<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>MLA Commons | Golam Rabbani | Activity</title>
	<link>https://mla.hcommons.org/members/golamrabbani/activity/</link>
	<atom:link href="https://mla.hcommons.org/members/golamrabbani/activity/feed/" rel="self" type="application/rss+xml" />
	<description>Activity feed for Golam Rabbani.</description>
	<lastBuildDate>Sat, 04 Apr 2026 11:10:43 -0400</lastBuildDate>
	<generator>https://buddypress.org/?v=10.6.0</generator>
	<language>en-US</language>
	<ttl>30</ttl>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>2</sy:updateFrequency>
	
						<item>
				<guid isPermaLink="false">7e256a248141eff7579ec02ef1b3fb4e</guid>
				<title>Golam Rabbani&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1913181/</link>
				<pubDate>Tue, 04 Mar 2025 16:39:18 -0500</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">46d8285b2ac4ed03a5230247daf2740b</guid>
				<title>Golam Rabbani&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1894564/</link>
				<pubDate>Wed, 24 Jul 2024 19:40:09 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">20c667615a6d1b490f66c841535d478f</guid>
				<title>Golam Rabbani changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1894563/</link>
				<pubDate>Wed, 24 Jul 2024 19:37:58 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">9c69e4b69d31606efdc9a68080ca9bb7</guid>
				<title>Golam Rabbani&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1894554/</link>
				<pubDate>Wed, 24 Jul 2024 17:31:02 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a632733c91fb416d272af73ace525ebd</guid>
				<title>Golam Rabbani deposited The Creative Industries in Bangladesh: The Case of Coke Studio Bangla’s “Deora” in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/1866457/</link>
				<pubDate>Fri, 01 Dec 2023 03:04:02 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article analyzes the case of Coke Studio Bangla&#8217;s music and performance production titled &#8220;Deora.&#8221;</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">d86035d473581cc789b2ef6342ef0611</guid>
				<title>Golam Rabbani deposited The Creative Industries in Bangladesh: The Case of Coke Studio Bangla’s “Deora” in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1866456/</link>
				<pubDate>Fri, 01 Dec 2023 03:01:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article analyzes the case of Coke Studio Bangla&#8217;s music and performance production titled &#8220;Deora.&#8221;</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">3ab86a3d044ad2ce044b02ed33cbd17f</guid>
				<title>Golam Rabbani deposited The Creative Industries in Bangladesh: The Case of Coke Studio Bangla’s “Deora” in the group LLC South Asian and South Asian Diasporic</title>
				<link>https://mla.hcommons.org/activity/p/1866455/</link>
				<pubDate>Fri, 01 Dec 2023 03:00:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article analyzes the case of Coke Studio Bangla&#8217;s music and performance production titled &#8220;Deora.&#8221;</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">dc978f7dbbe60b9aad3daf88e7e268a3</guid>
				<title>Golam Rabbani deposited The Creative Industries in Bangladesh: The Case of Coke Studio Bangla’s “Deora”</title>
				<link>https://hcommons.org/activity/p/1866396/</link>
				<pubDate>Thu, 30 Nov 2023 18:55:00 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article analyzes the case of Coke Studio Bangla&#8217;s music and performance production titled &#8220;Deora.&#8221;</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">5490b5d63f070e9fdde3a97a63736ade</guid>
				<title>Golam Rabbani deposited Media and Peeping Tom Culture: Violating Familial Privacy and Communal Responsibility in the Evolution of Voyeurism in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1866344/</link>
				<pubDate>Thu, 30 Nov 2023 03:06:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>In the name of visual pleasure, there are different entertainments in today’s media that instigate voyeurism among common viewers. In this study, the author intends to focus on two phases where the spectators are turning voyeurs without their consent. In the first phase, the study reveals the process where film influences voyeuristic behavior. T&hellip;<span class="activity-read-more" id="activity-read-more-1866344"><a href="https://mla.hcommons.org/activity/p/1866344/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">bdef2a525311114cac5a46f7c4724ec7</guid>
				<title>Golam Rabbani deposited In the Light of What We Know: A Novel of Its Time in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/1866343/</link>
				<pubDate>Thu, 30 Nov 2023 03:02:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>Book review of Zia Haider Rahman&#8217;s novel In the Light of What We Know</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">882e57ab58226466d0cbb934cda2497d</guid>
				<title>Golam Rabbani deposited In the Light of What We Know: A Novel of Its Time in the group LLC South Asian and South Asian Diasporic</title>
				<link>https://mla.hcommons.org/activity/p/1866342/</link>
				<pubDate>Thu, 30 Nov 2023 03:01:48 -0500</pubDate>

									<content:encoded><![CDATA[<p>Book review of Zia Haider Rahman&#8217;s novel In the Light of What We Know</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">0b57c6528b50902ec271fe7608b76467</guid>
				<title>Golam Rabbani deposited Media and Peeping Tom Culture: Violating Familial Privacy and Communal Responsibility in the Evolution of Voyeurism</title>
				<link>https://hcommons.org/activity/p/1866284/</link>
				<pubDate>Wed, 29 Nov 2023 19:10:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>In the name of visual pleasure, there are different entertainments in today’s media that instigate voyeurism among common viewers. In this study, the author intends to focus on two phases where the spectators are turning voyeurs without their consent. In the first phase, the study reveals the process where film influences voyeuristic behavior. T&hellip;<span class="activity-read-more" id="activity-read-more-1866284"><a href="https://hcommons.org/activity/p/1866284/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">7a3ffd5dab4ed83ca809faae24103a6d</guid>
				<title>Golam Rabbani deposited In the Light of What We Know: A Novel of Its Time</title>
				<link>https://hcommons.org/activity/p/1866283/</link>
				<pubDate>Wed, 29 Nov 2023 19:00:58 -0500</pubDate>

									<content:encoded><![CDATA[<p>Book review of Zia Haider Rahman&#8217;s novel In the Light of What We Know</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">0c8253391f989a8ef15b612b2fb3beed</guid>
				<title>Golam Rabbani deposited When the Subaltern Screams: Pedophilia and Patriarchy in Humayun Ahmed’s Pleasure Boy Kômola. in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/1858686/</link>
				<pubDate>Sat, 16 Sep 2023 01:30:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper aims to analyze the depiction of pedophilia in Humayun Ahmed&#8217;s film &#8216;Pleasure Boy Kômola.&#8217; It concentrates on the social and psychological reasons for this rarely existing sexual practice or perversion and the oppressive consequences it causes on the subalterns in Bangladesh during the colonial period.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">b818dfb9ded44a636c0f68cb55409d2d</guid>
				<title>Golam Rabbani deposited When the Subaltern Screams: Pedophilia and Patriarchy in Humayun Ahmed’s Pleasure Boy Kômola. in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1858685/</link>
				<pubDate>Sat, 16 Sep 2023 01:27:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper aims to analyze the depiction of pedophilia in Humayun Ahmed&#8217;s film &#8216;Pleasure Boy Kômola.&#8217; It concentrates on the social and psychological reasons for this rarely existing sexual practice or perversion and the oppressive consequences it causes on the subalterns in Bangladesh during the colonial period.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ec8cc37e4efc11901131157a3298a1f9</guid>
				<title>Golam Rabbani deposited When the Subaltern Screams: Pedophilia and Patriarchy in Humayun Ahmed’s Pleasure Boy Kômola. in the group LLC South Asian and South Asian Diasporic</title>
				<link>https://mla.hcommons.org/activity/p/1858684/</link>
				<pubDate>Sat, 16 Sep 2023 01:26:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper aims to analyze the depiction of pedophilia in Humayun Ahmed&#8217;s film &#8216;Pleasure Boy Kômola.&#8217; It concentrates on the social and psychological reasons for this rarely existing sexual practice or perversion and the oppressive consequences it causes on the subalterns in Bangladesh during the colonial period.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">bc2c1c394b0a732a846f2edad5df6afc</guid>
				<title>Golam Rabbani deposited Heterogeneity and Baul Spirituality: The Songs of Baul Taskir Ali in Bangladesh in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/1858683/</link>
				<pubDate>Sat, 16 Sep 2023 01:21:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article briefly explores the contemporary heterogeneous song-texts of Taskir Ali (popularly known as Baul Taskir) from Sunamgonj, in the district of Sylhet, Bangladesh. Bauls are nomadic communities in Bangladesh and West Bengal, India, and they express their profound spiritual philosophy and thoughts through their songs and performance.&hellip;<span class="activity-read-more" id="activity-read-more-1858683"><a href="https://mla.hcommons.org/activity/p/1858683/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ae615cb62747646c07e843ef9ce59d41</guid>
				<title>Golam Rabbani deposited Review of Music Downtown Eastside: Human Rights and Capability Development through Music in Urban Poverty by Klisala Harrison in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1858682/</link>
				<pubDate>Sat, 16 Sep 2023 01:18:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>This book points out new ways to identify and resolve human rights and improve the competencies of urban poor communities in Vancouver, Canada.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">14930adb188f1ccc74e014405e4a1f42</guid>
				<title>Golam Rabbani deposited When the Subaltern Screams: Pedophilia and Patriarchy in Humayun Ahmed’s Pleasure Boy Kômola.</title>
				<link>https://hcommons.org/activity/p/1858542/</link>
				<pubDate>Thu, 14 Sep 2023 21:26:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper aims to analyze the depiction of pedophilia in Humayun Ahmed&#8217;s film &#8216;Pleasure Boy Kômola.&#8217; It concentrates on the social and psychological reasons for this rarely existing sexual practice or perversion and the oppressive consequences it causes on the subalterns in Bangladesh during the colonial period.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">4a9d4b4c570882e8feded2ebdbe45b96</guid>
				<title>Golam Rabbani deposited Discrimination in “the City”: Race, Class, and Gender in Toni Morrison’s Jazz</title>
				<link>https://hcommons.org/activity/p/1858541/</link>
				<pubDate>Thu, 14 Sep 2023 21:19:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>Toni Morrison, the African-American Nobel laureate author, explores the realities where African-American women face multiple discriminations in her novel Jazz (1992). This article, following the qualitative method on the bibliographic study, examines the discriminations entailing race, class, and gender and presents Harlem as a discriminatory&hellip;<span class="activity-read-more" id="activity-read-more-1858541"><a href="https://hcommons.org/activity/p/1858541/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">90fb7a36a1908256f392c58ed042f3c6</guid>
				<title>Golam Rabbani deposited Heterogeneity and Baul Spirituality: The Songs of Baul Taskir Ali in Bangladesh</title>
				<link>https://hcommons.org/activity/p/1858509/</link>
				<pubDate>Thu, 14 Sep 2023 17:38:49 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article briefly explores the contemporary heterogeneous song-texts of Taskir Ali (popularly known as Baul Taskir) from Sunamgonj, in the district of Sylhet, Bangladesh. Bauls are nomadic communities in Bangladesh and West Bengal, India, and they express their profound spiritual philosophy and thoughts through their songs and performance.&hellip;<span class="activity-read-more" id="activity-read-more-1858509"><a href="https://hcommons.org/activity/p/1858509/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">7bf86e0bac97a3192b94e9143198a30e</guid>
				<title>Golam Rabbani deposited Review of Music Downtown Eastside: Human Rights and Capability Development through Music in Urban Poverty by Klisala Harrison</title>
				<link>https://hcommons.org/activity/p/1858508/</link>
				<pubDate>Thu, 14 Sep 2023 17:31:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>This book points out new ways to identify and resolve human rights and improve the competencies of urban poor communities in Vancouver, Canada.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">6eb5dfcdddca38a1a8cbda4821637688</guid>
				<title>Golam Rabbani&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1858471/</link>
				<pubDate>Thu, 14 Sep 2023 13:51:01 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ffdd3cc0ba6a4f35bbcbb6be1b5c2aa4</guid>
				<title>Golam Rabbani&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1761019/</link>
				<pubDate>Wed, 08 Dec 2021 21:50:22 -0500</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">e6dd95ed1d1c3bf4b4989ba32c4b6fdb</guid>
				<title>Golam Rabbani&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1690672/</link>
				<pubDate>Thu, 11 Jun 2020 15:48:38 -0400</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">5aed0ada4497bbd2f348c1dc97993050</guid>
				<title>Golam Rabbani&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1675994/</link>
				<pubDate>Wed, 22 Jan 2020 01:27:01 -0500</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
		
	</channel>
</rss>