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	<title>MLA Commons | Howard Williams | Activity</title>
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				<title>Howard Williams&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1940122/</link>
				<pubDate>Mon, 05 Jan 2026 08:09:59 -0500</pubDate>

				
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				<title>Howard Williams&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1919377/</link>
				<pubDate>Mon, 02 Jun 2025 06:24:39 -0400</pubDate>

				
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				<title>Howard Williams deposited Rethinking Wat's Dyke: A Monument's Flow in a Hydraulic Frontier Zone in the group Early Medieval</title>
				<link>https://hcommons.org/activity/p/1816954/</link>
				<pubDate>Sun, 09 Oct 2022 02:27:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>Britain’s second-longest early medieval monument – Wat’s Dyke – was a component of an early medieval hydraulic frontier zone rather than primarily serving as a symbol of power, a fixed territorial border or a military stop-line. Wat’s Dyke was not only created to monitor and control mobility over land, but specifically did so through its careful a&hellip;<span class="activity-read-more" id="activity-read-more-1816954"><a href="https://hcommons.org/activity/p/1816954/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Howard Williams deposited Rethinking Wat's Dyke: A Monument's Flow in a Hydraulic Frontier Zone in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1816953/</link>
				<pubDate>Sun, 09 Oct 2022 02:27:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>Britain’s second-longest early medieval monument – Wat’s Dyke – was a component of an early medieval hydraulic frontier zone rather than primarily serving as a symbol of power, a fixed territorial border or a military stop-line. Wat’s Dyke was not only created to monitor and control mobility over land, but specifically did so through its careful a&hellip;<span class="activity-read-more" id="activity-read-more-1816953"><a href="https://hcommons.org/activity/p/1816953/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Howard Williams deposited Drawing the Line: What's What's Dyke? Practice and Process in the group Early Medieval</title>
				<link>https://hcommons.org/activity/p/1816952/</link>
				<pubDate>Sun, 09 Oct 2022 02:26:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>Often neglected and misunderstood, there are considerable challenges to digital and real-world public engagement with Britain’s third-longest linear monument, Wat’s Dyke (Williams 2020a). To foster public education and understanding regarding of Wat’s Dyke’s relationship to the broader story of Anglo-Welsh borderlands, but also to encoura&hellip;<span class="activity-read-more" id="activity-read-more-1816952"><a href="https://hcommons.org/activity/p/1816952/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Howard Williams deposited Drawing the Line: What's What's Dyke? Practice and Process in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1816951/</link>
				<pubDate>Sun, 09 Oct 2022 02:26:27 -0400</pubDate>

									<content:encoded><![CDATA[<p>Often neglected and misunderstood, there are considerable challenges to digital and real-world public engagement with Britain’s third-longest linear monument, Wat’s Dyke (Williams 2020a). To foster public education and understanding regarding of Wat’s Dyke’s relationship to the broader story of Anglo-Welsh borderlands, but also to encoura&hellip;<span class="activity-read-more" id="activity-read-more-1816951"><a href="https://hcommons.org/activity/p/1816951/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Howard Williams deposited What's Wat's Dyke? Wrexham Comic Heritage Trail in the group Early Medieval</title>
				<link>https://hcommons.org/activity/p/1816950/</link>
				<pubDate>Sun, 09 Oct 2022 02:26:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>We hope this comic heritage trail for Wrexham helps introduce you to Britain&#8217;s third-longest ancient monument</p>
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				<title>Howard Williams deposited What's Wat's Dyke? Wrexham Comic Heritage Trail in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1816949/</link>
				<pubDate>Sun, 09 Oct 2022 02:25:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>We hope this comic heritage trail for Wrexham helps introduce you to Britain&#8217;s third-longest ancient monument</p>
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				<title>Howard Williams deposited Collaboratory through Crises: Researching Linear Monuments in 2021 in the group Early Medieval</title>
				<link>https://hcommons.org/activity/p/1816948/</link>
				<pubDate>Sun, 09 Oct 2022 02:25:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article introduces the third volume of the Offa’s Dyke Journal (ODJ). As well as reviewing ODJ 3’s contents, I present reviews of the journal received to date, notable new publications on linear monuments, and the Collaboratory’s key activities during 2021. The context and significance of the research network’s ongoing endeavours are present&hellip;<span class="activity-read-more" id="activity-read-more-1816948"><a href="https://hcommons.org/activity/p/1816948/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Howard Williams deposited Collaboratory through Crises: Researching Linear Monuments in 2021 in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1816947/</link>
				<pubDate>Sun, 09 Oct 2022 02:25:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article introduces the third volume of the Offa’s Dyke Journal (ODJ). As well as reviewing ODJ 3’s contents, I present reviews of the journal received to date, notable new publications on linear monuments, and the Collaboratory’s key activities during 2021. The context and significance of the research network’s ongoing endeavours are present&hellip;<span class="activity-read-more" id="activity-read-more-1816947"><a href="https://hcommons.org/activity/p/1816947/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Howard Williams deposited Destroy the 'Sutton Hoo Treasure'! in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1816946/</link>
				<pubDate>Sun, 09 Oct 2022 02:24:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter presents a survey and critique of the use of ‘treasure(s)’ to describe the burial assemblage from the Mound 1 ship-burial at Sutton Hoo since its discovery in 1939. I argue that referring to the contents of Mound 1 as ‘treasure(s)’ is not merely misrepresenting, commodifying and sensationalising its funerary context and wider signifi&hellip;<span class="activity-read-more" id="activity-read-more-1816946"><a href="https://hcommons.org/activity/p/1816946/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Howard Williams deposited Introduction: the Public Archaeology of Treasure in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1816945/</link>
				<pubDate>Sun, 09 Oct 2022 02:24:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>Setting the stage for The Public Archaeology of Treasure, this chapter presents the complex intersections of ‘treasure’ in archaeological teaching and research and archaeology’s interactions with a range of different publics on local, regional, national and international scales. The chapter also identifies the global issues in heritage conse&hellip;<span class="activity-read-more" id="activity-read-more-1816945"><a href="https://hcommons.org/activity/p/1816945/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Howard Williams deposited Dai Morgan Evans: a life in archaeology in the group Early Medieval</title>
				<link>https://hcommons.org/activity/p/1816944/</link>
				<pubDate>Sun, 09 Oct 2022 02:24:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>Introduction to the collected essays of Professor Dai Morgan Evans</p>
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				<title>Howard Williams deposited Dai Morgan Evans: a life in archaeology in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1816943/</link>
				<pubDate>Sun, 09 Oct 2022 02:23:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>Introduction to the collected essays of Professor Dai Morgan Evans</p>
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				<title>Howard Williams deposited Rethinking Wat's Dyke: A Monument's Flow in a Hydraulic Frontier Zone</title>
				<link>https://hcommons.org/activity/p/1816922/</link>
				<pubDate>Sat, 08 Oct 2022 15:31:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>Britain’s second-longest early medieval monument – Wat’s Dyke – was a component of an early medieval hydraulic frontier zone rather than primarily serving as a symbol of power, a fixed territorial border or a military stop-line. Wat’s Dyke was not only created to monitor and control mobility over land, but specifically did so through its careful a&hellip;<span class="activity-read-more" id="activity-read-more-1816922"><a href="https://hcommons.org/activity/p/1816922/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Howard Williams deposited Drawing the Line: What's What's Dyke? Practice and Process</title>
				<link>https://hcommons.org/activity/p/1816921/</link>
				<pubDate>Sat, 08 Oct 2022 15:24:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>Often neglected and misunderstood, there are considerable challenges to digital and real-world public engagement with Britain’s third-longest linear monument, Wat’s Dyke (Williams 2020a). To foster public education and understanding regarding of Wat’s Dyke’s relationship to the broader story of Anglo-Welsh borderlands, but also to encoura&hellip;<span class="activity-read-more" id="activity-read-more-1816921"><a href="https://hcommons.org/activity/p/1816921/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Howard Williams deposited What's Wat's Dyke? Wrexham Comic Heritage Trail</title>
				<link>https://hcommons.org/activity/p/1816920/</link>
				<pubDate>Sat, 08 Oct 2022 15:21:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>We hope this comic heritage trail for Wrexham helps introduce you to Britain&#8217;s third-longest ancient monument</p>
]]></content:encoded>
				
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				<title>Howard Williams deposited Collaboratory through Crises: Researching Linear Monuments in 2021</title>
				<link>https://hcommons.org/activity/p/1816919/</link>
				<pubDate>Sat, 08 Oct 2022 15:14:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article introduces the third volume of the Offa’s Dyke Journal (ODJ). As well as reviewing ODJ 3’s contents, I present reviews of the journal received to date, notable new publications on linear monuments, and the Collaboratory’s key activities during 2021. The context and significance of the research network’s ongoing endeavours are present&hellip;<span class="activity-read-more" id="activity-read-more-1816919"><a href="https://hcommons.org/activity/p/1816919/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">53cca0973c7fcf80e2c0a836712a3401</guid>
				<title>Howard Williams deposited Destroy the 'Sutton Hoo Treasure'!</title>
				<link>https://hcommons.org/activity/p/1816918/</link>
				<pubDate>Sat, 08 Oct 2022 15:05:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>This chapter presents a survey and critique of the use of ‘treasure(s)’ to describe the burial assemblage from the Mound 1 ship-burial at Sutton Hoo since its discovery in 1939. I argue that referring to the contents of Mound 1 as ‘treasure(s)’ is not merely misrepresenting, commodifying and sensationalising its funerary context and wider signifi&hellip;<span class="activity-read-more" id="activity-read-more-1816918"><a href="https://hcommons.org/activity/p/1816918/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Howard Williams deposited Introduction: the Public Archaeology of Treasure</title>
				<link>https://hcommons.org/activity/p/1816917/</link>
				<pubDate>Sat, 08 Oct 2022 15:02:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>Setting the stage for The Public Archaeology of Treasure, this chapter presents the complex intersections of ‘treasure’ in archaeological teaching and research and archaeology’s interactions with a range of different publics on local, regional, national and international scales. The chapter also identifies the global issues in heritage conse&hellip;<span class="activity-read-more" id="activity-read-more-1816917"><a href="https://hcommons.org/activity/p/1816917/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Howard Williams deposited Dai Morgan Evans: a life in archaeology</title>
				<link>https://hcommons.org/activity/p/1816916/</link>
				<pubDate>Sat, 08 Oct 2022 14:56:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>Introduction to the collected essays of Professor Dai Morgan Evans</p>
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				<title>Howard Williams deposited Envisioning Wat’s Dyke in the group Early Medieval</title>
				<link>https://hcommons.org/activity/p/1719733/</link>
				<pubDate>Sun, 13 Dec 2020 02:24:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>In response to the challenge set by one of us (Williams this volume), this chapter explores new avenues for a public archaeology of Wat’s Dyke. A host of digital and real-world initiatives for public and community engagement are suggested, but the focus is upon one new initiative: the What’s Wat’s Dyke? Heritage Trail which aims to envision Wat’s&hellip;<span class="activity-read-more" id="activity-read-more-1719733"><a href="https://hcommons.org/activity/p/1719733/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c3d5c8b4b7ac581c3828a4715f7bd556</guid>
				<title>Howard Williams deposited Envisioning Wat’s Dyke in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1719732/</link>
				<pubDate>Sun, 13 Dec 2020 02:23:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>In response to the challenge set by one of us (Williams this volume), this chapter explores new avenues for a public archaeology of Wat’s Dyke. A host of digital and real-world initiatives for public and community engagement are suggested, but the focus is upon one new initiative: the What’s Wat’s Dyke? Heritage Trail which aims to envision Wat’s&hellip;<span class="activity-read-more" id="activity-read-more-1719732"><a href="https://hcommons.org/activity/p/1719732/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Howard Williams deposited Interpreting Wat’s Dyke in the 21st Century in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1719690/</link>
				<pubDate>Sat, 12 Dec 2020 02:41:15 -0500</pubDate>

									<content:encoded><![CDATA[<p>Linear monuments offer special challenges in the context of the public archaeology of frontiers and borderlands. This chapter tackles the interpretive neglect of Britain’s second-longest early medieval earthwork, Wat’s Dyke, showing how its sparse and sporadic archaeological attention is reflected in poor and out-dated public archaeology and her&hellip;<span class="activity-read-more" id="activity-read-more-1719690"><a href="https://hcommons.org/activity/p/1719690/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Howard Williams deposited Undead Divides: An Archaeology of Walls in The Walking Dead in the group Early Medieval</title>
				<link>https://hcommons.org/activity/p/1719689/</link>
				<pubDate>Sat, 12 Dec 2020 02:40:51 -0500</pubDate>

									<content:encoded><![CDATA[<p>In 2010, the zombie horror genre gained even greater popularity than the huge following it had previously enjoyed when AMC’s The Walking Dead (TWD) first aired. The chapter surveys the archaeology of this fictional post-apocalyptic material world in the show’s seasons 1–9, focusing on its mural practices and environments which draw upon ancie&hellip;<span class="activity-read-more" id="activity-read-more-1719689"><a href="https://hcommons.org/activity/p/1719689/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c23bcb0a91b763dd5f15ce8c0dc608ae</guid>
				<title>Howard Williams deposited Undead Divides: An Archaeology of Walls in The Walking Dead in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1719688/</link>
				<pubDate>Sat, 12 Dec 2020 02:40:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>In 2010, the zombie horror genre gained even greater popularity than the huge following it had previously enjoyed when AMC’s The Walking Dead (TWD) first aired. The chapter surveys the archaeology of this fictional post-apocalyptic material world in the show’s seasons 1–9, focusing on its mural practices and environments which draw upon ancie&hellip;<span class="activity-read-more" id="activity-read-more-1719688"><a href="https://hcommons.org/activity/p/1719688/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Howard Williams deposited The biography of borderlands: Old Oswestry hillfort and modern heritage debates in the group Early Medieval</title>
				<link>https://hcommons.org/activity/p/1719687/</link>
				<pubDate>Sat, 12 Dec 2020 02:39:57 -0500</pubDate>

									<content:encoded><![CDATA[<p>Responding to the recently published edited collection exploring the hillfort and landscape context of Old Oswestry (Shropshire, England) by heritage professionals connected to the Hands off Old Oswestry Hillfort heritage protection campaign (Malim and Nash 2020), this chapter reviews and reflects on the significance of the overall&hellip;<span class="activity-read-more" id="activity-read-more-1719687"><a href="https://hcommons.org/activity/p/1719687/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b0aae765440f3a1ece5f97adf2553413</guid>
				<title>Howard Williams deposited The biography of borderlands: Old Oswestry hillfort and modern heritage debates in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1719686/</link>
				<pubDate>Sat, 12 Dec 2020 02:39:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>Responding to the recently published edited collection exploring the hillfort and landscape context of Old Oswestry (Shropshire, England) by heritage professionals connected to the Hands off Old Oswestry Hillfort heritage protection campaign (Malim and Nash 2020), this chapter reviews and reflects on the significance of the overall&hellip;<span class="activity-read-more" id="activity-read-more-1719686"><a href="https://hcommons.org/activity/p/1719686/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Howard Williams deposited Public Archaeologies from the Edge in the group Early Medieval</title>
				<link>https://hcommons.org/activity/p/1719685/</link>
				<pubDate>Sat, 12 Dec 2020 02:39:02 -0500</pubDate>

									<content:encoded><![CDATA[<p>The chapter serves to introduce the first-ever book dedicated to public archaeologies of frontiers and borderlands. We identify the hitherto neglect of this critical field which seeks to explore the heritage, public engagements, popular cultures and politics of frontiers and borderlands past and present. We review the 2019 conference organised by&hellip;<span class="activity-read-more" id="activity-read-more-1719685"><a href="https://hcommons.org/activity/p/1719685/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">febfe4ec2c47a4a4d8e14fb5137a578d</guid>
				<title>Howard Williams deposited Public Archaeologies from the Edge in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1719684/</link>
				<pubDate>Sat, 12 Dec 2020 02:38:33 -0500</pubDate>

									<content:encoded><![CDATA[<p>The chapter serves to introduce the first-ever book dedicated to public archaeologies of frontiers and borderlands. We identify the hitherto neglect of this critical field which seeks to explore the heritage, public engagements, popular cultures and politics of frontiers and borderlands past and present. We review the 2019 conference organised by&hellip;<span class="activity-read-more" id="activity-read-more-1719684"><a href="https://hcommons.org/activity/p/1719684/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">9277ce5a4ffb4c6c6556b79d73b8f02d</guid>
				<title>Howard Williams deposited Living after Offa: Place-Names and Society Memory in the Welsh Marches in the group Early Medieval</title>
				<link>https://hcommons.org/activity/p/1719683/</link>
				<pubDate>Sat, 12 Dec 2020 02:38:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>How are linear monuments perceived in the contemporary landscape and how do they operate as memoryscapes for today’s borderland communities? When considering Offa’s Dyke and Wat’s Dyke in today’s world, we must take into account the generations who have long lived in these monuments’ shadows and interacted with them. Even if perhaps only being dim&hellip;<span class="activity-read-more" id="activity-read-more-1719683"><a href="https://hcommons.org/activity/p/1719683/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d17155331a289da8dd38e2ecad19a09a</guid>
				<title>Howard Williams deposited Living after Offa: Place-Names and Society Memory in the Welsh Marches in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1719682/</link>
				<pubDate>Sat, 12 Dec 2020 02:37:39 -0500</pubDate>

									<content:encoded><![CDATA[<p>How are linear monuments perceived in the contemporary landscape and how do they operate as memoryscapes for today’s borderland communities? When considering Offa’s Dyke and Wat’s Dyke in today’s world, we must take into account the generations who have long lived in these monuments’ shadows and interacted with them. Even if perhaps only being dim&hellip;<span class="activity-read-more" id="activity-read-more-1719682"><a href="https://hcommons.org/activity/p/1719682/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">973feda4301539630adf8d7311addcd7</guid>
				<title>Howard Williams deposited Collaboratory, coronavirus and the colonial countryside in the group Early Medieval</title>
				<link>https://hcommons.org/activity/p/1719681/</link>
				<pubDate>Sat, 12 Dec 2020 02:37:14 -0500</pubDate>

									<content:encoded><![CDATA[<p>Introducing the second volume of the Offa’s Dyke Journal (ODJ), this five-part article sets the scene by reviewing: (i) key recent research augmenting last year’s Introduction (Williams and Delaney 2019); (ii) the key activities of the Offa’s Dyke Collaboratory in 2020; (iii) the political mobilisation of Offa’s Dyke in the context of the COVID-1&hellip;<span class="activity-read-more" id="activity-read-more-1719681"><a href="https://hcommons.org/activity/p/1719681/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d73579788483d264f8f3b518f7a94290</guid>
				<title>Howard Williams deposited Collaboratory, coronavirus and the colonial countryside in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1719680/</link>
				<pubDate>Sat, 12 Dec 2020 02:36:43 -0500</pubDate>

									<content:encoded><![CDATA[<p>Introducing the second volume of the Offa’s Dyke Journal (ODJ), this five-part article sets the scene by reviewing: (i) key recent research augmenting last year’s Introduction (Williams and Delaney 2019); (ii) the key activities of the Offa’s Dyke Collaboratory in 2020; (iii) the political mobilisation of Offa’s Dyke in the context of the COVID-1&hellip;<span class="activity-read-more" id="activity-read-more-1719680"><a href="https://hcommons.org/activity/p/1719680/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">6f9f303336b8121851d6b67baea1ce88</guid>
				<title>Howard Williams deposited Envisioning Wat’s Dyke</title>
				<link>https://hcommons.org/activity/p/1719648/</link>
				<pubDate>Fri, 11 Dec 2020 19:48:11 -0500</pubDate>

									<content:encoded><![CDATA[<p>In response to the challenge set by one of us (Williams this volume), this chapter explores new avenues for a public archaeology of Wat’s Dyke. A host of digital and real-world initiatives for public and community engagement are suggested, but the focus is upon one new initiative: the What’s Wat’s Dyke? Heritage Trail which aims to envision Wat’s&hellip;<span class="activity-read-more" id="activity-read-more-1719648"><a href="https://hcommons.org/activity/p/1719648/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">76dd52c41028ca0492f4f64cb95f8f60</guid>
				<title>Howard Williams deposited Interpreting Wat’s Dyke in the 21st Century</title>
				<link>https://hcommons.org/activity/p/1719647/</link>
				<pubDate>Fri, 11 Dec 2020 19:46:15 -0500</pubDate>

									<content:encoded><![CDATA[<p>Linear monuments offer special challenges in the context of the public archaeology of frontiers and borderlands. This chapter tackles the interpretive neglect of Britain’s second-longest early medieval earthwork, Wat’s Dyke, showing how its sparse and sporadic archaeological attention is reflected in poor and out-dated public archaeology and her&hellip;<span class="activity-read-more" id="activity-read-more-1719647"><a href="https://hcommons.org/activity/p/1719647/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">01f915be095e7d55d094da16e84195be</guid>
				<title>Howard Williams deposited Undead Divides: An Archaeology of Walls in The Walking Dead</title>
				<link>https://hcommons.org/activity/p/1719646/</link>
				<pubDate>Fri, 11 Dec 2020 19:40:39 -0500</pubDate>

									<content:encoded><![CDATA[<p>In 2010, the zombie horror genre gained even greater popularity than the huge following it had previously enjoyed when AMC’s The Walking Dead (TWD) first aired. The chapter surveys the archaeology of this fictional post-apocalyptic material world in the show’s seasons 1–9, focusing on its mural practices and environments which draw upon ancie&hellip;<span class="activity-read-more" id="activity-read-more-1719646"><a href="https://hcommons.org/activity/p/1719646/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">2adf1c1dd81e814bc06f1da56a3cc374</guid>
				<title>Howard Williams deposited The biography of borderlands: Old Oswestry hillfort and modern heritage debates</title>
				<link>https://hcommons.org/activity/p/1719644/</link>
				<pubDate>Fri, 11 Dec 2020 19:30:41 -0500</pubDate>

									<content:encoded><![CDATA[<p>Responding to the recently published edited collection exploring the hillfort and landscape context of Old Oswestry (Shropshire, England) by heritage professionals connected to the Hands off Old Oswestry Hillfort heritage protection campaign (Malim and Nash 2020), this chapter reviews and reflects on the significance of the overall&hellip;<span class="activity-read-more" id="activity-read-more-1719644"><a href="https://hcommons.org/activity/p/1719644/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a41490ffd870bfdb0f6915e1d50fb405</guid>
				<title>Howard Williams deposited Public Archaeologies from the Edge</title>
				<link>https://hcommons.org/activity/p/1719642/</link>
				<pubDate>Fri, 11 Dec 2020 19:24:49 -0500</pubDate>

									<content:encoded><![CDATA[<p>The chapter serves to introduce the first-ever book dedicated to public archaeologies of frontiers and borderlands. We identify the hitherto neglect of this critical field which seeks to explore the heritage, public engagements, popular cultures and politics of frontiers and borderlands past and present. We review the 2019 conference organised by&hellip;<span class="activity-read-more" id="activity-read-more-1719642"><a href="https://hcommons.org/activity/p/1719642/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c3ab9635507641ed481b379715757908</guid>
				<title>Howard Williams&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1719641/</link>
				<pubDate>Fri, 11 Dec 2020 19:07:48 -0500</pubDate>

				
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				<guid isPermaLink="false">c836d3fd35bbad0e4c675f51a540eba7</guid>
				<title>Howard Williams deposited Living after Offa: Place-Names and Society Memory in the Welsh Marches</title>
				<link>https://hcommons.org/activity/p/1719640/</link>
				<pubDate>Fri, 11 Dec 2020 19:01:05 -0500</pubDate>

									<content:encoded><![CDATA[<p>How are linear monuments perceived in the contemporary landscape and how do they operate as memoryscapes for today’s borderland communities? When considering Offa’s Dyke and Wat’s Dyke in today’s world, we must take into account the generations who have long lived in these monuments’ shadows and interacted with them. Even if perhaps only being dim&hellip;<span class="activity-read-more" id="activity-read-more-1719640"><a href="https://hcommons.org/activity/p/1719640/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">ce1ec758c3ab66557aa35cb845354197</guid>
				<title>Howard Williams deposited Collaboratory, coronavirus and the colonial countryside</title>
				<link>https://hcommons.org/activity/p/1719638/</link>
				<pubDate>Fri, 11 Dec 2020 18:57:29 -0500</pubDate>

									<content:encoded><![CDATA[<p>Introducing the second volume of the Offa’s Dyke Journal (ODJ), this five-part article sets the scene by reviewing: (i) key recent research augmenting last year’s Introduction (Williams and Delaney 2019); (ii) the key activities of the Offa’s Dyke Collaboratory in 2020; (iii) the political mobilisation of Offa’s Dyke in the context of the COVID-1&hellip;<span class="activity-read-more" id="activity-read-more-1719638"><a href="https://hcommons.org/activity/p/1719638/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b3a14df59472cb1aa8674c0eaa76d91d</guid>
				<title>Howard Williams deposited Archaeology in Alfred the Great (1969) and The Last Kingdom (2015-) in the group Early Medieval</title>
				<link>https://hcommons.org/activity/p/1679964/</link>
				<pubDate>Wed, 04 Mar 2020 16:29:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>Alfred the Great (1969) was the first, and remains the only, feature-length film portraying the West Saxon king and his conflicts with the Danes. Forty-seven years later, Bernard Cornwell’s novels have been adapted for television as The Last Kingdom (2015–). Despite being fictional adaptions of historical events, and despite the considerable sep&hellip;<span class="activity-read-more" id="activity-read-more-1679964"><a href="https://hcommons.org/activity/p/1679964/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">547928e69f22a6b580a282990947e219</guid>
				<title>Howard Williams deposited Archaeology in Alfred the Great (1969) and The Last Kingdom (2015-) in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1679963/</link>
				<pubDate>Wed, 04 Mar 2020 16:28:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>Alfred the Great (1969) was the first, and remains the only, feature-length film portraying the West Saxon king and his conflicts with the Danes. Forty-seven years later, Bernard Cornwell’s novels have been adapted for television as The Last Kingdom (2015–). Despite being fictional adaptions of historical events, and despite the considerable sep&hellip;<span class="activity-read-more" id="activity-read-more-1679963"><a href="https://hcommons.org/activity/p/1679963/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">efd1a8493fa39a7924cb1ece4dd03e8e</guid>
				<title>Howard Williams deposited Death and Memory in Fragments:  Project Eliseg’s Public Archaeology in the group Early Medieval</title>
				<link>https://hcommons.org/activity/p/1679962/</link>
				<pubDate>Wed, 04 Mar 2020 16:28:04 -0500</pubDate>

									<content:encoded><![CDATA[<p>The public archaeology of death has frequently focused on the ethics and practices of excavating, displaying and curating human remains and mortuary contexts. Yet the focus of investigation is often restricted to whole, articulated bodies and tangible, complete monuments. Far fewer discussions have tackled the complex challenges of engaging the&hellip;<span class="activity-read-more" id="activity-read-more-1679962"><a href="https://hcommons.org/activity/p/1679962/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">dda2878453df946c0df1cb6651e7a868</guid>
				<title>Howard Williams deposited Death and Memory in Fragments:  Project Eliseg’s Public Archaeology in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1679961/</link>
				<pubDate>Wed, 04 Mar 2020 16:27:32 -0500</pubDate>

									<content:encoded><![CDATA[<p>The public archaeology of death has frequently focused on the ethics and practices of excavating, displaying and curating human remains and mortuary contexts. Yet the focus of investigation is often restricted to whole, articulated bodies and tangible, complete monuments. Far fewer discussions have tackled the complex challenges of engaging the&hellip;<span class="activity-read-more" id="activity-read-more-1679961"><a href="https://hcommons.org/activity/p/1679961/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">173a63a9a04edabefd6e320af8de0dbb</guid>
				<title>Howard Williams deposited Public Archaeology for the Dark Ages in the group Early Medieval</title>
				<link>https://hcommons.org/activity/p/1679960/</link>
				<pubDate>Wed, 04 Mar 2020 16:27:05 -0500</pubDate>

									<content:encoded><![CDATA[<p>This introductory chapter identifies the principal issues and themes in the public archaeology of the Early Middle Ages, exploring the specific and compelling challenges of investigating and evaluating the early medieval past in contemporary society mediated by archaeology. In doing so, we review and contextualise the contributions to the 3rd&hellip;<span class="activity-read-more" id="activity-read-more-1679960"><a href="https://hcommons.org/activity/p/1679960/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">1761287e419260f4a0de3e4c7c3d689c</guid>
				<title>Howard Williams deposited Public Archaeology for the Dark Ages in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1679959/</link>
				<pubDate>Wed, 04 Mar 2020 16:26:32 -0500</pubDate>

									<content:encoded><![CDATA[<p>This introductory chapter identifies the principal issues and themes in the public archaeology of the Early Middle Ages, exploring the specific and compelling challenges of investigating and evaluating the early medieval past in contemporary society mediated by archaeology. In doing so, we review and contextualise the contributions to the 3rd&hellip;<span class="activity-read-more" id="activity-read-more-1679959"><a href="https://hcommons.org/activity/p/1679959/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">8ac6f844b1bdfa8dd7dfc52452b4f7dc</guid>
				<title>Howard Williams deposited Displaying the Dark Ages in Museums in the group Early Medieval</title>
				<link>https://hcommons.org/activity/p/1679958/</link>
				<pubDate>Wed, 04 Mar 2020 16:26:03 -0500</pubDate>

									<content:encoded><![CDATA[<p>How museums and heritage sites in England display the early medieval past is the focus of academic and public interest and debate. Despite ever-pressured budgets and limited resources, the stories told about the early medieval past in these environments are of key importance for the story of this island, and have become increasingly important in&hellip;<span class="activity-read-more" id="activity-read-more-1679958"><a href="https://hcommons.org/activity/p/1679958/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a2f4d3bc821a62fc50149e5755bba97e</guid>
				<title>Howard Williams deposited Displaying the Dark Ages in Museums in the group Archaeology</title>
				<link>https://hcommons.org/activity/p/1679957/</link>
				<pubDate>Wed, 04 Mar 2020 16:25:32 -0500</pubDate>

									<content:encoded><![CDATA[<p>How museums and heritage sites in England display the early medieval past is the focus of academic and public interest and debate. Despite ever-pressured budgets and limited resources, the stories told about the early medieval past in these environments are of key importance for the story of this island, and have become increasingly important in&hellip;<span class="activity-read-more" id="activity-read-more-1679957"><a href="https://hcommons.org/activity/p/1679957/" rel="nofollow ugc">[Read more]</a></span></p>
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