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Gil Rodman deposited Media:Culture:Policy, or What We Talk About When We Talk About (Cultural) Policy on Humanities Commons 5 years, 5 months ago
The relationship between culture and policy has long been a major topic for media and cultural studies. With
this issue, we hope to broaden the meaning of cultural policy, from policies that are explicitly regulating
something we call the “cultural” (including media or traditional rituals or symbols) to include the practice of
policy-making and…[Read more] -
Gil Rodman deposited Cultural Studies in the group
Cultural Studies on Humanities Commons 5 years, 6 months ago
This essay explains that cultural studies is, by design, too diverse and heterogeneous a project to be reduced to a single methodology. It goes on to offer a brief definition of project, and to describe four of its major characteristics: (1) its leftist politics, (2) its radical contextualism, (3) its radical interdisciplinarity, and (4) its…[Read more]
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This essay explains that cultural studies is, by design, too diverse and heterogeneous a project to be reduced to a single methodology. It goes on to offer a brief definition of project, and to describe four of its major characteristics: (1) its leftist politics, (2) its radical contextualism, (3) its radical interdisciplinarity, and (4) its…[Read more]
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Gil Rodman deposited Notes on Reconstructing “the Popular” in the group
Cultural Studies on Humanities Commons 5 years, 6 months ago
Drawing on Stuart Hall’s influential “Notes on deconstructing ‘the
popular’” [Hall, S. (1981). In R. Samuel (Eds.), People’s history and
socialist theory (pp. 227–240). London: Routledge and Kegan Paul.],
this essay maps out some of the major shifts in cultural studies’
relationship to popular culture over the past several decades. It
co…[Read more] -
Gil Rodman deposited Notes on Reconstructing “the Popular” on Humanities Commons 5 years, 6 months ago
Drawing on Stuart Hall’s influential “Notes on deconstructing ‘the
popular’” [Hall, S. (1981). In R. Samuel (Eds.), People’s history and
socialist theory (pp. 227–240). London: Routledge and Kegan Paul.],
this essay maps out some of the major shifts in cultural studies’
relationship to popular culture over the past several decades. It
co…[Read more] -
Gil Rodman deposited Cultural Studies and Critical Literacies in the group
Cultural Studies on Humanities Commons 5 years, 6 months ago
This article introduces a special issue on the topic of Cultural Studies and Critical Literacies. The collection of articles is drawn from the central theme of the inaugural Summer Institute of the Association for Cultural Studies: to explore the implications of studying literacy by combining perspectives from cultural studies and (critical)…[Read more]
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Gil Rodman deposited Cultural Studies and Critical Literacies on Humanities Commons 5 years, 6 months ago
This article introduces a special issue on the topic of Cultural Studies and Critical Literacies. The collection of articles is drawn from the central theme of the inaugural Summer Institute of the Association for Cultural Studies: to explore the implications of studying literacy by combining perspectives from cultural studies and (critical)…[Read more]
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Gil Rodman deposited Race . . . and Other Four Letter Words: Eminem and the Cultural Politics of Authenticity in the group
Cultural Studies on Humanities Commons 5 years, 8 months ago
Rap superstar Eminem has become the new poster child for everything that’s dangerous about contemporary popular culture. He’s crude, juvenile, and foul-mouthed. His lyrics are violent, misogynistic, and homophobic. He’s corrupting our youth, poisoning our culture, and laughing about it all the way to the bank. Or so the story goes. This essay…[Read more]
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Gil Rodman deposited Race . . . and Other Four Letter Words: Eminem and the Cultural Politics of Authenticity on Humanities Commons 5 years, 8 months ago
Rap superstar Eminem has become the new poster child for everything that’s dangerous about contemporary popular culture. He’s crude, juvenile, and foul-mouthed. His lyrics are violent, misogynistic, and homophobic. He’s corrupting our youth, poisoning our culture, and laughing about it all the way to the bank. Or so the story goes. This essay…[Read more]
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Gil Rodman deposited Music for Nothing or, I Want My MP3: The Regulation and Recirculation of Affect in the group
Cultural Studies on Humanities Commons 5 years, 8 months ago
With the public discourse around filesharing veering towards punitive extremes, our aim in this essay it to reframe the issue in two ways. First, we argue that the filesharing debates are “too economic,” insofar as they reduce a multi-faceted phenomenon to a single issue: financial loss resulting from the theft of intellectual property. Lost in…[Read more]
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Gil Rodman deposited Music for Nothing or, I Want My MP3: The Regulation and Recirculation of Affect on Humanities Commons 5 years, 8 months ago
With the public discourse around filesharing veering towards punitive extremes, our aim in this essay it to reframe the issue in two ways. First, we argue that the filesharing debates are “too economic,” insofar as they reduce a multi-faceted phenomenon to a single issue: financial loss resulting from the theft of intellectual property. Lost in…[Read more]
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Gil Rodman deposited Subject To Debate: (Mis)Reading Cultural Studies in the group
Cultural Studies on Humanities Commons 5 years, 9 months ago
A critical analysis of (and intervention into) various misreadings of cultural studies.
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Gil Rodman deposited Subject To Debate: (Mis)Reading Cultural Studies on Humanities Commons 5 years, 9 months ago
A critical analysis of (and intervention into) various misreadings of cultural studies.
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Gil Rodman deposited A Hero to Most?: Elvis, Myth, and the Politics of Race in the group
Cultural Studies on Humanities Commons 6 years ago
A critical analysis of the racial politics and cultural mythologies surrounding Elvis Presley’s career and stardom.
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Gil Rodman deposited A Hero to Most?: Elvis, Myth, and the Politics of Race on Humanities Commons 6 years ago
A critical analysis of the racial politics and cultural mythologies surrounding Elvis Presley’s career and stardom.
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Gil Rodman deposited Making a Better Mystery Out of History: Of Plateaus, Roads, and Traces in the group
Cultural Studies on Humanities Commons 6 years ago
An essay exploring the serendipitous connections (theoretical, methodological, historiographic) between three seemingly unrelated books: Deleuze and Guattari’s _A Thousand Plateaus_, Carter’s _The Road to Botany Bay_, and Marcus’ _Lipstick Traces_.
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Gil Rodman deposited Making a Better Mystery Out of History: Of Plateaus, Roads, and Traces on Humanities Commons 6 years, 1 month ago
An essay exploring the serendipitous connections (theoretical, methodological, historiographic) between three seemingly unrelated books: Deleuze and Guattari’s _A Thousand Plateaus_, Carter’s _The Road to Botany Bay_, and Marcus’ _Lipstick Traces_.
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Gil Rodman changed their profile picture on Humanities Commons 6 years, 1 month ago
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Gil Rodman's profile was updated on Humanities Commons 6 years, 1 month ago