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	<title>MLA Commons | Anne Eakin Moss | Activity</title>
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				<title>Anne Eakin Moss deposited The Camera Shot and the Gun Sight in the group Soviet and Russian history and culture</title>
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				<pubDate>Tue, 19 Jan 2021 02:23:46 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article examines the link posited by Virilio and others between the camera shot and gun shot, arguing that this link operates differently in the context of Soviet vs. Western fantasies of agency, community and technology. Comparing THE LOST PATROL (USA 1934, John Ford) with TRINADTSAT (THIRTEEN, UdSSR 1936, Mikhail Romm), it asks what kind of&hellip;<span class="activity-read-more" id="activity-read-more-1723729"><a href="https://hcommons.org/activity/p/1723729/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anne Eakin Moss deposited The Camera Shot and the Gun Sight in the group Film Studies</title>
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				<pubDate>Tue, 19 Jan 2021 02:23:39 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article examines the link posited by Virilio and others between the camera shot and gun shot, arguing that this link operates differently in the context of Soviet vs. Western fantasies of agency, community and technology. Comparing THE LOST PATROL (USA 1934, John Ford) with TRINADTSAT (THIRTEEN, UdSSR 1936, Mikhail Romm), it asks what kind of&hellip;<span class="activity-read-more" id="activity-read-more-1723728"><a href="https://hcommons.org/activity/p/1723728/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anne Eakin Moss deposited The Camera Shot and the Gun Sight in the group Film-Philosophy</title>
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				<pubDate>Tue, 19 Jan 2021 02:23:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article examines the link posited by Virilio and others between the camera shot and gun shot, arguing that this link operates differently in the context of Soviet vs. Western fantasies of agency, community and technology. Comparing THE LOST PATROL (USA 1934, John Ford) with TRINADTSAT (THIRTEEN, UdSSR 1936, Mikhail Romm), it asks what kind of&hellip;<span class="activity-read-more" id="activity-read-more-1723727"><a href="https://hcommons.org/activity/p/1723727/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Anne Eakin Moss deposited The Camera Shot and the Gun Sight</title>
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				<pubDate>Sat, 16 Jan 2021 15:36:05 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article examines the link posited by Virilio and others between the camera shot and gun shot, arguing that this link operates differently in the context of Soviet vs. Western fantasies of agency, community and technology. Comparing THE LOST PATROL (USA 1934, John Ford) with TRINADTSAT (THIRTEEN, UdSSR 1936, Mikhail Romm), it asks what kind of&hellip;<span class="activity-read-more" id="activity-read-more-1723440"><a href="https://hcommons.org/activity/p/1723440/" rel="nofollow ugc">[Read more]</a></span></p>
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