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	<title>MLA Commons | Farah Al-Shamali | Activity</title>
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				<title>Farah Al-Shamali&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1922275/</link>
				<pubDate>Thu, 10 Jul 2025 12:38:08 -0400</pubDate>

				
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				<title>Farah Al-Shamali&#039;s profile was updated</title>
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				<pubDate>Wed, 28 May 2025 13:09:53 -0400</pubDate>

				
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				<title>Farah Al-Shamali changed their profile picture</title>
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				<pubDate>Tue, 27 May 2025 15:38:42 -0400</pubDate>

				
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				<title>Farah Al-Shamali changed their profile picture</title>
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				<pubDate>Thu, 31 Oct 2024 18:03:07 -0400</pubDate>

				
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				<title>Farah Al-Shamali changed their profile picture</title>
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				<pubDate>Mon, 28 Oct 2024 17:01:02 -0400</pubDate>

				
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				<title>Farah Al-Shamali changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1902829/</link>
				<pubDate>Sun, 27 Oct 2024 15:21:31 -0400</pubDate>

				
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				<title>Farah Al-Shamali deposited The City of Baghdad in Art:  Innovations as Reinterpretations of Destruction</title>
				<link>https://hcommons.org/activity/p/1902731/</link>
				<pubDate>Sat, 26 Oct 2024 12:51:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>In and amongst the return to ruin ravaging the city of Baghdad, its contemporary artists lamented these violent turns unto space, taking it from utopian bliss to everyday dystopia. Their works represent a conveyance of the spatiality of pain but also a reckoning with character-altering devastation. There is further love of place even as it suffers&hellip;<span class="activity-read-more" id="activity-read-more-1902731"><a href="https://hcommons.org/activity/p/1902731/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Farah Al-Shamali deposited Baghdad City in Poetry: Fabled Metropolis Valorized and Elegized</title>
				<link>https://hcommons.org/activity/p/1901376/</link>
				<pubDate>Fri, 11 Oct 2024 07:27:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>Amongst the return to ruin ravaging Baghdad, its poets lamented the fall from utopian bliss to dystopia with their words representing a pained spatiality and reckoning with character-altering devastation. There is a love of place as it suffers human vices, one of the complexities of representation. Within these poeticisms are numerous&hellip;<span class="activity-read-more" id="activity-read-more-1901376"><a href="https://hcommons.org/activity/p/1901376/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Farah Al-Shamali changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1901052/</link>
				<pubDate>Mon, 07 Oct 2024 20:13:47 -0400</pubDate>

				
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				<title>Farah Al-Shamali&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1900757/</link>
				<pubDate>Fri, 04 Oct 2024 14:13:06 -0400</pubDate>

				
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				<title>Farah Al-Shamali changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1900729/</link>
				<pubDate>Fri, 04 Oct 2024 07:34:01 -0400</pubDate>

				
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				<title>Farah Al-Shamali deposited The City of Baghdad in Iraqi Fiction: Novelistic Depictions of a Spatiality of Ruin</title>
				<link>https://hcommons.org/activity/p/1900728/</link>
				<pubDate>Fri, 04 Oct 2024 07:29:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Iraqi novel has contended with brutish forms of violence for the better part of the past century that have essentially reshaped the narrative experience unto space. Writers are confronted with the challenge of typifying a search for meaning in and amongst character-altering ruin. At the height of its maturity today, as various works convey&hellip;<span class="activity-read-more" id="activity-read-more-1900728"><a href="https://hcommons.org/activity/p/1900728/" rel="nofollow ugc">[Read more]</a></span></p>
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