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	<title>MLA Commons | Elizabeth M. Holt | Activity</title>
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				<title>Elizabeth M. Holt&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1935978/</link>
				<pubDate>Fri, 05 Dec 2025 16:24:57 -0500</pubDate>

				
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				<title>Elizabeth M. Holt&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1858810/</link>
				<pubDate>Mon, 18 Sep 2023 03:23:47 -0400</pubDate>

				
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				<title>Elizabeth M. Holt changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1858811/</link>
				<pubDate>Sun, 17 Sep 2023 23:25:53 -0400</pubDate>

				
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				<title>Elizabeth M. Holt&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1747885/</link>
				<pubDate>Thu, 29 Jul 2021 20:55:15 -0400</pubDate>

				
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				<title>Elizabeth M. Holt deposited Resistance Literature and Occupied Palestine in Cold War Beirut in the group 2019 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1727898/</link>
				<pubDate>Thu, 18 Feb 2021 02:23:53 -0500</pubDate>

									<content:encoded><![CDATA[<p>FREE ACCESS: <a href="https://www.tandfonline.com/doi/full/10.1080/0377919X.2020.1855933" rel="nofollow ugc">https://www.tandfonline.com/doi/full/10.1080/0377919X.2020.1855933</a><br />
For the last decade of his life, the Palestinian intellectual, author, and editor Ghassan Kanafani (d. 1972) was deeply immersed in theorizing, lecturing, and publishing on Palestinian resistance literature from Beirut. A refugee of the 1948 war, Kanafani presented&hellip;<span class="activity-read-more" id="activity-read-more-1727898"><a href="https://mla.hcommons.org/activity/p/1727898/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited Resistance Literature and Occupied Palestine in Cold War Beirut</title>
				<link>https://hcommons.org/activity/p/1727873/</link>
				<pubDate>Wed, 17 Feb 2021 18:26:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>FREE ACCESS: <a href="https://www.tandfonline.com/doi/full/10.1080/0377919X.2020.1855933" rel="nofollow ugc">https://www.tandfonline.com/doi/full/10.1080/0377919X.2020.1855933</a><br />
For the last decade of his life, the Palestinian intellectual, author, and editor Ghassan Kanafani (d. 1972) was deeply immersed in theorizing, lecturing, and publishing on Palestinian resistance literature from Beirut. A refugee of the 1948 war, Kanafani presented&hellip;<span class="activity-read-more" id="activity-read-more-1727873"><a href="https://hcommons.org/activity/p/1727873/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited Al-Ṭayyib Ṣāliḥ's Season of Migration to the North, the CIA, and the Cultural Cold War after Bandung in the group 2019 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1680241/</link>
				<pubDate>Sat, 07 Mar 2020 16:26:05 -0500</pubDate>

									<content:encoded><![CDATA[<p>In the fall of 1966, Ḥiwār magazine published al-Ṭayyib Ṣāliḥ&#8217;s novel Mawsim al-hijrah ilā al-shamāl [ Season of Migration to the North ]. Arabic literary critics both hailed the novel in the Arabic press and mourned that it had been published by the Paris-based Congress for Cultural Freedom&#8217;s Ḥiwār, part of a global covert cultural front of the C&hellip;<span class="activity-read-more" id="activity-read-more-1680241"><a href="https://mla.hcommons.org/activity/p/1680241/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited Al-Ṭayyib Ṣāliḥ's Season of Migration to the North, the CIA, and the Cultural Cold War after Bandung</title>
				<link>https://hcommons.org/activity/p/1680198/</link>
				<pubDate>Fri, 06 Mar 2020 22:55:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>In the fall of 1966, Ḥiwār magazine published al-Ṭayyib Ṣāliḥ&#8217;s novel Mawsim al-hijrah ilā al-shamāl [ Season of Migration to the North ]. Arabic literary critics both hailed the novel in the Arabic press and mourned that it had been published by the Paris-based Congress for Cultural Freedom&#8217;s Ḥiwār, part of a global covert cultural front of the C&hellip;<span class="activity-read-more" id="activity-read-more-1680198"><a href="https://hcommons.org/activity/p/1680198/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited "In a Language That Was Not His Own": On Ahlām Mustaghānamī's Dhākirat al-jasad and Its French Translation Mémoires de la chair in the group 2019 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1668649/</link>
				<pubDate>Sat, 26 Oct 2019 16:35:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>Abstract<br />
This paper argues that Ah!lam Mustaghanami’s novel Dhakirat al-jasad (Memories of the Flesh)<br />
enacts a break with Algeria’s Francophone literary past, multiply staging its affiliation with the<br />
Arabic language. !e novel positions itself as part of an Algerian linguistic drama that, once<br />
translated into French as Mémoires de la chai&hellip;<span class="activity-read-more" id="activity-read-more-1668649"><a href="https://mla.hcommons.org/activity/p/1668649/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited “Bread or Freedom”: The Congress for Cultural Freedom, the CIA, and the Arabic Literary Journal Ḥiwār (1962-67) (complete) in the group 2019 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1668647/</link>
				<pubDate>Sat, 26 Oct 2019 16:34:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>In 1950, the United States Central Intelligence Agency created the Congress for Cultural Free- dom, with its main offices in Paris, lhe CCF was designed as a cultural front in the Cold War in response to the Soviet Cominform, and founded and funded a worldwide network of literary journals (as well as conferences, concerts, art exhibits and other&hellip;<span class="activity-read-more" id="activity-read-more-1668647"><a href="https://mla.hcommons.org/activity/p/1668647/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">dd55e12d7bf41dc1f18baa69bd760b90</guid>
				<title>Elizabeth M. Holt deposited "In a Language That Was Not His Own": On Ahlām Mustaghānamī's Dhākirat al-jasad and Its French Translation Mémoires de la chair</title>
				<link>https://hcommons.org/activity/p/1668594/</link>
				<pubDate>Fri, 25 Oct 2019 18:50:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Abstract<br />
This paper argues that Ah!lam Mustaghanami’s novel Dhakirat al-jasad (Memories of the Flesh)<br />
enacts a break with Algeria’s Francophone literary past, multiply staging its affiliation with the<br />
Arabic language. !e novel positions itself as part of an Algerian linguistic drama that, once<br />
translated into French as Mémoires de la chai&hellip;<span class="activity-read-more" id="activity-read-more-1668594"><a href="https://hcommons.org/activity/p/1668594/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited “Bread or Freedom”: The Congress for Cultural Freedom, the CIA, and the Arabic Literary Journal Ḥiwār (1962-67) (complete)</title>
				<link>https://hcommons.org/activity/p/1668593/</link>
				<pubDate>Fri, 25 Oct 2019 18:45:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>In 1950, the United States Central Intelligence Agency created the Congress for Cultural Free- dom, with its main offices in Paris, lhe CCF was designed as a cultural front in the Cold War in response to the Soviet Cominform, and founded and funded a worldwide network of literary journals (as well as conferences, concerts, art exhibits and other&hellip;<span class="activity-read-more" id="activity-read-more-1668593"><a href="https://hcommons.org/activity/p/1668593/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited From Gardens of Knowledge to Ezbekiyya after Midnight: The Novel and the Arabic Press from Beirut to Cairo, 1870-1892 in the group 2019 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1666035/</link>
				<pubDate>Wed, 09 Oct 2019 16:25:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>Late 19th-century Beirut and Cairo were capitals of Arabic literary production and press<br />
activity. A period, oft deemed a nahḍah, that witnessed the advent of the novel form or<br />
riwāyah in Arabic, this was also the moment of intensified French and British imperial<br />
involvement in the region, and the concomitant industrialization of Beirut’s silk&hellip;<span class="activity-read-more" id="activity-read-more-1666035"><a href="https://mla.hcommons.org/activity/p/1666035/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited From Gardens of Knowledge to Ezbekiyya after Midnight: The Novel and the Arabic Press from Beirut to Cairo, 1870-1892</title>
				<link>https://hcommons.org/activity/p/1665785/</link>
				<pubDate>Tue, 08 Oct 2019 16:25:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>Late 19th-century Beirut and Cairo were capitals of Arabic literary production and press<br />
activity. A period, oft deemed a nahḍah, that witnessed the advent of the novel form or<br />
riwāyah in Arabic, this was also the moment of intensified French and British imperial<br />
involvement in the region, and the concomitant industrialization of Beirut’s silk&hellip;<span class="activity-read-more" id="activity-read-more-1665785"><a href="https://hcommons.org/activity/p/1665785/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited Cartography and Clandestinité in Leïla Sebbar’s Shérazade: 17 ans, brune, frisée, les yeux verts in the group 2019 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1664065/</link>
				<pubDate>Fri, 20 Sep 2019 16:32:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>Abstract.<br />
 In this paper, I read Leı ¨la Sebbar’s staging in her novel She´razzed: 17 ans,brune, frise´ e, les yeux verts of the resistance by children of North African and other immigrants in the early 1980s to the French state’s cartographic modes and documentsof control. The paper will consider the many uses to which the map was put by theFren&hellip;<span class="activity-read-more" id="activity-read-more-1664065"><a href="https://mla.hcommons.org/activity/p/1664065/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">efce931297459a4d68c7e0f6ea308eeb</guid>
				<title>Elizabeth M. Holt deposited "In a Language That Was Not His Own": On Ahlām Mustaghānamī's Dhākirat al-jasad and Its French Translation Mémoires de la chair in the group 2019 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1664064/</link>
				<pubDate>Fri, 20 Sep 2019 16:31:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>Abstract<br />
This paper argues that Ahlām Mustaghānamī’s novel Dhākirat al-jasad  (Memories of the Flesh) enacts a break with Algeria’s Francophone literary past, multiply staging its aﬃliation with the  Arabic language. e novel positions itself as part of an Algerian linguistic drama that, once translated into French as Mémoires de la chair , is p&hellip;<span class="activity-read-more" id="activity-read-more-1664064"><a href="https://mla.hcommons.org/activity/p/1664064/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited "Narrating the Nahda: The Syrian Protestant College, al-Muqtataf, and the Rise of Jurji Zaydan," AUB: 150 Years in the group 2019 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1664063/</link>
				<pubDate>Fri, 20 Sep 2019 16:31:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>Published in Cairo in 1892, the ﬁrst issue of Jurji Zaydan’s Arabic journal al-Hilal contained a history of the Arabic press, including a list of the journals published in Beirut in the 1870s and 1880s, when Zaydan was a young waiter and ﬁnally a Syrian Protestant College medical student and leader of the 1882 protest. Listed too are the Arabi&hellip;<span class="activity-read-more" id="activity-read-more-1664063"><a href="https://mla.hcommons.org/activity/p/1664063/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited "The Story of Zahra and Its Critics: Feminism and Agency at War," Arabic Literature for the Classroom in the group 2019 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1664062/</link>
				<pubDate>Fri, 20 Sep 2019 16:30:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>ABSTRACT  Theorizations of the female subject in Arabic literary criticism have long charted debates within Western feminism.  This chapter invites a reading of Hanan al-Shaykh&#8217;s novel The Story of Zahra that would attend rather to the quiet narrative aporia surrounding a reticent Zahra, the challenge her will to be &#8220;look[ed] at [as] a woman in&hellip;<span class="activity-read-more" id="activity-read-more-1664062"><a href="https://mla.hcommons.org/activity/p/1664062/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited "'A Fabrication in Fabrication': Ya'qub Sarruf's *Fatat Misr* and the Fiction of Finance in Colonial Egypt" in the group 2019 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1664061/</link>
				<pubDate>Fri, 20 Sep 2019 16:29:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>ABSTRACT Serialized over the course of 1905 in the Arabic journal al-Muqtaṭaf, Ya‘qūb Ṣarrūf’s novel Fatāt Mişr [The Girl of Egypt] was avidly read by contemporary subscribers and then soon forgotten by Arabic’s reading public. Ṣarrūf came to despise Fatāt Mişr and all of his novels, finding that the market for the genre in Arabic fell far sh&hellip;<span class="activity-read-more" id="activity-read-more-1664061"><a href="https://mla.hcommons.org/activity/p/1664061/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited Narrative and the Reading Public in 1870s Beirut in the group 2019 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1664060/</link>
				<pubDate>Fri, 20 Sep 2019 16:28:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>ABSTRACT This paper reads narrative published in the journals of 1870s Beirut in the context of an emerging bourgeois readership and argues that the significance of this archive to modern Arabic fiction has been neglected by critics. Taking the intensification of the silk trade with France following the civil war of 1860 as a point of historical&hellip;<span class="activity-read-more" id="activity-read-more-1664060"><a href="https://mla.hcommons.org/activity/p/1664060/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited "Cairo and the Cultural Cold War for Afro-Asia," Routledge Handbook to the Global Sixties in the group 2019 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1664059/</link>
				<pubDate>Fri, 20 Sep 2019 16:27:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>ABSTRACT Cultural cold war played out in Arabic from the late 1950s into the early 1970s in the<br />
conference halls, hotel lobbies, cafes, bars, magazine offices, publishing houses, kiosks,<br />
and streets of Beirut and Cairo. Berlin, Paris, Tashkent, Khartoum, London, Baghdad1,<br />
and Tunis all have their place in this built landscape of cultural cold&hellip;<span class="activity-read-more" id="activity-read-more-1664059"><a href="https://mla.hcommons.org/activity/p/1664059/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited “Bread or Freedom”: The Congress for Cultural Freedom, the CIA, and the Arabic Literary Journal Ḥiwār (1962-67) in the group 2019 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1664053/</link>
				<pubDate>Fri, 20 Sep 2019 16:26:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>Abstract<br />
In 1950, the United States Central Intelligence Agency created the Congress for Cultural Freedom,<br />
with its main offices in Paris. The CCF was designed as a cultural front in the Cold War in<br />
response to the Soviet Cominform, and founded and fiinded a worldwide network of literary<br />
journals (as well as conferences, concerts, art exhibits&hellip;<span class="activity-read-more" id="activity-read-more-1664053"><a href="https://mla.hcommons.org/activity/p/1664053/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">5b626766f8d8dca2cee3cfb9e267a0e2</guid>
				<title>Elizabeth M. Holt deposited Cold War in the Arabic Press: Ḥiwār (Beirut, 1962–67) and the Congress for Cultural Freedom in the group 2019 MLA Convention</title>
				<link>https://mla.hcommons.org/activity/p/1664052/</link>
				<pubDate>Fri, 20 Sep 2019 16:25:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>ABSTRACT</p>
<p>Extensively quoting from the archives of the International Association for Cultural Freedom, a Cold War organization founded as a CIA front in 1950, this chapter provides a history for their Arabic literary activities, including the journals Aṣwāt, Adab, and their best known work in the region: Ḥiwār (1962–67), edited by Palesti&hellip;<span class="activity-read-more" id="activity-read-more-1664052"><a href="https://mla.hcommons.org/activity/p/1664052/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited Cartography and Clandestinité in Leïla Sebbar’s Shérazade: 17 ans, brune, frisée, les yeux verts</title>
				<link>https://hcommons.org/activity/p/1663978/</link>
				<pubDate>Thu, 19 Sep 2019 16:50:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>Abstract.<br />
 In this paper, I read Leı ¨la Sebbar’s staging in her novel She´razzed: 17 ans,brune, frise´ e, les yeux verts of the resistance by children of North African and other immigrants in the early 1980s to the French state’s cartographic modes and documentsof control. The paper will consider the many uses to which the map was put by theFren&hellip;<span class="activity-read-more" id="activity-read-more-1663978"><a href="https://hcommons.org/activity/p/1663978/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">211c1b144bd101674e885805f19c303e</guid>
				<title>Elizabeth M. Holt deposited "In a Language That Was Not His Own": On Ahlām Mustaghānamī's Dhākirat al-jasad and Its French Translation Mémoires de la chair</title>
				<link>https://hcommons.org/activity/p/1663977/</link>
				<pubDate>Thu, 19 Sep 2019 16:42:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>Abstract<br />
This paper argues that Ahlām Mustaghānamī’s novel Dhākirat al-jasad  (Memories of the Flesh) enacts a break with Algeria’s Francophone literary past, multiply staging its aﬃliation with the  Arabic language. e novel positions itself as part of an Algerian linguistic drama that, once translated into French as Mémoires de la chair , is p&hellip;<span class="activity-read-more" id="activity-read-more-1663977"><a href="https://hcommons.org/activity/p/1663977/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited "Narrating the Nahda: The Syrian Protestant College, al-Muqtataf, and the Rise of Jurji Zaydan," AUB: 150 Years</title>
				<link>https://hcommons.org/activity/p/1663976/</link>
				<pubDate>Thu, 19 Sep 2019 16:34:49 -0400</pubDate>

									<content:encoded><![CDATA[<p>Published in Cairo in 1892, the ﬁrst issue of Jurji Zaydan’s Arabic journal al-Hilal contained a history of the Arabic press, including a list of the journals published in Beirut in the 1870s and 1880s, when Zaydan was a young waiter and ﬁnally a Syrian Protestant College medical student and leader of the 1882 protest. Listed too are the Arabi&hellip;<span class="activity-read-more" id="activity-read-more-1663976"><a href="https://hcommons.org/activity/p/1663976/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited "The Story of Zahra and Its Critics: Feminism and Agency at War," Arabic Literature for the Classroom</title>
				<link>https://hcommons.org/activity/p/1663947/</link>
				<pubDate>Thu, 19 Sep 2019 16:24:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>ABSTRACT  Theorizations of the female subject in Arabic literary criticism have long charted debates within Western feminism.  This chapter invites a reading of Hanan al-Shaykh&#8217;s novel The Story of Zahra that would attend rather to the quiet narrative aporia surrounding a reticent Zahra, the challenge her will to be &#8220;look[ed] at [as] a woman in&hellip;<span class="activity-read-more" id="activity-read-more-1663947"><a href="https://hcommons.org/activity/p/1663947/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited "'A Fabrication in Fabrication': Ya'qub Sarruf's *Fatat Misr* and the Fiction of Finance in Colonial Egypt"</title>
				<link>https://hcommons.org/activity/p/1663946/</link>
				<pubDate>Thu, 19 Sep 2019 16:16:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>ABSTRACT Serialized over the course of 1905 in the Arabic journal al-Muqtaṭaf, Ya‘qūb Ṣarrūf’s novel Fatāt Mişr [The Girl of Egypt] was avidly read by contemporary subscribers and then soon forgotten by Arabic’s reading public. Ṣarrūf came to despise Fatāt Mişr and all of his novels, finding that the market for the genre in Arabic fell far sh&hellip;<span class="activity-read-more" id="activity-read-more-1663946"><a href="https://hcommons.org/activity/p/1663946/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited Narrative and the Reading Public in 1870s Beirut</title>
				<link>https://hcommons.org/activity/p/1663943/</link>
				<pubDate>Thu, 19 Sep 2019 15:59:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>ABSTRACT This paper reads narrative published in the journals of 1870s Beirut in the context of an emerging bourgeois readership and argues that the significance of this archive to modern Arabic fiction has been neglected by critics. Taking the intensification of the silk trade with France following the civil war of 1860 as a point of historical&hellip;<span class="activity-read-more" id="activity-read-more-1663943"><a href="https://hcommons.org/activity/p/1663943/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited "Cairo and the Cultural Cold War for Afro-Asia," Routledge Handbook to the Global Sixties</title>
				<link>https://hcommons.org/activity/p/1663942/</link>
				<pubDate>Thu, 19 Sep 2019 15:51:15 -0400</pubDate>

									<content:encoded><![CDATA[<p>ABSTRACT Cultural cold war played out in Arabic from the late 1950s into the early 1970s in the<br />
conference halls, hotel lobbies, cafes, bars, magazine offices, publishing houses, kiosks,<br />
and streets of Beirut and Cairo. Berlin, Paris, Tashkent, Khartoum, London, Baghdad1,<br />
and Tunis all have their place in this built landscape of cultural cold&hellip;<span class="activity-read-more" id="activity-read-more-1663942"><a href="https://hcommons.org/activity/p/1663942/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt deposited Cold War in the Arabic Press: Ḥiwār (Beirut, 1962–67) and the Congress for Cultural Freedom</title>
				<link>https://hcommons.org/activity/p/1663933/</link>
				<pubDate>Thu, 19 Sep 2019 15:28:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>ABSTRACT</p>
<p>This chapter provides a history for Ḥiwār (1962–67), edited by Palestinian poet Tawfīq Ṣāyigh from Beirut with broad dissemination in the Arab world, and outlines the CCF’s other interventions in the Arab cultural sphere from 1955. Over the course of its nearly five-year run, Ḥiwār published both emerging and established authors, serv&hellip;<span class="activity-read-more" id="activity-read-more-1663933"><a href="https://hcommons.org/activity/p/1663933/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">13862aa16bcf5075463a0be11a1c1c1e</guid>
				<title>Elizabeth M. Holt deposited “Bread or Freedom”: The Congress for Cultural Freedom, the CIA, and the Arabic Literary Journal Ḥiwār (1962-67)</title>
				<link>https://hcommons.org/activity/p/1663931/</link>
				<pubDate>Thu, 19 Sep 2019 15:24:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>Abstract<br />
In 1950, the United States Central Intelligence Agency created the Congress for Cultural Freedom,<br />
with its main offices in Paris. The CCF was designed as a cultural front in the Cold War in<br />
response to the Soviet Cominform, and founded and fiinded a worldwide network of literary<br />
journals (as well as conferences, concerts, art exhibits&hellip;<span class="activity-read-more" id="activity-read-more-1663931"><a href="https://hcommons.org/activity/p/1663931/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elizabeth M. Holt&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1663928/</link>
				<pubDate>Thu, 19 Sep 2019 15:17:27 -0400</pubDate>

				
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				<guid isPermaLink="false">74a59d1efb9231112c00b2316eb24b34</guid>
				<title>Elizabeth M. Holt&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1606350/</link>
				<pubDate>Sun, 15 Apr 2018 17:03:54 -0400</pubDate>

				
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