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	<title>MLA Commons | Charles L. Leavitt IV | Activity</title>
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				<title>Charles L. Leavitt IV&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1939047/</link>
				<pubDate>Sun, 21 Dec 2025 07:54:28 -0500</pubDate>

				
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				<title>Charles L. Leavitt IV&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1926433/</link>
				<pubDate>Mon, 08 Sep 2025 10:16:57 -0400</pubDate>

				
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				<title>Charles L. Leavitt IV&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1906819/</link>
				<pubDate>Fri, 13 Dec 2024 18:19:17 -0500</pubDate>

				
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				<title>Charles L. Leavitt IV&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1855901/</link>
				<pubDate>Sun, 20 Aug 2023 23:33:23 -0400</pubDate>

				
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				<title>Charles L. Leavitt IV deposited Deicide and the Drama of the Holocaust: Gian Paolo Callegari’s Cristo ha ucciso (1948) in the group LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/activity/p/1826715/</link>
				<pubDate>Fri, 16 Dec 2022 03:48:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>Gian Paolo Callegari’s prize-winning 1948 play, Cristo ha ucciso, marks an overlooked milestone in Italy’s response to the Holocaust. Among the earliest Italian creative works to confront the genocide of the European Jews, Callegari’s play challenged the legacies of anti-Semitism in European culture. Yet it also concealed the troubling histo&hellip;<span class="activity-read-more" id="activity-read-more-1826715"><a href="https://mla.hcommons.org/activity/p/1826715/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Deicide and the Drama of the Holocaust: Gian Paolo Callegari’s Cristo ha ucciso (1948)</title>
				<link>https://mla.hcommons.org/activity/p/1826506/</link>
				<pubDate>Thu, 15 Dec 2022 02:51:45 -0500</pubDate>

									<content:encoded><![CDATA[<p>Gian Paolo Callegari’s prize-winning 1948 play, Cristo ha ucciso, marks an overlooked milestone in Italy’s response to the Holocaust. Among the earliest Italian creative works to confront the genocide of the European Jews, Callegari’s play challenged the legacies of anti-Semitism in European culture. Yet it also concealed the troubling histo&hellip;<span class="activity-read-more" id="activity-read-more-1826506"><a href="https://mla.hcommons.org/activity/p/1826506/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Impegno nero: gli intellettuali italiani e la lotta afroamericana in the group LLC African American Forum</title>
				<link>https://mla.hcommons.org/activity/p/1764612/</link>
				<pubDate>Tue, 04 Jan 2022 03:49:24 -0500</pubDate>

									<content:encoded><![CDATA[<p>In the aftermath of the Second World War, Italian intellectuals participated in Italy’s reconstruction with an ideological commitment inspired by the African-American struggle for equal rights in the United States. Drawing on the work of authors including Italo Calvino, Giorgio Caproni, Cesare Pavese, and Elio Vittorini, this essay argues that p&hellip;<span class="activity-read-more" id="activity-read-more-1764612"><a href="https://mla.hcommons.org/activity/p/1764612/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Impegno nero: gli intellettuali italiani e la lotta afroamericana in the group LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/activity/p/1764611/</link>
				<pubDate>Tue, 04 Jan 2022 03:48:48 -0500</pubDate>

									<content:encoded><![CDATA[<p>In the aftermath of the Second World War, Italian intellectuals participated in Italy’s reconstruction with an ideological commitment inspired by the African-American struggle for equal rights in the United States. Drawing on the work of authors including Italo Calvino, Giorgio Caproni, Cesare Pavese, and Elio Vittorini, this essay argues that p&hellip;<span class="activity-read-more" id="activity-read-more-1764611"><a href="https://mla.hcommons.org/activity/p/1764611/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Impegno nero: gli intellettuali italiani e la lotta afroamericana</title>
				<link>https://mla.hcommons.org/activity/p/1764545/</link>
				<pubDate>Mon, 03 Jan 2022 17:31:16 -0500</pubDate>

									<content:encoded><![CDATA[<p>In the aftermath of the Second World War, Italian intellectuals participated in Italy’s reconstruction with an ideological commitment inspired by the African-American struggle for equal rights in the United States. Drawing on the work of authors including Italo Calvino, Giorgio Caproni, Cesare Pavese, and Elio Vittorini, this essay argues that p&hellip;<span class="activity-read-more" id="activity-read-more-1764545"><a href="https://mla.hcommons.org/activity/p/1764545/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1764541/</link>
				<pubDate>Mon, 03 Jan 2022 17:08:48 -0500</pubDate>

				
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				<title>Charles L. Leavitt IV&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1749940/</link>
				<pubDate>Tue, 24 Aug 2021 17:15:04 -0400</pubDate>

				
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				<title>Charles L. Leavitt IV&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1717820/</link>
				<pubDate>Mon, 23 Nov 2020 04:47:04 -0500</pubDate>

				
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				<title>Charles L. Leavitt IV&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1704018/</link>
				<pubDate>Sun, 02 Aug 2020 20:31:06 -0400</pubDate>

				
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				<title>Charles L. Leavitt IV deposited Primo Levi e Elio Vittorini in the group LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/activity/p/1691027/</link>
				<pubDate>Sat, 13 Jun 2020 16:25:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>From the volume&#8217;s introduction: &#8220;Il primo capitolo di Charles L. Leavitt IV introduce la sezione ricostruendo il contesto culturale del &#8216;neo-umanesimo&#8217; esistenzialista che si diffuse nell’immediato dopoguerra e che influì profondamente sul modo di raccontare e comprendere lo sterminio nazista. Vedendo in Elio Vittorini un autore che si inserì nel&hellip;<span class="activity-read-more" id="activity-read-more-1691027"><a href="https://mla.hcommons.org/activity/p/1691027/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Primo Levi e Elio Vittorini</title>
				<link>https://hcommons.org/activity/p/1691007/</link>
				<pubDate>Sat, 13 Jun 2020 13:02:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>From the volume&#8217;s introduction: &#8220;Il primo capitolo di Charles L. Leavitt IV introduce la sezione ricostruendo il contesto culturale del &#8216;neo-umanesimo&#8217; esistenzialista che si diffuse nell’immediato dopoguerra e che influì profondamente sul modo di raccontare e comprendere lo sterminio nazista. Vedendo in Elio Vittorini un autore che si inserì nel&hellip;<span class="activity-read-more" id="activity-read-more-1691007"><a href="https://hcommons.org/activity/p/1691007/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1687941/</link>
				<pubDate>Wed, 20 May 2020 14:02:37 -0400</pubDate>

				
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				<title>Charles L. Leavitt IV deposited Probing the limits of Crocean historicism in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1687556/</link>
				<pubDate>Sat, 16 May 2020 16:31:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article reconsiders the post-war reaction against Benedetto Croce, focusing on the critical reappraisal of Crocean historicism that followed the defeat of Italian Fascism. Motivated by a growing sense of historical uncertainty, Italians increasingly dissented from Croce, but they remained more wedded to Crocean thought – and in particular t&hellip;<span class="activity-read-more" id="activity-read-more-1687556"><a href="https://mla.hcommons.org/activity/p/1687556/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Probing the limits of Crocean historicism in the group LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/activity/p/1687555/</link>
				<pubDate>Sat, 16 May 2020 16:30:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article reconsiders the post-war reaction against Benedetto Croce, focusing on the critical reappraisal of Crocean historicism that followed the defeat of Italian Fascism. Motivated by a growing sense of historical uncertainty, Italians increasingly dissented from Croce, but they remained more wedded to Crocean thought – and in particular t&hellip;<span class="activity-read-more" id="activity-read-more-1687555"><a href="https://mla.hcommons.org/activity/p/1687555/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Probing the limits of Crocean historicism in the group CLCS 20th- and 21st-Century</title>
				<link>https://mla.hcommons.org/activity/p/1687554/</link>
				<pubDate>Sat, 16 May 2020 16:25:49 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article reconsiders the post-war reaction against Benedetto Croce, focusing on the critical reappraisal of Crocean historicism that followed the defeat of Italian Fascism. Motivated by a growing sense of historical uncertainty, Italians increasingly dissented from Croce, but they remained more wedded to Crocean thought – and in particular t&hellip;<span class="activity-read-more" id="activity-read-more-1687554"><a href="https://mla.hcommons.org/activity/p/1687554/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Probing the limits of Crocean historicism</title>
				<link>https://hcommons.org/activity/p/1687541/</link>
				<pubDate>Sat, 16 May 2020 13:19:22 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article reconsiders the post-war reaction against Benedetto Croce, focusing on the critical reappraisal of Crocean historicism that followed the defeat of Italian Fascism. Motivated by a growing sense of historical uncertainty, Italians increasingly dissented from Croce, but they remained more wedded to Crocean thought – and in particular t&hellip;<span class="activity-read-more" id="activity-read-more-1687541"><a href="https://hcommons.org/activity/p/1687541/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited The Forbidden City: Tombolo between American Occupation and Italian Imagination in the group LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/activity/p/1685879/</link>
				<pubDate>Fri, 01 May 2020 03:48:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>Largely ignored by scholarship and increasingly occluded in historical memory, Tombolo was once so central to Italian culture and politics that even allusive references to the term could conjure the doubt, anxiety, and indignation of a society working to recover after the war. A pine grove located between Pisa and Livorno, Tombolo housed a large&hellip;<span class="activity-read-more" id="activity-read-more-1685879"><a href="https://mla.hcommons.org/activity/p/1685879/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited The Forbidden City: Tombolo between American Occupation and Italian Imagination</title>
				<link>https://mla.hcommons.org/activity/p/1685801/</link>
				<pubDate>Thu, 30 Apr 2020 15:41:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Largely ignored by scholarship and increasingly occluded in historical memory, Tombolo was once so central to Italian culture and politics that even allusive references to the term could conjure the doubt, anxiety, and indignation of a society working to recover after the war. A pine grove located between Pisa and Livorno, Tombolo housed a large&hellip;<span class="activity-read-more" id="activity-read-more-1685801"><a href="https://mla.hcommons.org/activity/p/1685801/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Repressed Memory and Traumatic History in Alberto Moravia's The Woman of Rome in the group LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/activity/p/1685482/</link>
				<pubDate>Tue, 28 Apr 2020 03:48:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>In composing The Woman of Rome (La Romana, 1948), I argue in this chapter, Moravia was attempting to redress the twinned traumas of national history and personal memory. The novel&#8217;s protagonist, a Roman prostitute, serves as the symbolic incarnation of-as well as the developing resistance to-bourgeois corruption and Fascist coercion. An intricate&hellip;<span class="activity-read-more" id="activity-read-more-1685482"><a href="https://mla.hcommons.org/activity/p/1685482/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1685427/</link>
				<pubDate>Mon, 27 Apr 2020 15:40:48 -0400</pubDate>

				
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				<title>Charles L. Leavitt IV deposited Notes on the End of Rome, Open City in the group LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/activity/p/1685373/</link>
				<pubDate>Mon, 27 Apr 2020 04:18:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>Among the most iconic images in world cinema, the final shot of Rossellini&#8217;s Rome Open City has inspired an effusion of critical commentary but little critical consensus, instead giving rise to opposing interpretations. I argue that the shot, in which the camera pans to follow a band of children as they march on a hillside overlooking the city of&hellip;<span class="activity-read-more" id="activity-read-more-1685373"><a href="https://mla.hcommons.org/activity/p/1685373/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited On the Translation of Literary Terms: Neorealismo and Neue Sachlichkeit in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1685370/</link>
				<pubDate>Mon, 27 Apr 2020 04:12:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay examines the cultural practices and prejudices that shaped the Italian reception of German Neue Sachlichkeit in the 1920s and explores their role in the development of Italian Neorealism in the 1940s. I argue that, precisely because Italian critics approached the German critical category – and indeed all critical categorisation – wit&hellip;<span class="activity-read-more" id="activity-read-more-1685370"><a href="https://mla.hcommons.org/activity/p/1685370/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited On the Translation of Literary Terms: Neorealismo and Neue Sachlichkeit in the group LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/activity/p/1685368/</link>
				<pubDate>Mon, 27 Apr 2020 04:11:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay examines the cultural practices and prejudices that shaped the Italian reception of German Neue Sachlichkeit in the 1920s and explores their role in the development of Italian Neorealism in the 1940s. I argue that, precisely because Italian critics approached the German critical category – and indeed all critical categorisation – wit&hellip;<span class="activity-read-more" id="activity-read-more-1685368"><a href="https://mla.hcommons.org/activity/p/1685368/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Weltliteratur as Anti-Fascism: Philology and Politics in Luigi Foscolo Benedetto’s “Letteratura mondiale’” in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1685367/</link>
				<pubDate>Mon, 27 Apr 2020 04:05:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>The search for a methodology for reading world literature largely entails the development of new critical paradigms, but it has also occasioned a re-examination and rehabilitation of world literature&#8217;s historical formulations. This essay reclaims a forgotten milestone, the 1946 essay &#8220;La &#8216;letteratura mondiale'&#8221; by the eminent Italian philologist&hellip;<span class="activity-read-more" id="activity-read-more-1685367"><a href="https://mla.hcommons.org/activity/p/1685367/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Weltliteratur as Anti-Fascism: Philology and Politics in Luigi Foscolo Benedetto’s “Letteratura mondiale’” in the group LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/activity/p/1685366/</link>
				<pubDate>Mon, 27 Apr 2020 04:04:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>The search for a methodology for reading world literature largely entails the development of new critical paradigms, but it has also occasioned a re-examination and rehabilitation of world literature&#8217;s historical formulations. This essay reclaims a forgotten milestone, the 1946 essay &#8220;La &#8216;letteratura mondiale'&#8221; by the eminent Italian philologist&hellip;<span class="activity-read-more" id="activity-read-more-1685366"><a href="https://mla.hcommons.org/activity/p/1685366/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited An Entirely New Land? Italy's Post-War Culture and its Fascist Past in the group LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/activity/p/1685365/</link>
				<pubDate>Mon, 27 Apr 2020 04:03:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>Scholarship has for decades emphasized the significant continuities in Italian culture and society after Fascism, calling into question the rhetoric of post-war renewal. This article proposes a reassessment of that rhetoric through the analysis of five key metaphors with which Italian intellectuals represented national recovery after 1945:&hellip;<span class="activity-read-more" id="activity-read-more-1685365"><a href="https://mla.hcommons.org/activity/p/1685365/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Impegno nero: Italian Intellectuals and the African-American Struggle in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1685364/</link>
				<pubDate>Mon, 27 Apr 2020 03:57:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>In the aftermath of the Second World War, Italian intellectuals participated in Italy’s reconstruction<br />
with an ideological commitment inspired by the African-American struggle for equal rights in the<br />
United States. Drawing on the work of many of the leading figures in postwar Italian culture,<br />
including Italo Calvino, Giorgio Caproni, Cesare P&hellip;<span class="activity-read-more" id="activity-read-more-1685364"><a href="https://mla.hcommons.org/activity/p/1685364/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">4eb7c6316c37b682038c8f3080a5c19c</guid>
				<title>Charles L. Leavitt IV deposited Impegno nero: Italian Intellectuals and the African-American Struggle in the group LLC African American Forum</title>
				<link>https://mla.hcommons.org/activity/p/1685363/</link>
				<pubDate>Mon, 27 Apr 2020 03:56:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>In the aftermath of the Second World War, Italian intellectuals participated in Italy’s reconstruction<br />
with an ideological commitment inspired by the African-American struggle for equal rights in the<br />
United States. Drawing on the work of many of the leading figures in postwar Italian culture,<br />
including Italo Calvino, Giorgio Caproni, Cesare P&hellip;<span class="activity-read-more" id="activity-read-more-1685363"><a href="https://mla.hcommons.org/activity/p/1685363/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Impegno nero: Italian Intellectuals and the African-American Struggle in the group LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/activity/p/1685362/</link>
				<pubDate>Mon, 27 Apr 2020 03:56:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>In the aftermath of the Second World War, Italian intellectuals participated in Italy’s reconstruction<br />
with an ideological commitment inspired by the African-American struggle for equal rights in the<br />
United States. Drawing on the work of many of the leading figures in postwar Italian culture,<br />
including Italo Calvino, Giorgio Caproni, Cesare P&hellip;<span class="activity-read-more" id="activity-read-more-1685362"><a href="https://mla.hcommons.org/activity/p/1685362/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Il realismo di un nuovissimo Medio Evo: Boccaccio in the Age of Neorealism in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1685361/</link>
				<pubDate>Mon, 27 Apr 2020 03:49:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this essay, I argue that the post-war critical re-interpretation of Boccaccio&#8217;s oeuvre was central to the theory and practice of Italian Neorealism. What is more, I maintain that Neorealism significantly influenced Boccaccio studies, shaping critical approaches to Boccaccio for decades after 1945. Reading scholarly and critical studies of&hellip;<span class="activity-read-more" id="activity-read-more-1685361"><a href="https://mla.hcommons.org/activity/p/1685361/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Il realismo di un nuovissimo Medio Evo: Boccaccio in the Age of Neorealism in the group LLC 20th- and 21st-Century Italian</title>
				<link>https://mla.hcommons.org/activity/p/1685360/</link>
				<pubDate>Mon, 27 Apr 2020 03:48:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this essay, I argue that the post-war critical re-interpretation of Boccaccio&#8217;s oeuvre was central to the theory and practice of Italian Neorealism. What is more, I maintain that Neorealism significantly influenced Boccaccio studies, shaping critical approaches to Boccaccio for decades after 1945. Reading scholarly and critical studies of&hellip;<span class="activity-read-more" id="activity-read-more-1685360"><a href="https://mla.hcommons.org/activity/p/1685360/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1685359/</link>
				<pubDate>Mon, 27 Apr 2020 02:59:36 -0400</pubDate>

				
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				<title>Charles L. Leavitt IV deposited Repressed Memory and Traumatic History in Alberto Moravia's The Woman of Rome</title>
				<link>https://mla.hcommons.org/activity/p/1685358/</link>
				<pubDate>Mon, 27 Apr 2020 02:57:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>In composing The Woman of Rome (La Romana, 1948), I argue in this chapter, Moravia was attempting to redress the twinned traumas of national history and personal memory. The novel&#8217;s protagonist, a Roman prostitute, serves as the symbolic incarnation of-as well as the developing resistance to-bourgeois corruption and Fascist coercion. An intricate&hellip;<span class="activity-read-more" id="activity-read-more-1685358"><a href="https://mla.hcommons.org/activity/p/1685358/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Notes on the End of Rome, Open City</title>
				<link>https://mla.hcommons.org/activity/p/1685342/</link>
				<pubDate>Sun, 26 Apr 2020 20:17:27 -0400</pubDate>

									<content:encoded><![CDATA[<p>Among the most iconic images in world cinema, the final shot of Rossellini&#8217;s Rome Open City has inspired an effusion of critical commentary but little critical consensus, instead giving rise to opposing interpretations. I argue that the shot, in which the camera pans to follow a band of children as they march on a hillside overlooking the city of&hellip;<span class="activity-read-more" id="activity-read-more-1685342"><a href="https://mla.hcommons.org/activity/p/1685342/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited On the Translation of Literary Terms: Neorealismo and Neue Sachlichkeit</title>
				<link>https://mla.hcommons.org/activity/p/1685341/</link>
				<pubDate>Sun, 26 Apr 2020 20:10:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay examines the cultural practices and prejudices that shaped the Italian reception of German Neue Sachlichkeit in the 1920s and explores their role in the development of Italian Neorealism in the 1940s. I argue that, precisely because Italian critics approached the German critical category – and indeed all critical categorisation – wit&hellip;<span class="activity-read-more" id="activity-read-more-1685341"><a href="https://mla.hcommons.org/activity/p/1685341/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Weltliteratur as Anti-Fascism: Philology and Politics in Luigi Foscolo Benedetto’s “Letteratura mondiale’”</title>
				<link>https://mla.hcommons.org/activity/p/1685340/</link>
				<pubDate>Sun, 26 Apr 2020 20:05:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>The search for a methodology for reading world literature largely entails the development of new critical paradigms, but it has also occasioned a re-examination and rehabilitation of world literature&#8217;s historical formulations. This essay reclaims a forgotten milestone, the 1946 essay &#8220;La &#8216;letteratura mondiale'&#8221; by the eminent Italian philologist&hellip;<span class="activity-read-more" id="activity-read-more-1685340"><a href="https://mla.hcommons.org/activity/p/1685340/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1685338/</link>
				<pubDate>Sun, 26 Apr 2020 19:49:07 -0400</pubDate>

				
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				<title>Charles L. Leavitt IV deposited An Entirely New Land? Italy's Post-War Culture and its Fascist Past</title>
				<link>https://mla.hcommons.org/activity/p/1685337/</link>
				<pubDate>Sun, 26 Apr 2020 19:41:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>Scholarship has for decades emphasized the significant continuities in Italian culture and society after Fascism, calling into question the rhetoric of post-war renewal. This article proposes a reassessment of that rhetoric through the analysis of five key metaphors with which Italian intellectuals represented national recovery after 1945:&hellip;<span class="activity-read-more" id="activity-read-more-1685337"><a href="https://mla.hcommons.org/activity/p/1685337/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Impegno nero: Italian Intellectuals and the African-American Struggle</title>
				<link>https://mla.hcommons.org/activity/p/1685336/</link>
				<pubDate>Sun, 26 Apr 2020 19:34:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>In the aftermath of the Second World War, Italian intellectuals participated in Italy’s reconstruction<br />
with an ideological commitment inspired by the African-American struggle for equal rights in the<br />
United States. Drawing on the work of many of the leading figures in postwar Italian culture,<br />
including Italo Calvino, Giorgio Caproni, Cesare P&hellip;<span class="activity-read-more" id="activity-read-more-1685336"><a href="https://mla.hcommons.org/activity/p/1685336/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">6af5a42eb6993e5d272d24f714b65d5d</guid>
				<title>Charles L. Leavitt IV deposited Il realismo di un nuovissimo Medio Evo: Boccaccio in the Age of Neorealism</title>
				<link>https://mla.hcommons.org/activity/p/1685335/</link>
				<pubDate>Sun, 26 Apr 2020 19:30:49 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this essay, I argue that the post-war critical re-interpretation of Boccaccio&#8217;s oeuvre was central to the theory and practice of Italian Neorealism. What is more, I maintain that Neorealism significantly influenced Boccaccio studies, shaping critical approaches to Boccaccio for decades after 1945. Reading scholarly and critical studies of&hellip;<span class="activity-read-more" id="activity-read-more-1685335"><a href="https://mla.hcommons.org/activity/p/1685335/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1685324/</link>
				<pubDate>Sun, 26 Apr 2020 17:48:12 -0400</pubDate>

				
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				<guid isPermaLink="false">96a6741aa6e5c143086380769d6bf45d</guid>
				<title>Charles L. Leavitt IV&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1623370/</link>
				<pubDate>Fri, 09 Nov 2018 16:06:22 -0500</pubDate>

				
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				<title>Charles L. Leavitt IV changed their profile picture</title>
				<link>https://mla.hcommons.org/activity/p/543789/</link>
				<pubDate>Wed, 03 Feb 2016 11:06:59 -0500</pubDate>

				
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				<title>Charles L. Leavitt IV&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/543788/</link>
				<pubDate>Wed, 03 Feb 2016 11:04:33 -0500</pubDate>

				
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				<title>Charles L. Leavitt IV became a registered member</title>
				<link>https://mla.hcommons.org/activity/p/543781/</link>
				<pubDate>Wed, 03 Feb 2016 11:00:41 -0500</pubDate>

				
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