Unlike French stereo photographers, who flooded the market with Spanish views, the most important British publishers and photographers rarely made Spanish views. Quite possibly this was precisely because of the rapid market penetration of the French, such as Gaudin, Ferrier and others, and in spite of the leading British photographic houses, such…[Read more]

Unlike French stereo photographers, who flooded the market with Spanish views, the most important British publishers and photographers rarely made Spanish views. Quite possibly this was precisely because of the rapid market penetration of the French, such as Gaudin, Ferrier and others, and in spite of the leading British photographic houses, such…[Read more]

Unlike French stereo photographers, who flooded the market with Spanish views, the most important British publishers and photographers rarely made Spanish views. Quite possibly this was precisely because of the rapid market penetration of the French, such as Gaudin, Ferrier and others, and in spite of the leading British photographic houses, such…[Read more]

Unlike French stereo photographers, who flooded the market with Spanish views, the most important British publishers and photographers rarely made Spanish views. Quite possibly this was precisely because of the rapid market penetration of the French, such as Gaudin, Ferrier and others, and in spite of the leading British photographic houses, such…[Read more]

José Spreáfico (1831-1878) is especially known for his two albums conserved in the archive of the Royal Palace (Madrid): the railroad from Malaga to Cordoba and La Rábida. Their daring plans of bridges and railroads and their additions to the human element, have captivated the authors who have been dealing with the history of Spanish ph…[Read more]

José Spreáfico (1831-1878) is especially known for his two albums conserved in the archive of the Royal Palace (Madrid): the railroad from Malaga to Cordoba and La Rábida. Their daring plans of bridges and railroads and their additions to the human element, have captivated the authors who have been dealing with the history of Spanish ph…[Read more]

José Spreáfico (1831-1878) is especially known for his two albums conserved in the archive of the Royal Palace (Madrid): the railroad from Malaga to Cordoba and La Rábida. Their daring plans of bridges and railroads and their additions to the human element, have captivated the authors who have been dealing with the history of Spanish ph…[Read more]

The first time that there is historical steadfastness of the presence of a photographer in a warlike conflict, as graphic correspondent is in the war of Crimea, in 1854-55. In the successive conflicts armed with importance that happen from this date, 1859 and 1860, with the reunification of Italy and other episodes in the British empire, the photo…[Read more]

The first time that there is historical steadfastness of the presence of a photographer in a warlike conflict, as graphic correspondent is in the war of Crimea, in 1854-55. In the successive conflicts armed with importance that happen from this date, 1859 and 1860, with the reunification of Italy and other episodes in the British empire, the photo…[Read more]

The first time that there is historical steadfastness of the presence of a photographer in a warlike conflict, as graphic correspondent is in the war of Crimea, in 1854-55. In the successive conflicts armed with importance that happen from this date, 1859 and 1860, with the reunification of Italy and other episodes in the British empire, the photo…[Read more]

The first time that there is historical steadfastness of the presence of a photographer in a warlike conflict, as graphic correspondent is in the war of Crimea, in 1854-55. In the successive conflicts armed with importance that happen from this date, 1859 and 1860, with the reunification of Italy and other episodes in the British empire, the photo…[Read more]

A complete investigation of the introduction of the photographic technique of stereoscopy in Spain, its development through the photographers who practiced it and their photographs. / Una completa investigación de la introducción de la técnica fotográfica de la estereoscopia en España, su desarrollo a través de los fotógrafos que la practi…[Read more]

A complete investigation of the introduction of the photographic technique of stereoscopy in Spain, its development through the photographers who practiced it and their photographs. / Una completa investigación de la introducción de la técnica fotográfica de la estereoscopia en España, su desarrollo a través de los fotógrafos que la practi…[Read more]

The enormous interest that justifiably awakens the figure of Jean Laurent and his photographic work, not only among photohistorians but also in those who are interested in the many facets of cultural life of the nineteenth century in Spain, even in the general public, corresponds in reality to the large number of studies that he has been the…[Read more]

The enormous interest that justifiably awakens the figure of Jean Laurent and his photographic work, not only among photohistorians but also in those who are interested in the many facets of cultural life of the nineteenth century in Spain, even in the general public, corresponds in reality to the large number of studies that he has been the…[Read more]

The enormous interest that justifiably awakens the figure of Jean Laurent and his photographic work, not only among photohistorians but also in those who are interested in the many facets of cultural life of the nineteenth century in Spain, even in the general public, corresponds in reality to the large number of studies that he has been the…[Read more]