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	<title>MLA Commons | Andrea Kouklanakis | Activity</title>
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	<description>Activity feed for Andrea Kouklanakis.</description>
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				<title>Andrea Kouklanakis deposited Translating Luiz Gama: ‘No álbum do meu Amigo J.A. da Silva’ (In my friend’s album)</title>
				<link>https://hcommons.org/activity/p/1852968/</link>
				<pubDate>Thu, 27 Jul 2023 15:20:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>Luiz Gama’s poem ‘No Álbum do meu Amigo J.A. da Silva’ from the collection Primeiras Trovas Burlescas de Getulino (1859, 1861) is formulated as an extended recusatio in response to a friend’s request for a song. In this way, Gama apologizes for his inability to compose refined poems given his circumstances (he is poor and he is black). In this non&hellip;<span class="activity-read-more" id="activity-read-more-1852968"><a href="https://hcommons.org/activity/p/1852968/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrea Kouklanakis deposited Color Metamorphosis In Mário De Andrade’s Macunaíma And In Heliodorus’ Aethiopica</title>
				<link>https://hcommons.org/activity/p/1852967/</link>
				<pubDate>Thu, 27 Jul 2023 15:09:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>In Mário de Andrade’s novel Macunaíma, the eponymous hero is born ‘deep in the forest,’ ‘ink-black’ (retinto), and ugly. Macunaíma’s blackness becomes synonymous with ugliness, just as he becomes beautiful when he becomes white. This paper juxtaposes the circumstances of Macunaíma’s birth, the impression of the surrounding nature on his mother at&hellip;<span class="activity-read-more" id="activity-read-more-1852967"><a href="https://hcommons.org/activity/p/1852967/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrea Kouklanakis deposited From Cultural Appropriation to Historical Emendation/ Two Case Studies of Receptions of the Classical Tradition in Brazil</title>
				<link>https://hcommons.org/activity/p/1852964/</link>
				<pubDate>Thu, 27 Jul 2023 14:44:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>This book chapter treats of the appropriation of Greco-Roman classical material in the works of two Brazilian authors. One is Domício Proença Filho, a contemporary Afro-Brazilian poet, the other,  Luís Câmara Cascudo, an ethnographer and folklorist writing during the first half of the twentieth century.</p>
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				<title>Andrea Kouklanakis deposited “Roma Negra: Salvador, Brazil, and Afro-Latin American Classicisms.”</title>
				<link>https://hcommons.org/activity/p/1852960/</link>
				<pubDate>Thu, 27 Jul 2023 14:22:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article is an examination and discussion of the history of the term &#8220;Roma Negra&#8221; as a reference to the state of Bahia in Brazil, with implications for the study of trans-historical comparative slavery and the role of religion in the lives of the enslaved both in Bahia and in ancient Rome.</p>
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				<title>Andrea Kouklanakis deposited Review: Untitled</title>
				<link>https://hcommons.org/activity/p/1852956/</link>
				<pubDate>Thu, 27 Jul 2023 14:08:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article is a book review of Peter Green&#8217;s 2015 translation of Homer&#8217;s Iliad.</p>
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				<title>Andrea Kouklanakis deposited “Representations of the Classics in the Works of Two Mulatto Writers in Brazil.”</title>
				<link>https://hcommons.org/activity/p/1852953/</link>
				<pubDate>Thu, 27 Jul 2023 13:58:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article is an examination of classicicisms in select works of Brazilian authors Luiz Gama and Machado de Assis.</p>
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				<title>Andrea Kouklanakis deposited Algumas Considerações sobre a Tradução de Finismundo para o Inglês</title>
				<link>https://hcommons.org/activity/p/1852952/</link>
				<pubDate>Thu, 27 Jul 2023 13:42:48 -0400</pubDate>

									<content:encoded><![CDATA[<p>Este trabalho é um comentário sobre a minha tradução de &#8220;Finismundo: a última viagem, poema de Haroldo de Campos.&#8221;</p>
<p>This article is a commentary on my translation of &#8220;Finismundo: the last voyage, a poem by Haroldo de Campos,&#8221; from Portuguese into English.</p>
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				<title>Andrea Kouklanakis deposited Finismundo: The Last Voyage (from Finismundo: A Última Viagem by Haroldo de Campos)</title>
				<link>https://hcommons.org/activity/p/1852951/</link>
				<pubDate>Thu, 27 Jul 2023 13:25:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>In the first part of Finismundo, Haroldo de Campos recalls Dante’s solution and reimagines one last journey for the aging hero — a journey post-Ithaca. This is the ultimate journey, the one that puts adventure and the search for the unknown (hubris) above domestic peace. The gods, however, punish Odysseus. The shipwreck is inevitable, and it mar&hellip;<span class="activity-read-more" id="activity-read-more-1852951"><a href="https://hcommons.org/activity/p/1852951/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Andrea Kouklanakis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1852915/</link>
				<pubDate>Wed, 26 Jul 2023 22:05:18 -0400</pubDate>

				
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				<title>Andrea Kouklanakis deposited Thersites Odysseus and the Social Order</title>
				<link>https://hcommons.org/activity/p/1852885/</link>
				<pubDate>Wed, 26 Jul 2023 16:27:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article analyzes the speech of the Homeric character Thersites in Iliad 2, with a view to teasing out its sociological implications.</p>
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				<title>Andrea Kouklanakis changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1852873/</link>
				<pubDate>Wed, 26 Jul 2023 12:01:46 -0400</pubDate>

				
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