https://mla.hcommons.org/members/iwhittin/activity/ Activity feed for Ian Whittington. Sat, 04 Apr 2026 20:18:31 -0400 https://buddypress.org/?v=10.6.0 en-US 30 hourly 2 6cbfa8bcd427eb94d2d463c6551d52d8 https://hcommons.org/activity/p/1830513/ Thu, 19 Jan 2023 14:11:10 -0500 0 5ae9ea6e7ca6f9ab537647f0662fab86 https://hcommons.org/activity/p/1780039/ Thu, 28 Apr 2022 16:43:49 -0400 0 e2089884e2d7bf0c464996af73d5db5a https://hcommons.org/activity/p/1759517/ Tue, 23 Nov 2021 17:27:57 -0500 0 4ac816e04166a3da7786ab97852fe59f https://hcommons.org/activity/p/1688976/ Thu, 28 May 2020 17:51:19 -0400 0 e506ac87688e57b7195b03fea5e719d9 https://hcommons.org/activity/p/1660691/ Mon, 19 Aug 2019 18:49:48 -0400 0 baacd02bf0b3f74ac934351f5d1ae2a9 https://hcommons.org/activity/p/1641692/ Wed, 05 Jun 2019 14:16:32 -0400 0 f452b0f082b3eb1d33d2b9e57aa7cec8 https://hcommons.org/activity/p/1623057/ Tue, 06 Nov 2018 18:44:40 -0500 0 877e90e8954f8ac4a4a0ede0f86e8419 https://hcommons.org/activity/p/1580649/ Wed, 06 Sep 2017 14:28:44 -0400 Rose Macaulay’s The World My Wilderness (1950) rewrites post-Second World War crises of displacement, child combat, and state re-integration through the genre of the domestic melodrama. Adolescent protagonists Barbary and Raoul move from France to London at the end of the war as both combatants and refugees, having spent the conflict aiding the R…[Read more]

]]> 0 26285ad89559a906bb0a92f98c78da57 https://hcommons.org/activity/p/1580646/ Wed, 06 Sep 2017 14:18:45 -0400 This article approaches the problem of reconstructing the culturally situated audience experience of radio programming through the example of Louis MacNeice’s wartime radio broadcasts, notably “Alexander Nevsky” and “Christopher Columbus”. The article draws on audience research reports, internal correspondence, and close analysis of the broadcasts…[Read more]

]]> 0 77df69e5223172d473c74282ecb18afb https://hcommons.org/activity/p/1580643/ Wed, 06 Sep 2017 14:11:12 -0400 This article provides an overview of the history of radio studies as it intersects with twentieth-century literary studies, and outlines recent research trends in the field. Beginning with the earliest theorists and practitioners of radio (including Hilda Matheson, Rudolf Arnheim, and Lance Sieveking), the article considers how mid-twentieth…[Read more]

]]> 0 74609b732feb1cf2fd4ac346c6327c9d https://hcommons.org/activity/p/1580642/ Wed, 06 Sep 2017 14:03:20 -0400 Zoë Wicomb’s You Can’t Get Lost in Cape Town (1987) uses bodily and material waste to figure larger social processes of marginalization, dispossession, and racial abjection during the apartheid era. As the apartheid regime sought to devalue black and “coloured” lives, while simultaneously profiting from their land and labor, it pushed non-whit…[Read more]

]]> 0 1c29425bce3cb6493a904c7ae6f0ba98 https://hcommons.org/activity/p/1580641/ Wed, 06 Sep 2017 13:55:49 -0400 0 aae79a8da8853dbfb4818bd70283ca25 https://hcommons.org/activity/p/1579855/ Sun, 27 Aug 2017 18:10:41 -0400 This course is intended to give students a broad introduction to (primarily) British modernist fiction in the context of the new media ecology of the early twentieth century. Other media (radio, film), genres (drama), and national traditions (Irish, American, German, Soviet) make appearances.

]]> 0 125a9a2ae10ee3013e762215c35aa016 https://hcommons.org/activity/p/1579847/ Sun, 27 Aug 2017 14:17:40 -0400 0 b10d21fa47eef4ecec497bd95d5d22ba https://hcommons.org/activity/p/1579846/ Sun, 27 Aug 2017 14:04:22 -0400 0