Education





2012–2013

Post Graduate Certificate in Education (English Language and Culture)

University of Bologna – School of Psychology and Education, Bologna (Italia)

 

2005–2009

PhD in Comparative Literature

University of Bologna, Bologna (Italia)

PhD Thesis: Shakespearean Representations in the Romantic Era: Stage, Visual Arts and Writing. Supervisors: Prof. Lilla Maria Crisafulli; Prof. Keir Elam.

 

2006–2007

Postgraduate Research Student

King’s College, Universiy of London, London (United Kingdom)

 

2003–2004

Master of Arts (MA) in English Literature – Romanticism

University of Bristol, Department of English, Bristol (United Kingdom)

MA Thesis: Cracking the Code: Wordsworth’s ‘Visions’ of the City. Supervisor: Prof. Timothy Webb.

 

2001–2002

Socrates/Erasmus Student

University of Bristol, Department of English, Bristol (United Kingdom)

 

1998–2003

Degree in Modern Languages and Literatures (English and French)

University of Bologna, Bologna (Italia)

 

Publications




– Keir Elam and Fabio Liberto, eds., Shakespeare and the Object, vol. 1 (Roma: Pagine, 2016).


– Keir Elam and Fabio Liberto, ‘Shakespeare and the Object: Introduction’, Shakespeare and the Object 1 (2016): 9–24.


– Lilla Maria Crisafulli and Fabio Liberto, eds., The Romantic Atage: A Many-Sided Mirror (Amsterdam; New-York: Rodopi/Brill, 2015).


– Lilla Maria Crisafulli and Fabio Liberto, ‘The Romantic Stage: Holding up the Mirror up to Nature and Culture’, in The Romantic Atage: A Many-Sided Mirror, ed. Lilla Maria Crisafulli and Fabio Liberto (Amsterdam; New-York: Rodopi/Brill, 2015), 1–21.


– Fabio Liberto, ‘Shakespeare’s Visual Memorability during Romanticism’, in The Romantic Atage: A Many-Sided Mirror, ed. Lilla Maria Crisafulli and Fabio Liberto (Amsterdam; New-York: Rodopi/Brill, 2015), 87–110.


– Fabio Liberto, ‘The Ghost behind the Masks: The Victorian Poets and Shakespeare di W. David Shaw’, Nuova informazione bibliografica 1, no. 4 (December 2015): 835–41, https://doi.org/10.1448/81964.


– Fabio Liberto, ‘Contouring the City: Different Perspectives on the Study of the Urban Space’, in Contours of the City: Interdisciplinary Perspectives on the Study of the Urban Space, ed. Fabio Liberto (Imola: La Mandragora, 2014), 11–35.


– Fabio Liberto, ed., Contours of the City: Interdisciplinary Perspectives on the Study of the Urban Space (Imola: La Mandragora, 2014).


– Fabio Liberto, ‘Romantic Revision and Coleridge’s Poetical “Dejection”’, in Art and Aesthetics in the Age of Globalization, ed. Haruhiko Fujita (Osaka: Aesthetics Laboratory of the Graduate School of Letters, 2012), 29–37, https://cris.unibo.it/handle/11585/413767#.W09ThbiYOwc.


– Fabio Liberto, ‘Poor Susans!’: Wordsworth and the ‘single(s) in the Wide Waste’, in Challenges for the 21st Century: Dilemmas, Ambiguities, Directions, ed. R. Ambrosini et al., Edizioni Q, vol. 1, 2 vols (Roma, 2011), 81–89.


– Fabio Liberto, ‘Shakespeare, Fuseli, and Problems of Visual Representation in Romantic Culture’, Textus 24, no. 1 (2011): 131–52, https://doi.org/10.1400/177151.


– Fabio Liberto, ‘The Politics of Language in P.B. Shelley’, La Questione Romantica 2, no. 1 (April 2010): 43–59.


– Fabio Liberto, ‘New Historicism’, in Manuale di letteratura e cultura inglese, ed. Lilla Maria Crisafulli and Keir Elam (Bologna: Bononia University Press, 2009), 500.


– Fabio Liberto, ‘Storia, storiografia e storie della letteratura’, in Manuale di letteratura e cultura inglese, ed. Lilla Maria Crisafulli and Keir Elam (Bologna: Bononia University Press, 2009), 495–501.


– Fabio Liberto, ‘Visions, Dreams and Reality: Charles Lamb and the Inward “Topography” of Shakespeare’s Plays’, in The Languages of Performance in British Romanticism, ed. Lilla Maria Crisafulli and Cecilia Pietropoli (Oxford; New York: P. Lang, 2008), 141–57.


– Fabio Liberto and Serena Baiesi, ‘The Romantics’ Debate on Theatre and Drama: A Selected Anthology’, in The Languages of Performance in British Romanticism, ed. Lilla Maria Crisafulli and Cecilia Pietropoli (Oxford; New York: P. Lang, 2008), 243–326.

Blog Posts

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