This paper presents a study on the penetration of public discussion political memes in the hegemonic
media based on the repercussion of memes about the arrest of former Brazilian President Lula on
the websites El País (Brazilian Edition) and Estadão. The research aims to analyze the presence of
memes in the media agenda and the appropriations o…[Read more]

Literary journalism offers an important way for explaining the complexity of the scientific world to a lay audience. An analysis of two of Richard Preston’s pieces published by The New Yorker, “The Mountains of Pi” and “Capturing the Unicorn” and how they give emphasize science-in-the-making.

Literary journalism offers an important way for explaining the complexity of the scientific world to a lay audience. An analysis of two of Richard Preston’s pieces published by The New Yorker, “The Mountains of Pi” and “Capturing the Unicorn” and how they give emphasize science-in-the-making.

Literary journalism offers an important way for explaining the complexity of the scientific world to a lay audience. An analysis of two of Richard Preston’s pieces published by The New Yorker, “The Mountains of Pi” and “Capturing the Unicorn” and how they give emphasize science-in-the-making.

Literary journalism offers an important way for explaining the complexity of the scientific world to a lay audience. An analysis of two of Richard Preston’s pieces published by The New Yorker, “The Mountains of Pi” and “Capturing the Unicorn” and how they give emphasize science-in-the-making.

Literary journalism offers an important way for explaining the complexity of the scientific world to a lay audience. An analysis of two of Richard Preston’s pieces published by The New Yorker, “The Mountains of Pi” and “Capturing the Unicorn” and how they give emphasize science-in-the-making.

This essay takes a look at the works of four early literary journalists— Portuguese reporters Hermano Neves and Mário Neves, and Brazilian writers Visconde de Taunay and Euclides da Cunha—to trace the foundations of lusophone literary journalism, that is, reportage written primarily in the Portuguese language. Among the findings are that war repo…[Read more]

This essay takes a look at the works of four early literary journalists— Portuguese reporters Hermano Neves and Mário Neves, and Brazilian writers Visconde de Taunay and Euclides da Cunha—to trace the foundations of lusophone literary journalism, that is, reportage written primarily in the Portuguese language. Among the findings are that war repo…[Read more]

This essay takes a look at the works of four early literary journalists— Portuguese reporters Hermano Neves and Mário Neves, and Brazilian writers Visconde de Taunay and Euclides da Cunha—to trace the foundations of lusophone literary journalism, that is, reportage written primarily in the Portuguese language. Among the findings are that war repo…[Read more]

This essay takes a look at the works of four early literary journalists— Portuguese reporters Hermano Neves and Mário Neves, and Brazilian writers Visconde de Taunay and Euclides da Cunha—to trace the foundations of lusophone literary journalism, that is, reportage written primarily in the Portuguese language. Among the findings are that war repo…[Read more]

This work focuses on the use of the audiovisual opera recording as a document to analyze contemporary stagings labeled by the German critics as director’s theater [Regietheater]. In director’s theater, Wagner’s total artwork project [Gesamtkunstwerk] achieves a turn in meaning, for the three artistic dimensions of opera – word, music and staging…[Read more]

This work focuses on the use of the audiovisual opera recording as a document to analyze contemporary stagings labeled by the German critics as director’s theater [Regietheater]. In director’s theater, Wagner’s total artwork project [Gesamtkunstwerk] achieves a turn in meaning, for the three artistic dimensions of opera – word, music and staging…[Read more]

This work focuses on the use of the audiovisual opera recording as a document to analyze contemporary stagings labeled by the German critics as director’s theater [Regietheater]. In director’s theater, Wagner’s total artwork project [Gesamtkunstwerk] achieves a turn in meaning, for the three artistic dimensions of opera – word, music and staging…[Read more]

This work focuses on the use of the audiovisual opera recording as a document to analyze contemporary stagings labeled by the German critics as director’s theater [Regietheater]. In director’s theater, Wagner’s total artwork project [Gesamtkunstwerk] achieves a turn in meaning, for the three artistic dimensions of opera – word, music and staging…[Read more]

This work focuses on the use of the audiovisual opera recording as a document to analyze contemporary stagings labeled by the German critics as director’s theater [Regietheater]. In director’s theater, Wagner’s total artwork project [Gesamtkunstwerk] achieves a turn in meaning, for the three artistic dimensions of opera – word, music and staging…[Read more]

This paper discusses ‘Street Life’, ‘Days in the Branch’ and ‘A Place of Pasts’, excerpts fragments from The New Yorker reporter Joseph Mitchell’s unfinished memoir book he started writing during his famous period of silence from 1964 to 1994. Within the scope of Mitchell’s writings, this group of texts may be considered as part of his fourth peri…[Read more]