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	<title>MLA Commons | Juan Antonio Fernandez Rivero | Activity</title>
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	<description>Activity feed for Juan Antonio Fernandez Rivero.</description>
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				<title>Juan Antonio Fernandez Rivero deposited La fotografía comercial y los álbumes de viaje en la España del XIX. in the group History of Illustration and Illustration Studies</title>
				<link>https://hcommons.org/activity/p/1902152/</link>
				<pubDate>Sun, 20 Oct 2024 03:00:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>The study of 44 albums has allowed us to make an approximation to the topographic photography that professional photographers carried out in Spain and to observe the relative importance of each one according to their production and their ability to become part of the albums of those travelers who traveled the Spanish geography from 1860<br />
to 1900.&hellip;<span class="activity-read-more" id="activity-read-more-1902152"><a href="https://hcommons.org/activity/p/1902152/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juan Antonio Fernandez Rivero deposited La fotografía comercial y los álbumes de viaje en la España del XIX. in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1902151/</link>
				<pubDate>Sun, 20 Oct 2024 03:00:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>The study of 44 albums has allowed us to make an approximation to the topographic photography that professional photographers carried out in Spain and to observe the relative importance of each one according to their production and their ability to become part of the albums of those travelers who traveled the Spanish geography from 1860<br />
to 1900.&hellip;<span class="activity-read-more" id="activity-read-more-1902151"><a href="https://hcommons.org/activity/p/1902151/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juan Antonio Fernandez Rivero deposited La fotografía comercial y los álbumes de viaje en la España del XIX. in the group History</title>
				<link>https://hcommons.org/activity/p/1902150/</link>
				<pubDate>Sun, 20 Oct 2024 03:00:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>The study of 44 albums has allowed us to make an approximation to the topographic photography that professional photographers carried out in Spain and to observe the relative importance of each one according to their production and their ability to become part of the albums of those travelers who traveled the Spanish geography from 1860<br />
to 1900.&hellip;<span class="activity-read-more" id="activity-read-more-1902150"><a href="https://hcommons.org/activity/p/1902150/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juan Antonio Fernandez Rivero deposited La fotografía comercial y los álbumes de viaje en la España del XIX. in the group Digital Humanists</title>
				<link>https://hcommons.org/activity/p/1902149/</link>
				<pubDate>Sun, 20 Oct 2024 03:00:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>The study of 44 albums has allowed us to make an approximation to the topographic photography that professional photographers carried out in Spain and to observe the relative importance of each one according to their production and their ability to become part of the albums of those travelers who traveled the Spanish geography from 1860<br />
to 1900.&hellip;<span class="activity-read-more" id="activity-read-more-1902149"><a href="https://hcommons.org/activity/p/1902149/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juan Antonio Fernandez Rivero deposited La fotografía comercial y los álbumes de viaje en la España del XIX.</title>
				<link>https://hcommons.org/activity/p/1902108/</link>
				<pubDate>Sat, 19 Oct 2024 11:10:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>The study of 44 albums has allowed us to make an approximation to the topographic photography that professional photographers carried out in Spain and to observe the relative importance of each one according to their production and their ability to become part of the albums of those travelers who traveled the Spanish geography from 1860<br />
to 1900.&hellip;<span class="activity-read-more" id="activity-read-more-1902108"><a href="https://hcommons.org/activity/p/1902108/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juan Antonio Fernandez Rivero deposited La colección de fotografías de España, Portugal  y Gibraltar de la casa Francis Frith &#38; Co. in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1874260/</link>
				<pubDate>Thu, 01 Feb 2024 03:00:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>La colección ibérica de la casa Frith es una de las más interesantes del panorama fotográfico peninsular del siglo XIX. Y ello es así por lo temprano de su realización, en la década de 1860, por su extensión, numérica y geográfica, y también por su calidad técnica y artística.<br />
En 2007 esta colección fue objeto de un amplio estudio y una excelen&hellip;<span class="activity-read-more" id="activity-read-more-1874260"><a href="https://hcommons.org/activity/p/1874260/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juan Antonio Fernandez Rivero deposited La colección de fotografías de España, Portugal  y Gibraltar de la casa Francis Frith &#38; Co.</title>
				<link>https://hcommons.org/activity/p/1874145/</link>
				<pubDate>Wed, 31 Jan 2024 11:53:34 -0500</pubDate>

									<content:encoded><![CDATA[<p>La colección ibérica de la casa Frith es una de las más interesantes del panorama fotográfico peninsular del siglo XIX. Y ello es así por lo temprano de su realización, en la década de 1860, por su extensión, numérica y geográfica, y también por su calidad técnica y artística.<br />
En 2007 esta colección fue objeto de un amplio estudio y una excelen&hellip;<span class="activity-read-more" id="activity-read-more-1874145"><a href="https://hcommons.org/activity/p/1874145/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juan Antonio Fernandez Rivero deposited The collection of photographs from Spain, Portugal and Gibraltar of Francis Frith &#38; Co. in the group History of Illustration and Illustration Studies</title>
				<link>https://hcommons.org/activity/p/1873730/</link>
				<pubDate>Sun, 28 Jan 2024 03:03:34 -0500</pubDate>

									<content:encoded><![CDATA[<p>The Iberian collection of Frith &amp; Co. is one of the most interesting in the 19th century peninsular photographic scene. And this is so due to its earliness in the 1860s, due to its numerical and geographical extension, and also due to its technical and artistic quality.</p>
<p>In 2007, this collection was the subject of an extensive study and an&hellip;<span class="activity-read-more" id="activity-read-more-1873730"><a href="https://hcommons.org/activity/p/1873730/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juan Antonio Fernandez Rivero deposited The collection of photographs from Spain, Portugal and Gibraltar of Francis Frith &#38; Co. in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1873729/</link>
				<pubDate>Sun, 28 Jan 2024 03:03:33 -0500</pubDate>

									<content:encoded><![CDATA[<p>The Iberian collection of Frith &amp; Co. is one of the most interesting in the 19th century peninsular photographic scene. And this is so due to its earliness in the 1860s, due to its numerical and geographical extension, and also due to its technical and artistic quality.</p>
<p>In 2007, this collection was the subject of an extensive study and an&hellip;<span class="activity-read-more" id="activity-read-more-1873729"><a href="https://hcommons.org/activity/p/1873729/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">7a9582dd4717fd7f0ea0a577bf189313</guid>
				<title>Juan Antonio Fernandez Rivero deposited The collection of photographs from Spain, Portugal and Gibraltar of Francis Frith &#38; Co. in the group Digital Humanists</title>
				<link>https://hcommons.org/activity/p/1873728/</link>
				<pubDate>Sun, 28 Jan 2024 03:03:18 -0500</pubDate>

									<content:encoded><![CDATA[<p>The Iberian collection of Frith &amp; Co. is one of the most interesting in the 19th century peninsular photographic scene. And this is so due to its earliness in the 1860s, due to its numerical and geographical extension, and also due to its technical and artistic quality.</p>
<p>In 2007, this collection was the subject of an extensive study and an&hellip;<span class="activity-read-more" id="activity-read-more-1873728"><a href="https://hcommons.org/activity/p/1873728/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juan Antonio Fernandez Rivero deposited The collection of photographs from Spain, Portugal and Gibraltar of Francis Frith &#38; Co.</title>
				<link>https://hcommons.org/activity/p/1873678/</link>
				<pubDate>Sat, 27 Jan 2024 13:17:14 -0500</pubDate>

									<content:encoded><![CDATA[<p>The Iberian collection of Frith &amp; Co. is one of the most interesting in the 19th century peninsular photographic scene. And this is so due to its earliness in the 1860s, due to its numerical and geographical extension, and also due to its technical and artistic quality.</p>
<p>In 2007, this collection was the subject of an extensive study and an&hellip;<span class="activity-read-more" id="activity-read-more-1873678"><a href="https://hcommons.org/activity/p/1873678/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juan Antonio Fernandez Rivero deposited British Stereo Photographers in Spain: Frank M. Good in the group History of Illustration and Illustration Studies</title>
				<link>https://hcommons.org/activity/p/1818248/</link>
				<pubDate>Thu, 20 Oct 2022 02:25:49 -0400</pubDate>

									<content:encoded><![CDATA[<p>Unlike French stereo photographers, who flooded the market with Spanish views, the most important British publishers and photographers rarely made Spanish views. Quite possibly this was precisely because of the rapid market penetration of the French, such as Gaudin, Ferrier and others, and in spite of the leading British photographic houses, such&hellip;<span class="activity-read-more" id="activity-read-more-1818248"><a href="https://hcommons.org/activity/p/1818248/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">07be2232a42c25b6a00ce98927e1db91</guid>
				<title>Juan Antonio Fernandez Rivero deposited British Stereo Photographers in Spain: Frank M. Good in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1818247/</link>
				<pubDate>Thu, 20 Oct 2022 02:25:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>Unlike French stereo photographers, who flooded the market with Spanish views, the most important British publishers and photographers rarely made Spanish views. Quite possibly this was precisely because of the rapid market penetration of the French, such as Gaudin, Ferrier and others, and in spite of the leading British photographic houses, such&hellip;<span class="activity-read-more" id="activity-read-more-1818247"><a href="https://hcommons.org/activity/p/1818247/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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					<item>
				<guid isPermaLink="false">3eaeedc823b7ce4f54b54a83765afb31</guid>
				<title>Juan Antonio Fernandez Rivero deposited British Stereo Photographers in Spain: Frank M. Good in the group History</title>
				<link>https://hcommons.org/activity/p/1818246/</link>
				<pubDate>Thu, 20 Oct 2022 02:25:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>Unlike French stereo photographers, who flooded the market with Spanish views, the most important British publishers and photographers rarely made Spanish views. Quite possibly this was precisely because of the rapid market penetration of the French, such as Gaudin, Ferrier and others, and in spite of the leading British photographic houses, such&hellip;<span class="activity-read-more" id="activity-read-more-1818246"><a href="https://hcommons.org/activity/p/1818246/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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					<item>
				<guid isPermaLink="false">1be6eeb4ac87d4ff1c5d6193c297e90b</guid>
				<title>Juan Antonio Fernandez Rivero deposited British Stereo Photographers in Spain: Frank M. Good in the group Digital Humanists</title>
				<link>https://hcommons.org/activity/p/1818245/</link>
				<pubDate>Thu, 20 Oct 2022 02:25:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>Unlike French stereo photographers, who flooded the market with Spanish views, the most important British publishers and photographers rarely made Spanish views. Quite possibly this was precisely because of the rapid market penetration of the French, such as Gaudin, Ferrier and others, and in spite of the leading British photographic houses, such&hellip;<span class="activity-read-more" id="activity-read-more-1818245"><a href="https://hcommons.org/activity/p/1818245/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juan Antonio Fernandez Rivero deposited La obra fotográfica de José Spreáfico in the group History of Illustration and Illustration Studies</title>
				<link>https://hcommons.org/activity/p/1818244/</link>
				<pubDate>Thu, 20 Oct 2022 02:25:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>José Spreáfico (1831-1878) is especially known for his two albums conserved in the archive of the Royal Palace (Madrid): the railroad from Malaga to Cordoba and La Rábida. Their daring plans of bridges and railroads and their additions to the human element, have captivated the authors who have been dealing with the history of Spanish ph&hellip;<span class="activity-read-more" id="activity-read-more-1818244"><a href="https://hcommons.org/activity/p/1818244/" rel="nofollow ugc">[Read more]</a></span></p>
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					<item>
				<guid isPermaLink="false">6769b9f8249121ac4dd880cd6ee0c741</guid>
				<title>Juan Antonio Fernandez Rivero deposited La obra fotográfica de José Spreáfico in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1818243/</link>
				<pubDate>Thu, 20 Oct 2022 02:25:27 -0400</pubDate>

									<content:encoded><![CDATA[<p>José Spreáfico (1831-1878) is especially known for his two albums conserved in the archive of the Royal Palace (Madrid): the railroad from Malaga to Cordoba and La Rábida. Their daring plans of bridges and railroads and their additions to the human element, have captivated the authors who have been dealing with the history of Spanish ph&hellip;<span class="activity-read-more" id="activity-read-more-1818243"><a href="https://hcommons.org/activity/p/1818243/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">ad739be8227d71269b48f31233a10f23</guid>
				<title>Juan Antonio Fernandez Rivero deposited La obra fotográfica de José Spreáfico in the group Digital Humanists</title>
				<link>https://hcommons.org/activity/p/1818242/</link>
				<pubDate>Thu, 20 Oct 2022 02:25:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>José Spreáfico (1831-1878) is especially known for his two albums conserved in the archive of the Royal Palace (Madrid): the railroad from Malaga to Cordoba and La Rábida. Their daring plans of bridges and railroads and their additions to the human element, have captivated the authors who have been dealing with the history of Spanish ph&hellip;<span class="activity-read-more" id="activity-read-more-1818242"><a href="https://hcommons.org/activity/p/1818242/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juan Antonio Fernandez Rivero deposited La fotografía militar en la guerra de África: Enrique Facio in the group History of Illustration and Illustration Studies</title>
				<link>https://hcommons.org/activity/p/1818241/</link>
				<pubDate>Thu, 20 Oct 2022 02:25:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first time that there is historical steadfastness of the presence of a photographer in a warlike conflict, as graphic correspondent is in the war of Crimea, in 1854-55. In the successive conflicts armed with importance that happen from this date, 1859 and 1860, with the reunification of Italy and other episodes in the British empire, the photo&hellip;<span class="activity-read-more" id="activity-read-more-1818241"><a href="https://hcommons.org/activity/p/1818241/" rel="nofollow ugc">[Read more]</a></span></p>
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					<item>
				<guid isPermaLink="false">283554c3affcde8a2b6401963b2d0b36</guid>
				<title>Juan Antonio Fernandez Rivero deposited La fotografía militar en la guerra de África: Enrique Facio in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1818240/</link>
				<pubDate>Thu, 20 Oct 2022 02:25:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first time that there is historical steadfastness of the presence of a photographer in a warlike conflict, as graphic correspondent is in the war of Crimea, in 1854-55. In the successive conflicts armed with importance that happen from this date, 1859 and 1860, with the reunification of Italy and other episodes in the British empire, the photo&hellip;<span class="activity-read-more" id="activity-read-more-1818240"><a href="https://hcommons.org/activity/p/1818240/" rel="nofollow ugc">[Read more]</a></span></p>
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					<item>
				<guid isPermaLink="false">ebe83c04e6db27fe690e599d346e3ba3</guid>
				<title>Juan Antonio Fernandez Rivero deposited La fotografía militar en la guerra de África: Enrique Facio in the group History</title>
				<link>https://hcommons.org/activity/p/1818239/</link>
				<pubDate>Thu, 20 Oct 2022 02:25:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first time that there is historical steadfastness of the presence of a photographer in a warlike conflict, as graphic correspondent is in the war of Crimea, in 1854-55. In the successive conflicts armed with importance that happen from this date, 1859 and 1860, with the reunification of Italy and other episodes in the British empire, the photo&hellip;<span class="activity-read-more" id="activity-read-more-1818239"><a href="https://hcommons.org/activity/p/1818239/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">aea5579ff3e8e6d30436276cd2d83593</guid>
				<title>Juan Antonio Fernandez Rivero deposited La fotografía militar en la guerra de África: Enrique Facio in the group Digital Humanists</title>
				<link>https://hcommons.org/activity/p/1818238/</link>
				<pubDate>Thu, 20 Oct 2022 02:24:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first time that there is historical steadfastness of the presence of a photographer in a warlike conflict, as graphic correspondent is in the war of Crimea, in 1854-55. In the successive conflicts armed with importance that happen from this date, 1859 and 1860, with the reunification of Italy and other episodes in the British empire, the photo&hellip;<span class="activity-read-more" id="activity-read-more-1818238"><a href="https://hcommons.org/activity/p/1818238/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Juan Antonio Fernandez Rivero deposited British Stereo Photographers in Spain: Frank M. Good</title>
				<link>https://hcommons.org/activity/p/1818173/</link>
				<pubDate>Wed, 19 Oct 2022 12:11:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>Unlike French stereo photographers, who flooded the market with Spanish views, the most important British publishers and photographers rarely made Spanish views. Quite possibly this was precisely because of the rapid market penetration of the French, such as Gaudin, Ferrier and others, and in spite of the leading British photographic houses, such&hellip;<span class="activity-read-more" id="activity-read-more-1818173"><a href="https://hcommons.org/activity/p/1818173/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">758dc0829a0e7c3c2d29fe78bd3473b8</guid>
				<title>Juan Antonio Fernandez Rivero deposited La obra fotográfica de José Spreáfico</title>
				<link>https://hcommons.org/activity/p/1818172/</link>
				<pubDate>Wed, 19 Oct 2022 11:49:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>José Spreáfico (1831-1878) is especially known for his two albums conserved in the archive of the Royal Palace (Madrid): the railroad from Malaga to Cordoba and La Rábida. Their daring plans of bridges and railroads and their additions to the human element, have captivated the authors who have been dealing with the history of Spanish ph&hellip;<span class="activity-read-more" id="activity-read-more-1818172"><a href="https://hcommons.org/activity/p/1818172/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<title>Juan Antonio Fernandez Rivero deposited La fotografía militar en la guerra de África: Enrique Facio</title>
				<link>https://hcommons.org/activity/p/1818171/</link>
				<pubDate>Wed, 19 Oct 2022 11:20:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first time that there is historical steadfastness of the presence of a photographer in a warlike conflict, as graphic correspondent is in the war of Crimea, in 1854-55. In the successive conflicts armed with importance that happen from this date, 1859 and 1860, with the reunification of Italy and other episodes in the British empire, the photo&hellip;<span class="activity-read-more" id="activity-read-more-1818171"><a href="https://hcommons.org/activity/p/1818171/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">eb8dcd10f47dd4691bc4f580ceed2c97</guid>
				<title>Juan Antonio Fernandez Rivero deposited La estereoscopia en España – Introducción y desarrollo in the group History of Illustration and Illustration Studies</title>
				<link>https://hcommons.org/activity/p/1816478/</link>
				<pubDate>Wed, 05 Oct 2022 02:23:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>A complete investigation of the introduction of the photographic technique of stereoscopy in Spain, its development through the photographers who practiced it and their photographs. / Una completa investigación de la introducción de la técnica fotográfica de la estereoscopia en España, su desarrollo a través de los fotógrafos que la practi&hellip;<span class="activity-read-more" id="activity-read-more-1816478"><a href="https://hcommons.org/activity/p/1816478/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">55111fd862012ad7007f4b006de0b294</guid>
				<title>Juan Antonio Fernandez Rivero deposited La estereoscopia en España – Introducción y desarrollo in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1816477/</link>
				<pubDate>Wed, 05 Oct 2022 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>A complete investigation of the introduction of the photographic technique of stereoscopy in Spain, its development through the photographers who practiced it and their photographs. / Una completa investigación de la introducción de la técnica fotográfica de la estereoscopia en España, su desarrollo a través de los fotógrafos que la practi&hellip;<span class="activity-read-more" id="activity-read-more-1816477"><a href="https://hcommons.org/activity/p/1816477/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">5ed6ebc0aa0e77e0454a45cfde0c35b9</guid>
				<title>Juan Antonio Fernandez Rivero deposited La estereoscopia en España – Introducción y desarrollo</title>
				<link>https://hcommons.org/activity/p/1816421/</link>
				<pubDate>Tue, 04 Oct 2022 16:11:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>A complete investigation of the introduction of the photographic technique of stereoscopy in Spain, its development through the photographers who practiced it and their photographs. / Una completa investigación de la introducción de la técnica fotográfica de la estereoscopia en España, su desarrollo a través de los fotógrafos que la practi&hellip;<span class="activity-read-more" id="activity-read-more-1816421"><a href="https://hcommons.org/activity/p/1816421/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">364adde7af1e229c14f63494f8360c8a</guid>
				<title>Juan Antonio Fernandez Rivero deposited La Casa Laurent y la fotografía estereoscópica / The Laurent Company and stereoscopic photography in the group Public Humanities</title>
				<link>https://hcommons.org/activity/p/1787687/</link>
				<pubDate>Tue, 19 Jul 2022 02:23:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>The enormous interest that justifiably awakens the figure of Jean Laurent and his photographic work, not only among photohistorians but also in those who are interested in the many facets of cultural life of the nineteenth century in Spain, even in the general public, corresponds in reality to the large number of studies that he has been the&hellip;<span class="activity-read-more" id="activity-read-more-1787687"><a href="https://hcommons.org/activity/p/1787687/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d97c2463cdce5157a617a36d045c47ee</guid>
				<title>Juan Antonio Fernandez Rivero deposited La Casa Laurent y la fotografía estereoscópica / The Laurent Company and stereoscopic photography in the group History of Illustration and Illustration Studies</title>
				<link>https://hcommons.org/activity/p/1787686/</link>
				<pubDate>Tue, 19 Jul 2022 02:23:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>The enormous interest that justifiably awakens the figure of Jean Laurent and his photographic work, not only among photohistorians but also in those who are interested in the many facets of cultural life of the nineteenth century in Spain, even in the general public, corresponds in reality to the large number of studies that he has been the&hellip;<span class="activity-read-more" id="activity-read-more-1787686"><a href="https://hcommons.org/activity/p/1787686/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">02245e5eca55d4da95dc9fb3d1c39626</guid>
				<title>Juan Antonio Fernandez Rivero deposited La Casa Laurent y la fotografía estereoscópica / The Laurent Company and stereoscopic photography in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1787685/</link>
				<pubDate>Tue, 19 Jul 2022 02:23:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>The enormous interest that justifiably awakens the figure of Jean Laurent and his photographic work, not only among photohistorians but also in those who are interested in the many facets of cultural life of the nineteenth century in Spain, even in the general public, corresponds in reality to the large number of studies that he has been the&hellip;<span class="activity-read-more" id="activity-read-more-1787685"><a href="https://hcommons.org/activity/p/1787685/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">63abc40ea403ec905b00d9d1094b95c6</guid>
				<title>Juan Antonio Fernandez Rivero deposited La Casa Laurent y la fotografía estereoscópica / The Laurent Company and stereoscopic photography</title>
				<link>https://hcommons.org/activity/p/1787533/</link>
				<pubDate>Mon, 18 Jul 2022 10:23:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>The enormous interest that justifiably awakens the figure of Jean Laurent and his photographic work, not only among photohistorians but also in those who are interested in the many facets of cultural life of the nineteenth century in Spain, even in the general public, corresponds in reality to the large number of studies that he has been the&hellip;<span class="activity-read-more" id="activity-read-more-1787533"><a href="https://hcommons.org/activity/p/1787533/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">dbabe2ba1b715b26260852073594a20c</guid>
				<title>Juan Antonio Fernandez Rivero deposited La fotografía en la obra de Gustavo Doré durante su viaje a España in the group Public Humanities</title>
				<link>https://hcommons.org/activity/p/1703565/</link>
				<pubDate>Thu, 30 Jul 2020 02:25:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>Gustavo  Doré  is  considered  one  of  the  great  universal  illustrators.  Throughout his  life  he  made  a  very  extensive  work  highlighting  especially  the  work  done  to illustrate  the  Bible,  the  Quixote  and  the  Divine  Comedy.  In  1862  he  embarked on  a  trip  through  Spain  accompanied  by  hispanist  Charles  Davillier.&hellip;<span class="activity-read-more" id="activity-read-more-1703565"><a href="https://hcommons.org/activity/p/1703565/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">078203ae650311bef743a1ecf43d4ee9</guid>
				<title>Juan Antonio Fernandez Rivero deposited La fotografía en la obra de Gustavo Doré durante su viaje a España in the group History of Illustration and Illustration Studies</title>
				<link>https://hcommons.org/activity/p/1703564/</link>
				<pubDate>Thu, 30 Jul 2020 02:25:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>Gustavo  Doré  is  considered  one  of  the  great  universal  illustrators.  Throughout his  life  he  made  a  very  extensive  work  highlighting  especially  the  work  done  to illustrate  the  Bible,  the  Quixote  and  the  Divine  Comedy.  In  1862  he  embarked on  a  trip  through  Spain  accompanied  by  hispanist  Charles  Davillier.&hellip;<span class="activity-read-more" id="activity-read-more-1703564"><a href="https://hcommons.org/activity/p/1703564/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d30de976f6864e2d2c7be9317b6f117d</guid>
				<title>Juan Antonio Fernandez Rivero deposited La fotografía en la obra de Gustavo Doré durante su viaje a España in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1703563/</link>
				<pubDate>Thu, 30 Jul 2020 02:25:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>Gustavo  Doré  is  considered  one  of  the  great  universal  illustrators.  Throughout his  life  he  made  a  very  extensive  work  highlighting  especially  the  work  done  to illustrate  the  Bible,  the  Quixote  and  the  Divine  Comedy.  In  1862  he  embarked on  a  trip  through  Spain  accompanied  by  hispanist  Charles  Davillier.&hellip;<span class="activity-read-more" id="activity-read-more-1703563"><a href="https://hcommons.org/activity/p/1703563/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">5acdd3a647a92e1b8c1b94e6fa83958d</guid>
				<title>Juan Antonio Fernandez Rivero deposited La fotografía en la obra de Gustavo Doré durante su viaje a España in the group History</title>
				<link>https://hcommons.org/activity/p/1703562/</link>
				<pubDate>Thu, 30 Jul 2020 02:25:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>Gustavo  Doré  is  considered  one  of  the  great  universal  illustrators.  Throughout his  life  he  made  a  very  extensive  work  highlighting  especially  the  work  done  to illustrate  the  Bible,  the  Quixote  and  the  Divine  Comedy.  In  1862  he  embarked on  a  trip  through  Spain  accompanied  by  hispanist  Charles  Davillier.&hellip;<span class="activity-read-more" id="activity-read-more-1703562"><a href="https://hcommons.org/activity/p/1703562/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">43472a7daf8e789726a56d5d7a8227d3</guid>
				<title>Juan Antonio Fernandez Rivero deposited La fotografía en la obra de Gustavo Doré durante su viaje a España in the group Digital Humanists</title>
				<link>https://hcommons.org/activity/p/1703561/</link>
				<pubDate>Thu, 30 Jul 2020 02:24:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>Gustavo  Doré  is  considered  one  of  the  great  universal  illustrators.  Throughout his  life  he  made  a  very  extensive  work  highlighting  especially  the  work  done  to illustrate  the  Bible,  the  Quixote  and  the  Divine  Comedy.  In  1862  he  embarked on  a  trip  through  Spain  accompanied  by  hispanist  Charles  Davillier.&hellip;<span class="activity-read-more" id="activity-read-more-1703561"><a href="https://hcommons.org/activity/p/1703561/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">9c1a87eb511310e2420d5201acc0531f</guid>
				<title>Juan Antonio Fernandez Rivero deposited La fotografía en la obra de Gustavo Doré durante su viaje a España</title>
				<link>https://hcommons.org/activity/p/1703516/</link>
				<pubDate>Wed, 29 Jul 2020 17:46:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>Gustavo  Doré  is  considered  one  of  the  great  universal  illustrators.  Throughout his  life  he  made  a  very  extensive  work  highlighting  especially  the  work  done  to illustrate  the  Bible,  the  Quixote  and  the  Divine  Comedy.  In  1862  he  embarked on  a  trip  through  Spain  accompanied  by  hispanist  Charles  Davillier.&hellip;<span class="activity-read-more" id="activity-read-more-1703516"><a href="https://hcommons.org/activity/p/1703516/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f90183165a8752e8cec17ec156782015</guid>
				<title>Juan Antonio Fernandez Rivero deposited El álbum de Adra in the group Public Humanities</title>
				<link>https://hcommons.org/activity/p/1692387/</link>
				<pubDate>Fri, 19 Jun 2020 16:29:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>The discovery of a photo album of the nineteenth century, the Andalusian village of Adra, Albuñol, Berja, Dalias and Almeria itself, causes a thorough investigation into its origin and its authors link with the history of these towns.<br />
Spanish abstract: El descubrimiento de un álbum con fotografías del siglo XIX, de las localidades almeríenses de&hellip;<span class="activity-read-more" id="activity-read-more-1692387"><a href="https://hcommons.org/activity/p/1692387/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">859c6c652aab16dc721621034b4a0c76</guid>
				<title>Juan Antonio Fernandez Rivero deposited El álbum de Adra in the group History of Illustration and Illustration Studies</title>
				<link>https://hcommons.org/activity/p/1692386/</link>
				<pubDate>Fri, 19 Jun 2020 16:29:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>The discovery of a photo album of the nineteenth century, the Andalusian village of Adra, Albuñol, Berja, Dalias and Almeria itself, causes a thorough investigation into its origin and its authors link with the history of these towns.<br />
Spanish abstract: El descubrimiento de un álbum con fotografías del siglo XIX, de las localidades almeríenses de&hellip;<span class="activity-read-more" id="activity-read-more-1692386"><a href="https://hcommons.org/activity/p/1692386/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">dc4a3896c2c061f9a1aeb2f61120cb71</guid>
				<title>Juan Antonio Fernandez Rivero deposited El álbum de Adra in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1692385/</link>
				<pubDate>Fri, 19 Jun 2020 16:29:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>The discovery of a photo album of the nineteenth century, the Andalusian village of Adra, Albuñol, Berja, Dalias and Almeria itself, causes a thorough investigation into its origin and its authors link with the history of these towns.<br />
Spanish abstract: El descubrimiento de un álbum con fotografías del siglo XIX, de las localidades almeríenses de&hellip;<span class="activity-read-more" id="activity-read-more-1692385"><a href="https://hcommons.org/activity/p/1692385/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">4b34d3dafa7da91e40cfcc0968d8db5b</guid>
				<title>Juan Antonio Fernandez Rivero deposited El álbum de Adra in the group Digital Humanists</title>
				<link>https://hcommons.org/activity/p/1692384/</link>
				<pubDate>Fri, 19 Jun 2020 16:29:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>The discovery of a photo album of the nineteenth century, the Andalusian village of Adra, Albuñol, Berja, Dalias and Almeria itself, causes a thorough investigation into its origin and its authors link with the history of these towns.<br />
Spanish abstract: El descubrimiento de un álbum con fotografías del siglo XIX, de las localidades almeríenses de&hellip;<span class="activity-read-more" id="activity-read-more-1692384"><a href="https://hcommons.org/activity/p/1692384/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">21e4a533cc6a61ae2dc2b40ec872eaf9</guid>
				<title>Juan Antonio Fernandez Rivero deposited La España romántica en versión estereoscópica in the group Public Humanities</title>
				<link>https://hcommons.org/activity/p/1692383/</link>
				<pubDate>Fri, 19 Jun 2020 16:29:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>After the discoveries and experiences of Charles Wheatstone and David Brewster, the stereoscopic photography turns into a great industry from the second half of the decade of 1850. The photography in general and the stereoscopic especially had great influence in the iconographic world of his time and therefore also in the image or graphic&hellip;<span class="activity-read-more" id="activity-read-more-1692383"><a href="https://hcommons.org/activity/p/1692383/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">36dac396100d1d0cf1d9e3b6d9b6824e</guid>
				<title>Juan Antonio Fernandez Rivero deposited La España romántica en versión estereoscópica in the group History of Illustration and Illustration Studies</title>
				<link>https://hcommons.org/activity/p/1692382/</link>
				<pubDate>Fri, 19 Jun 2020 16:29:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>After the discoveries and experiences of Charles Wheatstone and David Brewster, the stereoscopic photography turns into a great industry from the second half of the decade of 1850. The photography in general and the stereoscopic especially had great influence in the iconographic world of his time and therefore also in the image or graphic&hellip;<span class="activity-read-more" id="activity-read-more-1692382"><a href="https://hcommons.org/activity/p/1692382/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">36dac396100d1d0cf1d9e3b6d9b6824e</guid>
				<title>Juan Antonio Fernandez Rivero deposited La España romántica en versión estereoscópica in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1692381/</link>
				<pubDate>Fri, 19 Jun 2020 16:29:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>After the discoveries and experiences of Charles Wheatstone and David Brewster, the stereoscopic photography turns into a great industry from the second half of the decade of 1850. The photography in general and the stereoscopic especially had great influence in the iconographic world of his time and therefore also in the image or graphic&hellip;<span class="activity-read-more" id="activity-read-more-1692381"><a href="https://hcommons.org/activity/p/1692381/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">0ec8e5f56c39c5e2d6b98d392fe5c15b</guid>
				<title>Juan Antonio Fernandez Rivero deposited La España romántica en versión estereoscópica in the group Digital Humanists</title>
				<link>https://hcommons.org/activity/p/1692378/</link>
				<pubDate>Fri, 19 Jun 2020 16:28:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>After the discoveries and experiences of Charles Wheatstone and David Brewster, the stereoscopic photography turns into a great industry from the second half of the decade of 1850. The photography in general and the stereoscopic especially had great influence in the iconographic world of his time and therefore also in the image or graphic&hellip;<span class="activity-read-more" id="activity-read-more-1692378"><a href="https://hcommons.org/activity/p/1692378/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">0417b9d8352721eb42885fda47bb9cea</guid>
				<title>Juan Antonio Fernandez Rivero deposited Laurent y Málaga in the group History of Illustration and Illustration Studies</title>
				<link>https://hcommons.org/activity/p/1692377/</link>
				<pubDate>Fri, 19 Jun 2020 16:28:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>Jean Laurent, of French origin, opened a photography studio in Madrid in the mid-1850s. During the following decades, between 1860 and 1880, he consolidated the most important photographic company in the Spain of the nineteenth century, in the style of the great European photographic houses. His work encompassed a large collection of sights and&hellip;<span class="activity-read-more" id="activity-read-more-1692377"><a href="https://hcommons.org/activity/p/1692377/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">037109c14c805c849b73e722dbc502e0</guid>
				<title>Juan Antonio Fernandez Rivero deposited Laurent y Málaga in the group History of Art</title>
				<link>https://hcommons.org/activity/p/1692376/</link>
				<pubDate>Fri, 19 Jun 2020 16:28:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>Jean Laurent, of French origin, opened a photography studio in Madrid in the mid-1850s. During the following decades, between 1860 and 1880, he consolidated the most important photographic company in the Spain of the nineteenth century, in the style of the great European photographic houses. His work encompassed a large collection of sights and&hellip;<span class="activity-read-more" id="activity-read-more-1692376"><a href="https://hcommons.org/activity/p/1692376/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">54ec68aa76a51921adb1fd0f6c619dd8</guid>
				<title>Juan Antonio Fernandez Rivero deposited Laurent y Málaga in the group Digital Humanists</title>
				<link>https://hcommons.org/activity/p/1692374/</link>
				<pubDate>Fri, 19 Jun 2020 16:28:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>Jean Laurent, of French origin, opened a photography studio in Madrid in the mid-1850s. During the following decades, between 1860 and 1880, he consolidated the most important photographic company in the Spain of the nineteenth century, in the style of the great European photographic houses. His work encompassed a large collection of sights and&hellip;<span class="activity-read-more" id="activity-read-more-1692374"><a href="https://hcommons.org/activity/p/1692374/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">0fc5f527998af477ff52b870af0b4a36</guid>
				<title>Juan Antonio Fernandez Rivero deposited El álbum de Adra</title>
				<link>https://hcommons.org/activity/p/1692001/</link>
				<pubDate>Wed, 17 Jun 2020 19:09:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>The discovery of a photo album of the nineteenth century, the Andalusian village of Adra, Albuñol, Berja, Dalias and Almeria itself, causes a thorough investigation into its origin and its authors link with the history of these towns.<br />
Spanish abstract: El descubrimiento de un álbum con fotografías del siglo XIX, de las localidades almeríenses de&hellip;<span class="activity-read-more" id="activity-read-more-1692001"><a href="https://hcommons.org/activity/p/1692001/" rel="nofollow ugc">[Read more]</a></span></p>
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