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Golam Rabbani deposited The Creative Industries in Bangladesh: The Case of Coke Studio Bangla’s “Deora” in the group
TC Postcolonial Studies on MLA Commons 1 week agoThis article analyzes the case of Coke Studio Bangla’s music and performance production titled “Deora.”
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Golam Rabbani deposited The Creative Industries in Bangladesh: The Case of Coke Studio Bangla’s “Deora” in the group
TC Popular Culture on MLA Commons 1 week agoThis article analyzes the case of Coke Studio Bangla’s music and performance production titled “Deora.”
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Golam Rabbani deposited The Creative Industries in Bangladesh: The Case of Coke Studio Bangla’s “Deora” in the group
LLC South Asian and South Asian Diasporic on MLA Commons 1 week agoThis article analyzes the case of Coke Studio Bangla’s music and performance production titled “Deora.”
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Golam Rabbani deposited The Creative Industries in Bangladesh: The Case of Coke Studio Bangla’s “Deora” on Humanities Commons 1 week ago
This article analyzes the case of Coke Studio Bangla’s music and performance production titled “Deora.”
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Golam Rabbani deposited Media and Peeping Tom Culture: Violating Familial Privacy and Communal Responsibility in the Evolution of Voyeurism in the group
TC Popular Culture on MLA Commons 1 week, 1 day agoIn the name of visual pleasure, there are different entertainments in today’s media that instigate voyeurism among common viewers. In this study, the author intends to focus on two phases where the spectators are turning voyeurs without their consent. In the first phase, the study reveals the process where film influences voyeuristic behavior. T…[Read more]
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Golam Rabbani deposited In the Light of What We Know: A Novel of Its Time in the group
TC Postcolonial Studies on MLA Commons 1 week, 1 day agoBook review of Zia Haider Rahman’s novel In the Light of What We Know
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Golam Rabbani deposited In the Light of What We Know: A Novel of Its Time in the group
LLC South Asian and South Asian Diasporic on MLA Commons 1 week, 1 day agoBook review of Zia Haider Rahman’s novel In the Light of What We Know
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Golam Rabbani deposited Media and Peeping Tom Culture: Violating Familial Privacy and Communal Responsibility in the Evolution of Voyeurism on Humanities Commons 1 week, 1 day ago
In the name of visual pleasure, there are different entertainments in today’s media that instigate voyeurism among common viewers. In this study, the author intends to focus on two phases where the spectators are turning voyeurs without their consent. In the first phase, the study reveals the process where film influences voyeuristic behavior. T…[Read more]
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Golam Rabbani deposited In the Light of What We Know: A Novel of Its Time on Humanities Commons 1 week, 1 day ago
Book review of Zia Haider Rahman’s novel In the Light of What We Know
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Golam Rabbani deposited When the Subaltern Screams: Pedophilia and Patriarchy in Humayun Ahmed’s Pleasure Boy Kômola. in the group
TC Postcolonial Studies on MLA Commons 2 months, 3 weeks agoThis paper aims to analyze the depiction of pedophilia in Humayun Ahmed’s film ‘Pleasure Boy Kômola.’ It concentrates on the social and psychological reasons for this rarely existing sexual practice or perversion and the oppressive consequences it causes on the subalterns in Bangladesh during the colonial period.
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Golam Rabbani deposited When the Subaltern Screams: Pedophilia and Patriarchy in Humayun Ahmed’s Pleasure Boy Kômola. in the group
TC Popular Culture on MLA Commons 2 months, 3 weeks agoThis paper aims to analyze the depiction of pedophilia in Humayun Ahmed’s film ‘Pleasure Boy Kômola.’ It concentrates on the social and psychological reasons for this rarely existing sexual practice or perversion and the oppressive consequences it causes on the subalterns in Bangladesh during the colonial period.
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Golam Rabbani deposited When the Subaltern Screams: Pedophilia and Patriarchy in Humayun Ahmed’s Pleasure Boy Kômola. in the group
LLC South Asian and South Asian Diasporic on MLA Commons 2 months, 3 weeks agoThis paper aims to analyze the depiction of pedophilia in Humayun Ahmed’s film ‘Pleasure Boy Kômola.’ It concentrates on the social and psychological reasons for this rarely existing sexual practice or perversion and the oppressive consequences it causes on the subalterns in Bangladesh during the colonial period.
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Golam Rabbani deposited Heterogeneity and Baul Spirituality: The Songs of Baul Taskir Ali in Bangladesh in the group
TC Postcolonial Studies on MLA Commons 2 months, 3 weeks agoThis article briefly explores the contemporary heterogeneous song-texts of Taskir Ali (popularly known as Baul Taskir) from Sunamgonj, in the district of Sylhet, Bangladesh. Bauls are nomadic communities in Bangladesh and West Bengal, India, and they express their profound spiritual philosophy and thoughts through their songs and performance.…[Read more]
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Golam Rabbani deposited Review of Music Downtown Eastside: Human Rights and Capability Development through Music in Urban Poverty by Klisala Harrison in the group
TC Popular Culture on MLA Commons 2 months, 3 weeks agoThis book points out new ways to identify and resolve human rights and improve the competencies of urban poor communities in Vancouver, Canada.
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Golam Rabbani deposited When the Subaltern Screams: Pedophilia and Patriarchy in Humayun Ahmed’s Pleasure Boy Kômola. on Humanities Commons 2 months, 3 weeks ago
This paper aims to analyze the depiction of pedophilia in Humayun Ahmed’s film ‘Pleasure Boy Kômola.’ It concentrates on the social and psychological reasons for this rarely existing sexual practice or perversion and the oppressive consequences it causes on the subalterns in Bangladesh during the colonial period.
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Golam Rabbani deposited Discrimination in “the City”: Race, Class, and Gender in Toni Morrison’s Jazz on Humanities Commons 2 months, 3 weeks ago
Toni Morrison, the African-American Nobel laureate author, explores the realities where African-American women face multiple discriminations in her novel Jazz (1992). This article, following the qualitative method on the bibliographic study, examines the discriminations entailing race, class, and gender and presents Harlem as a discriminatory…[Read more]
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Golam Rabbani deposited Heterogeneity and Baul Spirituality: The Songs of Baul Taskir Ali in Bangladesh on Humanities Commons 2 months, 3 weeks ago
This article briefly explores the contemporary heterogeneous song-texts of Taskir Ali (popularly known as Baul Taskir) from Sunamgonj, in the district of Sylhet, Bangladesh. Bauls are nomadic communities in Bangladesh and West Bengal, India, and they express their profound spiritual philosophy and thoughts through their songs and performance.…[Read more]
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Golam Rabbani deposited Review of Music Downtown Eastside: Human Rights and Capability Development through Music in Urban Poverty by Klisala Harrison on Humanities Commons 2 months, 3 weeks ago
This book points out new ways to identify and resolve human rights and improve the competencies of urban poor communities in Vancouver, Canada.
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Golam Rabbani's profile was updated on Humanities Commons 2 months, 3 weeks ago
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Golam Rabbani's profile was updated on MLA Commons 1 year, 12 months ago
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