“‘Musique cannibale’: The Evolving Sound of Indigeneity in Heitor Villa-Lobos’s Tres poêmas indigenas.” Music Theory Spectrum 43, no. 1 (2021).

“The Racial Limitations of Country-Soul Crossover in Bobby Womack’s BW Goes C&W, 1976.” Journal of Popular Music Studies 32, no. 2 (2020), 112–130.

“‘Together Again,’ but We Keep On Crying: Buck Owens, Tom Brumley, and the Pedal Steel Guitar, 1964.” Music Theory Online 25, no. 2 (2019),

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