-1902285"><a href="https://mla.hcommons.org/activity/p/1902285/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Weihsin Gui started the topic CFP: Special Topic in Antipodes journal on "Australia And..." in the forum TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/groups/postcolonial-studies/forum/topic/cfp-special-topic-in-antipodes-journal-on-australia-and-4/</link>
				<pubDate>Tue, 08 Oct 2024 01:09:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>CFP: Special Topic in Antipodes: A Global Journal of Australian and New Zealand Literature &#8212; “Australia And&#8230;”</p>
<p>Priority Deadline 1 November 2024</p>
<p>Antipodes invites articles for a special feature section in Antipodes, journal of the American Association for Australasian Studies (AAALS) that considers a literary or cultural work (including fil&hellip;<span class="activity-read-more" id="activity-read-more-1901067"><a href="https://mla.hcommons.org/groups/postcolonial-studies/forum/topic/cfp-special-topic-in-antipodes-journal-on-australia-and-4/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Peter Leman started the topic ACLA 2025 Session CFP: "World Literature and Disappearance" in the forum TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/groups/postcolonial-studies/forum/topic/acla-2025-session-cfp-world-literature-and-disappearance-2/</link>
				<pubDate>Mon, 07 Oct 2024 16:07:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>Hi All,</p>
<p>I am co-organizing a session with Joseph Wager for t<a href="https://www.acla.org/world-literature-and-disappearance" rel="nofollow ugc">he 2025 ACLA. Our topic is “World Literature and Disappearance.”</a> Please consider submitting, and feel free to share with anyone who might be interested. Full CFP below. Thank you!</p>
<p>Best,</p>
<p>Peter Leman</p>
<p>&nbsp;<br />
<a href="https://www.acla.org/world-literature-and-disappearance" rel="nofollow ugc">World Literature and Disappearance</a><br />
Enforced disappearance has become a lingua fran&hellip;<span class="activity-read-more" id="activity-read-more-1901025"><a href="https://mla.hcommons.org/groups/postcolonial-studies/forum/topic/acla-2025-session-cfp-world-literature-and-disappearance-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Doris Hambuch deposited Humorous Takes on Marriage in the UAE: Digital Comics, Social Media Comedy and Short Films in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900964/</link>
				<pubDate>Mon, 07 Oct 2024 03:08:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article investigates humorous representations of marriage in digital comics, standup comedy and short films created by Emirati artists and content creators who primarily rely on social media as their most effective form of distribution. Studied against theories of humor in the Western and the Arabic traditions, selected examples demonstrate&hellip;<span class="activity-read-more" id="activity-read-more-1900964"><a href="https://mla.hcommons.org/activity/p/1900964/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Doris Hambuch deposited Ways of Seeing Nujoom Alghanem’s Nearby Sky (سماء قريبة) and Sharp Tools (آلات حادة) as Docupoetry,Comment voir le ciel proche de Nujoom Alghanem (سماء قريبة) et les outils tranchants (آلات حادة) comme docupoésie in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900962/</link>
				<pubDate>Mon, 07 Oct 2024 03:03:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article proposes to establish a<br />
sub-category called “docupoetry” to<br />
classify the documentary films by<br />
Emirati poet and filmmaker Nujoom<br />
Alghanem. Detailed analysis of two<br />
selected films, Sharp Tools (2017) and<br />
Nearby Sky (2014), illustrates the<br />
unique composition, cinematography,<br />
and use of poetic devices, such<br />
as rhythm, sym&hellip;<span class="activity-read-more" id="activity-read-more-1900962"><a href="https://mla.hcommons.org/activity/p/1900962/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited "Screens as Anthropomorphic Interfaces: How AI Changes Shakespearean Theatrical Publics," Shakespeare Bulletin 41.4 (Winter 2023): 529-553 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900896/</link>
				<pubDate>Sun, 06 Oct 2024 04:21:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>Whom does the screen interface serve, and how do artificial intelligence (AI) tools affect theatrical publics across both the playing space and the playgoing space? Screens are a site where cultural and performative meanings are generated and negotiated. This article draws on interface theories to analyze the roles of screens in regulating&hellip;<span class="activity-read-more" id="activity-read-more-1900896"><a href="https://mla.hcommons.org/activity/p/1900896/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited Enhancing the Trustworthiness of Generative Artificial Intelligence in Responsive Pedagogy in the Context of Humanities Higher Education in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900890/</link>
				<pubDate>Sun, 06 Oct 2024 04:13:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>How do we enhance the trustworthiness of generative artificial intelligence (AI) as a tool to foster students’ curiosity to learn about humanities subjects in higher education? This study analyzes what conversational AI tools can realistically accomplish in the humanities higher education context and what the substantive, rather than hyped, c&hellip;<span class="activity-read-more" id="activity-read-more-1900890"><a href="https://mla.hcommons.org/activity/p/1900890/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited "Encountering global Shakespeare in Yemen, Kuwait and China," in Contemporary Readings in Global Performances of Shakespeare, ed. Alexa Alice Joubin (Arden Bloomsbury, 2024), pp. 285-294 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900885/</link>
				<pubDate>Sun, 06 Oct 2024 04:05:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter consists of Alexa Alice Joubin&#8217;s interview of a scholar and educator who has practiced global Shakespeare around the globe. Katherine Hennessey has had the unique experiences and privilege of teaching Shakespeare in Yemen, Kuwait, China, and elsewhere. She has lived and worked in eight very different countries over the past fifteen&hellip;<span class="activity-read-more" id="activity-read-more-1900885"><a href="https://mla.hcommons.org/activity/p/1900885/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited Contemporary Readings in Global Performances of Shakespeare, ed. Alexa Alice Joubin. London: Arden Bloomsbury, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900083/</link>
				<pubDate>Sun, 29 Sep 2024 04:05:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>Focusing on the modern period, this book employs a site-specific lens to examine global performances of Shakespeare onstage and onscreen. Heterotopia and thick description as methodologies help us capture, rather than flatten, cultural spaces and their dynamic interplay. The global is a set of geographical and cultural sites created by artistic&hellip;<span class="activity-read-more" id="activity-read-more-1900083"><a href="https://mla.hcommons.org/activity/p/1900083/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fatma Fulya Tepe started the topic Research based news piece on hybridity and Turkish immigrants in the Netherlands in the discussion TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/groups/postcolonial-studies/forum/topic/research-based-news-piece-on-hybridity-and-turkish-immigrants-in-the-netherlands-4/</link>
				<pubDate>Sat, 29 Jun 2024 07:55:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear All,</p>
<p>I would like to present our research on hybridity and immigrants in the Netherlands in the form of a news piece below. I will be happy if you could distribute in your networks.</p>
<p><a href="https://x.com/bianet_eng/status/1656667905487151105" rel="nofollow ugc">https://x.com/bianet_eng/status/1656667905487151105</a></p>
<p>Best regards,<br />
Assoc. Prof. Dr. Fatma Fulya Tepe<br />
İstanbul Aydın University</p>
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				<title>Niamh Thornton deposited María Félix A Mexican Film Star and her Legacy in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1890470/</link>
				<pubDate>Fri, 28 Jun 2024 03:01:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>María Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art and jewellery design. Cartier created one-of-a-kind pieces; Leonora Carrington and Diego Rivera painted portraits; Carlos Fuentes wrote a play; Agustín Lara, a bestselling song. But she was nobody&#8217;s muse.</p>
<p>Did Félix really bring baby crocodiles to the Car&hellip;<span class="activity-read-more" id="activity-read-more-1890470"><a href="https://mla.hcommons.org/activity/p/1890470/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan Larson deposited Comfort and Domestic Space in Modern Spain in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1890326/</link>
				<pubDate>Thu, 27 Jun 2024 03:05:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>Comfort and domestic space are complex narratives that can help draw our attention to everything from urban planning, everyday objects, and new technologies to class conflict, racial and ethnic segregation, and the gendering of domestic labour. Comfort and Domestic Space in Modern Spain delves into the history of ideas surrounding the modern home.&hellip;<span class="activity-read-more" id="activity-read-more-1890326"><a href="https://mla.hcommons.org/activity/p/1890326/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Frank Pfost deposited Fénice et la critique de la moralité courtoise par Chrétien de Troyes dans Cligès in the group TC Philosophy and Literature</title>
				<link>https://mla.hcommons.org/activity/p/1889767/</link>
				<pubDate>Fri, 21 Jun 2024 04:02:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>Cligès, le second roman de Chrétien de Troyes, et celui qu’il a écrit en 1176, est toujours considéré<br />
comme le plus divertissant de ses romans. Dans Cligès Chrétien a certainement utilisé beaucoup<br />
d’artifices et beaucoup d’effets comiques pour créer son oeuvre, qui est plein d’images éclatantes. Elle<br />
nous amuse plus que ses autres romans. Ma&hellip;<span class="activity-read-more" id="activity-read-more-1889767"><a href="https://mla.hcommons.org/activity/p/1889767/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Frank Pfost deposited Fénice et la critique de la moralité courtoise par Chrétien de Troyes dans Cligès in the group LLC Francophone</title>
				<link>https://mla.hcommons.org/activity/p/1889765/</link>
				<pubDate>Fri, 21 Jun 2024 04:00:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>Cligès, le second roman de Chrétien de Troyes, et celui qu’il a écrit en 1176, est toujours considéré<br />
comme le plus divertissant de ses romans. Dans Cligès Chrétien a certainement utilisé beaucoup<br />
d’artifices et beaucoup d’effets comiques pour créer son oeuvre, qui est plein d’images éclatantes. Elle<br />
nous amuse plus que ses autres romans. Ma&hellip;<span class="activity-read-more" id="activity-read-more-1889765"><a href="https://mla.hcommons.org/activity/p/1889765/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Frank Pfost deposited Lev Nikolaevich Tolstoy and Emile Zola on the Meaning of Life in the group TC Philosophy and Literature</title>
				<link>https://mla.hcommons.org/activity/p/1889378/</link>
				<pubDate>Mon, 17 Jun 2024 04:02:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>Two great contemporary writers of the latter nineteenth and early twentieth centuries, Lev<br />
Tolstoy of Russia and Émile Zola of France, were haunted by the same problem, the individual’s<br />
relation to God and the universe and the purpose of his relatively short life in it. Although Tolstoy<br />
and Zola took different approaches to this problem in th&hellip;<span class="activity-read-more" id="activity-read-more-1889378"><a href="https://mla.hcommons.org/activity/p/1889378/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ji Eun Lee deposited Victorian Humanity in Colonial Korea, Where Asians Did Not See Themselves as the Other in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/1889179/</link>
				<pubDate>Fri, 14 Jun 2024 03:07:15 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article reconsiders the racial hierarchies rendering the nonwhite race as the Other in Anglo-American Victorian studies by examining the case of colonial Korea, where both the colonizer and the colonized were people of color. In colonial Korea, reading Victorian and Edwardian literature enabled Koreans to find an alternative humanity beyond&hellip;<span class="activity-read-more" id="activity-read-more-1889179"><a href="https://mla.hcommons.org/activity/p/1889179/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Frank Pfost deposited ENSAYOS SOBRE ALGUNAS COMEDIAS DEL SIGLO DE ORO ESPAÑOL in the group TC Philosophy and Literature</title>
				<link>https://mla.hcommons.org/activity/p/1888751/</link>
				<pubDate>Sun, 09 Jun 2024 04:01:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>Se trata de un repaso a siete comedias del Siglo de Oro español, entre las que destacan: LOS PASOS de Lope de Rueda y el Entremés del RETABLO DE LAS MARAVILLAS de Miguel de Cervantes, LA VERDAD SOSPECHOSA de Juan Ruiz de Alarcón, FUENTEOVEJUNA de Lope de Vega, EL BURLADOR DE SEVILLA de Tirso de Molina, EL ESCLAVO DE DEMONIO de Mira de Amescua, y&hellip;<span class="activity-read-more" id="activity-read-more-1888751"><a href="https://mla.hcommons.org/activity/p/1888751/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Frank Pfost deposited Les Femmes coupables dans les LAIS de Marie de France in the group TC Philosophy and Literature</title>
				<link>https://mla.hcommons.org/activity/p/1887843/</link>
				<pubDate>Sun, 02 Jun 2024 04:02:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>Les douze Lais de Marie de France, écrits au XIIe siècle par un auteur dont on connaît peu de choses,<br />
retiennent leur renom pour maintes raisons. Ce sont des contes, des aventures, souvent merveilleuses<br />
et fantastiques, des chevaliers errants et leurs dames au temps médiévaux lorsque la bataille épique et<br />
continuelle entre le bien at le ma&hellip;<span class="activity-read-more" id="activity-read-more-1887843"><a href="https://mla.hcommons.org/activity/p/1887843/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Frank Pfost deposited Les Femmes coupables dans les LAIS de Marie de France in the group LLC Francophone</title>
				<link>https://mla.hcommons.org/activity/p/1887841/</link>
				<pubDate>Sun, 02 Jun 2024 04:00:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>Les douze Lais de Marie de France, écrits au XIIe siècle par un auteur dont on connaît peu de choses,<br />
retiennent leur renom pour maintes raisons. Ce sont des contes, des aventures, souvent merveilleuses<br />
et fantastiques, des chevaliers errants et leurs dames au temps médiévaux lorsque la bataille épique et<br />
continuelle entre le bien at le ma&hellip;<span class="activity-read-more" id="activity-read-more-1887841"><a href="https://mla.hcommons.org/activity/p/1887841/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Frank Pfost deposited Censorship and the Original Version of Tolstoy's THE RAID in the group TC Philosophy and Literature</title>
				<link>https://mla.hcommons.org/activity/p/1887554/</link>
				<pubDate>Thu, 30 May 2024 04:01:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>One of the most important factors literary critics often overlook in the work of Lev Nikolaevich Tolstoy (1828-<br />
1910) is the fact that it was subject to the censorship of the tsarist government before it was allowed to be published<br />
in Russia. This harassment lasted the entire period of Tolstoy’s writing life, and although neither he nor his f&hellip;<span class="activity-read-more" id="activity-read-more-1887554"><a href="https://mla.hcommons.org/activity/p/1887554/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited The Anthropocene and the Environmental Humanities in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/1887208/</link>
				<pubDate>Sun, 26 May 2024 04:13:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>Interim bibliography on the Anthropocene and the Environmental Humanities  generated in conjunction with the Rift Futurism Project supported by a grant from the ISRAEL SCIENCE FOUNDATION (grant No. 3011006089), May 2024</p>
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				<title>Louise Bethlehem deposited Speculative Fiction from the Global South--Anthropocene Intersections, Interim Bibliography in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/1887203/</link>
				<pubDate>Sun, 26 May 2024 04:05:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>Interim bibliography on science fiction and speculative fiction with an emphasis on the global South and on Anthropocene-related perspectives generated in conjunction with the Rift Futurism Project supported by a grant from the ISRAEL SCIENCE FOUNDATION (grant No. 3011006089)<br />
Louise Bethlehem, PI, English and Cultural Studies, The Hebrew&hellip;<span class="activity-read-more" id="activity-read-more-1887203"><a href="https://mla.hcommons.org/activity/p/1887203/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Epifanio San Juan deposited HEGEL/MARX/PEIRCE in the group TC Philosophy and Literature</title>
				<link>https://mla.hcommons.org/activity/p/1886476/</link>
				<pubDate>Sat, 18 May 2024 03:03:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Exploration on the linkages among the modes of discourse and presentation in Hgel, Marx and Peirce<br />
with a view to inferring a common dialectical tendency in their inquiries.</p>
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				<title>Alexa Alice Joubin deposited The Shakespearean International Yearbook: Disability Performance and Global Shakespeare. General Editor: Alexa Alice Joubin; Co-editor: Natalia Khomenko; Guest Editor: Katherine Schaap Williams. Routledge, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1886051/</link>
				<pubDate>Mon, 13 May 2024 04:19:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>The fields of critical disability studies and global Shakespeare have a great deal to say to each other, which is why we are creating this opportunity for an interdisciplinary dialogue and reflection.</p>
<p>     This year’s Shakespearean International Yearbook focuses on the theme of global disability performances of Shakespeare. Curated by K&hellip;<span class="activity-read-more" id="activity-read-more-1886051"><a href="https://mla.hcommons.org/activity/p/1886051/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited "Screening Dutch Formosa in 2000: Taiwan as China’s Renegade Province in Wu Ziniu’s The Sino-Dutch War 1661," in Scenes from Dutch Formosa: Staging Taiwan’s Colonial Past, ed. Llyn Scott (Portland ME: MerwinAsia, 2014), pp. 153-179 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1886042/</link>
				<pubDate>Mon, 13 May 2024 04:01:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>What does Koxinga mean to today’s China and Taiwan? How does Wu Ziniu’s film The Sino-Dutch War 1661, a 2000 mainland Chinese film about seventeenth-century Dutch Formosa–with a mainland Chinese / Hong Kong / Japanese cast–complicate the questions of belonging and betrayal?</p>
<p>     Taiwan’s cultural identities have always been political&hellip;<span class="activity-read-more" id="activity-read-more-1886042"><a href="https://mla.hcommons.org/activity/p/1886042/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Frédéric Lefrançois deposited « Itinéraire pour retrouver la géographie de soi »,"Itinerary to Reclaim a Mapping of the Self" in the group Latin America and the Caribbean</title>
				<link>https://hcommons.org/activity/p/1879332/</link>
				<pubDate>Wed, 13 Mar 2024 03:02:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>March 1, 2018 was the day of study organized by the CEREAP-CRILLASH on the theme: ‘Cartographies and Identity Topology’ at the University of the West Indies. ‘Route to Find the Geography of Self’ is the title of the work produced by the artist David Né. This creation, which is both pictorial and performative, embraces the concept of the card in&hellip;<span class="activity-read-more" id="activity-read-more-1879332"><a href="https://hcommons.org/activity/p/1879332/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited Keynote: Cinematic Representations of East Asian American Women, Tucker-Boatwright Festival and Symposium: Hollywood &#38; the Asian American Imagination, Richmond, February 23, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1878852/</link>
				<pubDate>Thu, 07 Mar 2024 04:03:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>My keynote explores such questions as: What are the patterns in Hollywood representations of East Asian American women from romantic comedy to science fiction films? How do racism and sexism intersect in these patterns? Watch the video recording on YouTube (<a href="https://youtu.be/iHjKOYf-IXQ" rel="nofollow ugc">https://youtu.be/iHjKOYf-IXQ</a>) to gain a better understanding how gender biases are&hellip;<span class="activity-read-more" id="activity-read-more-1878852"><a href="https://mla.hcommons.org/activity/p/1878852/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Thomas Robert Ward started the topic Lamada de sumillas/Call for Abstracts: FEMINISMO PERUANO Y ZOILA AURORA CÁCERES in the discussion Latin America and the Caribbean</title>
				<link>https://hcommons.org/groups/latin-america-and-the-caribbean/forum/topic/lamada-de-sumillas-call-for-abstracts-feminismo-peruano-y-zoila-aurora-caceres-2/</link>
				<pubDate>Thu, 29 Feb 2024 13:34:39 -0500</pubDate>

									<content:encoded><![CDATA[<p>S E M I N A R I O   I N T E R N A C I O N A L<br />
F E M I N I S M O   P E R U A N O   Y   Z O I L A   A U R O R A   C Á C E R E S<br />
Lima, 23 y 24 de septiembre de 2024<br />
En el marco del centenario de fundación del colectivo Feminismo Peruano se organiza este evento que busca reflexionar críticamente sobre la lucha feminista y el trabajo intelectual ll&hellip;<span class="activity-read-more" id="activity-read-more-1878105"><a href="https://hcommons.org/groups/latin-america-and-the-caribbean/forum/topic/lamada-de-sumillas-call-for-abstracts-feminismo-peruano-y-zoila-aurora-caceres-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited Global Shakespeare as Heterotopia, Lecture at University of Oxford and Georgetown University, February 26, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1878067/</link>
				<pubDate>Thu, 29 Feb 2024 04:24:33 -0500</pubDate>

									<content:encoded><![CDATA[<p>Global Shakespeare as Heterotopia by Alexa Alice Joubin. Lecture video now available on YouTube, <a href="https://youtu.be/R8mbUd_mHjQ" rel="nofollow ugc">https://youtu.be/R8mbUd_mHjQ</a>   Drawing on her forthcoming book, Contemporary Readings in Global Performances of Shakespeare (Bloomsbury, 2024), Alexa Alice Joubin examines cultural encounters with Shakespeare’s plays as heterotopia, a set of parallel s&hellip;<span class="activity-read-more" id="activity-read-more-1878067"><a href="https://mla.hcommons.org/activity/p/1878067/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kendra Leonard deposited Jewishness between Performance and Appropriation: Music for The Merchant of Venice (2004) in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1877420/</link>
				<pubDate>Thu, 22 Feb 2024 03:06:31 -0500</pubDate>

									<content:encoded><![CDATA[<p>The performance history of The Merchant of Venice is one entangled with what producers and directors hear as the sounds of Jewishness, be it traditional prayer, like the Shema or Kaddish, or contrived nonsense, like the “old Hebraic song of sacrifice” sung by Anthony Sher in a 1987 stage production. In this essay, I interrogate composer Joc&hellip;<span class="activity-read-more" id="activity-read-more-1877420"><a href="https://mla.hcommons.org/activity/p/1877420/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kendra Leonard deposited Imagining Women’s Archives of Silent Film Music in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1877413/</link>
				<pubDate>Thu, 22 Feb 2024 03:01:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>Although women comprised the majority of American cinema accompanists during the silent film period (c. 1895–1927), few of their music libraries or compositions have survived, whereas collections created by male cinema musicians dominate the silent film music archives. Women musicians suggested, shaped, and helped define the musical tastes of t&hellip;<span class="activity-read-more" id="activity-read-more-1877413"><a href="https://mla.hcommons.org/activity/p/1877413/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Epifanio San Juan deposited HEGEL/PEIRCE in the group TC Philosophy and Literature</title>
				<link>https://mla.hcommons.org/activity/p/1876760/</link>
				<pubDate>Fri, 16 Feb 2024 03:02:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>Speculative notes on the relation between Peirce&#8217;s pragmatist method and Hegel&#8217;s dialectics</p>
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				<title>Alexa Alice Joubin deposited Review of Rethinking Chinese Socialist Theaters of Reform, in CLEAR: Chinese Literature: Essays, Articles, Reviews 45 (2023): 335-338 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1876066/</link>
				<pubDate>Mon, 12 Feb 2024 04:16:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>Going against the grain, this collection counters the common perception of the Maoist era as a time of ideological conformity. The contributors persuasively demonstrate that theatre activities were varied and lively between the 1950s and 1970s. While there was state control over the arts, performances in urban spaces were more frequently censored&hellip;<span class="activity-read-more" id="activity-read-more-1876066"><a href="https://mla.hcommons.org/activity/p/1876066/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alexa Alice Joubin deposited Review of Performing the Socialist State by Xiaomei Chen, in CLEAR: Chinese Literature: Essays, Articles, Reviews 45 (2023): 338-340 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1876062/</link>
				<pubDate>Mon, 12 Feb 2024 04:11:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this review, Alexa Alice Joubin outlines the main argument of Xiaomei Chen&#8217;s Performing the Socialist State: Modern Chinese Theater and Film Culture. &#8220;The eight chronologically- and thematically-organized chapters in this book provide a much-needed critical survey of spoken drama (huaju) from its inception through the Republican and Maoist eras&hellip;<span class="activity-read-more" id="activity-read-more-1876062"><a href="https://mla.hcommons.org/activity/p/1876062/" rel="nofollow ugc">[Read more]</a></span></p>
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