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Antonio Cordoba deposited ¿Extranjero en tierra extraña? El género de la ciencia ficción en América Latina on Humanities Commons 4 days, 9 hours ago
Latin American science fiction is, first of all, Latin American fiction. Although it has been perceived as a genre that is out of place in the region, one can find basic affinities between local science fiction and literary currents that have played a key role in Latin American cultural history. Using Jorge Luis Borges and Adolfo Bioy Casares’ w…[Read more]
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Antonio Cordoba's profile was updated on Humanities Commons 4 days, 9 hours ago
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Sérgio Dias Branco deposited Building Cars and Destroying Men: Working Class Representation as Christian Allegory in “Blue Collar” (1978) in the group
Religious Studies on Humanities Commons 3 months, 1 week ago
“The company builds cars and destroys men” was the promotional tagline of one of the posters for “Blue Collar” (1978). Shot in Detroit and Kalamazoo, Michigan, the film stars Richard Pryor, Harvey Keitel, and Yaphet Kotto playing three Detroit auto workers in financial despair who break into and rob the offices of their own union. “Blue Collar”…[Read more]
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Sérgio Dias Branco deposited Building Cars and Destroying Men: Working Class Representation as Christian Allegory in “Blue Collar” (1978) in the group
Film Studies on Humanities Commons 3 months, 1 week ago
“The company builds cars and destroys men” was the promotional tagline of one of the posters for “Blue Collar” (1978). Shot in Detroit and Kalamazoo, Michigan, the film stars Richard Pryor, Harvey Keitel, and Yaphet Kotto playing three Detroit auto workers in financial despair who break into and rob the offices of their own union. “Blue Collar”…[Read more]
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Sérgio Dias Branco deposited Building Cars and Destroying Men: Working Class Representation as Christian Allegory in “Blue Collar” (1978) in the group
Cultural Studies on Humanities Commons 3 months, 1 week ago
“The company builds cars and destroys men” was the promotional tagline of one of the posters for “Blue Collar” (1978). Shot in Detroit and Kalamazoo, Michigan, the film stars Richard Pryor, Harvey Keitel, and Yaphet Kotto playing three Detroit auto workers in financial despair who break into and rob the offices of their own union. “Blue Collar”…[Read more]
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Sérgio Dias Branco deposited Building Cars and Destroying Men: Working Class Representation as Christian Allegory in “Blue Collar” (1978) on Humanities Commons 3 months, 1 week ago
“The company builds cars and destroys men” was the promotional tagline of one of the posters for “Blue Collar” (1978). Shot in Detroit and Kalamazoo, Michigan, the film stars Richard Pryor, Harvey Keitel, and Yaphet Kotto playing three Detroit auto workers in financial despair who break into and rob the offices of their own union. “Blue Collar”…[Read more]
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Antonio Cordoba's profile was updated on Humanities Commons 10 months, 2 weeks ago
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Sérgio Dias Branco changed their profile picture on Humanities Commons 11 months, 2 weeks ago
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Sérgio Dias Branco deposited Religion and Film: Representation, Experience, Meaning in the group
Theology on Humanities Commons 1 year, 5 months ago
This is a book review of Stefanie Knauss, “Religion and Film: Representation, Experience, Meaning” (Brill, 2020).
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Sérgio Dias Branco deposited Religion and Film: Representation, Experience, Meaning in the group
Religious Studies on Humanities Commons 1 year, 5 months ago
This is a book review of Stefanie Knauss, “Religion and Film: Representation, Experience, Meaning” (Brill, 2020).
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Sérgio Dias Branco deposited Religion and Film: Representation, Experience, Meaning in the group
Film Studies on Humanities Commons 1 year, 5 months ago
This is a book review of Stefanie Knauss, “Religion and Film: Representation, Experience, Meaning” (Brill, 2020).
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Sérgio Dias Branco deposited Religion and Film: Representation, Experience, Meaning on Humanities Commons 1 year, 5 months ago
This is a book review of Stefanie Knauss, “Religion and Film: Representation, Experience, Meaning” (Brill, 2020).
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Sérgio Dias Branco deposited Together in the Midst of War: Muslim and Christian Coexistence in Lebanese Cinema in the group
Religious Studies on Humanities Commons 2 years, 3 months ago
This chapter presents a comparative analysis of four Lebanese films in order to understand how they portray Muslim and Christian coexistence in midst of war.
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Sérgio Dias Branco deposited Together in the Midst of War: Muslim and Christian Coexistence in Lebanese Cinema in the group
Film Studies on Humanities Commons 2 years, 3 months ago
This chapter presents a comparative analysis of four Lebanese films in order to understand how they portray Muslim and Christian coexistence in midst of war.
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Sérgio Dias Branco deposited Together in the Midst of War: Muslim and Christian Coexistence in Lebanese Cinema on Humanities Commons 2 years, 3 months ago
This chapter presents a comparative analysis of four Lebanese films in order to understand how they portray Muslim and Christian coexistence in midst of war.
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Ger Zielinski deposited COMS 490 – History and Theory of Media Special Topic: Queer Media Theory on Humanities Commons 2 years, 7 months ago
SPECIAL TOPIC DESCRIPTION (WINTER 2007): This upper-year seminar investigates the relation between queer theory and contemporary media theory, while
concentrating on current theoretical and historical approaches to sexuality, and associated debates and critiques.Building on over one decade of work in the area of queer media studies, this…[Read more]
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Sérgio Dias Branco deposited Conversations: The Journal of Cavellian Studies, no. 8 in the group
Philosophy on Humanities Commons 2 years, 7 months ago
This issue focuses on philosophical dispensations of seeing the world in a “mooded” way.
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Sérgio Dias Branco deposited Cinema Transformed in the group
Film Studies on Humanities Commons 2 years, 7 months ago
Review of Mike Wayne’s “Marxism Goes to the Movies”.
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Sérgio Dias Branco deposited Cinema Transformed in the group
Film-Philosophy on Humanities Commons 2 years, 7 months ago
Review of Mike Wayne’s “Marxism Goes to the Movies”.
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Sérgio Dias Branco deposited Conversations: The Journal of Cavellian Studies, no. 8 on Humanities Commons 2 years, 7 months ago
This issue focuses on philosophical dispensations of seeing the world in a “mooded” way.
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