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	<title>MLA Commons | Andrew Reynolds | Activity</title>
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				<title>Andrew Reynolds&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1600194/</link>
				<pubDate>Fri, 09 Feb 2018 16:00:06 -0500</pubDate>

				
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				<title>Andrew Reynolds deposited “Somos ya legión”: Mapping Modernista Poetics and Literary Production in the group Poetics and Poetry</title>
				<link>https://hcommons.org/activity/p/1588600/</link>
				<pubDate>Wed, 15 Nov 2017 16:37:55 -0500</pubDate>

									<content:encoded><![CDATA[<p>This study investigates how digital mapping of lyrical spaces and publication statistics illuminate modernista participation of the global literary field. Using gathered spatial data points from poetic editions from Rubén Darío and Amado Nervo reveal a rich intertextual and geospatial web. The cosmopolitanism and globalized erudition of m&hellip;<span class="activity-read-more" id="activity-read-more-1588600"><a href="https://hcommons.org/activity/p/1588600/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrew Reynolds deposited “Somos ya legión”: Mapping Modernista Poetics and Literary Production in the group Place Studies</title>
				<link>https://hcommons.org/activity/p/1588599/</link>
				<pubDate>Wed, 15 Nov 2017 16:37:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>This study investigates how digital mapping of lyrical spaces and publication statistics illuminate modernista participation of the global literary field. Using gathered spatial data points from poetic editions from Rubén Darío and Amado Nervo reveal a rich intertextual and geospatial web. The cosmopolitanism and globalized erudition of m&hellip;<span class="activity-read-more" id="activity-read-more-1588599"><a href="https://hcommons.org/activity/p/1588599/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrew Reynolds deposited “Somos ya legión”: Mapping Modernista Poetics and Literary Production in the group GeoHumanities</title>
				<link>https://hcommons.org/activity/p/1588598/</link>
				<pubDate>Wed, 15 Nov 2017 16:37:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>This study investigates how digital mapping of lyrical spaces and publication statistics illuminate modernista participation of the global literary field. Using gathered spatial data points from poetic editions from Rubén Darío and Amado Nervo reveal a rich intertextual and geospatial web. The cosmopolitanism and globalized erudition of m&hellip;<span class="activity-read-more" id="activity-read-more-1588598"><a href="https://hcommons.org/activity/p/1588598/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrew Reynolds deposited Transatlantic Sensationalism and the First Printing of Rubén Darío’s ‘A Roosevelt’. in the group Latin America and the Caribbean</title>
				<link>https://hcommons.org/activity/p/1588583/</link>
				<pubDate>Wed, 15 Nov 2017 16:26:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>Nicaraguan poet Rubén Darío once posed the following question concerning the effects of U.S. domination of Cuba 15 years following the Spanish American War: “¿Qué espectáculo ofrece hoy día ese pueblo al espectador imparcial? El de una colonia disimulada donde a las aspiraciones de veinte años de lucha ha sucedido un oscuro servilismo al oro yanq&hellip;<span class="activity-read-more" id="activity-read-more-1588583"><a href="https://hcommons.org/activity/p/1588583/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrew Reynolds deposited Transatlantic Sensationalism and the First Printing of Rubén Darío’s ‘A Roosevelt’.</title>
				<link>https://hcommons.org/activity/p/1587727/</link>
				<pubDate>Thu, 09 Nov 2017 19:17:50 -0500</pubDate>

									<content:encoded><![CDATA[<p>Nicaraguan poet Rubén Darío once posed the following question concerning the effects<br />
of U.S. domination of Cuba 15 years following the Spanish American War: “¿Qué<br />
espectáculo ofrece hoy día ese pueblo al espectador imparcial? El de una colonia<br />
disimulada donde a las aspiraciones de veinte años de lucha ha sucedido un oscuro<br />
servilismo al oro y&hellip;<span class="activity-read-more" id="activity-read-more-1587727"><a href="https://hcommons.org/activity/p/1587727/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrew Reynolds deposited “Somos ya legión”: Mapping Modernista Poetics and Literary Production</title>
				<link>https://hcommons.org/activity/p/1587724/</link>
				<pubDate>Thu, 09 Nov 2017 19:09:02 -0500</pubDate>

									<content:encoded><![CDATA[<p>This study investigates how digital mapping of lyrical spaces and publication statistics illuminate modernista participation of the global literary field. Using gathered spatial data points from poetic editions from Rubén Darío and Amado Nervo reveal a rich intertextual and geospatial web. The cosmopolitanism and globalized erudition of m&hellip;<span class="activity-read-more" id="activity-read-more-1587724"><a href="https://hcommons.org/activity/p/1587724/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrew Reynolds changed their profile picture</title>
				<link>https://mla.hcommons.org/activity/p/73009/</link>
				<pubDate>Wed, 11 Jun 2014 13:41:14 -0400</pubDate>

				
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				<title>Andrew Reynolds changed their profile picture</title>
				<link>https://mla.hcommons.org/activity/p/30407/</link>
				<pubDate>Mon, 22 Apr 2013 19:35:05 -0400</pubDate>

				
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