About

I teach and write about premodern English literature. I am the author of Meter and Modernity in English Verse, 13501650 (University of Pennsylvania Press, 2021) and English Alliterative Verse: Poetic Tradition and Literary History (Cambridge University Press, 2016), which won the 2018 English Association Beatrice White Prize. With Irina Dumitrescu, I edited The Shapes of Early English Poetry: Style, Form, History (Medieval Institute Publications, 2019). I edit the Yearbook of Langland Studies with Alastair Bennett and Katharine Breen.

My research focuses on meter and poetics (what makes poetry tick). I am especially interested in poetry from the medieval period, which has led to an interest in periodization itself. All of my scholarship addresses the historicity of early English literature: its forms and cultural meanings, and how those are mediated by modern disciplinary study. My scholarly method bridges “formalism” and “historicism.” I am interested in the social implications of literature, the phenomenology of poetry reading, and how we come to know what we think we know about the past. These interests converge on William Langland’s Piers Plowman, an enigmatic long alliterative poem of the fourteenth century.

My first two monographs rearticulated English literary history through the cultural lives of metrical traditions, a new approach I call “verse history.” One reviewer praised the methodologies of my second monograph, Meter and Modernity, as “artisanal philology.”

Education

Ph.D., English Language and Literature, Yale University
M.Phil., Medieval Studies, Yale
B.A., English and Classical Civilization, Wesleyan University

Other Publications

For a bibliography of my scholarly work, including forthcoming work, visit my personal website. I also write for public audiences.

Blog Posts

    Projects

    My current project, Unheard Melodies: Apophatic Poetics in English Literature, brings my interests in phenomenological poetics to the full gamut of English literature, from Beowulf to Claudia Rankine, and to the music of Bob Dylan, with emphasis on the fourteenth and twenty-first centuries. Pivoting historically around John Keats’s translation of Christian theological apophaticism into lyric poetry, Unheard Melodies concerns the paradoxical power of literature to represent what literature cannot represent: novels no one can read, lyrics no one can hear, syllables no one can pronounce, spaces no one can inhabit, experiences no one can have, and more. A separate series of notes and articles reconsiders the Latin poetry of John Gower.

    Memberships

    Early Book Society
    Early English Text Society
    International Piers Plowman Society
    John Gower Society
    Medieval Academy of America
    Modern Language Association
    New Chaucer Society
    Sociedad Española de Lengua y Literatura Inglesa Medieval

    Eric Weiskott

    Profile picture of Eric Weiskott

    @ericweiskott

    Active 1 month, 4 weeks ago