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	<title>MLA Commons | Daniel Williams | Activity</title>
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	<description>Activity feed for Daniel Williams.</description>
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				<title>Daniel Williams deposited Transatlantic Climate and Gulf Stream Aesthetics in the group TC Science and Literature</title>
				<link>https://mla.hcommons.org/activity/p/1771065/</link>
				<pubDate>Wed, 09 Feb 2022 02:33:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>The Gulf Stream gained scientific prominence in the nineteenth century as a test case for theories about the dynamics of ocean currents and the equilibrium of transatlantic climate. Discourse about the current supplied descriptions, analogies, and myths that persist into the present. Triangulating oceanic, ecological, and transatlantic approaches&hellip;<span class="activity-read-more" id="activity-read-more-1771065"><a href="https://mla.hcommons.org/activity/p/1771065/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Transatlantic Climate and Gulf Stream Aesthetics in the group TC Postcolonial Studies</title>
				<link>https://mla.hcommons.org/activity/p/1771064/</link>
				<pubDate>Wed, 09 Feb 2022 02:29:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>The Gulf Stream gained scientific prominence in the nineteenth century as a test case for theories about the dynamics of ocean currents and the equilibrium of transatlantic climate. Discourse about the current supplied descriptions, analogies, and myths that persist into the present. Triangulating oceanic, ecological, and transatlantic approaches&hellip;<span class="activity-read-more" id="activity-read-more-1771064"><a href="https://mla.hcommons.org/activity/p/1771064/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Transatlantic Climate and Gulf Stream Aesthetics in the group TC Ecocriticism and Environmental Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1771063/</link>
				<pubDate>Wed, 09 Feb 2022 02:28:48 -0500</pubDate>

									<content:encoded><![CDATA[<p>The Gulf Stream gained scientific prominence in the nineteenth century as a test case for theories about the dynamics of ocean currents and the equilibrium of transatlantic climate. Discourse about the current supplied descriptions, analogies, and myths that persist into the present. Triangulating oceanic, ecological, and transatlantic approaches&hellip;<span class="activity-read-more" id="activity-read-more-1771063"><a href="https://mla.hcommons.org/activity/p/1771063/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Transatlantic Climate and Gulf Stream Aesthetics in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1771062/</link>
				<pubDate>Wed, 09 Feb 2022 02:26:22 -0500</pubDate>

									<content:encoded><![CDATA[<p>The Gulf Stream gained scientific prominence in the nineteenth century as a test case for theories about the dynamics of ocean currents and the equilibrium of transatlantic climate. Discourse about the current supplied descriptions, analogies, and myths that persist into the present. Triangulating oceanic, ecological, and transatlantic approaches&hellip;<span class="activity-read-more" id="activity-read-more-1771062"><a href="https://mla.hcommons.org/activity/p/1771062/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Transatlantic Climate and Gulf Stream Aesthetics in the group CLCS Global Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1771061/</link>
				<pubDate>Wed, 09 Feb 2022 02:24:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>The Gulf Stream gained scientific prominence in the nineteenth century as a test case for theories about the dynamics of ocean currents and the equilibrium of transatlantic climate. Discourse about the current supplied descriptions, analogies, and myths that persist into the present. Triangulating oceanic, ecological, and transatlantic approaches&hellip;<span class="activity-read-more" id="activity-read-more-1771061"><a href="https://mla.hcommons.org/activity/p/1771061/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Transatlantic Climate and Gulf Stream Aesthetics</title>
				<link>https://hcommons.org/activity/p/1770983/</link>
				<pubDate>Tue, 08 Feb 2022 13:45:00 -0500</pubDate>

									<content:encoded><![CDATA[<p>The Gulf Stream gained scientific prominence in the nineteenth century as a test case for theories about the dynamics of ocean currents and the equilibrium of transatlantic climate. Discourse about the current supplied descriptions, analogies, and myths that persist into the present. Triangulating oceanic, ecological, and transatlantic approaches&hellip;<span class="activity-read-more" id="activity-read-more-1770983"><a href="https://hcommons.org/activity/p/1770983/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1770981/</link>
				<pubDate>Tue, 08 Feb 2022 13:34:52 -0500</pubDate>

				
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				<title>Daniel Williams deposited Empty Houses: Theatrical Failure and the Novel, by David Kurnick in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1693077/</link>
				<pubDate>Wed, 24 Jun 2020 03:59:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of Empty Houses: Theatrical Failure and the Novel, by David Kurnick</p>
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				<title>Daniel Williams deposited Empty Houses: Theatrical Failure and the Novel, by David Kurnick in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1693076/</link>
				<pubDate>Wed, 24 Jun 2020 03:55:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of Empty Houses: Theatrical Failure and the Novel, by David Kurnick</p>
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				<title>Daniel Williams deposited Empty Houses: Theatrical Failure and the Novel, by David Kurnick in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1693075/</link>
				<pubDate>Wed, 24 Jun 2020 03:52:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of Empty Houses: Theatrical Failure and the Novel, by David Kurnick</p>
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				<title>Daniel Williams deposited Empty Houses: Theatrical Failure and the Novel, by David Kurnick in the group LLC 20th- and 21st-Century English and Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1693074/</link>
				<pubDate>Wed, 24 Jun 2020 03:48:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of Empty Houses: Theatrical Failure and the Novel, by David Kurnick</p>
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				<title>Daniel Williams deposited Victorian Ecocriticism for the Anthropocene in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1692813/</link>
				<pubDate>Tue, 23 Jun 2020 03:59:04 -0400</pubDate>

									<content:encoded><![CDATA[<p>How might literary and cultural spheres intersect with the Anthropocene, the epoch — however deﬁned — of humanity’s detectable inﬂuence at geological scale? What forms, genres, objects, and methodological lenses might prove most fertile in mediating between the concept’s abstraction and its concrete entailments for literary and cultural hi&hellip;<span class="activity-read-more" id="activity-read-more-1692813"><a href="https://mla.hcommons.org/activity/p/1692813/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Slow Fire: Serial Thinking and Hardy's Genres of Induction in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1692812/</link>
				<pubDate>Tue, 23 Jun 2020 03:51:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay considers the use of “serial thinking”—an approach to representation and cognition that emphasizes repetition, enumeration, and aggregation—in the work of Thomas Hardy. Examining his first novel, Desperate Remedies (1871), it connects Hardy’s approaches to serial thinking with the discourse of Victorian logic (especially the work of J&hellip;<span class="activity-read-more" id="activity-read-more-1692812"><a href="https://mla.hcommons.org/activity/p/1692812/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Slow Fire: Serial Thinking and Hardy's Genres of Induction in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1692811/</link>
				<pubDate>Tue, 23 Jun 2020 03:48:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay considers the use of “serial thinking”—an approach to representation and cognition that emphasizes repetition, enumeration, and aggregation—in the work of Thomas Hardy. Examining his first novel, Desperate Remedies (1871), it connects Hardy’s approaches to serial thinking with the discourse of Victorian logic (especially the work of J&hellip;<span class="activity-read-more" id="activity-read-more-1692811"><a href="https://mla.hcommons.org/activity/p/1692811/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Empty Houses: Theatrical Failure and the Novel, by David Kurnick</title>
				<link>https://mla.hcommons.org/activity/p/1692807/</link>
				<pubDate>Tue, 23 Jun 2020 01:45:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of Empty Houses: Theatrical Failure and the Novel, by David Kurnick</p>
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				<title>Daniel Williams deposited Victorian Ecocriticism for the Anthropocene</title>
				<link>https://mla.hcommons.org/activity/p/1692673/</link>
				<pubDate>Mon, 22 Jun 2020 15:00:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>How might literary and cultural spheres intersect with the Anthropocene, the epoch — however deﬁned — of humanity’s detectable inﬂuence at geological scale? What forms, genres, objects, and methodological lenses might prove most fertile in mediating between the concept’s abstraction and its concrete entailments for literary and cultural hi&hellip;<span class="activity-read-more" id="activity-read-more-1692673"><a href="https://mla.hcommons.org/activity/p/1692673/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Slow Fire: Serial Thinking and Hardy's Genres of Induction</title>
				<link>https://mla.hcommons.org/activity/p/1692672/</link>
				<pubDate>Mon, 22 Jun 2020 14:45:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay considers the use of “serial thinking”—an approach to representation and cognition that emphasizes repetition, enumeration, and aggregation—in the work of Thomas Hardy. Examining his first novel, Desperate Remedies (1871), it connects Hardy’s approaches to serial thinking with the discourse of Victorian logic (especially the work of J&hellip;<span class="activity-read-more" id="activity-read-more-1692672"><a href="https://mla.hcommons.org/activity/p/1692672/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1692571/</link>
				<pubDate>Sun, 21 Jun 2020 15:34:07 -0400</pubDate>

				
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				<title>Daniel Williams deposited Down the Slant towards the Eye: Hopkins and Ecological Perception in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1692546/</link>
				<pubDate>Sun, 21 Jun 2020 03:51:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay reads Gerard Manley Hopkins’s poetry for its “ecological perception”: a perceptual modality involving the dynamic interaction between human bodies and environmental givens or potentialities. Linking Hopkins’s syncretic ideas about perception to the psychologist J. J. Gibson’s account of our sensitivity to environmental “affordan&hellip;<span class="activity-read-more" id="activity-read-more-1692546"><a href="https://mla.hcommons.org/activity/p/1692546/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Down the Slant towards the Eye: Hopkins and Ecological Perception in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1692545/</link>
				<pubDate>Sun, 21 Jun 2020 03:48:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay reads Gerard Manley Hopkins’s poetry for its “ecological perception”: a perceptual modality involving the dynamic interaction between human bodies and environmental givens or potentialities. Linking Hopkins’s syncretic ideas about perception to the psychologist J. J. Gibson’s account of our sensitivity to environmental “affordan&hellip;<span class="activity-read-more" id="activity-read-more-1692545"><a href="https://mla.hcommons.org/activity/p/1692545/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Down the Slant towards the Eye: Hopkins and Ecological Perception</title>
				<link>https://mla.hcommons.org/activity/p/1692483/</link>
				<pubDate>Sat, 20 Jun 2020 14:11:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay reads Gerard Manley Hopkins’s poetry for its “ecological perception”: a perceptual modality involving the dynamic interaction between human bodies and environmental givens or potentialities. Linking Hopkins’s syncretic ideas about perception to the psychologist J. J. Gibson’s account of our sensitivity to environmental “affordan&hellip;<span class="activity-read-more" id="activity-read-more-1692483"><a href="https://mla.hcommons.org/activity/p/1692483/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Coetzee’s Stones: Dusklands and the Nonhuman Witness in the group TC Postcolonial Studies</title>
				<link>https://hcommons.org/activity/p/1692398/</link>
				<pubDate>Fri, 19 Jun 2020 16:40:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>Bringing together theoretical writing on objects, testimony, and trauma to develop the category of the “nonhuman witness,” this essay considers the narrative, ethical, and ecological work performed by peripheral objects in J. M. Coetzee’s Dusklands (1974). Coetzee’s insistent object catalogues acquire narrative agency and provide material for a c&hellip;<span class="activity-read-more" id="activity-read-more-1692398"><a href="https://hcommons.org/activity/p/1692398/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Coetzee’s Stones: Dusklands and the Nonhuman Witness in the group LLC 20th- and 21st-Century English and Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1692395/</link>
				<pubDate>Fri, 19 Jun 2020 16:37:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>Bringing together theoretical writing on objects, testimony, and trauma to develop the category of the “nonhuman witness,” this essay considers the narrative, ethical, and ecological work performed by peripheral objects in J. M. Coetzee’s Dusklands (1974). Coetzee’s insistent object catalogues acquire narrative agency and provide material for a c&hellip;<span class="activity-read-more" id="activity-read-more-1692395"><a href="https://mla.hcommons.org/activity/p/1692395/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Coetzee’s Stones: Dusklands and the Nonhuman Witness in the group CLCS Global Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1692394/</link>
				<pubDate>Fri, 19 Jun 2020 16:35:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>Bringing together theoretical writing on objects, testimony, and trauma to develop the category of the “nonhuman witness,” this essay considers the narrative, ethical, and ecological work performed by peripheral objects in J. M. Coetzee’s Dusklands (1974). Coetzee’s insistent object catalogues acquire narrative agency and provide material for a c&hellip;<span class="activity-read-more" id="activity-read-more-1692394"><a href="https://mla.hcommons.org/activity/p/1692394/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Accident in the group TC Law and the Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1692393/</link>
				<pubDate>Fri, 19 Jun 2020 16:33:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>​This chapter explores some legal and literary ramifications of “accident” in British law and society from the late eighteenth through the early twentieth century. This period saw changes in common law and legislation relating to accidents, including the emergence of negligence as a distinct tort and statutory provisions for employer liabi&hellip;<span class="activity-read-more" id="activity-read-more-1692393"><a href="https://mla.hcommons.org/activity/p/1692393/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Accident in the group LLC 20th- and 21st-Century English and Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1692390/</link>
				<pubDate>Fri, 19 Jun 2020 16:29:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>​This chapter explores some legal and literary ramifications of “accident” in British law and society from the late eighteenth through the early twentieth century. This period saw changes in common law and legislation relating to accidents, including the emergence of negligence as a distinct tort and statutory provisions for employer liabi&hellip;<span class="activity-read-more" id="activity-read-more-1692390"><a href="https://mla.hcommons.org/activity/p/1692390/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Atmospheres of Liberty: Ruskin in the Clouds in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1692373/</link>
				<pubDate>Fri, 19 Jun 2020 16:25:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>John Ruskin’s cloud aesthetics develop a coherent, if figurative, inquiry into the nature of human liberty. His changing accounts of cloud formations across Modern Painters gradually place more emphasis on liberty within a framework of restraint and self-government. Attending to the shifting and equivocal senses of liberty in Ruskin’s aes&hellip;<span class="activity-read-more" id="activity-read-more-1692373"><a href="https://mla.hcommons.org/activity/p/1692373/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Stem and Skein: Order and Evolution in Hopkins in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://hcommons.org/activity/p/1692185/</link>
				<pubDate>Thu, 18 Jun 2020 16:36:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Departing in some measure from critical views that invoke similar contextual materials, this essay argues for a reevaluation of Hopkins’s debt to scientific thinking in his poetry and poetics. Hovering between competing conceptions of nature’s structure and purpose—evolutionary theory, energy physics, natural theology—Hopkins develops a poetics&hellip;<span class="activity-read-more" id="activity-read-more-1692185"><a href="https://hcommons.org/activity/p/1692185/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Apprentice to Deception: L. P. Hartley and the Bildungsroman in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1692182/</link>
				<pubDate>Thu, 18 Jun 2020 16:29:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay argues that L. P. Hartley’s novel The Go-Between (1953) fits into the critical tradition of the Bildungsroman in one specific sense: its attention to matters of deception. First, this plot of formation and development involves a necessary apprenticeship in deception: a moral training that has links with everyday practices of c&hellip;<span class="activity-read-more" id="activity-read-more-1692182"><a href="https://mla.hcommons.org/activity/p/1692182/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Apprentice to Deception: L. P. Hartley and the Bildungsroman in the group LLC 20th- and 21st-Century English and Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1692181/</link>
				<pubDate>Thu, 18 Jun 2020 16:25:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay argues that L. P. Hartley’s novel The Go-Between (1953) fits into the critical tradition of the Bildungsroman in one specific sense: its attention to matters of deception. First, this plot of formation and development involves a necessary apprenticeship in deception: a moral training that has links with everyday practices of c&hellip;<span class="activity-read-more" id="activity-read-more-1692181"><a href="https://mla.hcommons.org/activity/p/1692181/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Coetzee’s Stones: Dusklands and the Nonhuman Witness</title>
				<link>https://hcommons.org/activity/p/1692175/</link>
				<pubDate>Thu, 18 Jun 2020 16:12:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>Bringing together theoretical writing on objects, testimony, and trauma to develop the category of the “nonhuman witness,” this essay considers the narrative, ethical, and ecological work performed by peripheral objects in J. M. Coetzee’s Dusklands (1974). Coetzee’s insistent object catalogues acquire narrative agency and provide material for a c&hellip;<span class="activity-read-more" id="activity-read-more-1692175"><a href="https://hcommons.org/activity/p/1692175/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Accident</title>
				<link>https://hcommons.org/activity/p/1692165/</link>
				<pubDate>Thu, 18 Jun 2020 15:23:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>​This chapter explores some legal and literary ramifications of “accident” in British law and society from the late eighteenth through the early twentieth century. This period saw changes in common law and legislation relating to accidents, including the emergence of negligence as a distinct tort and statutory provisions for employer liabi&hellip;<span class="activity-read-more" id="activity-read-more-1692165"><a href="https://hcommons.org/activity/p/1692165/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Life among the Vermin: Nineveh and Ecological Relocation in the group TC Postcolonial Studies</title>
				<link>https://hcommons.org/activity/p/1691940/</link>
				<pubDate>Wed, 17 Jun 2020 16:38:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>Henrietta Rose-Innes&#8217;s novel Nineveh (2011) catalogs the activities of a humane pest expert as she discovers, on an estate under construction outside Cape Town, how human and insect actors undermine the spatial expectations of post-apartheid South Africa. Rose-Innes advances a vision of interspecies connection by recasting controversial themes&hellip;<span class="activity-read-more" id="activity-read-more-1691940"><a href="https://hcommons.org/activity/p/1691940/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">793913d1e07504302a32069371bb8211</guid>
				<title>Daniel Williams deposited Life among the Vermin: Nineveh and Ecological Relocation in the group LLC 20th- and 21st-Century English and Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1691939/</link>
				<pubDate>Wed, 17 Jun 2020 16:34:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>Henrietta Rose-Innes&#8217;s novel Nineveh (2011) catalogs the activities of a humane pest expert as she discovers, on an estate under construction outside Cape Town, how human and insect actors undermine the spatial expectations of post-apartheid South Africa. Rose-Innes advances a vision of interspecies connection by recasting controversial themes&hellip;<span class="activity-read-more" id="activity-read-more-1691939"><a href="https://mla.hcommons.org/activity/p/1691939/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Life among the Vermin: Nineveh and Ecological Relocation in the group CLCS Global Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1691938/</link>
				<pubDate>Wed, 17 Jun 2020 16:32:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>Henrietta Rose-Innes&#8217;s novel Nineveh (2011) catalogs the activities of a humane pest expert as she discovers, on an estate under construction outside Cape Town, how human and insect actors undermine the spatial expectations of post-apartheid South Africa. Rose-Innes advances a vision of interspecies connection by recasting controversial themes&hellip;<span class="activity-read-more" id="activity-read-more-1691938"><a href="https://mla.hcommons.org/activity/p/1691938/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">11a9ce417b1f8fa1cb1e58acfe7256b3</guid>
				<title>Daniel Williams deposited Rumor, Reputation, and Sensation in Tess of the d'Urbervilles in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1691936/</link>
				<pubDate>Wed, 17 Jun 2020 16:29:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay considers the significance of rumor in the work of Thomas Hardy, anchoring its claims in a reading of Tess of the d&#8217;Urbervilles (1891). I argue that rumor conditions the narrative movement of this novel through its linked operations in social space and bodily sensation. First, I examine the relationship between the movements of&hellip;<span class="activity-read-more" id="activity-read-more-1691936"><a href="https://mla.hcommons.org/activity/p/1691936/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">06e8b26d18c08ca4e6277555adda7626</guid>
				<title>Daniel Williams deposited The Clouds and the Poor: Ruskin, Mayhew, and Ecology in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1691935/</link>
				<pubDate>Wed, 17 Jun 2020 16:26:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>Ruskin and Mayhew together disclose a Victorian ecological discourse attuned to the divergent spaces, varying rhythms, and dispersed networks that compose the urban environment.</p>
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				<title>Daniel Williams deposited Atmospheres of Liberty: Ruskin in the Clouds</title>
				<link>https://hcommons.org/activity/p/1691928/</link>
				<pubDate>Wed, 17 Jun 2020 16:21:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>John Ruskin’s cloud aesthetics develop a coherent, if figurative, inquiry into the nature of human liberty. His changing accounts of cloud formations across Modern Painters gradually place more emphasis on liberty within a framework of restraint and self-government. Attending to the shifting and equivocal senses of liberty in Ruskin’s aes&hellip;<span class="activity-read-more" id="activity-read-more-1691928"><a href="https://hcommons.org/activity/p/1691928/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">1c885b5bfdb3726e2877d3d11ea17887</guid>
				<title>Daniel Williams deposited Stem and Skein: Order and Evolution in Hopkins</title>
				<link>https://hcommons.org/activity/p/1691909/</link>
				<pubDate>Wed, 17 Jun 2020 15:42:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>Departing in some measure from critical views that invoke similar contextual materials, this essay argues for a reevaluation of Hopkins’s debt to scientific thinking in his poetry and poetics. Hovering between competing conceptions of nature’s structure and purpose—evolutionary theory, energy physics, natural theology—Hopkins develops a poetics&hellip;<span class="activity-read-more" id="activity-read-more-1691909"><a href="https://hcommons.org/activity/p/1691909/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f3996870a4195f983947280d07cf3c86</guid>
				<title>Daniel Williams deposited Apprentice to Deception: L. P. Hartley and the Bildungsroman</title>
				<link>https://hcommons.org/activity/p/1691904/</link>
				<pubDate>Wed, 17 Jun 2020 15:39:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay argues that L. P. Hartley’s novel The Go-Between (1953) fits into the critical tradition of the Bildungsroman in one specific sense: its attention to matters of deception. First, this plot of formation and development involves a necessary apprenticeship in deception: a moral training that has links with everyday practices of c&hellip;<span class="activity-read-more" id="activity-read-more-1691904"><a href="https://hcommons.org/activity/p/1691904/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b04f68252d70043f5819a1ce49d89172</guid>
				<title>Daniel Williams deposited Life among the Vermin: Nineveh and Ecological Relocation</title>
				<link>https://hcommons.org/activity/p/1691846/</link>
				<pubDate>Wed, 17 Jun 2020 13:57:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>Henrietta Rose-Innes&#8217;s novel Nineveh (2011) catalogs the activities of a humane pest expert as she discovers, on an estate under construction outside Cape Town, how human and insect actors undermine the spatial expectations of post-apartheid South Africa. Rose-Innes advances a vision of interspecies connection by recasting controversial themes&hellip;<span class="activity-read-more" id="activity-read-more-1691846"><a href="https://hcommons.org/activity/p/1691846/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">522c37edd3d89824086b701ecfc1fc01</guid>
				<title>Daniel Williams deposited Rumor, Reputation, and Sensation in Tess of the d'Urbervilles</title>
				<link>https://hcommons.org/activity/p/1691838/</link>
				<pubDate>Wed, 17 Jun 2020 13:40:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay considers the significance of rumor in the work of Thomas Hardy, anchoring its claims in a reading of Tess of the d&#8217;Urbervilles (1891). I argue that rumor conditions the narrative movement of this novel through its linked operations in social space and bodily sensation. First, I examine the relationship between the movements of&hellip;<span class="activity-read-more" id="activity-read-more-1691838"><a href="https://hcommons.org/activity/p/1691838/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">ba8097a9e816f42539ae4296be7ede8a</guid>
				<title>Daniel Williams deposited The Clouds and the Poor: Ruskin, Mayhew, and Ecology</title>
				<link>https://hcommons.org/activity/p/1691836/</link>
				<pubDate>Wed, 17 Jun 2020 13:34:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>Ruskin and Mayhew together disclose a Victorian ecological discourse attuned to the divergent spaces, varying rhythms, and dispersed networks that compose the urban environment.</p>
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				<guid isPermaLink="false">61bfd59ab5dc18d9ada7f13b781474a4</guid>
				<title>Daniel Williams&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1556948/</link>
				<pubDate>Tue, 10 Jan 2017 04:04:49 -0500</pubDate>

				
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