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	<title>MLA Commons | Gerard Holmes | Activity</title>
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				<title>Gerard Holmes&#039;s profile was updated</title>
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				<pubDate>Thu, 19 Feb 2026 16:22:56 -0500</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
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				<pubDate>Wed, 04 Feb 2026 17:48:05 -0500</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
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				<pubDate>Fri, 21 Mar 2025 23:04:56 -0400</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
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				<pubDate>Thu, 13 Mar 2025 15:28:46 -0400</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1908659/</link>
				<pubDate>Sun, 12 Jan 2025 20:55:27 -0500</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1907472/</link>
				<pubDate>Tue, 24 Dec 2024 17:15:12 -0500</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
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				<pubDate>Sat, 19 Oct 2024 18:12:42 -0400</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1875618/</link>
				<pubDate>Sat, 10 Feb 2024 18:57:49 -0500</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1854809/</link>
				<pubDate>Mon, 14 Aug 2023 15:43:08 -0400</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1820307/</link>
				<pubDate>Sun, 06 Nov 2022 19:06:34 -0500</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1816831/</link>
				<pubDate>Fri, 07 Oct 2022 13:21:59 -0400</pubDate>

				
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				<title>Gerard Holmes deposited George Sand’s Consuelo, Nineteenth-Century American Literature, and Pleasure-Writing</title>
				<link>https://hcommons.org/activity/p/1776226/</link>
				<pubDate>Tue, 29 Mar 2022 17:21:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>In spring 2020, I finished my dissertation, on nineteenth-century American literature and improvisation, and decided to read for pleasure for a while.  I had time in my hands, because &#8211; thanks to COVID &#8211; there were no jobs available. I&#8217;d set aside many books and essays while writing the dissertation. Among these were George Sand&#8217;s novels Consuelo&hellip;<span class="activity-read-more" id="activity-read-more-1776226"><a href="https://hcommons.org/activity/p/1776226/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1759165/</link>
				<pubDate>Sat, 20 Nov 2021 16:13:47 -0500</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1749550/</link>
				<pubDate>Wed, 18 Aug 2021 19:14:21 -0400</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1745317/</link>
				<pubDate>Fri, 09 Jul 2021 21:22:53 -0400</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1735667/</link>
				<pubDate>Wed, 21 Apr 2021 21:16:24 -0400</pubDate>

				
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				<title>Gerard Holmes deposited "‘The Bird / Who Sings the Same, Unheard, / As Unto Crowd —’: Dickinson, Birdsong, and the Business of Improvisation" in the group TC Popular Culture</title>
				<link>https://hcommons.org/activity/p/1724419/</link>
				<pubDate>Fri, 22 Jan 2021 02:39:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>Birds are everywhere in nineteenth-century American literature, including the work of Emily Dickinson. Women poets often referred to their poems in terms of making songs. This essay rethinks the birds in Dickinson’s letters and poems. It suggests that Dickinson’s birds, and their songs, show her awareness of business. They exist within com&hellip;<span class="activity-read-more" id="activity-read-more-1724419"><a href="https://hcommons.org/activity/p/1724419/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gerard Holmes deposited "‘The Bird / Who Sings the Same, Unheard, / As Unto Crowd —’: Dickinson, Birdsong, and the Business of Improvisation" in the group MS Sound</title>
				<link>https://mla.hcommons.org/activity/p/1724418/</link>
				<pubDate>Fri, 22 Jan 2021 02:36:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>Birds are everywhere in nineteenth-century American literature, including the work of Emily Dickinson. Women poets often referred to their poems in terms of making songs. This essay rethinks the birds in Dickinson’s letters and poems. It suggests that Dickinson’s birds, and their songs, show her awareness of business. They exist within com&hellip;<span class="activity-read-more" id="activity-read-more-1724418"><a href="https://mla.hcommons.org/activity/p/1724418/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gerard Holmes deposited "‘The Bird / Who Sings the Same, Unheard, / As Unto Crowd —’: Dickinson, Birdsong, and the Business of Improvisation" in the group LLC 19th-Century American</title>
				<link>https://mla.hcommons.org/activity/p/1724417/</link>
				<pubDate>Fri, 22 Jan 2021 02:33:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>Birds are everywhere in nineteenth-century American literature, including the work of Emily Dickinson. Women poets often referred to their poems in terms of making songs. This essay rethinks the birds in Dickinson’s letters and poems. It suggests that Dickinson’s birds, and their songs, show her awareness of business. They exist within com&hellip;<span class="activity-read-more" id="activity-read-more-1724417"><a href="https://mla.hcommons.org/activity/p/1724417/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gerard Holmes deposited "‘The Bird / Who Sings the Same, Unheard, / As Unto Crowd —’: Dickinson, Birdsong, and the Business of Improvisation" in the group GS Poetry and Poetics</title>
				<link>https://mla.hcommons.org/activity/p/1724416/</link>
				<pubDate>Fri, 22 Jan 2021 02:29:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>Birds are everywhere in nineteenth-century American literature, including the work of Emily Dickinson. Women poets often referred to their poems in terms of making songs. This essay rethinks the birds in Dickinson’s letters and poems. It suggests that Dickinson’s birds, and their songs, show her awareness of business. They exist within com&hellip;<span class="activity-read-more" id="activity-read-more-1724416"><a href="https://mla.hcommons.org/activity/p/1724416/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gerard Holmes deposited "‘The Bird / Who Sings the Same, Unheard, / As Unto Crowd —’: Dickinson, Birdsong, and the Business of Improvisation"</title>
				<link>https://hcommons.org/activity/p/1724344/</link>
				<pubDate>Thu, 21 Jan 2021 18:32:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>Birds are everywhere in nineteenth-century American literature, including the work of Emily Dickinson. Women poets often referred to their poems in terms of making songs. This essay rethinks the birds in Dickinson’s letters and poems. It suggests that Dickinson’s birds, and their songs, show her awareness of business. They exist within com&hellip;<span class="activity-read-more" id="activity-read-more-1724344"><a href="https://hcommons.org/activity/p/1724344/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1724343/</link>
				<pubDate>Thu, 21 Jan 2021 18:09:58 -0500</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1717399/</link>
				<pubDate>Wed, 18 Nov 2020 17:53:09 -0500</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1717027/</link>
				<pubDate>Mon, 16 Nov 2020 22:01:38 -0500</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1716928/</link>
				<pubDate>Mon, 16 Nov 2020 12:43:53 -0500</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1692436/</link>
				<pubDate>Fri, 19 Jun 2020 19:41:48 -0400</pubDate>

				
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				<title>Gerard Holmes deposited “Emily Dickinson, Jenny Lind, and Rural Nineteenth-Century Fandom,” Reception: Texts, Readers, Audiences, History.</title>
				<link>https://hcommons.org/activity/p/1692435/</link>
				<pubDate>Fri, 19 Jun 2020 19:37:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>Although Emily Dickinson’s papers were preserved because of her place in literary history, not her musical knowledge, her engagement with music provides an opportunity to consider pre-twentieth-century fandom. New technologies and established social networks enabled fandom for a young rural woman. For this population more than male and urban a&hellip;<span class="activity-read-more" id="activity-read-more-1692435"><a href="https://hcommons.org/activity/p/1692435/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gerard Holmes edited the doc Gantt chart to track publications, conferences, etc. – independent scholar</title>
				<link>https://hcommons.org/activity/p/1688319/</link>
				<pubDate>Sat, 23 May 2020 21:47:20 -0400</pubDate>

				
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				<title>Gerard Holmes created the doc Gantt chart to track publications, conferences, etc. - independent scholar</title>
				<link>https://hcommons.org/activity/p/1688318/</link>
				<pubDate>Sat, 23 May 2020 21:46:20 -0400</pubDate>

				
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				<title>Gerard Holmes commented on the doc Resources to search for non-academic jobs in the group Academic Job Market Support Network</title>
				<link>https://hcommons.org/activity/p/1687636/</link>
				<pubDate>Mon, 18 May 2020 12:52:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>I posted this as a Word document to make it easy to to adapt and use however you see fit.</p>
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				<title>Gerard Holmes created the doc Resources to search for non-academic jobs</title>
				<link>https://hcommons.org/activity/p/1687587/</link>
				<pubDate>Sun, 17 May 2020 15:46:18 -0400</pubDate>

				
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				<title>Gerard Holmes deposited “‘Invisible, as Music –’: What the Earliest Musical Settings of Emily Dickinson’s Poems, Including Two Previously Unknown, Tell Us about Dickinson’s Musicality”</title>
				<link>https://hcommons.org/activity/p/1683567/</link>
				<pubDate>Fri, 10 Apr 2020 20:23:50 -0400</pubDate>

									<content:encoded><![CDATA[<p>Carlton Lowenberg’s Musicians Wrestle Everywhere lists “Have You Got a Brook in Your Little Heart?” (1896) as the earliest musical adaptation of Dickinson’s poetry. Yet the song’s composer, Etta Parker, was performing it two years earlier. Also in 1894, a well-known German-British composer, Jacques Blumenthal, issued two Dickinson settings&hellip;<span class="activity-read-more" id="activity-read-more-1683567"><a href="https://hcommons.org/activity/p/1683567/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1683411/</link>
				<pubDate>Wed, 08 Apr 2020 19:30:10 -0400</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1678344/</link>
				<pubDate>Thu, 13 Feb 2020 14:25:43 -0500</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1664589/</link>
				<pubDate>Thu, 26 Sep 2019 16:04:18 -0400</pubDate>

				
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				<title>Gerard Holmes&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1621834/</link>
				<pubDate>Mon, 22 Oct 2018 18:56:40 -0400</pubDate>

				
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